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管風琴家|劉信宏
\n\n美國華盛頓大學音樂博士。現為台南神學院專任教授,兼任教於國立臺北藝術大學、臺南應用科技大學。2015-2016年間獲邀至加拿大英屬哥倫比亞大學、溫哥華神學院擔任訪問學者,現為美國管風琴家協會會員與臺灣管風琴家協會理事長。
\n\n曾擔任行政院公共建設審查委員會委員、臺北國家音樂廳管風琴親子音樂會顧問與高雄衛武營國家藝術文化中心籌備處管風琴委員會召集人。協助修建臺南奇美博物館的管風琴、2015年國家音樂廳管風琴,並建構臺灣最大的大稻埕教會管風琴、屏東演藝廳管風琴,與目前亞洲最大、全世界最先進的「衛武營國家藝術文化中心 - 音樂廳管風琴」。
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管風琴家|Sean Jackson (9、12月場客席管風琴家)
\n\n國際上出色的獨奏家和伴奏家,演出遍及英國、愛爾蘭、德國、臺灣、中國大陸、加拿大、美國及加勒比海。於倫敦皇家音樂學院學習取得學士學位後,進入茱莉亞音樂學院完成了碩士和博士學位。在學期間獲獎無數,包括倫敦皇家音樂學院 Parratt、Walford Davies 和 Geoffrey Tankard 管風琴獎、Douglas Whittaker Chamber Music 獎;以及茱莉亞音樂學院 A.H. Kuhn 紀念獎學金、1999 年 William Schumann 獎和 C.V. Starr 茱莉亞音樂學院博士獎學金。自2004 年以來,在美國東北部的一些教堂擔任管風琴師及音樂總監,其中包括斯坦威奇公理會教堂。目前已錄製多張獨奏及合作專輯。
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管風琴家|陳相瑜(12月場客席管風琴家)
\n\n管風琴家、鋼琴家兼大鍵琴演奏家,國家表演藝術中心「樂壇新秀」及「中興文藝獎」音樂類得主。
\n\n國立臺北藝術大學畢業,主修鋼琴,副修大鍵琴;美國西北大學管風琴演奏暨鋼琴演奏碩士。
\n\n曾與國家交響樂團、長榮交響樂團、台北愛樂管弦樂團、中國貴陽交響樂團、台北市民交響樂團等合作,擔任管風琴獨奏,也曾參與總統府音樂會、臺北藝術大學音樂廳及屏東演藝廳開幕系列音樂會、鼓浪嶼音樂節閉幕音樂會演出。除了獨奏、室內樂外,也經常受邀參與各大樂團、合唱團演出。
\n\n現任教於東吳大學音樂系,演出教學之餘,常受邀撰寫音樂相關文章,文字作品發表於部落格《陳相瑜的音樂世界》。
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主持人|朱郁柔 Abby CHU
\n\nOrgelkids Taiwan 音樂總監;曾經擔任多場屏東演藝廳管風琴推廣音樂會主持人、屏東演藝廳管風琴工作坊講師、屏東藝遊影音「9分鐘認識音樂界的重量級樂器-管風琴」主講人、屏東演藝廳兒童管風琴夏令營音樂總監、衛武營「玩樂管風琴」管風琴工作坊講師、衛武營管風琴校園推廣計畫講師、國藝會「音樂飄鄉」組裝Orgelkids 小管風琴工作坊講師。
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\n'},{reference:[],type:"content",name:"管風琴介紹",content:'
管風琴是世界上最古老的樂器之一,歷史可以追溯至西元前三世紀的古希臘。由於演奏效果莊嚴宏偉,與教堂迴聲搭配更顯氣勢,加上有多變的音色選擇,從中世紀開始,管風琴成為宗教音樂中相當重要的存在,也讓後世作曲家為管風琴創作大量作品。
\n\n隨著傳教士的腳步,管風琴走出歐洲,在全球的教堂內出現,像是在臺灣就有三十幾台位於教會內的管風琴。而在西方古典音樂成為主流演出的當代,建造音樂廳等表演場館時,管風琴亦成為標準配備,讓更多觀眾能夠有機會聽到此項雄偉樂器的壯觀聲響。
\n\n因此,衛武營在規劃時,就決定要在音樂廳內建置管風琴,委託德國波昂百年管風琴製造商克萊斯(Johannes Klais Orgelbau)量身打造,歷經三年多時間完成,共有9085支音管與127支音栓,為目前亞洲最大的音樂廳演奏用管風琴,也是目前全世界音樂廳內唯一可以同時邀請3位管風琴家登台演奏的音樂廳。與葡萄園式觀眾席融為一體的外觀設計,更是讓來訪的世界級管風琴家們驚艷不已!
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\n\t\t\t 7/13(四)14:30-15:30 | \n\t\t|
\n\t\t\t 「把拔馬麻,最上面的那個又大又亮、還有好多根柱子是什麼啊?」「喔,那個叫做管風琴啊~」「那~管風琴又是什麼東西呢?」「這個……」不知道該如何和孩子解釋管風琴嗎?交給最受小朋友喜歡的花露露來幫忙吧! ►節目詳情 \n\t\t\t | \n\t\t|
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\n\t\t\t 8/2(三)14:30-15:30 \n\n\t\t\t【永恆的愛-巴洛克協奏曲】 \n\n\t\t\t※舞台零距離體驗場 \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 在七夕情人節的浪漫氣氛中,管風琴家劉信宏規劃演出兩首音樂史上最著名的《婚禮進行曲》──華格納與孟德爾頌筆下的動聽旋律,將以管風琴獨奏呈現,讓人彷彿置身教堂、為新人線上祝福!透過兩首名曲,觀眾同時可以感受比起管弦樂團版本,管風琴演奏絲毫不遜色。為了更加印證此點,劉信宏將進一步演出兩首改編自韋瓦第樂團協奏曲的作品:巴赫《D小調協奏曲》及約翰.華爾特《B小調協奏曲》,充分展現管風琴的音色多變性。同時佐以巴赫《耶稣,世人仰望的喜悦》與米特爾《F大調幻想曲》兩首動聽小品,展開溫馨幸福的序幕! \n\n\t\t\t\n\n\t\t\t 華格納:結婚進行曲 ,選自《羅恩格林》 \n\n\t\t\t巴赫:《耶穌,世人仰望的喜悅》,作品147 \n\n\t\t\t孟德爾頌:結婚進行曲,選自《仲夏夜之夢》,作品61 \n\n\t\t\t約翰・華爾特:b小調協奏曲,作品133(改編自韋瓦第e小調協奏曲,RV275) \n\n\t\t\t米特爾:給管風琴的F大調幻想曲 \n\n\t\t\t巴赫:d小調協奏曲,作品596 (改編自韋瓦第d小調協奏曲,作品3,第11號,RV565) \n\t\t\t | \n\t\t|
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\n\t\t\t 9/27(三)14:30-15:30 \n\n\t\t\t【管風琴唱世界民謠】 ※客席演奏家:Sean JACKSON \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 大家已經相當熟悉聽到管風琴演出聖歌或詩篇,如果管風琴彈出的是眾人耳熟能詳、傳頌不已的民謠,又會是怎樣的風味呢?本場次劉信宏將以陳泗治的《台灣素描》彈出管風琴音中的寶島風景,並且邀請出生於加勒比海的尚傑生,改編他心中的經典臺灣旋律;另外,劉信宏更融合臺語歌謠《孤戀花》與世界名曲《小白花》,展現音樂超越國籍的無遠弗屆;尚傑生則會帶來充滿熱帶風情的故鄉旋律,搭配上本次的「自由移動場」設計,觀眾不妨在音樂廳的不同角落,感受來自世界的風,在音樂廳內的不停流轉! \n\n\t\t\t\n\n\t\t\t 尚傑生改編:巴多斯民謠交響曲 陳泗治:《台灣素描》選取,劉信宏改編給管風琴 尚傑生改編:三首臺灣名謠 劉信宏改編:真善美小白花、臺灣孤戀花 \n\n\t\t\t帕爾迪尼:《奇異恩典觸技曲》 \n\t\t\t | \n\t\t|
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\n\t\t\t 10/18(三)14:30-15:30 \n\n\t\t\t【Knock!Knock!不給音樂就搗蛋】 \n\n\t\t\t※舞台零距離體驗場 \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 管風琴的多變性究竟多高呢?在傳統的宗教意象之外,管風琴於當代影視作品的形象,似乎更常帶來「群魔亂舞」的驚悚效果:畢竟以一人之力就能展現出碩大的壓制音響,不是神力便是怪力!本場次結合萬聖節,精選神祕詭譎效果的管風琴曲目:已然成為「吸血鬼」的代名詞的巴赫d 小調觸技曲與賦格,以及展現獨特音色與旋律的當代爵士散拍作品,加上德布西《月光》的夜色沉思後,又以蘇莎《永恆的星條旗》展開盛大遊行!觀眾也可以在「舞台零距離體驗場」的設計中,到琴座正下方感受強烈震撼力。 \n\n\t\t\t\n\n\t\t\t 玻耶爾曼:《哥德組曲》 巴赫:d 小調觸技曲與賦格,BWV 565 玻爾康:〈快來傳道,穩當根基自由幻想曲〉選自《散拍,福音音樂前奏曲》 \n\n\t\t\t德布西:〈月光〉,選自《貝加馬斯克組曲》作品 L75 – 第三首 \n\n\t\t\t蘇沙:《永恆的星條旗》 \n\t\t\t | \n\t\t|
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\n\t\t\t 11/22(三)14:30-15:30 \n\n\t\t\t【管風琴大戰交響樂】 \n\n\t\t\t※自由移動體驗場 \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 雙手雙腳加上數百根音管,管風琴能展現的音色與音量變化,足以媲美百人交響樂團!本場次管風琴家劉信宏將化身一人指揮兼樂手,展現管風琴以一擋百的壯闊氣勢!法國作曲家邦內給音樂會的變奏曲,以及同樣來自法國的維多所寫的「交響曲」,其實都是單純為管風琴獨奏寫的曲目,光從曲名就能感受到作曲家認為「管風琴=樂團」的基本定調;而大眾熟悉的影視作品:約翰.威廉斯《星際大戰》〈帝國進行曲〉,以及漢斯.季默為《星際效應》創作的配樂,則是展現出管風琴足以與無邊宇宙的對應功力,在本場次的「自由移動場」設計下,觀眾可以用不同角度聆賞管風琴的壯闊浩瀚。 \n\n\t\t\t\n\n\t\t\t 邦內:給音樂會的變奏曲,作品一 \n\n\t\t\t漢斯‧季默:電影《星際效應》配樂組曲 \n\n\t\t\t約翰‧威廉斯:〈帝國進行曲〉電影《星際大戰》主題曲 \n\n\t\t\t莫利克奈:《新天堂樂園》 電影主題曲 \n\n\t\t\t馬斯卡尼:歌劇《鄉村騎士》間奏曲 \n\n\t\t\t維多:第三樂章〈如歌的行板〉,選自第四號管風琴交響曲 \n\n\t\t\t維多:〈終曲〉,選自第六號管風琴交響曲 \n\t\t\t | \n\t\t|
主辦單位保留本活動變更權利。
\n\t本活動之費用將列入衛武營會員卡消費點數累積。
\n\t舞台零距離體驗場:開放舞台區、合唱席F1-F7排自由入座。
\n\t自由移動體驗場:開放1F 1-12排、A1-A6排、2F B1-B8排 一般席自由入座。
\n\t衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n參與2023年定時導覽「廳院導覽」、主題導覽「廳院自由探索」至三樓服務中心臨櫃購買2023【探索管風琴音樂】演出,即享購票8折優惠(各項優惠折扣方案僅能擇一使用),不限購買張數。
\n\t衛武營卡友:9折
\n\t團票:8折(30人以上)
\n\t敬老票、身障及陪同:5折
\n\t更多優惠方案詳見售票頁面。
\n\t走進衛武營音樂廳,除了驚嘆葡萄園式觀眾席與極佳音響效果外,位於最頂層的管風琴,也是眾人矚目的焦點。若是您曾經好奇,這台亞洲最大的音樂廳管風琴,究竟能展現什麼樣的百變樣貌,「探索管風琴音樂」系列活動,將是得到解答的大好機會!
\n活動透過搭配其他樂器以及加入燈光效果等特殊聆賞規劃,加上平易近人的專業解說,展現管風琴的萬千變換與可親可愛。
\n活動特別安排「舞台零距離體驗場」將舞台區轉變為觀眾席區,讓您近距離一睹管風琴風采;「自由移動體驗場」在曲目間安排換位橋段,透過體驗不同的欣賞演出視角,做為您日後蒞臨音樂廳欣賞演出的座位參考。
\n每月一小時,相約「探索管風琴音樂」,揭開管風琴的神祕面紗,拉近管風琴與我們的距離!
\n 2023下半年活動場次表
\n\t\t\t 12/13(三)14:30-15:30 \n\n\t\t\t【管風琴聖誕饗宴】 \n\n\t\t\t※客席演奏家:Sean JACKSON、陳相瑜 \n\n\t\t\t\n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 歲末將至,本場次將由三位管風琴家:劉信宏、尚傑生與陳相瑜一同登台,聯手帶來最應景佳節氣息的「管風琴聖誕饗宴」!除了精選從孟德爾頌、柴科夫斯基到美國黑人靈歌等歷史上極具聖誕氣息的曲目外,本場最特別的,是三位音樂家將使出渾身解數,不但要打開音樂廳3樓兩側的所有管風琴,同時連線一樓與三樓的琴座演奏外,更會在不同曲目中加入鋼琴與移動式管風琴,展現出不同鍵盤樂器交融的特殊效果,把衛武營管風琴的效能發揮到淋漓盡致,並為今年畫下精采熱鬧的休止符! \n\n\t\t\t\n\n\t\t\t 維耶爾恩:《西敏寺的鐘聲》,作品54 第六號 \n\n\t\t\t《法國聖誕鐘聲變奏曲》傑瑞. 威斯頓庫勒改編 \n\n\t\t\t孟德爾頌‧巴妥爾迪:《聖誕歌謠-齊來敬拜》,珍妮.戴梅西 改編 \n\n\t\t\t美國黑人靈歌《去山頂傳揚》,艾略特. 理查德改編 \n\n\t\t\t柴科夫斯基:〈糖梅仙子之舞〉選自《胡桃鉗組曲》 \n\n\t\t\t美國黑人靈歌《祂雙手掌握全世界》,喬爾.雷尼改編 \n\n\t\t\t杜普雷:《齊來敬拜》變奏曲 \n\n\t\t\t阿道夫.亞當:《聖善夜》 \n\n\t\t\t魏多:觸技曲,f小調第五號管風琴交響曲,作品42/1 \n\t\t\t | \n\t\t|
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好書推薦
\n\n《打開管風琴的祕密》
\n\n由來自德國的繪本作者西妮雅.博尼希編寫繪製,衛武營取得授權後和時報出版合作在臺發行繁體中文版。以淺顯易懂的文字和充滿童趣插圖,講解樂器之王管風琴的組成構造、發聲原理,以及衛武營音樂廳中全亞洲最大管風琴,如何由德國波昂的百年管風琴製造廠Johannes Klais Orgelbau, 歷經三年多時間設計製造,並橫跨9,500多公里搬運來到高雄衛武營組裝完工的巨大挑戰 。
\n►購買連結
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藝文支持
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文化部校外文化體驗
\n\n本活動與文化部、各地方的藝文場館及周邊場域串聯,提供文化體驗內容,共同合作推動學校帶領學生走出校園,走進戲劇院、音樂廳、演藝廳、美術館、博物館、歷史現場及績優社區營造點等文化場域,培養高中職、國中小之學子對文化藝術的興趣和感知,培育藝文欣賞人口,建立文化自信。
\n\n歡迎各縣市高中職、國中小詢問所屬縣市或有意前往縣市的文化局(處)諮詢窗口,報名參與。
\n\n►活動詳情
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Artists Introduction",content:'
Pipe Organist|LIU Hsin-hung
\n\nDr. LIU holds a Doctor of Musical Arts degree from the University of Washington and is currently a professor at Tainan Theological College and Seminary and an adjunct professor at Taipei National University of the Arts and Tainan University of Technology. LIU is a member of the American Guild of Organists (AGO) and serves as the chair of the AGO's Taiwan Chapter.
