\nVariations on a Theme of Corelli, Op.42
\n5 Études-tableaux
\nOp. 33, No. 1 in F Minor
\nOp. 33, No. 3 in C Minor
\nOp. 39, No. 5 in E-Flat Minor
\nOp. 33, No. 9 in C-Sharp Minor
\nOp.39, No.9 in D Major
Nicolai Medtner (1880-1951): Sonata Reminiscenza, Op. 38, No. 1
\n\nSergei Prokofiev (1891-1953): Piano Sonata No. 7 in B-Flat Major, Op. 83
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Creative and Production Team
\n\nPiano|Roman Zaslavsky
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管風琴家|劉信宏
\n\n美國華盛頓大學音樂博士。現為台南神學院專任教授,兼任教於國立臺北藝術大學、臺南應用科技大學。2015-2016年間獲邀至加拿大英屬哥倫比亞大學、溫哥華神學院擔任訪問學者,現為美國管風琴家協會會員與臺灣管風琴家協會理事長。
\n\n曾擔任行政院公共建設審查委員會委員、臺北國家音樂廳管風琴親子音樂會顧問與高雄衛武營國家藝術文化中心籌備處管風琴委員會召集人。協助修建臺南奇美博物館的管風琴、2015年國家音樂廳管風琴,並建構臺灣最大的大稻埕教會管風琴、屏東演藝廳管風琴,與目前亞洲最大、全世界最先進的「衛武營國家藝術文化中心 - 音樂廳管風琴」。
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管風琴家|Sean Jackson (9、12月場客席管風琴家)
\n\n國際上出色的獨奏家和伴奏家,演出遍及英國、愛爾蘭、德國、臺灣、中國大陸、加拿大、美國及加勒比海。於倫敦皇家音樂學院學習取得學士學位後,進入茱莉亞音樂學院完成了碩士和博士學位。在學期間獲獎無數,包括倫敦皇家音樂學院 Parratt、Walford Davies 和 Geoffrey Tankard 管風琴獎、Douglas Whittaker Chamber Music 獎;以及茱莉亞音樂學院 A.H. Kuhn 紀念獎學金、1999 年 William Schumann 獎和 C.V. Starr 茱莉亞音樂學院博士獎學金。自2004 年以來,在美國東北部的一些教堂擔任管風琴師及音樂總監,其中包括斯坦威奇公理會教堂。目前已錄製多張獨奏及合作專輯。
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管風琴家|陳相瑜(12月場客席管風琴家)
\n\n管風琴家、鋼琴家兼大鍵琴演奏家,國家表演藝術中心「樂壇新秀」及「中興文藝獎」音樂類得主。
\n\n國立臺北藝術大學畢業,主修鋼琴,副修大鍵琴;美國西北大學管風琴演奏暨鋼琴演奏碩士。
\n\n曾與國家交響樂團、長榮交響樂團、台北愛樂管弦樂團、中國貴陽交響樂團、台北市民交響樂團等合作,擔任管風琴獨奏,也曾參與總統府音樂會、臺北藝術大學音樂廳及屏東演藝廳開幕系列音樂會、鼓浪嶼音樂節閉幕音樂會演出。除了獨奏、室內樂外,也經常受邀參與各大樂團、合唱團演出。
\n\n現任教於東吳大學音樂系,演出教學之餘,常受邀撰寫音樂相關文章,文字作品發表於部落格《陳相瑜的音樂世界》。
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主持人|朱郁柔 Abby CHU
\n\nOrgelkids Taiwan 音樂總監;曾經擔任多場屏東演藝廳管風琴推廣音樂會主持人、屏東演藝廳管風琴工作坊講師、屏東藝遊影音「9分鐘認識音樂界的重量級樂器-管風琴」主講人、屏東演藝廳兒童管風琴夏令營音樂總監、衛武營「玩樂管風琴」管風琴工作坊講師、衛武營管風琴校園推廣計畫講師、國藝會「音樂飄鄉」組裝Orgelkids 小管風琴工作坊講師。
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\n'},{reference:[],type:"content",name:"管風琴介紹",content:'
管風琴是世界上最古老的樂器之一,歷史可以追溯至西元前三世紀的古希臘。由於演奏效果莊嚴宏偉,與教堂迴聲搭配更顯氣勢,加上有多變的音色選擇,從中世紀開始,管風琴成為宗教音樂中相當重要的存在,也讓後世作曲家為管風琴創作大量作品。