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Guest Organist|Sean JACKSON (Sep, Dec)
\n\nAn outstanding soloist and accompanist on the international stage, JACKSON has performed in the many countries worldwide. Since 2004, he has served as the organist and music director of music at churchs in Northeastern USA. To date, he has recorded numerous solo and collaborative albums.
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Guest Organist|CHEN Hsiang-yu (Dec)
\n\nOrganist, pianist, and harpsichordist; recipient of the NTCH Prominent Young Musician and Chunghsing Arts Award for music. Currently teaching at Soochow University Department of Music, CHEN is often invited to write music-related articles, and her written works are published on her blog Chen Hsiang-yu's Music World.
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Host|Abby CHU
\n\nAbby CHU is Orgelkids Taiwan music director. She has served as a host of Educational Lecture Recitals for Organ, lecturer of the Organ Workshop in Pingtung Performing Arts Center and Weiwuying, speaker of Pingtung Performing Arts' Film A 9 minutes introduction to the King of Musical Instruments- Organ, the music director of Orgelkids Taiwan Summer Music Camp, and the lecturer of Developing STEM Approaches for Understanding Organ Project in Schools.
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\n'},{reference:[],type:"content",name:"The pipe organ",content:"
The pipe organ is one of the world's oldest instruments, dating back to as early as the 3 rd century BC in Greece. Since it has a majestic, dignified sound, which is even more pronounced by the echo in large churches, along with its variance in timbre, it became an important presence in Christianity beginning in the Middle Ages, in turn prompting the composition of a great number of pieces over time.
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As missionaries brought their faith out of Europe, the organ followed to churches all over the world—over 30 can be found in Taiwanese churches. Now that Western classical music is a popular genre, almost all concert halls are built with an organ, allowing people all over to hear the grandeur of this fascinating instrument.
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Similarly, an organ was also put into the plans for Weiwuying.Century-old German organ manufacturer Johannes Klais Orgelbau built the instrument, which has 9,085 pipes and 127 stops, over a period of a bit more than three years. It is both the largest organ in Asia and the only concert hall organ in the world with the capacity to be played by three organists at the same time.Being perfectly blended into the vineyard seating as the cherry on top, it never fails to stun world-class organists from around the globe!
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\n"},{reference:[],type:"content",name:"Past sessions",content:'
Discount
\n\nBesides the breathtaking vineyard-style seating and outstanding acoustics at the Weiwuying Concert Hall, the pipe organ, located on the top floor, is another major highlight. If you're wondering what this largest organ in Asia can do, our Explore the Pipe Organ series of events is just what you're looking for!
\n\nPerformances will be enhanced with other instruments, special lighting effects, and informative explanations, which will make the organ's diversity and charm more accessible and understandable to the audience.
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In addition, the programs boast two unique features: The first is that they will be Close-up Shows—the stage will be transformed into a seating area to give the audience an even closer experience with the organ. The second is the Musical Chairs aspect: members of the audience will be permitted to get up and move to other seats between pieces of music to try out different perspectives and get an idea of which seats they would like to reserve for future performances.
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So for an hour each month, come to our Explore the Pipe Organ events to see all the secrets behind this fascinating instrument!
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\n Programs
\n\t\t\t 8/2(Wed)14:30-15:30 \n\n\t\t\tEternal Love - Baroque Concertos (Close-up Show) \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t For the romantic atmosphere of Chinese Valentine's Day, August's event will showcase solo organ performances of two of history's most well-known songs, WAGNER's "Bridal Chorus" from Lohengrin and MENDELSSOHN's "Wedding Procession" from A Midsummer Night's Dream—you might just think you should be throwing rice and crying! The show will produce a different, but by no means inferior, feel compared with the commonly heard orchestra versions. \n\n\t\t\tTo emphasize this distinction, BACH's Concerto in d minor and WALTHER's Concerto in b minor (adaptations of concertos by VIVALDI) will fully express the diversity of the organ's timbre. In addition, BACH's "Jesu, Joy of Man's Desiring" and MÜTHEL's Fantasie in F Major for Organ will add to the warmth and joy of the program. \n\t\t\t | \n\t\t|
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\n\t\t\t 9/27(Wed)14:30-15:30 \n\n\t\t\tEchoing Folk Songs from Around the World (Musical Chairs) \n\n\t\t\tOrganist|Sean JACKSON \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t Most people are accustomed to pipe organs performing hymns or psalms. But what would it be like if the pipe organ played well-known and enduring folk songs? In this performance, LIU Hsin-hung will play Taiwan Sketches by CHEN Si-chih on the pipe organ, presenting the island's landscapes. LIU also invites Caribbean organist and pianist, Sean JACKSON, to adapt classic Taiwanese melodies dear to him. Furthermore, LIU blends the Taiwanese ballad "Lonely Flower" with the world-famous "Edelweiss" demonstrating how music transcends boundaries. JACKSON will also bring melodies filled with tropical charm. Combined with the ’musical chair’ series where audience are invited to choose or change seats, they can experience music from across the globe all within the concert hall! \n\t\t\t | \n\t\t|
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\n\t\t\t 10/18(Wed)14:30-15:30 \n\n\t\t\tKnock! Knock! Music or Trick! (Close-up Show) \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t How versatile is a pipe organ? Beyond religious imagery, the pipe organ in contemporary film and television tends to bring about a thrilling and devious effect. After all, a person with the ability to produce a massive and overpowering sound, is either an act of divinity or monstrosity. This Halloween-themed performance selects organ pieces with mysterious and eerie qualities: BACH's Toccata and Fugue in d minor, already synonymous with "vampires," unique contemporary jazz syncopated pieces, and the pensive Clair de Lune by DEBUSSY, SOUSA's grand The Stars and Stripes Forever. Audience can also feel the intense impact of the instrument whilst seating directly under the organ in this "close-up show" concert. \n\t\t\t | \n\t\t|
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\n\t\t\t 11/22(Wed)14:30-15:30 \n\n\t\t\tThe Pipe Organ Battles the Symphony (Musical Chairs) \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t With the use of both hands and feet of the musican, together with hundreds of pipes, the pipe organ can be an equal match to a modern full-size symphony orchestra! In this performance, pipe organist LIU Hsin-hung will act as a conductor and an orchestra all by himself to demostrate the granduer of this instrument!! Variations de Concert by French composer Joseph BONNET and the symphonies of French composer Charles-Marie WIDOR are written solely for solo organ. From the title alone, you can detect how the composers equate the pipe organ with the orchestra. The popular film scores such as John WILLIAMS' "Imperial March" from Star Wars and Hans ZIMMER's score for Interstellar, demonstrate the organ's ability to correspond to the boundless universe. In this 'musical chair' series, audience are invited to change or choose seats, giving them an opportunity to appreciate to appreciate the grandeur of the pipe organ from various angles. \n\t\t\t | \n\t\t|
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\n\t\t\t 12/13(Wed)14:30-15:30 \n\n\t\t\tChristmas Feast of Joy \n\n\t\t\tOrganist|Sean JACKSON, CHEN Hsiang-yu \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t At the end of 2023, three organists: LIU Hsin-hung, Sean JACKSON, and CHEN Hsiang-yu, will jointly present “Resounding Joy: The Pipe Organ Christmas Extravaganza,” which includes a selection of Christmas-themed pieces across history, including works from HANDEL, TCHAIKOVSKY, and American Negro Spirituals. They will pull out all their stops and fully utilizing all the organs, including one on stage, two on the third floor, a concert piano and a positive organ. This program will showcase the special blend of different keyboard instruments and demonstrate the full potential of Weiwuying's pipe organ, drawing a lively and exciting conclusion for the year! \n\t\t\t | \n\t\t|
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\n',team:""},createdAt:1679043720,updatedAt:1701848980,updatedBy:"林蔚行",host:!1},{_id:"641c1c96653c730007b385c0",catalogs:["6010ca1afb81540009f438e6","6007fc45ba34870007c22b8b"],dateTime:{first:1685080800,discrete:[{time:1685080800},{time:1685151e3},{time:1685169e3},{time:1686708e3},{time:1686724200},{time:1686965400},{time:1686983400},{time:1694239200},{time:1694259e3},{time:1696572e3},{time:1696740300},{time:1703311200},{time:1703329200}],type:"discrete"},activity:{type:"free",free:{description:"報名參與"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"授課團隊",content:'
授課團隊
\n\n【音樂芭蕾劇場《遇見胡桃鉗的女孩》大耳朵芭蕾工作坊】
\n\n講師-周書毅
\n\n從身體出發,用舞蹈作為與世界溝通的語言,關注人與社會環境之間的關係。在過往的創作及行動中,善用跨界力量的特性,強烈表現在藝術公共性上的著墨。編創聚焦叩問生命的價值,反映個人或群體在不同社會脈絡下的狀態,提出「屬於亞洲的身體語彙」,並以劇場、非傳統劇場、舞蹈錄像等形式呈現,持續以移地移居創作的方式遊走各地。
\n自2020年起受邀擔任衛武營駐地藝術家,移居南方,並被聘為2022年暨2024年臺灣舞蹈平台策展人。
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\n'},{reference:[],type:"content",name:"活動回顧",content:'
報名時程
\n\n上半年度(1-6月)
\n\n2023/3/29(三)12:00起至各場次額滿為止。
\n\n若該場次未報名額滿,將於演出前一週關閉報名表單。
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友善學習工作坊
\n\n【尤法.皮克《巴赫d小調》大手大腳肢體工作坊】
\n\n\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 5/26(五)14:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 肢體課程1 \n\t\t\t | \n\t\t\t1182排練室 | \n\t\t
\n\t\t\t 5/27(六)09:30-12:30 \n\t\t\t | \n\t\t\t\n\t\t\t 肢體課程2 \n\t\t\t | \n\t\t|
\n\t\t\t 5/27(六)14:30-15:30 \n\t\t\t | \n\t\t\t\n\t\t\t 尤法.皮克《巴赫d小調》 \n\n\t\t\t演出欣賞 \n\t\t\t | \n\t\t
\n\n
授課團隊
\n\n滯留島舞蹈劇場
\n\n由視障編舞家張忠安於2010年創立,為國藝會年度獎助演藝團隊,作品屢獲國際邀演。期許能將南部人才「滯留」於在地發揮長處,停靠在「島」所提供的空間與機會,著力向下扎根、扶植在地人才,以實驗精神探索創新,關懷社會人文及時事為舞作議題,為弱勢團體發聲。
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來自屏東的視障編舞張忠安在十七歲那年因右眼失明,放棄北藝大舞蹈系回到南部家鄉,然而編舞及身體語彙是他表達思想、與世界溝通鏈結的重要存在,持續不間斷地為自己和他人進行訓練、教學和編舞。在沒有學術資源與經歷下,以對舞蹈的熱忱及追尋夢想的勇氣在2010年創立了滯留島舞蹈劇場,期望將人才滯留南方。舞團近年更致力於透過公共性的參與、藝術創作及節慶式的共融活動來提升大眾關注文化平權。
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【探索管風琴音樂《毛小孩的狂歡》大眼睛管風琴工作坊】
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\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 6/14(三)10:00-12:00 \n\t\t\t | \n\t\t\t\n\t\t\t 管風琴課程 \n\t\t\t | \n\t\t\t1186排練室 | \n\t\t
\n\t\t\t 6/14(三)14:30-15:30 \n\t\t\t | \n\t\t\t\n\t\t\t 探索管風琴音樂《毛小孩的狂歡》 \n\n\t\t\t演出欣賞 \n\t\t\t | \n\t\t