\n\n隨著傳教士的腳步,管風琴走出歐洲,在全球的教堂內出現,像是在臺灣就有三十幾台位於教會內的管風琴。而在西方古典音樂成為主流演出的當代,建造音樂廳等表演場館時,管風琴亦成為標準配備,讓更多觀眾能夠有機會聽到此項雄偉樂器的壯觀聲響。
\n\n因此,衛武營在規劃時,就決定要在音樂廳內建置管風琴,委託德國波昂百年管風琴製造商克萊斯(Johannes Klais Orgelbau)量身打造,歷經三年多時間完成,共有9085支音管與127支音栓,為目前亞洲最大的音樂廳演奏用管風琴,也是目前全世界音樂廳內唯一可以同時邀請3位管風琴家登台演奏的音樂廳。與葡萄園式觀眾席融為一體的外觀設計,更是讓來訪的世界級管風琴家們驚艷不已!
\n\n\n\t\t |
\n\t\t\t 7/13(四)14:30-15:30 | \n\t\t|
\n\t\t\t 「把拔馬麻,最上面的那個又大又亮、還有好多根柱子是什麼啊?」「喔,那個叫做管風琴啊~」「那~管風琴又是什麼東西呢?」「這個……」不知道該如何和孩子解釋管風琴嗎?交給最受小朋友喜歡的花露露來幫忙吧! ►節目詳情 \n\t\t\t | \n\t\t|
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\n\t\t\t 8/2(三)14:30-15:30 \n\n\t\t\t【永恆的愛-巴洛克協奏曲】 \n\n\t\t\t※舞台零距離體驗場 \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 在七夕情人節的浪漫氣氛中,管風琴家劉信宏規劃演出兩首音樂史上最著名的《婚禮進行曲》──華格納與孟德爾頌筆下的動聽旋律,將以管風琴獨奏呈現,讓人彷彿置身教堂、為新人線上祝福!透過兩首名曲,觀眾同時可以感受比起管弦樂團版本,管風琴演奏絲毫不遜色。為了更加印證此點,劉信宏將進一步演出兩首改編自韋瓦第樂團協奏曲的作品:巴赫《D小調協奏曲》及約翰.華爾特《B小調協奏曲》,充分展現管風琴的音色多變性。同時佐以巴赫《耶稣,世人仰望的喜悦》與米特爾《F大調幻想曲》兩首動聽小品,展開溫馨幸福的序幕! \n\n\t\t\t\n\n\t\t\t 華格納:結婚進行曲 ,選自《羅恩格林》 \n\n\t\t\t巴赫:《耶穌,世人仰望的喜悅》,作品147 \n\n\t\t\t孟德爾頌:結婚進行曲,選自《仲夏夜之夢》,作品61 \n\n\t\t\t約翰・華爾特:b小調協奏曲,作品133(改編自韋瓦第e小調協奏曲,RV275) \n\n\t\t\t米特爾:給管風琴的F大調幻想曲 \n\n\t\t\t巴赫:d小調協奏曲,作品596 (改編自韋瓦第d小調協奏曲,作品3,第11號,RV565) \n\t\t\t | \n\t\t|
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\n\t\t\t 9/27(三)14:30-15:30 \n\n\t\t\t【管風琴唱世界民謠】 ※客席演奏家:Sean JACKSON \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 大家已經相當熟悉聽到管風琴演出聖歌或詩篇,如果管風琴彈出的是眾人耳熟能詳、傳頌不已的民謠,又會是怎樣的風味呢?本場次劉信宏將以陳泗治的《台灣素描》彈出管風琴音中的寶島風景,並且邀請出生於加勒比海的尚傑生,改編他心中的經典臺灣旋律;另外,劉信宏更融合臺語歌謠《孤戀花》與世界名曲《小白花》,展現音樂超越國籍的無遠弗屆;尚傑生則會帶來充滿熱帶風情的故鄉旋律,搭配上本次的「自由移動場」設計,觀眾不妨在音樂廳的不同角落,感受來自世界的風,在音樂廳內的不停流轉! \n\n\t\t\t\n\n\t\t\t 尚傑生改編:巴多斯民謠交響曲 陳泗治:《台灣素描》選取,劉信宏改編給管風琴 尚傑生改編:三首臺灣名謠 劉信宏改編:真善美小白花、臺灣孤戀花 \n\n\t\t\t帕爾迪尼:《奇異恩典觸技曲》 \n\t\t\t | \n\t\t|
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\n\t\t\t 10/18(三)14:30-15:30 \n\n\t\t\t【Knock!Knock!不給音樂就搗蛋】 \n\n\t\t\t※舞台零距離體驗場 \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 管風琴的多變性究竟多高呢?在傳統的宗教意象之外,管風琴於當代影視作品的形象,似乎更常帶來「群魔亂舞」的驚悚效果:畢竟以一人之力就能展現出碩大的壓制音響,不是神力便是怪力!本場次結合萬聖節,精選神祕詭譎效果的管風琴曲目:已然成為「吸血鬼」的代名詞的巴赫d 小調觸技曲與賦格,以及展現獨特音色與旋律的當代爵士散拍作品,加上德布西《月光》的夜色沉思後,又以蘇莎《永恆的星條旗》展開盛大遊行!觀眾也可以在「舞台零距離體驗場」的設計中,到琴座正下方感受強烈震撼力。 \n\n\t\t\t\n\n\t\t\t 玻耶爾曼:《哥德組曲》 巴赫:d 小調觸技曲與賦格,BWV 565 玻爾康:〈快來傳道,穩當根基自由幻想曲〉選自《散拍,福音音樂前奏曲》 \n\n\t\t\t德布西:〈月光〉,選自《貝加馬斯克組曲》作品 L75 – 第三首 \n\n\t\t\t蘇沙:《永恆的星條旗》 \n\t\t\t | \n\t\t|
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\n\t\t\t 11/22(三)14:30-15:30 \n\n\t\t\t【管風琴大戰交響樂】 \n\n\t\t\t※自由移動體驗場 \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 雙手雙腳加上數百根音管,管風琴能展現的音色與音量變化,足以媲美百人交響樂團!本場次管風琴家劉信宏將化身一人指揮兼樂手,展現管風琴以一擋百的壯闊氣勢!法國作曲家邦內給音樂會的變奏曲,以及同樣來自法國的維多所寫的「交響曲」,其實都是單純為管風琴獨奏寫的曲目,光從曲名就能感受到作曲家認為「管風琴=樂團」的基本定調;而大眾熟悉的影視作品:約翰.威廉斯《星際大戰》〈帝國進行曲〉,以及漢斯.季默為《星際效應》創作的配樂,則是展現出管風琴足以與無邊宇宙的對應功力,在本場次的「自由移動場」設計下,觀眾可以用不同角度聆賞管風琴的壯闊浩瀚。 \n\n\t\t\t\n\n\t\t\t 邦內:給音樂會的變奏曲,作品一 \n\n\t\t\t漢斯‧季默:電影《星際效應》配樂組曲 \n\n\t\t\t約翰‧威廉斯:〈帝國進行曲〉電影《星際大戰》主題曲 \n\n\t\t\t莫利克奈:《新天堂樂園》 電影主題曲 \n\n\t\t\t馬斯卡尼:歌劇《鄉村騎士》間奏曲 \n\n\t\t\t維多:第三樂章〈如歌的行板〉,選自第四號管風琴交響曲 \n\n\t\t\t維多:〈終曲〉,選自第六號管風琴交響曲 \n\t\t\t | \n\t\t|
主辦單位保留本活動變更權利。
\n\t本活動之費用將列入衛武營會員卡消費點數累積。
\n\t舞台零距離體驗場:開放舞台區、合唱席F1-F7排自由入座。
\n\t自由移動體驗場:開放1F 1-12排、A1-A6排、2F B1-B8排 一般席自由入座。
\n\t衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n參與2023年定時導覽「廳院導覽」、主題導覽「廳院自由探索」至三樓服務中心臨櫃購買2023【探索管風琴音樂】演出,即享購票8折優惠(各項優惠折扣方案僅能擇一使用),不限購買張數。
\n\t衛武營卡友:9折
\n\t團票:8折(30人以上)
\n\t敬老票、身障及陪同:5折
\n\t更多優惠方案詳見售票頁面。
\n\t走進衛武營音樂廳,除了驚嘆葡萄園式觀眾席與極佳音響效果外,位於最頂層的管風琴,也是眾人矚目的焦點。若是您曾經好奇,這台亞洲最大的音樂廳管風琴,究竟能展現什麼樣的百變樣貌,「探索管風琴音樂」系列活動,將是得到解答的大好機會!
\n活動透過搭配其他樂器以及加入燈光效果等特殊聆賞規劃,加上平易近人的專業解說,展現管風琴的萬千變換與可親可愛。
\n活動特別安排「舞台零距離體驗場」將舞台區轉變為觀眾席區,讓您近距離一睹管風琴風采;「自由移動體驗場」在曲目間安排換位橋段,透過體驗不同的欣賞演出視角,做為您日後蒞臨音樂廳欣賞演出的座位參考。
\n每月一小時,相約「探索管風琴音樂」,揭開管風琴的神祕面紗,拉近管風琴與我們的距離!
\n 2023下半年活動場次表
\n\t\t\t 12/13(三)14:30-15:30 \n\n\t\t\t【管風琴聖誕饗宴】 \n\n\t\t\t※客席演奏家:Sean JACKSON、陳相瑜 \n\n\t\t\t\n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 歲末將至,本場次將由三位管風琴家:劉信宏、尚傑生與陳相瑜一同登台,聯手帶來最應景佳節氣息的「管風琴聖誕饗宴」!除了精選從孟德爾頌、柴科夫斯基到美國黑人靈歌等歷史上極具聖誕氣息的曲目外,本場最特別的,是三位音樂家將使出渾身解數,不但要打開音樂廳3樓兩側的所有管風琴,同時連線一樓與三樓的琴座演奏外,更會在不同曲目中加入鋼琴與移動式管風琴,展現出不同鍵盤樂器交融的特殊效果,把衛武營管風琴的效能發揮到淋漓盡致,並為今年畫下精采熱鬧的休止符! \n\n\t\t\t\n\n\t\t\t 維耶爾恩:《西敏寺的鐘聲》,作品54 第六號 \n\n\t\t\t《法國聖誕鐘聲變奏曲》傑瑞. 威斯頓庫勒改編 \n\n\t\t\t孟德爾頌‧巴妥爾迪:《聖誕歌謠-齊來敬拜》,珍妮.戴梅西 改編 \n\n\t\t\t美國黑人靈歌《去山頂傳揚》,艾略特. 理查德改編 \n\n\t\t\t柴科夫斯基:〈糖梅仙子之舞〉選自《胡桃鉗組曲》 \n\n\t\t\t美國黑人靈歌《祂雙手掌握全世界》,喬爾.雷尼改編 \n\n\t\t\t杜普雷:《齊來敬拜》變奏曲 \n\n\t\t\t阿道夫.亞當:《聖善夜》 \n\n\t\t\t魏多:觸技曲,f小調第五號管風琴交響曲,作品42/1 \n\t\t\t | \n\t\t|