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授課團隊
\n\n社團法人台灣兒童管風琴教育推廣協會
\n\n講師-朱郁柔
\n\t高雄師範大學表演藝術所,現任社團法人台灣兒童管風琴教育推廣協會音樂總監。有二十年國小藝術與人文科老師樂隊團隊指導老師經驗、十年台北麗庭莊園婚禮電子管風琴琴師。曾經擔任多場屏東演藝廳管風琴推廣音樂會主持人、屏東演藝廳管風琴工作坊講師、屏東藝遊影音『9分鐘認識音樂界的重量級樂器-管風琴』主講人、屏東演藝廳兒童管風琴夏令營音樂總監、衛武營管風琴校園推廣計畫講師、衛武營『藝企學』管風琴音樂會主持人、衛武營『劇場藝術體驗教育計畫』業師、衛武營『玩樂管風琴工作坊』講師、國藝會『音樂飄鄉』組裝Orgelkids 小管風琴工作坊講師。
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【拾念劇集×無獨有偶×施如芳《鯨之嶋》大耳朵偶戲工作坊】
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\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 6/17(六)14:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 偶戲課程 \n\t\t\t | \n\t\t\t1192排練室 | \n\t\t
\n\t\t\t 6/17(六)19:30 \n\t\t\t | \n\t\t\t\n\t\t\t 拾念劇集×無獨有偶×施如芳《鯨之嶋》 \n\n\t\t\t演出欣賞 \n\t\t\t | \n\t\t
\n\n
授課團隊
\n\n無獨有偶工作室劇團
\n\n創立於1999年,秉持「無物不成偶」的創作觀點,打造臺灣當代偶戲劇場的新風貌,以魔幻哲思的變身美學開創獨特的劇場敘事。作品風格充滿創意的造型以及詩意的演繹能力,並以各種跨領域合作,開發『人』所不能為的自由想像空間。作品多次提名及入圍「台新藝術獎」,並經常於臺北藝術節、兩廳院國際劇場藝術節、法國外亞維儂藝術節、美國綠山藝術節等國內外重要藝術節演出,足跡遍佈15個國家。2013年於宜蘭縣五結鄉創立「利澤國際偶戲藝術村」,為亞洲最具規模的偶戲創發平台。
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【喬伊.亞歷山大三重奏《天才琴手》友善學習工作坊】
\n\n\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 9/9(六)14:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 爵士課程 \n\t\t\t | \n\t\t\t1182排練室 | \n\t\t
\n\t\t\t 9/9(六)19:30-21:30 \n\t\t\t | \n\t\t\t\n\t\t\t 【衛武營爵士週】喬伊.亞歷山大三重奏 \n\n\t\t\t《天才琴手》演出欣賞 \n\t\t\t | \n\t\t\t音樂廳 | \n\t\t
授課團隊
\n\n【喬伊.亞歷山大三重奏《天才琴手》大手大腳肢體工作坊】
\n\n講師-王夏儷
\n\n國立臺灣師範大學流行音樂產業研究所畢業
\n\n高雄市港都音樂表演藝術發展協會理事長
\n\n中國國營企業珠江鋼琴藝術中心專家講師
\n\n台灣奧福Orff音樂教育協會擔任常務理事、監事、會訊總編輯
\n\n日本Yamaha擔任音樂講師、級數檢定監考官、全台演奏者指導老師
\n\n台南應用科技大學音樂系擔任專業技術講師20年
\n\n高雄中央公園城市光廊EZ Life簡單.生活露天音樂吧
\n\nEZPlayer 易利玩仔數位股份有限公司執行長、音樂總監
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助教-朱慧詠
\n\n畢業於國立台北藝術大學音樂系,主修單簧管。現為南台灣交響樂團駐團編曲家/豎笛首席,擅長合成樂器,長期受邀於海內外演出及參與編曲製作及與樂團作連結演出。
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【唐美雲歌仔戲團《臥龍:永遠的彼日》大眼睛歌仔戲工作坊】
\n\n\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 10/6(五)14:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 歌仔戲課程 \n\t\t\t | \n\t\t\t1182排練室 | \n\t\t
10/8(日)12:45-13:35 | \n\t\t\t\n\t\t\t 【衛武營五週年慶】唐美雲歌仔戲團《臥龍:永遠的彼日》 \n\n\t\t\t觸覺導聆 \n\t\t\t | \n\t\t\t歌劇院 | \n\t\t
10/8(日)14:05-14:25 | \n\t\t\t\n\t\t\t 【衛武營五週年慶】唐美雲歌仔戲團《臥龍:永遠的彼日》 \n\n\t\t\t口述導聆 \n\t\t\t | \n\t\t|
\n\t\t\t 10/8(日)14:30 \n\t\t\t | \n\t\t\t\n\t\t\t 【衛武營五週年慶】唐美雲歌仔戲團《臥龍:永遠的彼日》 \n\n\t\t\t演出欣賞(搭配口述影像) \n\t\t\t | \n\t\t
授課團隊
\n\n【唐美雲歌仔戲團《臥龍:永遠的彼日》大眼睛歌仔戲工作坊】
\n\n講師-陳健星
\n\n戲曲編劇,中央大學中文系兼任講師。2011開啟與「唐美雲歌仔戲團」合作的因緣,投入電視、舞台歌仔戲劇本創作逾十一年。代表作品《春櫻小姑─回憶的迷宮》《冥河幻想曲》《風從何處來》《螢姬物語》《夜未央》《光華之君》《冥遊記─帝王之宴》《臥龍:永遠的彼日》。2018與王安祈教授共同編寫京崑文學劇《天上人間李
\n後主》。2019擔任電視劇《孟婆客棧》總編劇。2021以《光華之君》獲傳藝金曲獎「最佳編劇」。
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講師-陳歆翰
\n\n當代劇場歌仔戲編腔作曲、音樂設計。2023以「歌仔戲腔調設計研究」取得國立臺灣藝術大學表演藝術博士學位。曾獲第32屆傳藝金曲獎最佳音樂設計獎,並入圍廣播金鐘獎主持人獎項。曾參與唐美雲歌仔戲團、春美歌劇團、尚和歌仔戲劇團、《見城》、《船愛》等大型製作。現為國立臺灣戲曲學院兼任講師、中央廣播電台《臺灣文武爿》節目主持人。
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\n'}],onShelf:!0,sliders:[{type:"image",key:"99a04ba6f1b8291b275a0f6e88b13cda",title:"2023【衛武營場館友善計畫】友善學習工作坊"}],related:[],title:"2023【衛武營場館友善計畫】友善學習工作坊",cover:"a54dc95428dd33318c18053cf40e9480",site:{isOther:!0,site:"",other:"衛武營"},cautions:"",benefits:"",description:"衛武營自2018年開館以來,致力成為眾人的藝術中心,盼社會上眾多族群在衛武營找到自己安適的方式參與藝術活動。",introduction:'
衛武營自2018年開館以來,致力成為眾人的藝術中心,盼社會上眾多族群在衛武營找到自己安適的方式參與藝術活動。藉由各項無障礙軟硬體設施建置,讓視障和聽障朋友在友善的空間,與眾人一同感受衛武營的美好,在促進文化平權上往前邁向一大步。
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活動內容
\n\n「友善學習工作坊」由衛武營主辦節目中挑選音樂、舞蹈、戲劇等演出,邀請各障別朋友們走進劇場欣賞演出,並於演出前邀請專業師資,帶領障別朋友體驗演前工作坊,深入瞭解節目內涵與多元藝術,共享表演藝術的美好與悸動。
\n\n本活動包含前導工作坊1-2堂課程,每堂課約2-3小時,依不同課程調整,並提供演出票券每人一張(含陪同者),及跨時段餐食一份(含陪同者)。
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報名對象
\n\n身心障礙證明註記第二類者(視覺障礙、聽覺機能障礙)與第七類者(肢體障礙者),建議7歲以上。
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報名時程
\n\n下半年度(7-12月)
\n\n即日起至各場次額滿為止。
\n\n若該場次未報名額滿,將於演出前一周關閉報名表單。
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報名費用
\n\n每人(組)每場次酌收300元保證金,並於演出當日退還。
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報名流程
\n\n※報名順序將以保證金匯款順序為依據,非表單填寫順序。
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友善學習工作坊
\n\n【音樂芭蕾劇場《遇見胡桃鉗的女孩》大耳朵芭蕾工作坊】
\n\n工作坊時間:
\n\t\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 12/23(六)14:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 肢體課程 \n\t\t\t | \n\t\t\t1192排練室 | \n\t\t
\n\t\t\t 12/23(六)19:00 \n\t\t\t | \n\t\t\t\n\t\t\t 《遇見胡桃鉗的女孩》演出欣賞 \n\t\t\t | \n\t\t\t音樂廳 | \n\t\t
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影片來源:YouTube(老王樂隊)
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早上睡不太著,七、八點就醒來了,站起身來走到書桌旁,映入眼簾的是黃色的房子與天空中早起的鳥兒。生活的規律總讓人麻痺,但在那些脫離常軌的時候,我們會看見不一樣的光景,然後紛雜的思緒翻起心底的餘波。就這樣看著窗外呆坐,好似過了千年。
\n\n老王樂隊2023年冬,新作巡迴最終篇,用音樂道盡生活中的關係與離別。
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演出暨製作團隊
\n\n老王樂隊
\n\n主唱|張立長
\n\n吉他手|童偉碩
\n\n大提琴|邵佳瑩
\n\n鼓手|馮會元
\n\n貝斯手|廖潔民
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周邊活動
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團隊介紹
\n\n2015年冬,於臺北成立。起初為了參加校園比賽而生,獲得北醫金弦獎第二名後便進入無限期休團。2016年末,以主唱立長、鼓手會元、吉他手偉碩為核心重組,繼續現身於校園比賽;此後依序在淡江金韶獎與貝斯手潔民、政大金旋獎與大提琴手昱萱合作。後因另有生涯規劃,昱萱於首張EP《吾十有五而志於學》發行前離團,大提琴手由佳瑩接任後,便成為老王樂隊今日的編制。2017年秋,老王樂隊以新臺灣後民謠的曲風,於9月28日發行第一張EP《吾十有五而志於學》,歌曲在YouTube上創造每首皆破百萬點擊;其中〈我還年輕 我還年輕〉至今已累積破3500萬次點擊。並於2019年走進中國、新加坡及馬來西亞等地,創近萬人次到場觀眾數字。2023年推出沈澱三年之作《黃色的房子映照清晨的天空》,也隨即展開亞洲巡迴,期待走訪更多城市,展現老王樂隊全新面貌!
\n\n如同音樂特色,老王樂隊在歌唱一個世代的光怪陸離時,不忘用幽默反諷的語詞及旋律,以沙啞略帶厭世的嗓音,低沉迴盪不絕的大提琴,重複洗腦的旋律,詼諧地唱著屬於這世代的歌。做著令人印象深刻的音樂,說故事一般道盡世間甘苦。
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c5702b95f9b8960bfe06f0f627127e95",title:"【衛武營小時光】老王樂隊《黃色的房子映照清晨的天空》高雄特別場"}],related:[],title:"【Weiwuying Showtime】Your Woman Sleep with Others - Yellow House, Pink Blue Sky-Kaohsiung",cover:"ab9699ac928c7193ef246b5fe010c299",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Available starting 5/22(Mon)12:00 !
\n\t© YouTube(老王樂隊)
\n\n\n\n
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Struggling with insomnia, I found myself wide awake at 7 in the morning. I walked past my desk and leaned towards the window. There before me was a breathtaking sight: a yellow house standing against a mesmerizing pink-blue sky, with early birds soaring in a graceful dance. The routine of everyday life can leave us feeling numb. But there are times when we escape its hold, we see a different world unfold. A rush of thoughts stirred up deep-seated emotions.
\n\nSitting here, staring out the window, time seems to stretch on endlessly, as if a thousand years had passed in a mere moment.
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We are excited to announce that Your Woman Sleep With Others 2023 EP release tour is on the go. Hope to see you soon!
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Creative and Production Team
\n\nVocalist|Joshua CHANG
\n\nGuitar Player|TUNG Wei-shuo
\n\nCellist|SHAO Chia-ying
\n\nDrummer|FENG Hui-yuan
\n\nBassist|LIAO Chieh-min
\n\n\n\n
Team Introduction
\n\nFirst founded in Taipei in the winter of 2015 for a school-wide competition, Your Woman Sleep with Others went into indefinite hiatus after winning second place at the Golden Melody Awards of Taipei Medical University. At the end of 2016, lead singer Joshua, drummer Hui-yuan, and guitarist Wei-shuo regrouped to continue participating in school-wide competitions. They then subsequently collaborated with bassist Chieh-min at the Golden Melody Award of Tamkang University and cellist Yu-hsuan at the Golden Melody Award of National Chengchi University. Due to other career plans, Yu-hsuan left before their first EP Stolen Childhood was released with cellist Chia-ying taking over to form their current lineup. In autumn 2017, they released their first EP Stolen Childhood on September 28th which incorporates styles of Taiwanese folksongs from the post-martial law period. Each of their songs on YouTube has surpassed one million views, among which Teens Edge has amassed over 35 million views. They toured Mainland China, Singapore, and Malaysia for up to 10 thousand audiences.
\n\nSimilar to their musical style, the band sings of the bizarre of their generation with cynicism in their hoarse voice, ironic humor in lyrics and melodies, low and resonant cello sounds, as well as catchy tunes to make music that leaves a deep impression and narrates the joys and sorrows of life.
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\n',team:""},createdAt:1681802934,updatedAt:1690264178,updatedBy:"林蔚行",host:!0},{_id:"6464959065a7e80007bd01c4",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1701516600,discrete:[{time:1701516600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1654100177480613890"}},attachment:{key:"a813b42525ed8d544ec9bf9718abb4f1",name:"韓國吉普賽-桑加魯樂團《朝聖之路》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5b9b9ec54913fdb22a1847591ef8f386",title:"韓國吉普賽-桑加魯樂團《朝聖之路》"}],related:[],title:"韓國吉普賽-桑加魯樂團《朝聖之路》",cover:"dab5bf7af52a06bdf6318565cb5f73bb",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
獲得2019韓國全州音樂節優勝節目
\n\n入選首爾藝術文化基金會「2019年第一藝術支持」
\n\n入選2019年韓國藝術平台藝術節
\n\n入選2019年愛丁堡國際藝穗節韓國季集會
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由三位演奏傳統樂器的韓國音樂家所組成的韓國吉普賽-桑加魯樂團,他們對於「傳統」與「傳統音樂」之形式與種類產生興趣,進而發現了普遍認知的「傳統」往往並非真正的傳統,而屬於傳統之外的範疇卻是某些群體的傳統,進而不斷推敲思索,卻仍未獲得解答。桑加魯樂團受到保羅・科爾賀撰寫的著作《朝聖》啟發,為了尋找答案,並擺脫現實束縛與親身體會「傳統」的意義,他們於2018年帶著牙箏、杖鼓與吉他等樂器,踏上了西班牙聖地牙哥朝聖之路。2019年,桑加魯樂團將這趟尋求答案的朝聖之旅以及一路上創作、演奏的音樂拍攝成紀錄片,記錄他們實際走訪朝聖之路的過程,樂曲間穿插動畫及真人影像與旁白呈現。
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演後座談
\n\n2023/12/2(六) 演出結束後於表演廳
\n\n與談人|權孝昶、南成勳、趙聖潤、周以謙
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演出曲目
\n\n《踏地神》
\n\n《慶北搖擺》
\n\n《驚慌愛麗絲》
\n\n《藍調牙箏》
\n\n《地球》
\n\n《桑加魯民謠》
\n\n《首爾》
\n\n《三個玩家》
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周邊活動
\n\n11/11 (六) 14:00
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演出暨製作團隊
\n\n杖鼓、小金(小鑼)|權孝昶
\n\n牙箏|南成勳
\n\n吉他、貝斯|趙聖潤
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團隊介紹
\n\n桑加魯樂團
\n\n成立於2014年,團名取自韓文裡的兩個名詞結合,一為 Sangja,意為「箱子」,可裝載很多東西,保有一定的框架卻不會改變形體,代表三位演奏家有著傳統音樂的底蘊與背景;二為 Jaru,意為「袋子」,隨著裝進去的東西而改變形狀,意旨創作元素。兩個字結合在一起代表在不變的傳統形體中加入創意的音樂。
\n\n這個由三位才華洋溢的演奏家所組成的樂團,擅長在韓國傳統音樂的基礎上,加上東、西方音樂的元素加以創作,作品充滿力量與活力,並帶有獨特的曲風。由於喜愛接觸與學習不同種類的音樂,作品中可發現許多東、西方元素,卻又不失韓國傳統音樂的風格。桑加魯樂團又自稱為「韓國吉普賽人」,我們像吉普賽人一樣,在生活中漫遊許多地方,進而學習每個地區的文化,卻保有自己的風格重新詮釋與創作,以自己的顏色添加創意元素。
\n\n桑加魯樂團對於音樂充滿活力與熱情,勇於不斷嘗試新的可能性,2019年獲選為韓國全州音樂節優勝節目並於2020年3月發行第一張唱片桑加魯民謠(Sangjaru-Taryeong)。
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※Discounts are not applicable for tickets tier at NT$300 and lower.
\n\t\n\n
Sangjaru is composed of a trio of Korean musicians who play traditional instruments. After developing an interest in the various forms and types of Korean traditions and traditional music, they discovered that what is universally regarded as "traditional" is in many cases not actually genuine tradition at all. They also found that there are categories that fall outside what is considered to be tradition which are actually the traditions of specific communities. The three pondered constantly on this issue, but came to no resolution. They then read Paulo COEHLO's The Pilgrimage, which proved to be a revelation for the members. In 2018, they followed in COELHO's footsteps and walked the Camino de Santiago, Spain's pilgrimage trail, to seek answers.
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In 2019, the group produced a documentary based on their pilgrimage and included all the music created and performed along the way. The documentary performance records their actual journey along the Camino de Santiago, and is interspersed with animation, live-action images, and narration.