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好書推薦
\n\n《打開管風琴的祕密》
\n\n由來自德國的繪本作者西妮雅.博尼希編寫繪製,衛武營取得授權後和時報出版合作在臺發行繁體中文版。以淺顯易懂的文字和充滿童趣插圖,講解樂器之王管風琴的組成構造、發聲原理,以及衛武營音樂廳中全亞洲最大管風琴,如何由德國波昂的百年管風琴製造廠Johannes Klais Orgelbau, 歷經三年多時間設計製造,並橫跨9,500多公里搬運來到高雄衛武營組裝完工的巨大挑戰 。
\n►購買連結
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藝文支持
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文化部校外文化體驗
\n\n本活動與文化部、各地方的藝文場館及周邊場域串聯,提供文化體驗內容,共同合作推動學校帶領學生走出校園,走進戲劇院、音樂廳、演藝廳、美術館、博物館、歷史現場及績優社區營造點等文化場域,培養高中職、國中小之學子對文化藝術的興趣和感知,培育藝文欣賞人口,建立文化自信。
\n\n歡迎各縣市高中職、國中小詢問所屬縣市或有意前往縣市的文化局(處)諮詢窗口,報名參與。
\n\n►活動詳情
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Artists Introduction",content:'
Pipe Organist|LIU Hsin-hung
\n\nDr. LIU holds a Doctor of Musical Arts degree from the University of Washington and is currently a professor at Tainan Theological College and Seminary and an adjunct professor at Taipei National University of the Arts and Tainan University of Technology. LIU is a member of the American Guild of Organists (AGO) and serves as the chair of the AGO's Taiwan Chapter.
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Guest Organist|Sean JACKSON (Sep, Dec)
\n\nAn outstanding soloist and accompanist on the international stage, JACKSON has performed in the many countries worldwide. Since 2004, he has served as the organist and music director of music at churchs in Northeastern USA. To date, he has recorded numerous solo and collaborative albums.
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Guest Organist|CHEN Hsiang-yu (Dec)
\n\nOrganist, pianist, and harpsichordist; recipient of the NTCH Prominent Young Musician and Chunghsing Arts Award for music. Currently teaching at Soochow University Department of Music, CHEN is often invited to write music-related articles, and her written works are published on her blog Chen Hsiang-yu's Music World.
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Host|Abby CHU
\n\nAbby CHU is Orgelkids Taiwan music director. She has served as a host of Educational Lecture Recitals for Organ, lecturer of the Organ Workshop in Pingtung Performing Arts Center and Weiwuying, speaker of Pingtung Performing Arts' Film A 9 minutes introduction to the King of Musical Instruments- Organ, the music director of Orgelkids Taiwan Summer Music Camp, and the lecturer of Developing STEM Approaches for Understanding Organ Project in Schools.
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\n'},{reference:[],type:"content",name:"The pipe organ",content:"
The pipe organ is one of the world's oldest instruments, dating back to as early as the 3 rd century BC in Greece. Since it has a majestic, dignified sound, which is even more pronounced by the echo in large churches, along with its variance in timbre, it became an important presence in Christianity beginning in the Middle Ages, in turn prompting the composition of a great number of pieces over time.
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As missionaries brought their faith out of Europe, the organ followed to churches all over the world—over 30 can be found in Taiwanese churches. Now that Western classical music is a popular genre, almost all concert halls are built with an organ, allowing people all over to hear the grandeur of this fascinating instrument.
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Similarly, an organ was also put into the plans for Weiwuying.Century-old German organ manufacturer Johannes Klais Orgelbau built the instrument, which has 9,085 pipes and 127 stops, over a period of a bit more than three years. It is both the largest organ in Asia and the only concert hall organ in the world with the capacity to be played by three organists at the same time.Being perfectly blended into the vineyard seating as the cherry on top, it never fails to stun world-class organists from around the globe!