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Post-Talk
\n\n2023/12/2(Sat) After the performance at Recital Hall
\n\nSpeaker: Hyochang KWON, Seonghun NAM, Sungyoon CHO, CHOU Yi-chien
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Program
\n\nJisin RV
\n\nGyeongbuk Swing
\n\nAlice in Panic
\n\nAjaeng in Blues
\n\nThe Earth
\n\nSangjaru Taryeong
\n\nSeoul
\n\nThree Players
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Creative and Production Team
\n\nJanggu, Kkwaenggari|Hyochang KWON
\n\nAjaeng|Seonghun NAM
\n\nGuitars, Bass|Sungyoon CHO
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Team Introduction
\n\nSangjaru
\n\nSangjaru has been agonizing over the forms and categories of traditional and traditional music ever since its foundation in 2014. Over time, however, the extremely subjective nature of the word "traditional" continued to reveal only vague boundaries, which eventually led to confusion, repeating the unrighteous agony. In order to solve this problem, Sangjaru was on the pilgrimage path to Santiago, which is called the path of enlightenment, and creates new music based on the agony of thinking on the road and creates a "Camino de Sangjaru."
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衛武營會員綁定OPENTIX
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歡迎來到雪花王國
\n\n衛武營冬日獻禮-雪花片片飛舞,邀您走進胡桃鉗奇想世界
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由柴科夫斯基經典芭蕾舞劇《胡桃鉗》出發,舞蹈家葉名樺以創新語彙詮譯古典,指揮家張尹芳聯手南熠樂集現場演奏,芭蕾與音樂交織匯聚,打造屬於這世代的胡桃鉗故事。
\n\n葉名樺擅長以身體與感官,表現人與時空的邂逅;本劇她將以現代敘事手法,引領觀眾穿梭真實世界與《胡桃鉗》故事。芭蕾小女孩的聖誕節、立體書中與胡桃鉗王子相遇、鼠王攻擊與戰鬥後,前往繽紛雪花王國;奇幻夢境場景下,同時說著真實世界的困難與美好。遇見胡桃鉗的女孩 首部曲,將帶領大人回歸童心、也給小孩無限想像的奇幻旅程。
\n\n由在地樂團南熠樂集組織16人編制的室內樂,與芭蕾舞者相匯聚交鋒,為一場音樂與芭蕾的雙重極致饗宴。
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故事大綱
\n\n故事主角小女孩個性孤僻卻有著敏銳感知,在學校總和同學們格格不入;一天,她翻開一本立體書後,歷經了白日夢般的冒險,遇見了胡桃鉗與糖梅仙子,這趟奇幻旅程中,三人一同面對恐懼、擁抱希望。
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關於《遇見胡桃鉗的女孩》
\n\n「真實世界的困難和美好都在夢境中如鏡面反射般出現。有的更美好、卻也有更邪惡的,一切都成了故事裡的角色和情節。成長之路就像《胡桃鉗》的故事,由「勇氣」和「幻想」組成,過程中的人事物都讓長大的旅途中增添了不同色彩。
\n\n透過童話故事的陪伴,神奇魔幻的力量也會轉到現實中,陪我們一步步學習繼續往前。在充滿幻想的冬季,我們都是遇見胡桃鉗的女孩,讓故事帶給我們無限的勇氣。」 ——葉名樺
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關於柴科夫斯基與莫里斯·珀蒂帕的《胡桃鉗》
\n\n1891年柴科夫斯基以霍夫曼《胡桃鉗與鼠王》的故事寫下了《胡桃鉗》芭蕾舞劇的音樂,而編舞家莫里斯·珀蒂帕所編創的舞劇成為了現代廣為人知的版本,溫馨且富童趣。
\n\n《胡桃鉗》的故事發生在希望充滿的聖誕節,女主角克拉拉(Clara)收到了一份非常喜愛的禮物-胡桃鉗娃娃;在大家都入睡之後的夜晚,胡桃鉗變成了王子,與克拉拉經歷了與老鼠軍團的打鬥、擊退鼠王,並在雪之國、糖梅國經歷奇幻旅程…,在盛宴與歡樂中,克拉拉也逐漸醒來,原來,是一場夢。
\n\n《胡桃鉗》故事陪伴了人們200多年,真摯情感敲盪童心且蘊含神秘色彩,猶如一把金鑰,打開了人們無遠弗屆的想像世界。
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演前導聆
\n\n12/23(六)19:00-19:20 音樂廳三樓大廳
\n\n12/24(日)14:00-14:20 音樂廳三樓大廳
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曲目資訊
\n\nP. TCHAIKOVSKY: The Nutcracker, Ballet in two acts, Op.71 (arr. Ronald Kornfeil)
\n\n\n\n
Act I
\n\n1. Overture
\n\n2. Scene 1 - The Christmas Tree
\n\n3. Scene 2 - March
\n\n4. Scene 4 - Dance Scene & Arrival Of Drosselmeyer
\n\n5. Scene 5 - Scene & Grandfather's Dance
\n\n6. Scene 6 - The Magic Spell Begins
\n\n7. Scene 7 - The Battle Between The Nutcracker & The Mouse King
\n\n8. Scene 8 - Scene In The Pine Forest(Journey Through The Snow)
\n\n9. Scene 9 - Waltz of The Snowflakes
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Act II
\n\n10. Scene 11 - Clara & The Prince
\n\n11. Scene 12 - Divertissement, Chocolate - Spanish Dance
\n\n12. Scene 12 - Divertissement, Coffee - Arabian Dance
\n\n13. Scene 12 - Divertissement, Tea - Chinese Dance
\n\n14. Scene 12 - Divertissement, Trepak
\n\n15. Scene 14 - Pas de Deux - Dance of The Prince & the Sugar-Plum Fairy
\n\n16. Scene 14 - Variation I- Tarantella
\n\n17. Scene 14 - Variation II - Dance Of The Sugar-Plum Fairy
\n\n18. Scene 15 - Final Waltz & Apotheosis
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周邊活動
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延伸閱讀
\n\n►衛武營Call Cue 青少年_音樂芭蕾劇場:遇見胡桃鉗的女孩 首部曲.pdf
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文章閱讀
\n►衛武營首部音樂芭蕾劇場!張尹芳X葉名樺打造現代版胡桃鉗(
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演出暨製作團隊
\n\n製作顧問|周書毅
\n\n編舞、編劇|葉名樺
\n\n藝術顧問、服裝製作顧問|林璟如
\n\n指揮|張尹芳
\n\n舞台設計|周志瑋
\n\n燈光設計|郭建豪
\n\n服裝設計製作|顏良夙(服裝製作指導)、楊愷霖(助教)、曾宇瑄、王宥証、吳凱欣、劉必勝、王若華、吳紀睿、林柏泰、張綺文、陳宥妊、謝亮瑜
\n\n樂團|南熠樂集
\n\n排練助理|黃璟熙
\n\n舞者|王筠晴、何語婕、林翊綺、林榆芝、邱柏盛、唐婉瑜、郭蓉安、蔡宜岑、鄭紫彤、賴明玥、薛人愷、蘇子婷(依姓氏筆劃排序)
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樂手
\n\n第一小提琴|陳名涵
\n\n第二小提琴|孫夢檠
\n\n中提琴|林喚玲
\n\n大提琴|黃品潔
\n\n低音提琴|潘詠霈
\n\n雙簧管|鍾筱萱
\n\n長笛|洪萃嶷
\n\n單簧管|王冠傑
\n\n單簧管、低音單簧管|羅至原
\n\n低音管|歐易欣
\n\n法國號|溫郁盈
\n\n小號|劉郁君
\n\n長號|高崇文
\n\n豎琴|管伊文
\n\n打擊|葉家安
\n\n打擊|吳國瑄
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服裝由衛武營國家藝術文化中心與國立臺北藝術大學劇場設計學系合作之「芭蕾舞衣設計與製作計畫」設計製作。
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團隊介紹
\n\n製作顧問|周書毅
\n\n從身體出發,用舞蹈作為與世界溝通的語言,關注人與社會環境之間的關係。在過往的創作及行動中,善用跨界力量的特性,強烈表現在藝術公共性上的著墨。編創聚焦叩問生命的價值,反映個人或群體在不同社會脈絡下的狀態,提出「屬於亞洲的身體語彙」,並以劇場、非傳統劇場、舞蹈錄像等形式呈現,持續以移地移居創作的方式遊走各地。自2020年起受邀擔任衛武營駐地藝術家,移居南方,並被聘為2022年暨2024年臺灣舞蹈平台策展人。
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編舞、編劇|葉名樺
\n\n臺灣編舞家及舞者,1983年出生於高雄,畢業於臺北藝術大學舞蹈學院。創作以身體、感官詮釋來思考時間與空間,並以多媒材、跨領域的演出實踐回應敘事與事件。2019-2020年受邀衛武營國家藝術文化中心「四國駐地交流計畫」發表實驗型公共場域創作。2020年受臺北市立美術館委託製作《牆後的院宅》,並獲得第19屆台新藝術獎年度大獎肯定。2022年衛武營「臺灣舞蹈平台」創作開幕演出《跳芭蕾》。
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藝術顧問、服裝製作顧問|林璟如
\n\n臺灣資深劇場服裝設計,三十多年來合作對象遍及國內外各知名團體,參與演出設計作品多達三百餘齣,橫跨現代戲劇、傳統戲曲、歌劇、舞蹈、偶劇、兒童劇、跨界展演等,展現高度創意,近年致力於技術劇場新生代人才培訓工作,並積極講學分享創作生命經驗。1992年獲傅爾伯萊特獎學金及文化藝術基金會補助,赴紐約遊學一年,參與紐約市立芭蕾舞團及紐約市立歌劇院五十週年演出之服裝工作。2006年獲頒第十屆國家文藝獎。
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指揮|張尹芳
\n\n以細膩、層次豐富的指揮風格受到國內外樂壇的喜愛。2006至2022年於NSO國家交響樂團先後擔任助理指揮及駐團指揮,期間曾與金曲流行樂團蘇打綠、與國際樂壇知名組合「音樂駭客Igudesman & Joo」多次合作,並分別與張艾嘉、王耀慶攜手製作演出《仲夏夜之夢》、《皮爾金》等。近年受臺中國家歌劇院之邀,指揮NSO歌劇音樂會《風流寡婦》、音樂劇場《複眼人》,以及改編暨指揮室內樂版歌劇《唐懷瑟》,均深獲各界好評。近年合作包括日本金澤管絃樂團、香港城市室樂團、臺北市立國樂團、國立臺灣交響樂團、高雄市立交響樂團,並受邀參與總統府音樂會、臺南國際藝術節及日本金澤音樂祭演出。
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舞台設計|周志瑋
\n\n中山大學劇場藝術系研究所展演設計組碩士畢業,專攻舞台設計、佈景製作、舞台技術。曾任樹德科技大學表演藝術系專任講師、台北希爾特舞台設計製作公司佈景製作技術指導,專業劇場幕後設計與技術工作者,2002年開始投入劇場工作,至今參與超過300多場演出幕後技術與設計統籌。舞台設計包括九歌兒童劇團《幸福小王子》、人體肢體劇場《陪你一起老》、樹德科技大學表演藝術系學製《洛基恐怖秀》與《荒島奇姬》、高雄春天藝術節青春樂舞《普欽奈拉》、《飛向世界的台灣囝仔》、許程崴製作舞團《桑步》等。
\n\n舞台技術指導作品包含2008年明華園《蓬萊大仙》新加坡巡演、莎妹劇團《小夜曲》與《SMAP X SMAP》、臺灣國樂團《凍水牡丹-風華再現》、南熠樂集《工業城市》、衛武營自製節目《相思唱歌仔》、《跳舞阿嬤》、Taiwan NOW台日合作《阿婆蘭》、奔放樂集《碧廬冤孽》等。
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燈光設計|郭建豪
\n\n現任衛武營國家藝術文化中心燈光技術組長,國立臺灣藝術大學戲劇學系研究所畢業。曾服務於國家兩廳院演出技術部,負責 TIFA 燈光技術指導與自製節目燈光設計,近期燈光設計作品有兩廳院 《夏日爵士音樂派對》、《歌劇工作坊─ 頑童與魔法、睡美人、糖果屋、灰姑娘變奏曲》; TEDxTaipei 《The Future is now》;高雄春天藝術節《茶花女》、《少年靈界偵察組》;2017-2022 總統府音樂會《最南方‧ 思 想起》、《吾鄉風光》、《晨曦‧高雄》、《北回曙光》、《風湧新竹》;衛武營輕歌劇《憨第德》、《被遺忘的瑪麗亞》;國家交響樂團 《風流寡婦》、《蝴蝶夫人》、《音樂的魔法共遊》。高雄雄厲害系列《魂顛記-台灣在地魔幻事件》。歌劇作品《茶花女》及舞蹈作品《Identity》分別入選 2017 及 2022 世界劇場設計展(World Stage Design,WSD)燈光設計專業組。
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南熠樂集
\n\n南熠樂集成立於2010年,致力於異業合作、跨領域劇場、音樂教育劇場演出,並且提供學校、企業以及各式活動的專場節目規劃演出。南熠樂集以西方古典室內樂為表演基礎,在各式議題中尋找素材,並關注於本土文化,讓西方音樂以全新姿態呈現在觀眾面前。目前專注於音樂劇場形式開發、社區藝術發展及藝術推廣教育,也發表全新國人作曲家創作作品,以跨領域合作呈現,2017年起與融聲創意技術合作,嘗試將科技互動技術應用於表演當中。持續發表全新製作節目。2018年起於鳳山發起跨蝦米藝術節,提供跨領域藝術家合作及創作平台,同時推動地方藝術、文化平權發展。
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獨家贊助
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\n',team:""},english:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e9bb1264268cb97e90d84e2c2823e7b4",title:"The Ballet Concert - Into the Fantasy of Nutcracker I"}],related:[],title:"The Ballet Concert - Into the Fantasy of Nutcracker I",cover:"93d58c5e0554d40a7b72c9cd6476d03e",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\n
Welcome to the Snowflake Kingdom
\n\nWeiwuying's Winter Gift - Snowflakes take flight, inviting you to enter the magical world of The Nutcracker.
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Adapted from TCHAIKOVSKY's classic ballet The Nutcracker, renowned dancer YEH Ming-hwa, conductor CHANG Yin-fang, and Nan Yi Ensemble Studio collaborate to present a contemporary rendition of the Nutcracker story for this generation. YEH, a masterful interpreter of the encounters between people and time-space through physicality and the senses, employs contemporary narrative techniques to guide the audience through reality and the story of The Nutcracker: Christmas celebrations, meeting the Nutcracker Prince, battling the Mouse King, and the vibrant Snowflake Kingdom. The fantastical scenes mirror the harshness and beauty of reality. This magical journey will transport adults back to their childhood and ignite boundless imagination in children. The performance showcases a chamber orchestra of 16 musicians who join Taiwan's elite dancers for a captivating feast of music and ballet.
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Synopsis
\n\nThe protagonist, a quiet yet keenly perceptive girl, consistently feels out of place among her peers at school. One day, while flipping through a pop-up book, she embarks on a dream-like adventure, encountering the Nutcracker and the Sugar Plum Fairy. Throughout this enchanting journey, the trio confront their fears and embrace hope together.