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\n"},{reference:[],type:"content",name:"Past sessions",content:'
Discount
\n\nBesides the breathtaking vineyard-style seating and outstanding acoustics at the Weiwuying Concert Hall, the pipe organ, located on the top floor, is another major highlight. If you're wondering what this largest organ in Asia can do, our Explore the Pipe Organ series of events is just what you're looking for!
\n\nPerformances will be enhanced with other instruments, special lighting effects, and informative explanations, which will make the organ's diversity and charm more accessible and understandable to the audience.
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In addition, the programs boast two unique features: The first is that they will be Close-up Shows—the stage will be transformed into a seating area to give the audience an even closer experience with the organ. The second is the Musical Chairs aspect: members of the audience will be permitted to get up and move to other seats between pieces of music to try out different perspectives and get an idea of which seats they would like to reserve for future performances.
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So for an hour each month, come to our Explore the Pipe Organ events to see all the secrets behind this fascinating instrument!
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\n Programs
\n\t\t\t 8/2(Wed)14:30-15:30 \n\n\t\t\tEternal Love - Baroque Concertos (Close-up Show) \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t For the romantic atmosphere of Chinese Valentine's Day, August's event will showcase solo organ performances of two of history's most well-known songs, WAGNER's "Bridal Chorus" from Lohengrin and MENDELSSOHN's "Wedding Procession" from A Midsummer Night's Dream—you might just think you should be throwing rice and crying! The show will produce a different, but by no means inferior, feel compared with the commonly heard orchestra versions. \n\n\t\t\tTo emphasize this distinction, BACH's Concerto in d minor and WALTHER's Concerto in b minor (adaptations of concertos by VIVALDI) will fully express the diversity of the organ's timbre. In addition, BACH's "Jesu, Joy of Man's Desiring" and MÜTHEL's Fantasie in F Major for Organ will add to the warmth and joy of the program. \n\t\t\t | \n\t\t|
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\n\t\t\t 9/27(Wed)14:30-15:30 \n\n\t\t\tEchoing Folk Songs from Around the World (Musical Chairs) \n\n\t\t\tOrganist|Sean JACKSON \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t Most people are accustomed to pipe organs performing hymns or psalms. But what would it be like if the pipe organ played well-known and enduring folk songs? In this performance, LIU Hsin-hung will play Taiwan Sketches by CHEN Si-chih on the pipe organ, presenting the island's landscapes. LIU also invites Caribbean organist and pianist, Sean JACKSON, to adapt classic Taiwanese melodies dear to him. Furthermore, LIU blends the Taiwanese ballad "Lonely Flower" with the world-famous "Edelweiss" demonstrating how music transcends boundaries. JACKSON will also bring melodies filled with tropical charm. Combined with the ’musical chair’ series where audience are invited to choose or change seats, they can experience music from across the globe all within the concert hall! \n\t\t\t | \n\t\t|
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\n\t\t\t 10/18(Wed)14:30-15:30 \n\n\t\t\tKnock! Knock! Music or Trick! (Close-up Show) \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t How versatile is a pipe organ? Beyond religious imagery, the pipe organ in contemporary film and television tends to bring about a thrilling and devious effect. After all, a person with the ability to produce a massive and overpowering sound, is either an act of divinity or monstrosity. This Halloween-themed performance selects organ pieces with mysterious and eerie qualities: BACH's Toccata and Fugue in d minor, already synonymous with "vampires," unique contemporary jazz syncopated pieces, and the pensive Clair de Lune by DEBUSSY, SOUSA's grand The Stars and Stripes Forever. Audience can also feel the intense impact of the instrument whilst seating directly under the organ in this "close-up show" concert. \n\t\t\t | \n\t\t|