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About Into the Fantasy of Nutcracker
\n\n"The complexities and beauty of reality are mirrored in the dream world. Some aspects appear more beautiful, while others take on a darker tone; everything transforms into characters and plotlines within the story. Growing up is akin to The Nutcracker, imbued with "courage" and "fantasy," with people and events along the way adding diverse hues to the journey. Through the companionship of fairy tales, the magic seeps into reality, supporting us step by step as we continue to grow and learn. In wondrous winter, we all embody the spirit of the girl who meets the Nutcracker, allowing the story to infuse us with limitless courage."——YEH Ming-hwa
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About TCHAIKOVSKY and PETIPA's The Nutcracker
\n\nIn 1891, TCHAIKOVSKY composed the music for the ballet "The Nutcracker" based on HOFFMANN's The Nutcracker and the Mouse King. The ballet choreographed by PETIPA evolved into the widely known modern version, exuding warmth and childlike wonder. The story of The Nutcracker unfolds during the hope-filled Christmas season when the protagonist, Clara, receives a Nutcracker as a gift. Once everyone has fallen asleep, the Nutcracker transforms into a prince, and he embarks on a fantastical journey with Clara. Together, they battle the Mouse Army, defeat the Mouse King, and explore the enchanting realms of the Snow and Sugar Plum Kingdoms. Amid the feasts and celebrations, Clara gradually awakens to find it was all a dream. For over two centuries, the story of The Nutcracker has captivated people with its sincerity and mystical allure, serving as a key that unlocks the boundless world of imagination.
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Pre-talk
\n\n12/23(Sat)19:00-19:20 Concert Hall 3F Lobby
\n\n12/24(Sun)14:00-14:20 Concert Hall 3F Lobby
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Program
\n\nP. TCHAIKOVSKY: The Nutcracker, Ballet in two acts, Op.71 (arr. Ronald Kornfeil)
\n\n\n\n
Act I
\n\n1. Overture
\n\n2. Scene 1 - The Christmas Tree
\n\n3. Scene 2 - March
\n\n4. Scene 4 - Dance Scene & Arrival Of Drosselmeyer
\n\n5. Scene 5 - Scene & Grandfather's Dance
\n\n6. Scene 6 - The Magic Spell Begins
\n\n7. Scene 7 - The Battle Between The Nutcracker & The Mouse King
\n\n8. Scene 8 - Scene In The Pine Forest(Journey Through The Snow)
\n\n9. Scene 9 - Waltz of The Snowflakes
\n\n\n\n
Act II
\n\n10. Scene 11 - Clara & The Prince
\n\n11. Scene 12 - Divertissement, Chocolate - Spanish Dance
\n\n12. Scene 12 - Divertissement, Coffee - Arabian Dance
\n\n13. Scene 12 - Divertissement, Tea - Chinese Dance
\n\n14. Scene 12 - Divertissement, Trepak
\n\n15. Scene 14 - Pas de Deux - Dance of The Prince & the Sugar-Plum Fairy
\n\n16. Scene 14 - Variation I- Tarantella
\n\n17. Scene 14 - Variation II - Dance Of The Sugar-Plum Fairy
\n\n18. Scene 15 - Final Waltz & Apotheosis
\n\n\n\n
Creative and Production Team
\n\nProduction Consultant|CHOU Shu-yi
\n\nChoreographer & Playwright|YEH Ming-hwa
\n\nArtistic Consultant & Costume Consultant|LIN Ching-ju
\n\nConductor|CHANG Yin-fang
\n\nStage Designer|CHOU Chih-wei
\n\nLighting Designer|KUO Chien-hao
\n\nCostumes|YEN Liang-su(Supervisor), YANG Kai-lin(Assistant), TSENG Yu-hsuan, Wang You-zheng, NG Hoi-yan, Liu Bi-sheng, WANG Jo-hua, WU Chi-jui, LIN Po-tai, CHANG Chi-wen, CHEN Yu-jen, HSIEH Lian-yu
\n\nEnsemble|Nan Yi Ensemble Studio
\n\nRehearsal Assistant|WONG King-hei
\n\nDancer|WANG Yun-ching, HO Yu-chieh, LIN Yi-chi, LIN Yu-jhih, CHIU Po-sheng, TANG Wan-yu, KUO Jung-an, TSAI Yi-tsen, CHENG Tzu-tung, LAI Ming-yueh, SHIUE Ren-kai, SU Tzu-ting
\n\n\n\n
Musicians
\n\nViolin I|CHEN Ming-han
\n\nViolin II|SUN Meng-ching
\n\nViola|LIN Huan-ling
\n\nCello|HUANG Ping-chieh
\n\nDouble Bass|PAN Yung-pei
\n\nOboe|CHUNG Hsiao-hsuan
\n\nFlute|HUNG Tsui-yi
\n\nClarinet|WANG Kuan-chieh
\n\nClarinet / Bass Clarinet|LUO Zhi-yuan
\n\nBassoon|OU Yi-hsin
\n\nHorn|WEN Yu-ying
\n\nTrumpet|LIU Yu-chun
\n\nTrombone|KAO Tsung-wen
\n\nHarp|KUANG Yi-wen
\n\nPercussion|YEH Chia-an
\n\nPercussion|WU Kuo-hsuan
\n\n\n\n
Costumes are co-produced through the Project of Ballet Costume Design and Produce, by the collaboration between National Kaohsiung Center for the Arts (Weiwuying) and Dept. of Theatrical Design & Technology, TNUA.
\n\n\n\n
Teams Introduction
\n\nProduction Consultant|CHOU Shu-yi
\n\nFrom a corporeal perspective, CHOU Shu-yi uses dance as a language to communicate with the world and attentively observes the relationship between people and social environments. In his past creations and actions, he maximized the uniqueness of interdisciplinary thinking, which was well reflected in his depictions of the publicness of the arts. His creation focuses on a strong inquiry into the value of life, expresses different statuses of an individual or a crowd within different social contexts, provides a "corporeal lexicon peculiar to Asia," and manifests itself in the forms of theater, non-conventional theater, and dance video art. He continues to travel around different places through artist residencies. Invited to be Weiwuying Artist-in-Residence since 2020, he has been appointed as the curator of Taiwan Dance Platform for 2022 and 2024.
\n\n\n\n
Choreographer & Playwright|YEH Ming-hwa
\n\nBorn in Kaohsiung, Taiwan, Ming-hwa received her BFA in Dance from Taipei National University of Arts in 2006. Ming-hwa maps the dimensions of time and space through the body and senses. In 2019-2020 she was invited in Museum of Human Emotions Project, presented by Centro per la Scena Contemporanea, Bassano del Grappa (IT), La Briqueterie CDCN, Val-de Marne (FR), Saison Foundation (JP), and National Kaohsiung Center for the Arts (Weiwuying) (TW) performed in public space. The House Behind the Wall was commissioned by Taipei Fine Arts Museum, Taiwan at Wang Da Hong House Theatre in 2020 and won the Grand Prize of 19th Taishin Arts Award in 2021. Dancing Ballet, in collaboration with Kaohsiung City Ballet, commissioned the creation of Taiwan Dance Platform, National Kaohsiung Center for the Arts (Weiwuying) in 2022.
\n\n\n\n
Artistic Consultant & Costume Consultant|LIN Ching-ju
\n\nAs a renowned senior costume designer in Taiwan, Ching-ju Lin has worked in theatre for more than forty years. The over three hundred productions she has participated in show a great diversity ranging from modern theatre, traditional theatre, opera, dance theatre, puppet theatre, children's theatre, and interdisciplinary collaboration, in which she amazes us with her impressive creativity. Her recent devotion includes training a younger generation of theatre technicians, while she also spends a great amount of time sharing her experiences of art and theatre.
\n\nIn 1992, Sponsored by Fulbright Scholarship and Cultural and Arts Foundation, Lin studied and traveled in New York that year, while during the trip she also worked in the costume department in productions of New York City Ballet as well as the 50th anniversary production of New York City Opera. She was the recipient of the 10th National Cultural and Arts Award in 2006.
\n\n\n\n
Conductor|CHANG Yin-fan
\n\nCHANG Yin-fang was assistant conductor and resident conductor of the Taiwan Philharmonic (NSO) from 2006 to 2022. She is good at various cross-industry collaborations, all of which are well received. In addition, CHANG is actively involved in the publication of contemporary Asian music works. In 2018, she was invited to conduct the opening concert of the Asia-Pacific Music Festival and premiered the works of several composers. Her recent appearances include conducting new productions, such as The Man with the Compound Eyes and Tannhäuser (chamber version). In recent years, CHANG has been invited to cooperate with Orchestra Ensemble Kanazawa, City Chamber Orchestra of Hong Kong , Taipei Chinese Orchestra, Taiwan Philharmonic (NSO), Tainan Symphony Orchestra and Kaohsiung Symphony Orchestra.
\n\n\n\n
Stage Designer|CHOU Chih-wei
\n\nGraduated from National Sun Yat-sen University Master of Art in Department of Theater Arts, specializing in stage design, set production, and stage technology. Used to be a full-time lecturer in the Shu-Te University Department of Performing Art, set production technical director of Taipei Theater Stage Design and Production Company, and a professional theater design and technical worker. Began to work in 2002 and has participated in more than 300 performances in technology and design coordination.
\n\nStage design includes SONG SONG SONG Children's & Puppet Theater Le Petit Prince, SOMATIC THAETER COMPANY Stay with You, Shu-Te University Department of Performing Art production The Rocky Horror Picture Show, ANATAHAN, 2018KSAF Pulcinella, 2019KSAF Atlantis, HSU CHEN WEI DANCE COMPANY Sunboom.
\n\nTechnical director includes 2008 MING HWA YUAN ARTS & CULTURAL GROUP Penglai Daxian, Shakespeare's Wild Sisters Group Serenade, SMAP X SMAP, National Chinese Orchestra Taiwan Frozen Peony, Nan-Yi Musical Theater Industrial City, WEI WU YING production In Love with Gezaixi, Dancing Granny, Taiwan NOW Taiwanese Opera Aphrodite, BenFeng Music Productions The Turn of The Screw.
\n\n\n\n
Lighting Designer|KUO Chien-hao
\n\nKUO Chien-hao discovered his first lighting design at the National Taiwan University of Arts where he graduated in drama, and later received his MFA degree. He holds over 20 years' experience as a professional lighting technician and designer. His lighting design works include Summer Jazz, Opera-Studio series for NTCH, TEDx Taipei, Kaohsiung Spring Arts Festival -Verdi's La Traviata, The Hero Academy I & III, 2017-2021 Concert of the Presidential Office, Weiwuying opening season - Bernstein's Candide, and National Symphony Orchestra Opera Concert - Lehar's Die lustige Witwe, Puccini's Madama Butterfly. KUO's work "La traviata" and dance production "Identity" were selected for 2017 and 2022 World Stage Design, Professional designers-Lighting design category. He is now the head of the lighting team in National Kaohsiung Center for the Arts (Weiwuying).
\n\n\n\n
Nan Yi Ensemble Studio
\n\nNan Yi Ensemble Studio was founded in 2010, dedicated to interdisciplinary collaboration, music education performances, and providing tailored shows for schools, businesses, and various events. The ensemble is based on Western classical chamber music, seeking inspiration from various topics and paying attention to local culture, presenting Western music in a new form to the audience. Currently, the team focuses on developing music theater forms, community art development, and promoting art education. They also release new works by Taiwanese composers through interdisciplinary collaboration. Since 2017, they have collaborated with Zone Sound Creative Technology to explore the application of interactive technology in performances, and continue to release new productions. In 2018, they initiated the Fengshan Art Festival, providing a platform for interdisciplinary artists to collaborate and create, while promoting local art and cultural equity development.
\n\n\n\n
Sponsor
\n\n\n\n
\n',team:""},createdAt:1684376170,updatedAt:1701243562,updatedBy:"林蔚行",host:!0},{_id:"646595d465a7e80007bdee54",catalogs:["5aec45edb01ea6000520f655","5c1f073a5a5bea0006f3eb11","6007fc45ba34870007c22b8b"],dateTime:{first:1688554800,discrete:[{time:1688554800},{time:1690974e3},{time:1693998e3},{time:1696417200},{time:1698836400},{time:1701860400}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"藝術家介紹",content:'
\n\n
楊雅鈞
\n\n臺南安平人,自由藝術工作者。
\n\n2022波麗露在高雄 排練指導。
\n\n近年以身體表演創作的合作 –
\n\n廣藝劇場NO.6《與清醒夢》跨界劇場、顧鈞豪策劃《福爾摩沙的呢喃2.0 Formosa Whispering 2.0》音樂影像製作、羽日映像X無年無限共製 短片作品 《TUNNEL》、《因為相愛所以無限JUBY CHIU 2021 S/S 跨界時裝展演》、純屬虛構製作社《再製寫身》計劃。
\n\n\n\n
陳品霓
\n\n陳品霓出生於1998年來自嘉義,畢業於樹德科技大學流行設計系,2014年接觸了嘻哈文化街舞灌溉了身體的基礎,2022 衛武營國家藝術文化中心《波麗露在高雄》獨立舞者,開啟身體看見不同舞蹈的可能性,也擔任台北時裝周 Let go : FW22 projectbyh 舞者。內惟藝術中心邀約演出 《行走之間》擔任編舞者,高雄流行音樂中心影像港榮獲評審團大獎、人氣獎。
\n\n\n\n
林蔓葶
\n\n來自高雄,現為自由舞者。曾參與2022波麗路在高雄,2022 台北時裝周<Let go> 舞者。在當代舞中,持續找尋身體的更多發展,並同時在流行舞蹈中進修。主要風格為Jazz funk及高跟鞋。
\n\n\n\n
葉名樺
\n\n畢業於國立臺北藝術大學舞蹈學院,為臺灣知名舞蹈家。作品包含《一個的人美術館—寂靜敲門》、《編舞家葉名樺以—真實人體回應山姆‧詹克斯》、王大閎建築劇場X葉名樺《牆後的院宅》、《SHE》系列、《波光閃閃的房間》、《跳芭蕾》、《進入誰天堂》等。曾以《牆後的院宅》獲第19屆台新藝術獎「年度大獎」。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"44c1693eab51f175ae1bc45d33110f12",title:"2023【武營來跳舞】7-12月"}],related:[],title:"2023【武營來跳舞】7-12月",cover:"74ec7cea59782c0752befbbe4dde5f8a",site:{isOther:!0,site:"",other:"衛武營"},cautions:'
\n\n
大眾參與,與眾不同的舞蹈初體驗
\n\n跳舞是什麼?
\n\n《武營來跳舞》能滿足您對舞蹈的好奇,一起探索跳舞的樂趣!
\n\n為使愛跳舞、想嘗試跳舞的您有更多機會親近舞蹈,《武營來跳舞》在每個月的第一個星期三的晚上,與您相約在衛武營榕樹廣場西側平台。
\n\n透過不同舞團與藝術家帶領,認識舞蹈的基礎語言,探索舞動的美好,找尋你與他身體之間的共振。
\n\n邀請您報名參與,盡情享受舞蹈及活動空間,感受舞動的自由吧!
\n\n\n\n
下半年活動場次表
\n\n時間 | \n\t\t\t誰來跳舞 | \n\t\t\t跳什麼舞 | \n\t\t\t報名網址 | \n\t\t
---|---|---|---|
7/5(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:楊雅鈞 \n\t\t\t助教:楊以灣、吳兆容 | \n\t\t\t《擁抱身體,沈浸在美好的時光裡》 | \n\t\t\t立即報名 | \n\t\t
8/2(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:陳品霓 \n\t\t\t助教:李鈺婕、吳凱文 | \n\t\t\t《嘻哈星期三Having fun!》 | \n\t\t|
9/6(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:林蔓葶 \n\t\t\t助教:王雨婕 、朱浩沂 | \n\t\t\t《穿上你的高跟鞋》 | \n\t\t|
10/4(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:葉名樺 | \n\t\t\t由你跳浪漫芭蕾《仙女》 | \n\t\t\t立即報名 | \n\t\t
11/1(三) \n\t\t\t19:00-20:30 | \n\t\t\t由你跳古典芭蕾《胡桃鉗》 | \n\t\t||
12/6(三) \n\t\t\t19:00-20:30 | \n\t\t\t由你跳新古典芭蕾美學《小夜曲》 | \n\t\t
\n\n
課程簡介
\n\n7-9月「打開舞蹈的想像」
\n\n由衛武營駐地藝術家周書毅所發起的舞蹈演出計畫「波麗露在高雄」去年在高雄各地區起舞28場,今年我們繼續將沿山起舞。出發前,衛武營將邀請《1875拉威爾與波麗露》的排練指導楊雅鈞以及兩位舞者陳品霓、林蔓葶,來與我們分享他們的舞蹈訓練,從現代舞到街舞的練習,最後將請你一起在波麗露的樂曲中起舞。
\n\n\n\n
7/5(三) 《擁抱身體,沈浸在美好的時光裡》
\n\n與自己最親密的時刻,是當你可以觸碰到自己的身體,感受與呼吸並行 ,依著自己的步調,將身體逐漸地開展,與外面的世界產生聯繫, 身體,是生命旅程中的一條連通道,La Vie en rose~
\n\n\n\n
8/2(三) 《嘻哈星期三Having fun!》
\n\n街舞不再受限於年紀,喚醒身體聽見音樂而律動的本能,由嘻哈音樂帶動身體拆解進入最純粹最直接的身體感受,開啟一人在家享受音樂而舞蹈,一群人在相同節奏找到相同語言而同樂!
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9/6(三) 《穿上你的高跟鞋》
\n\n踩上高跟鞋,感受不一樣的姿態,找到屬於自己的舞動。課程中會帶領大家找到高跟鞋的重心,感受腳掌的力量,踩出新的舞步。高跟鞋不是模特兒的專屬,每一個人都可以從高跟鞋中找到自己那自信的步伐。
\n\n(備註:自備跟鞋,課程前面暖身可穿著舒適的布鞋。任何有跟的鞋子都適合,盡量是包鞋,涼鞋厚底鞋不適合。)
\n\n\n\n
10-12月
\n\n我們很常聽到「古典芭蕾」這一詞,有時又聽說「浪漫芭蕾」,或是「現代芭蕾」?到底區別為何?芭蕾舞的流派和風格變化隨著時間和地理而發展。芭蕾誕生於「義大利」,興盛於「法國」,而將芭蕾藝術推向鼎盛繁榮時刻的是「俄羅斯」。我將用三個不同時期的芭蕾舞劇中小品帶大家體驗芭蕾的經典與流變。
\n\n\n\n
10/4(三) 由你跳浪漫芭蕾《仙女》
\n\n浪漫芭蕾題材大多圍繞在「人與超自然事物」,例如精靈、幽靈、仙女等。並且通常具有更柔和的美感。舞劇都以帶有神秘力量的女角色為主線,奴役了凡人的心靈和感官。《仙女》La Sylphide首演於1832年,是芭蕾歷史最重要的芭蕾舞劇之一。
\n\n\n\n
11/1(三) 由你跳古典芭蕾《胡桃鉗》
\n\n三大古典芭蕾舞劇中的《胡桃鉗》是柴可夫斯基和馬蒂斯佩蒂帕的經典之一。聖誕季節最經典的芭蕾舞劇《胡桃鉗》人人喜愛的胡桃鉗組曲中,長笛吹出的飛舞般尖銳的旋律中國舞曲《茶之舞》,給人印象極為深刻。
\n\n\n\n
12/6(三) 由你跳新古典芭蕾美學《小夜曲》
\n\n喬治·巴蘭欽是新古典芭蕾美學的芭蕾代表。 沒有華麗的服裝和道具,注意力轉移到在舞者身上。 穿著簡單的緊身衣來突出動作。 他不相信音樂應該對應浪漫的故事,但動作必須與音樂直接相關。著名的《小夜曲》是舞蹈史上的一個里程碑。
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Artists Introduction",content:'
\n\n
YANG Ya-chun
\n\nYANG Ya-chun is a freelance artist hailing from Anping, Tainan who was the rehearsal director for the 2022 Bolero in Kaohsiung. In recent years, she has collaborated on various body performance projects. These include Quanta Theater NO.6 crossover with A Lucid Dream Performance, the music video production of Formosa Whispering 2.0 curated by GU Jun-hao, the short film TUNNEL by SSUNRISEstudio and oneyearnoyear, the JUBY CHIU 2021 S/S INFINITE crossover fashion show, and the Reenactment in the found footage project by Almost fiction production.
\n\n\n\n
CHEN Pin-ni
\n\nCHEN Pin-ni, a '98er from Chiayi, graduated from the Department of Fashion Design at Shu-Te University. First exposed to hip-hop culture in 2014, she immersed herself in street dances, which later became the cornerstone of her performances. As a solo dancer, she explored her body’s capabilities for other dance types in the 2022 Bolero in Kaohsiung at the National Kaohsiung Center for the Arts (Weiwuying). She was invited to perform at the Let go: FW22 projectbyh during Taipei Fashion Week and choreographed At Walk for Neiwei Arts Center. She then won the Grand Jury Prize and Popularity Award for the Image Harbor contest hosted by Kaohsiung Music Center.
\n\n\n\n
LIN Man-ting
\n\nAs a freelance dancer from Kaohsiung, LIN Man-ting participated in Bolero in Kaohsiung for Weiwuying and Let go for Taipei Fashion Week in 2022. She continues to refine her contemporary dance performances while learning more popular dances, focusing mainly on jazz funk, and stiletto.
\n\n\n\n
YEH Ming-hwa
\n\nGraduated from School of Dance of Taipei National University of Arts, YEH is a renowned Taiwanese dancer. Her works include The Serene Gallery Performance X Exhibition, Choreographer Ming-Hwa Yeh Responds to Sam Jinks with Her Body, Wang Da Hong House Theatre X Ming-Hwa Yeh The House Behind the Wall, the SHE series, A Room by the Sea, and Paradise, Who?. She was awarded the Grand Prize at the 19th Taishin Arts Award for The House Behind the Wall.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"44c1693eab51f175ae1bc45d33110f12",title:"2023【武營來跳舞】7-12月"}],related:[],title:"2023 Weiwuying 365+ DANCE July-December",cover:"74ec7cea59782c0752befbbe4dde5f8a",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:"",benefits:"",description:" ",introduction:'\n\n
\n\n
Sessions
\n\nDate | \n\t\t\tCourse | \n\t\t\tRegistration Link | \n\t\t
---|---|---|
7/5(Wed) \n\t\t\t19:00-20:30 | \n\t\t\t\n\t\t\t Embrace Your Body and Soak in the Good Times \n\t\t\t | \n\t\t\tRegistration | \n\t\t
8/2(Wed) \n\t\t\t19:00-20:30 | \n\t\t\tHip-Hop Wednesday , Having fun! | \n\t\t|
9/6(Wed) \n\t\t\t19:00-20:30 | \n\t\t\tKick Up Your Heels | \n\t\t|
10/4(Wed) \n\t\t\t19:00-20:30 | \n\t\t\tYour Turn to Dance the Romantic Ballet La Sylphide | \n\t\t\tRegistration | \n\t\t
11/1(Wed) \n\t\t\t19:00-20:30 | \n\t\t\tYour Turn to Dance the Classical Ballet The Nutcracker | \n\t\t|
12/6(Wed) \n\t\t\t19:00-20:30 | \n\t\t\t\n\t\t\t Your Turn to Dance the Neo-Classical Ballet Serenade \n\t\t\t | \n\t\t
\n\n
Introduction
\n\nJuly to September
\n\nBolero in Kaohsiung project in 2022, initiated by Weiwuying Artist-In-Residence-CHOU Shu-yi, featured 28 dance performances in various local areas. This year, we are scaling new mountain heights with YANG Ya-chun, who served as the rehearsal assistant for the 1875 Ravel and Bolero, as well as dancers CHEN Pin-ni and LIN Man-ting, who will be sharing their expertise in modern and hip-hop dances. We invite you to dance along with us to Bolero music.
\n\n\n\n
7/5(Wed) Embrace Your Body and Soak in the Good Times
\n\nThe most intimate moment with yourself is when you can touch your own body, feel and breathe side by side, and gradually develop your body at your own pace to connect with the outside world.
\n\nLa Vie en rose~
\n\n\n\n
8/2(Wed) Hip-Hop Wednesday , Having fun!
\n\nStreet dance is no longer limited by age, awakening the body's instinct to hear the music and rhythm, driven by hip-hop music to dismantle the body into the purest and most direct physical sensations, inspired for one person to enjoy music and dance at home, and a group of people to find the same language in the same rhythm and have fun together!
\n\n\n\n
9/6(Wed) Kick Up Your Heels
\n\nStep on the heels, feel the different posture, and find your own dance. The course will lead you to find the center of gravity of high heels, feel the power of your feet, and step on new dance steps. High heels are not exclusive to models, everyone can find their own confident steps from high heels.
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October to December
\n\nWe often hear of ballet as "classical", "romantic", or even "contemporary", but how do they differ? The truth is various schools and styles of ballet developed over time and in diverse geographical locations. Originating in Italy, ballet gained popularity in France and flourished in Russia. Below are ballet shorts from 3 distinctive periods to introduce classic works and changes in the history of ballet.
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10/4(Wed) Your Turn to Dance the Romantic Ballet La Sylphide
\n\nBallet themes generally encompass humans and the supernatural with gentle aesthetics including elves, spirits, and fairies. The protagonists are usually women with mysterious power who enslave the souls and senses of common people. Premiering in 1832, La Sylphide marks one of the major cornerstones of ballet history.
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11/1(Wed) Your Turn to Dance the Classical Ballet The Nutcracker
\n\nThe Nutcracker, one of 3 classical ballets, was a masterpiece by TCHAIKOVSKY and Marius PETIPA. In this iconic Christmas suite, high-pitched swirling flute from the Chinese Tea Dance leave a strong impression on listeners.
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12/6(Wed) Your Turn to Dance the Neo-Classical Ballet Serenade
\n\nGeorge BALANCHINE is a symbol of neo-classical ballet aesthetics. Without fancy costumes and props, the audience's focus is solely on the dancer. Sporting a simple bodysuit, he draws attention to his movements, which he believes have to directly connect to the music instead of the romantic atmosphere of the story. His famous Serenade is a milestone in the history of dance.
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出發 vs. 轉乘 vs. 抵達。
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機遇 vs. 選擇 vs. 命運。
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靜止 vs. 加速。
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反射 vs. 透明。
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熟悉 vs. 陌生。
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私人 vs. 公共。
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受限 vs. 跨越。
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明亮的頭燈 vs. 漆黑的隧道。
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過去 vs. 未來...
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我們對火車的着迷既是一種懷舊情懷—另一個時代,另一片土地的夢想,也是一種象徵:生命就是沿著這條彎彎曲曲的軌道前進,穿越山谷和平原。我們坐在火車上,目光緊盯著窗外,看著自己的眼睛映照在不斷變換的風景上。淚別、期盼重逢,在車廂內偶然相遇,一群素昧平生的陌生人卻有著一個共通點:我們都要去某個地方。我們離開的原因也許不同,但我們相聚在兩段人生之間懸置的瞬間,告別一個生命,準備邁向另一個。
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衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
驚險的特技……融合了生猛美感和對人體的頌揚,讓人驚嘆不已。——美國《拳擊百老匯》
\n\n整部作品令人難以置信。《魔幻列車》不僅將馬戲藝術作為一種奇觀,還將其作為沈浸式敘事的工具。戲劇性特技表演的出其不意,讓整個演出感覺像是魔法。《魔幻列車》的製作要素完美融合,成就一場具規模的驚奇演出。這場演出的美感和創意使其成為所有觀眾都必看的節目。——美國《哈佛深紅報》
\n\n影片來源:YouTube(Les 7 doigts de la main)
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創團至今21年,常駐蒙特婁的加拿大七手指特技劇場(Les 7 Doigts)標榜「以超凡的技巧,說平凡的故事」。英國《衛報》曾如此評論道:若將太陽劇團比做好萊塢動作大片,加拿大七手指特技劇場則是獨立電影。他們以戲劇性取代絢麗的大場面,為高超的馬戲技術注入細膩的情感。《魔幻列車》以鐵路為主題,呈現生命中的各式悲歡離合,以及鐵路與生命經驗的緊密交織。開場時,表演者們坐在椅子上,同步呼吸。突然之間,彷彿軌道轉轍器被開啟,節奏開始錯落。漸漸地,眾人的呼吸營造出猶如火車加速運轉的聲響,一場奇想之旅就此揭序。看似平凡無奇的日常情景,經過加拿大七手指特技劇場巧手一碰,成為奇想無限的多重宇宙。
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本作品綜合劇場、舞蹈、音樂、投影等元素,結合精練的調度雕塑出獨樹一格的馬戲美學。雖然涵蓋多種馬戲元素,不僅不流於炫技,反倒體現其欲探索的微妙人際平衡。看看月台上、隧道中、車廂內、鐵軌間的風景,欣賞呼拉圈、高空綢吊、雜耍、柔身術、高空鞦韆頂、鋼管、俄羅斯搖籃等馬戲項目。搭上《魔幻列車》,旅途即是目的地。
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演前導聆
\n\n12/15(五)19:00 歌劇院二樓大廳
\n\n12/16(六)14:00 歌劇院二樓大廳
\n\n12/17(日)14:00 歌劇院二樓大廳
\n\n主講:方意如
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文章閱讀
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延伸閱讀
\n\n►衛武營Call Cue 青少年_加拿大七手指特技劇場《魔幻列車》
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周邊活動
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演出暨製作團隊
\n\n導演、編劇、編舞|夏娜.卡蘿爾
\n\n演出者|德澤维多.格里洛.愛德華多、伊加拉莫.馬可、奧羅茲科.阿曼達芮妮、尼瓦.内拉馬利特、里維拉勞格魯德.聖地亞哥、德薩林 賴特.凱薩 羅西娜艾琳娜、特倫布萊 布沙爾.梅里亞德、貝茲.埃里克惠特克、喬亞.路易
\n\n舞台佈景|安娜.卡佩魯托
\n\n音樂總監|科林.加涅
\n\n影片設計|強尼.蘭傑
\n\n燈光設計|艾瑞克.尚普
\n\n燈光技師|福伊.洛立安
\n\n服裝設計|卡蜜兒.提博-貝達爾
\n\n文本|夏娜.卡蘿爾、康納.懷爾德
\n\n巡演經理|比隆.紀堯姆
\n\n專案經理|莎賓娜.吉爾伯特
\n\n技術總監|西蒙.拉尚斯、赫昂.路易
\n\n技術統籌|貝爾齊爾.奧黛麗
\n\n視聽人員|阿姆施塔特.邁克爾
\n\n索具設計|史蒂芬.伯榭、尼可拉.勒米厄
\n\n裝置操作員|茹安諾.馬克思
\n\n音樂、歌詞、聲音設計與編排|科林.加涅
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團隊介紹
\n\n加拿大七手指特技劇場
\n\n加拿大七手指特技劇場是一個獨一無二的藝術團隊。2002年,七位創辦人著手重新定義馬戲表演,將壯闊的視覺奇觀去蕪存菁。
\n\n這個當代團體透過挑戰極限的特技,以及讚頌生命的劇場性格,展現七手指獨有的風格。自從成立以來,該團隊從自己的經典劇目巡迴,發展出了形式多樣的戲劇體驗,如親密的獨角戲、大型場館演出、百老匯音樂劇、聯手國際知名藝術家和團體、設計與導演、特別企劃、奧林匹克典禮、電視轉播節目、時尚、藝術和音樂活動、沉浸式體驗等等。每一個項目都帶著七手指鮮明的風格。
\n\n為了拓展其創作版圖,七手指持續雜揉不同風格和探索新敘事型態。著迷於人生百態的七手指,藉由表演來慶祝我們共有的世界、時代和人性。他們的演出足跡遍及全球,無論走到哪都能讓觀眾為之起立喝彩。
\n\n2018年,加拿大七手指特技劇場在蒙特婁市中心劇院區開設他們專屬的創作暨製作中心,將團隊的所有活動、工作部門和夢想集中在一個屋簷下。
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了解更多
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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\n',team:""},english:{onShelfRange:{start:1686110400,end:4841827199},tabs:[{reference:[],type:"content",name:"Background",content:'
Departure vs. transit vs. arrival.
\n\nChance vs. choice vs. destiny.
\n\nStillness vs. acceleration.
\n\nReflection vs. transparency.
\n\nFamiliar vs. foreign.
\n\nPrivate vs. public.
\n\nConfinement vs. border-crossing.
\n\nBright headlights vs. tunnel-darkness.
\n\nPast vs. future…
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Our fascination with trains is both a nostalgic one—dreams of another era, another land—and a symbolic one: life happens along this track of sorts, twisting and turning through valleys and plains. We speed through lands all the while staring out the window, at the reflection of our very own eyes superimposed upon the shifting landscape. Tearful goodbyes, anticipatory reunions. Fateful encounters inside the cabin. A community of strangers with one thing in common: we all have somewhere to go. Our reasons for leaving may differ but we are joined in a moment of suspended limbo between two lives, as we say goodbye to one and prepare for another.
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Performances of death defying feats … mixed with a raw beauty and a celebration of the human body that was breathtaking.——Boxing Over Broadway, USA
\n\nThe entire production is incredible. Passagers uses circus art as not just a spectacle, but a tool for immersive storytelling. The unexpectedness of these dramatic stunts makes the show truly feel like magic. In Passagers every element of production came together to create a show that creates wonder of the same magnitude. The beauty and ingenuity of this show make it a must-see for all audiences. ——The Harvard Crimson, USA
\n\n© YouTube(Les 7 doigts de la main)
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Over the past 21 years, Les 7 Doigts, a Montreal-based circus company, has been "tell[ing] human stories with superhuman skills," opting for theatricality over flamboyance and imbuing their superb circus craft with sentiment. The Guardian once made a cinematic analogy: if Cirque du Soleil is the action-packed blockbuster, Les 7 Doigts is the indie film. Using the railway as its theme, Passagers presents farewells, new beginnings and reminiscences, and the intertwining of the railroad and the human experience. In the opening scene, the performers are seated, breathing in sync. Suddenly, as if the tracks diverged, the rhythm began to stagger. Gradually, the overlapping breaths transform into the sound of a moving train. Thus, a wondrous journey begins. Seemingly ordinary scenes become a multiverse of infinite wonders with the magic touch of Les 7 Doigts.
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Passagers blends theater, dance, music, and projection into a unique circus aesthetic. It is not a mere demonstration of technical prowess but the exploration of the delicate balance of interpersonal relations. You will discover sceneries on the platforms, in the tunnel, inside the cabin, and between the tracks, and enjoy an abundance of circus acts, including hula hoops, aerial silk, juggling, contortion, hand-to-trap, the Chinese pole, and the Russian cradle. On board Passagers, the journey is the destination.
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Pre-talk
\n\n12/15 Fri. 19:00 Opera House 2F
\n\n12/16 Sat. 14:00 Opera House 2F
\n\n12/17 Sun. 14:00 Opera House 2F
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Creative and Production Team
\n\nDirector, Writer and Choreographer|Shana CARROLL
\n\nPerformers|
\n\nEduardo DE AZEVEDO GRILLO, Marco INGARAMO, Amanda renee OROZCO, Nella maarit NIVA, Santiago RIVERA LAUGERUD, Kaisha Rosina Elena DESSALINES WRIGHT, Méliejade TREMBLAY-BOUCHARD, Eric Whitaker BATES, Louis JOYAL
\n\nScenography|Ana CAPPELLUTO
\n\nMusical Director|Colin GAGNÉ
\n\nVideo Designer|Johnny RANGER
\n\nLighting Designer|Éric CHAMPOUX
\n\nLighting Technician|Lorianne FOISY
\n\nCostume Designer|Camille THIBAULT-BÉDARD
\n\nTexts|Shana CARROLL, Conor WILD
\n\nTour Director|Guillaume BIRON
\n\nProject Manager|Sabrina GILBERT
\n\nTechnical Director|Simon CARRIÈRE LEGRIS, Michel BISSON, Louis HÉON
\n\nTechnical Coordinator|Audrey BELZILE
\n\nAudiovisual technician|Michael AMSTADT
\n\nCreation Rigger|Stéphane BEAUCHET, Nicolas LEMIEUX
\n\nRigger|Max JOUANNEAU
\n\nMusic, Lyrics, Sound Designer and Arrangements|Colin GAGNÉ
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Team Introduction
\n\nLes 7 Doigts
\n\nLes 7 Doigts is an arts collective unlike any other. In 2002, the 7 founders set out to redefine circus by stripping down the spectacle to its thrilling essence.
\n\nThe contemporary company tells stories using death-defying acrobatics with a life-affirming theatricality that is unique to Les 7 Doigts. Since its inception, the company has expanded from its own signature touring shows to creating theatrical experiences as diverse as the very artistic directors themselves: original productions varying from intimate one-man shows to large-scale arena performances, Broadway musicals, artistic collaborations with renowned international artists and companies, production design and direction, special events, Olympic ceremonies, televised performances, fashion, art and music events, immersive experiences and much more.
\n\nEvery one of these projects carries Les 7 Doigts' unequivocal mark. The company has consistently spread its horizons by mixing genres and exploring new ways to tell stories. Fascinated by the human condition, Les 7 Doigts create performances that celebrate our world, our time and our humanity. Their shows tour the globe and bring audiences to their feet wherever they go.
\n\nIn 2018, Les 7 Doigts opened their very own Centre of Creation and Production. Situated in the heart of Montreal's downtown theater district, the new centre houses all of the company's activities, departments and dreams under one roof.
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More
\n\n►2023 Weiwuying Circus Platform
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圓劇團 《交陪曲》
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圓劇團
\n\n所有的創作行動與觀點皆連結所依附的土地和文化,尋求民間技藝與當代馬戲的實踐與探索,讓創作自然地呈現出有機的人性與溫度。藉由民間技藝與馬戲的演出分享,與觀眾彼此連結及對話,以真實又詩意的感受,產生對社會的哲思。
\n\n重要作品:《手路》、《狂想‧洪通》、《悲傷ㄟ曼波》、《噶哈巫!斷語?》、《如果你還在》。作品曾入圍「台新藝術獎」、「松菸Lab新主藝」、「臺灣當代文化實驗場CREATORS進駐創作」、「雲門羅曼菲獎助金」、「雲門創計畫」、「2018-2021文化部扶植青年藝術計畫」、「文化部媒合演藝團隊進駐計畫-總爺藝文中心、蕭壟文化園區」等。
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林正宗
\n\n苗栗通霄人,臺灣藝術大學戲劇學系碩士班畢業,當代馬戲表演與創作者、藝術教學。透過傳統藝術、身體、物件操控與空間的互動,持續進行「臺味馬戲」的探索與創作;在表演藝術教學方面,發展獨特的生活節氣與在地元素的藝術課程,並於新竹道禾實驗學校、臺北青禾華德福、LIFT台北法國學校兼任藝術教師。
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虎劇團《打鐵人們》
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虎劇團
\n\n創立於2007年,由一群熱愛溜溜球與扯鈴的非科班年輕人所組成,自成軍以來,劇團的成員們獲獎無數,目標是將與眾不同的溜溜球與扯鈴表演帶給各地的觀眾。
\n\n無論是從街頭或從劇場的角度來看,溜溜球及扯鈴皆非最主流的表演藝術。雖然扯鈴因為被列為體育項目而較為大眾所知,但劇團仍期許能持續製作展演節目,讓此民俗技藝跨界結合科技,並透過表演藝術的推廣,引領風潮。
\n\n不單只是比拚技巧,也呈現劇場美學,虎劇團繼續用不同的詮釋手法來挑戰傳統框架,型塑新風格,使雜技也能夠像舞蹈一樣敘說故事,演繹出有別於以往的創作模式,為街頭技藝建立新指標。
\n\n虎劇團從街頭表演藝術邁向國際舞台,藉由跳脫刻板印象與傳統窠臼,打造出嶄新創意,為臺灣保留本土文化並賦予其豐盈年輕的新生命。
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陳御弼
\n\n高雄人,英國 University of Essex MFA Theatre Directing 碩士、國立臺灣藝術大學戲劇研究所碩士。
\n\n劇場工作者,身份橫跨編劇、導演、表演,也從事戲劇教學、劇場翻譯及策展等工作,與各類型團隊和創作者多有合作及交流。作品橫跨音樂、舞蹈、戲劇、馬戲各領域,並曾赴北京、澳門等地演出。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"a6f7990c1b9311df84507a9cc0944bc6",title:"【2023衛武營馬戲平台】圓劇團 《交陪曲》+虎劇團《打鐵人們》"}],related:[],title:"【2023衛武營馬戲平台】圓劇團 《交陪曲》+虎劇團《打鐵人們》",cover:"f27acb3887e60391f8de3b36befbb354",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:'圓劇團 《交陪曲》
\n\n\n\n
這是一曲充滿臺味陣頭和馬戲的交陪饗宴,從土地的節慶生活中,迸發出純樸又具野性的風土篇章,讓我們在馬戲裡聽見與看見傳統的近未來交陪曲。
\n\n在節慶的酬神儀典與歡樂氣氛裡,民間藝術就是在地的馬戲樂章,演繹出生活文化的面貌,猶如是一朵朵在土地裡綻放出的野性花朵,無論過去、現在或未來,一直根植在生活、土地與民眾的想像連結中。表演內容結合當代馬戲、民間陣頭技藝、雜耍物件及民間音樂,演出濃厚地展現民俗陣頭的趣味性與熱鬧性,以此連結起每個人對土地與藝術的深刻靈魂,展現生活文化的動人故事。
\n\n\n\n
演出暨製作團隊
\n\n導演|林正宗
\n\n音樂設計|劉子齊
\n\n燈光設計|張景翔
\n\n舞台監督|張世諭
\n\n演出者|李俊陽、陳萱丞、徐岳緯、崔哲仁、李承漢
\n\n\n\n\n\n
虎劇團《打鐵人們》
\n\n給我一個軸承,我將轉動世界
\n\n曾獲2013年-2015年「WYYC世界盃溜溜球大賽」表演組創意金獎的虎劇團,團員由一群熱愛溜溜球與扯鈴的非傳統科班生所組成,自成軍以來,成員們屢獲大獎。本次將帶來新作《打鐵人們》,透過溜溜球及扯鈴轉動,再現工業化生產線於舞台上,呈現產業中千錘百鍊的職人精神,打造出一門華麗的視覺工藝。
\n\n世界微觀,生活中充斥著工業的製造與成品;微觀世界,工業中的核心製品之一是軸承。
\n\n從大到小、樣式多端的軸承具備特有屬性—「旋轉」,既能連動無數機關,亦轉動萬物運行。小小鋼鐵構件,創造了無限次元的道具模型,也牽引著溜溜球和扯鈴產生各種動作,透過表演者們目眩神迷的技巧,激發觀眾的想像力,建構出無限可能。在街頭,我們利用聽覺來帶動肢體構成表演;在劇場,我們透過肢體律動來創造聲音,藉由看得到的律動,帶出一場音符節奏饗宴。
\n\n\n\n
演出暨製作團隊
\n\n製作人|林興昱
\n\n執行製作|袁梅芬
\n\n導演|陳御弼
\n\n舞監|李忠貞
\n\n肢體指導|陳楷云
\n\n燈光設計|蘇峻白
\n\n裝置設計|戴瑞賢
\n\n音樂設計|卓士堯
\n\n舞台設計|周志瑋
\n\n造型設計|黃稚揚
\n\n創作協力|黃祺芳
\n\n導演助理|侯又加
\n\n造型設計助理|胡汶寧
\n\n製作助理|黃若茵
\n\n舞台設計助理|吳重諒
\n\n演出者|譚天、張子威、楊仁志、鄭湧蒼、蔡政龍、蘇冠宇
\n\n\n\n
本作品受衛武營高雄雄厲害演出創意計畫挹注
\n\n\n\n\n\n
演前導聆
\n\n2023/12/16(六)19:00 戲劇院二樓大廳
\n\n2023/12/17(日)14:00 戲劇院二樓大廳
\n\n主講:林正宗 圓劇團團長/導演、林興昱 虎劇團團長
\n\n\n\n
了解更多
\n\n\n\n\n\n
藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1686110400,end:4841827199},tabs:[{reference:[],type:"content",name:"Teams Introduction",content:'
Thunar Circus - Let's Kau-puê
\n\n\n\n
Thunar Circus
\n\nThunar Circus practices and explores folk acrobatics and contemporary circus. All of the company's creative actions and perspectives are connected to the land and culture where it is rooted, allowing the works to naturally express humanity and warmth. Our performances of folk acrobatics and contemporary circus speak to and connect with our audience, sparking reflections on modern society through genuine and poetic feelings.
\n\nImportant representative works: Main Agile, Hung Tung's Fantasy, and Melancholic Mambo.
\n\n\n\n
LIN Cheng-Tsung
\n\nLIN was born in Tongxiao, Miaoli. With a master's degree in Drama from National Taiwan University of Arts, he is a contemporary circus performer/artist as well as an art educator. He currently focuses on the production of contemporary circus performance. Combining traditional arts and the interaction between human body, objects and physical space, LIN continues to explore "Taiwanese circus." When teaching performing arts, he has developed unique art programs which combine solar terms and local elements. He is currently an art teacher at Natural Way Elementary School in Hsinchu and Qinghe Waldorf Institute in Taipei.
\n\n\n\n
W.H.O. Theatre - Phah-thih People Party
\n\n\n\n
W.H.O. Theatre
\n\nW.H.O. Theatre was founded in 2007 by a group of performers who are non-professionally trained but passionate for diabolos and yo-yos. Since its inception, the Theatre has garnered numerous awards and strives to bring unique diabolos and yo-yos performances to audiences worldwide. Despite being considered a sport in some circles, Diabolo is not a mainstream art form. However, by promoting the combination of technology and these skills through performing arts, the theatre hopes to set trends and establish itself as a producer of innovative shows. Rather than focusing solely on technical skills, the theatre uses unconventional interpretation methods to challenge traditional frameworks and to create a new style that showcases the aesthetics of theater. By telling stories with the same level of expressiveness as dance, the theatre aims to provide new benchmarks for street performers.
\n\nStarting from street performances, W.H.O. Theatre has made its way to international stages, breaking free from traditional and stereotypical frameworks to create novel ideas that infuse local culture with youthful vitality.
\n\n\n\n
CHEN Yu-pi
\n\nA Kaohsiung native.
\n\nHolds a Master of Arts in Theatre Directing from the University of Essex in England and a graduate degree in Drama from National Taiwan University of Arts.
\n\nHe is a theater practitioner whose work spans multiple areas, including scriptwriting, directing, acting, drama teaching, theatre translation, and curation. He has collaborated with various teams and artists across music, dance, drama, and circus and has performed in Beijing, Macau, and other places.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"a6f7990c1b9311df84507a9cc0944bc6",title:"【2023衛武營馬戲平台】圓劇團 《交陪曲》+虎劇團《打鐵人們》"}],related:[],title:"【2023 Weiwuying Circus Platform】Thunar Circus - Let's Kau-puê & W.H.O. Theatre - Phah-thih People Party",cover:"f27acb3887e60391f8de3b36befbb354",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
Thunar Circus - Let's Kau-puê
\n\n\n\n
Celebrating the festivity of the land, this dynamic fusion of Taiwanese folk parade and circus showcases a vibrant feast teeming with rustic and unbridled flavors of local culture. Through the spectacle of the circus, the audience is allowed to hear and see a performance conveying a traditional form of mingling and bonding known as kau-puê.
\n\nFolk arts that bond and bring joy to people in festive celebrations are themselves the circus of the land, illustrating pictures of life and culture. They are the wildflowers that spring from the earth and root deeply in the lives, land and imaginations of the communities unfettered by time. This performance blends contemporary circus, traditional folk art of religious parade, juggling, and folk music, brimming with the excitement and action of folk parade. The show establishes a profound connection between individuals, the land, and the arts, and recounts the moving stories of life and culture.
\n\n\n\n
\n\n
Creative and Production Team
\n\nDirector|LIN Cheng-tsung
\n\nMusic Designer|LIU Tzu-chi
\n\nLighting Designer|CHANG Ching-hsiang
\n\nStage Manager|CHANG Shih-yu
\n\nPerformers|LI Jiun-yang, CHEN Hsuan-cheng, HSU Yue-wei, James Neil TROY, LI Cheng-han
\n\n\n\n\n\n
W.H.O. Theatre - Phah-thih People Party
\n\nW.H.O. Theatre, consecutively awarded the "Creativity Award" of Artistic Performance division of World Yo-Yo Contest from 2013-2015, was founded by a group of performers who are non-professionally trained but passionate for diabolos and yo-yos. Since its inception, the Theatre has garnered numerous awards. In this new work, performers use the spinning motions of diabolos and yo-yos to recreate the industrial production line on stage. This aims to showcase the artisan spirit honed in the industry, and to forge a magnificent visual art.
\n\nThe world at a microscopic level is filled with industrial manufacturing and finished products. In this micro world, one of the core products in the industry is bearings.
\n\nIn various shapes and sizes, bearings possess a unique attribute of "spin", connecting countless mechanical components and driving the rotation of all things. Furthermore, bearing, a small steel component that creates endless dimensional models of props, is the foundation of all movements of diabolos and yo-yos that inspire limitless imagination through the dazzling skills of the performers. In street performances, we use hearing sense to stimulate movement, while in theaters, we create sound through physical rhythms. Through the visible movements derived from diabolos and yo-yos, we connect with the manufacturing process of industrial products.
\n\n\n\n
Creative and Production Team
\n\nProducer|Moyo LIN
\n\nExecutive Producer|YUAN Mei-fen
\n\nDirector|CHEN Yu-pi
\n\nStage Manager|LI Zhong-zhen
\n\nMovement Coach|CHEN Kai-yun
\n\nLighting Designer|SU Jun-bai
\n\nDevice Designer|Darry DAI
\n\nMusic & Sound Designer|JUO Shih-yao
\n\nStage Designer|CHOU Chih-wei
\n\nCostume Designer|Cutting HUANG
\n\nAssociate Creator|HUANG Qi-fang
\n\nAssistant to Director|HOU You-jia
\n\nAssistant to Costume Designer|HU Wen-ning
\n\nAssistant to Production|HUANG Juo-yin
\n\nAssistant to Stage Designer|WU Chung-luang
\n\nPerformers|TAN Tien, CHENG Tzu-wei, YANG Ren-chih, CHENG Yung-tsang, TSAI Jheng-long, SU Guan-yu
\n\n\n\n
Creation research supported by National Kaohsiung Center for the Arts (Weiwuying)
\n\n\n\n\n\n
Pre-talk
\n\n2023/12/16(Sat)19:00 Playhouse 2F
\n\n2023/12/17(Sun)14:00 Playhouse 2F
\n\n\n\n
More
\n\n►2023 Weiwuying Circus Platform
\n\n\n',team:""},createdAt:1685430928,updatedAt:1700558746,updatedBy:"林蔚行",host:!0},{_id:"6476fb5558ebc5000995ee45",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1702103400,discrete:[{time:1702103400},{time:1702189800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1e3,1200,1600,2e3,2500,3e3],link:"https://www.opentix.life/event/1661267253078573057"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"789faf7b2f707f84e48d9f8746b0b698",title:"優人神鼓35週年—經典《墨具五色》2.0"}],related:[],title:"優人神鼓35週年—經典《墨具五色》2.0",cover:"289b75bdf533e6a7fa1960f37e167c31",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
2023優人神鼓35週年,秉持「道藝合一」理念,傳承古文化「人的力量」。經過35年時間的淬鍊,優人再度回到原點,以身體之磨練,再探東方身體觀!
\n\n老子言:「吾所以有大患者,為吾有身,及吾無身,又有何患?」
\n\n\n\n
《墨具五色》2.0以老莊課題的角度,切入我們每一個人的生命叩問,藉由六個故事篇章,思考「道」之為何?心物整體亦或二元對立?並將加入亞洲太極好手共同深入身體探源,從形、意、心、氣的脈絡,一探老子從有身到無身之身體實踐。
\n\n\n\n
本次作品呈現的不僅僅是 創辧人劉若瑀、藝術總監黃誌群與老莊的對話,也是每一位演出者與當代環境危機的對話,在一連串叩問中傳遞優人的劇場美學,表達優人35年來的傳承及蛻變。
\n\n\n\n
演出曲目
\n\n恍兮惚兮
\n\n大鵬展翅
\n\n庖丁解牛
\n\n鼓盆而歌
\n\n莊周夢蝶
\n\n道隱無名
\n\n\n\n
演出暨製作團隊
\n\n藝術總監|黃誌群
\n\n導演|劉若瑀
\n\n燈光設計|林克華
\n\n影像設計|王奕盛
\n\n服裝設計|UUIN
\n\n笛|吳宗憲
\n\n潑彩藝術家|柯淑玲
\n\n書法題字|董陽孜
\n\n指導單位|文化部
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"789faf7b2f707f84e48d9f8746b0b698",title:"優人神鼓35週年—經典《墨具五色》2.0"}],related:[],title:"U-Theatre Group - Dào V. 2.0",cover:"289b75bdf533e6a7fa1960f37e167c31",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
While facing the post-epidemic era, the potential threat of AI development, the ecological crisis caused by climate change, and the external environment of various challenges, what is the strength and value of human beings?
\n\nLiu Ruo-yu and Huang Chi-chun invite you to have a talk with Lao Zhuang.
\n\nYear 2023 is the 35th anniversary of U-THEATRE, adhering to the concept of "integration of path/method and art", inheriting the ancient culture of "human power". After 35 years of tempering, U-THEATRE has returned to the original point, using the training of the body to explore the oriental body concept again!
\n\n\n\n
Program
\n\nGreat form has no shape
\n\nWings are all around the sky
\n\nCook was cutting up a bullock
\n\nDrum and sing
\n\nChuang Chou, dreamed I was a butterfly
\n\nTao is hidden and nameless
\n\n\n\n
Creative and Production Team
\n\nArtistic Director|HUANG Chih-chun
\n\nDirector|LIU Ruo-yu
\n\nLighting Design|LIN Keh-hua
\n\nVideo Designer|Ethan WANG
\n\nCostume Design|UUIN
\n\nChinese Flute|WU Tsong-shian
\n\nSplash Color Artist|KE Shu-ling
\n\nCalligraphy|TONG Yang-tze
\n\nAdvisor|Ministry of Culture
\n\n\n\n
\n',team:""},createdAt:1685519189,updatedAt:1686800030,updatedBy:"林蔚行",host:!1},{_id:"64a4da3be2e7f80007318fd4",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1701586800,discrete:[{time:1701586800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1800,2400,3e3],link:"https://www.opentix.life/event/1670454871586254849"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"027e013d7e62a641feffd8636b8688cf",title:"《丹奈爾四重奏×柴可夫斯基弦樂四重奏全集》"}],related:[],title:"《丹奈爾四重奏×柴可夫斯基弦樂四重奏全集》",cover:"ab4038c3b05188f95468db08d3b04a18",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
自1991年成立以來,丹奈爾四重奏持續活躍於國際音樂舞台上,經常受邀至各地演出重要音樂會,亦灌錄、發行多張具開創性、獲獎無數的CD。他們以大膽、濃厚的風格詮釋海頓、貝多芬、舒伯特、蕭士塔高維契、魏因貝格等人之弦樂四重奏作品為名,以生動及具新意的視角詮釋傳統弦樂四重奏曲目,贏得大眾及媒體的讚譽。他們2005年起受邀擔任曼徹斯特大學駐校音樂家,對於提攜年輕音樂家,尤其是弦樂四重奏組合有著使命感,積極參與教學以及大師班等活動。
\n\n\n\n
演出曲目
\n\n柴可夫斯基:D大調第一號弦樂四重奏,作品11
\n\n柴可夫斯基:F大調第二號弦樂四重奏,作品22
\n\n柴可夫斯基:降e小調第三號弦樂四重奏,作品30
\n\n\n\n
演出暨製作團隊
\n\n丹奈爾四重奏
\n\n小提琴|丹奈爾
\n\n小提琴|米勒
\n\n中提琴|波格達那
\n\n大提琴|馬克維契
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"027e013d7e62a641feffd8636b8688cf",title:"《丹奈爾四重奏×柴可夫斯基弦樂四重奏全集》"}],related:[],title:"Quatuor Danel vs. Tchaikovsky's String Quartets",cover:"ab4038c3b05188f95468db08d3b04a18",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Quatuor Danel is famous for their bold, concentrated interpretations of the string quartet cycles of Haydn, Beethoven, Schubert, Shostakovich, and Weinberg. Their lively and fresh vision on the traditional quartet repertoire has delivered them subsequent praise from public and press. The other part of their force lies in the collaboration with major contemporary composers such as Wolfgang Rihm, Helmut Lachenmann, Sofia Gubaidulina, Pascal Dusapin, Jörg Widmann and Bruno Mantovani. Russian composers have a special place in the Quatuor Danel's repertoire. In summer 2018 the complete Tchaikovsky quartets and Sextet 'Souvenir the Florence' was released with CPO and more recently the Hartmann Concerto for Clarinet and Quartet with the OPRL. The Danel is in residence in the Wigmore Hall for two seasons from 2023.
\n\n\n\n
Program
\n\nP. I. Tchaikovsky: String Quartet No. 1 in D Major Op. 11
\n\nP. I. Tchaikovsky: String Quartet No. 2 in F Major, Op. 22
\n\nP. I. Tchaikovsky: String Quartet No. 3 e-flat minor, Op. 30
\n\n\n\n
Creative and Production Team
\n\nQuatuor Danel
\n\nViolin|Marc Danel
\n\nViolin|Gilles Millet
\n\nViola|Vlad Bogdanas
\n\nCello|Yovan Markovitch
\n\n\n\n
\n',team:""},createdAt:1688525371,updatedAt:1688971661,updatedBy:"林蔚行",host:!1},{_id:"64a65f4209bc260007f21b9a",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1701257400,discrete:[{time:1701257400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1800,2400],link:"https://www.opentix.life/event/1673249191554760705"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2ea1d31452cbb19bea43f6a2f6acf693",title:"《奧地利鋼琴詩人-費爾納首度來臺鋼琴獨奏會》"}],related:[],title:"《奧地利鋼琴詩人-費爾納首度來臺鋼琴獨奏會》",cover:"7abdc13113cd86741524d30c59f228a1",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
費爾納演奏的莫札特是如此高雅而泰然自若,在藝術造詣上無懈可擊,如同我們被引人入勝的小說給深深吸引,以致於忘了閱讀本身。——《泰晤士報》
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奧地利鋼琴家費爾納在維也納求學時,向Helene Sedo-Stadler學習鋼琴,私下則與布蘭德爾、邁森伯格、Claus-Christian Schuster等人學習鋼琴。1993年奪得瑞士哈絲姬兒國際鋼琴大賽首獎之後,費爾納開始演奏生涯;2008-2010年間,費爾納在紐約、華盛頓、東京、倫敦、巴黎與維也納等地巡迴演出貝多芬的32首鋼琴奏鳴曲,大獲好評。自從2013年起,費爾納在蘇黎世高等藝術學校擔任教職。
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演出曲目
\n\n舒伯特:四首即興曲,D.935
\n\n第一號f小調,中庸的快板
\n\n第二號降A大調,稍快板
\n\n荀白克:六首鋼琴小品,作品19
\n\n舒伯特:四首即興曲,D.935
\n\n第三號降B大調,主題,行板,變奏曲式一至五
\n\n第四號f小調,詼諧的快板
\n\n莫札特:c小調幻想曲,K. 475
\n\n貝多芬:C 大調第 21 號鋼琴奏鳴曲《華德斯坦》,作品 53
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演出暨製作團隊
\n\n鋼琴|費爾納
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"Scrupulous musicianship and an intelligence that palpably searches in all directions for stimulus." — The London Sunday Times
\n\n"Till Fellner is turning out to be one of the great musical chameleons." — Allan Kozinn, The New York Times
\n\nTill Fellner's international career began in 1993 with the 1st prize at the renowned Concours Clara Haskil in Vevey (Switzerland). Since then, he has been a sought-after guest at the major orchestras and the major music centres of Europe, the USA and Japan, as well as at numerous festivals.
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Till Fellner's international career began in 1993 with the 1st prize at the renowned Concours Clara Haskil in Vevey (Switzerland). Since then, he has been a sought-after guest at the major orchestras and the major music centres of Europe, the USA and Japan, as well as at numerous festivals. Over the past few years, he has dedicated himself to two milestones of the piano repertoire: The Well-Tempered Clavier of Johann Sebastian Bach and the 32 piano sonatas of Ludwig van Beethoven. He performed the Beethoven cycle from 2008 to 2010 in New York, Washington, Tokyo, London, Paris, and Vienna.
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Program
\n\nF. Schubert: 4 Impromptus, D.935
\n\nNo. 1 in f minor - Allegro Moderato
\n\nNo. 2 in A-flat major - Allegretto
\n\nArnold Schoenberg: 6 Little Piano Pieces, Op. 19
\n\nF. Schubert: 4 Impromptus, D.935
\n\nNo. 3 in B-flat major - Thema. Andante - Var. I – V
\n\nNo. 4 in f minor - Allegretto scherzando
\n\nW. A. Mozart: Fantasia in c minor, K. 475
\n\nL. v. Beethoven: Piano Sonata No. 21 in C Major “Waldstein”, Op. 53
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Creative and Production Team
\n\nPiano|Till Fellner
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