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\n\t\t\t 11/22(Wed)14:30-15:30 \n\n\t\t\tThe Pipe Organ Battles the Symphony (Musical Chairs) \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t With the use of both hands and feet of the musican, together with hundreds of pipes, the pipe organ can be an equal match to a modern full-size symphony orchestra! In this performance, pipe organist LIU Hsin-hung will act as a conductor and an orchestra all by himself to demostrate the granduer of this instrument!! Variations de Concert by French composer Joseph BONNET and the symphonies of French composer Charles-Marie WIDOR are written solely for solo organ. From the title alone, you can detect how the composers equate the pipe organ with the orchestra. The popular film scores such as John WILLIAMS' "Imperial March" from Star Wars and Hans ZIMMER's score for Interstellar, demonstrate the organ's ability to correspond to the boundless universe. In this 'musical chair' series, audience are invited to change or choose seats, giving them an opportunity to appreciate to appreciate the grandeur of the pipe organ from various angles. \n\t\t\t | \n\t\t|
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\n\t\t\t 12/13(Wed)14:30-15:30 \n\n\t\t\tChristmas Feast of Joy \n\n\t\t\tOrganist|Sean JACKSON, CHEN Hsiang-yu \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t At the end of 2023, three organists: LIU Hsin-hung, Sean JACKSON, and CHEN Hsiang-yu, will jointly present “Resounding Joy: The Pipe Organ Christmas Extravaganza,” which includes a selection of Christmas-themed pieces across history, including works from HANDEL, TCHAIKOVSKY, and American Negro Spirituals. They will pull out all their stops and fully utilizing all the organs, including one on stage, two on the third floor, a concert piano and a positive organ. This program will showcase the special blend of different keyboard instruments and demonstrate the full potential of Weiwuying's pipe organ, drawing a lively and exciting conclusion for the year! \n\t\t\t | \n\t\t|
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\n',team:""},createdAt:1679043720,updatedAt:1701848980,updatedBy:"林蔚行",host:!1},{_id:"641c1c96653c730007b385c0",catalogs:["6010ca1afb81540009f438e6","6007fc45ba34870007c22b8b"],dateTime:{first:1685080800,discrete:[{time:1685080800},{time:1685151e3},{time:1685169e3},{time:1686708e3},{time:1686724200},{time:1686965400},{time:1686983400},{time:1694239200},{time:1694259e3},{time:1696572e3},{time:1696740300},{time:1703311200},{time:1703329200}],type:"discrete"},activity:{type:"free",free:{description:"報名參與"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"授課團隊",content:'
授課團隊
\n\n【音樂芭蕾劇場《遇見胡桃鉗的女孩》大耳朵芭蕾工作坊】
\n\n講師-周書毅
\n\n從身體出發,用舞蹈作為與世界溝通的語言,關注人與社會環境之間的關係。在過往的創作及行動中,善用跨界力量的特性,強烈表現在藝術公共性上的著墨。編創聚焦叩問生命的價值,反映個人或群體在不同社會脈絡下的狀態,提出「屬於亞洲的身體語彙」,並以劇場、非傳統劇場、舞蹈錄像等形式呈現,持續以移地移居創作的方式遊走各地。
\n自2020年起受邀擔任衛武營駐地藝術家,移居南方,並被聘為2022年暨2024年臺灣舞蹈平台策展人。
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\n'},{reference:[],type:"content",name:"活動回顧",content:'
報名時程
\n\n上半年度(1-6月)
\n\n2023/3/29(三)12:00起至各場次額滿為止。
\n\n若該場次未報名額滿,將於演出前一週關閉報名表單。
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友善學習工作坊
\n\n【尤法.皮克《巴赫d小調》大手大腳肢體工作坊】
\n\n\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 5/26(五)14:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 肢體課程1 \n\t\t\t | \n\t\t\t1182排練室 | \n\t\t
\n\t\t\t 5/27(六)09:30-12:30 \n\t\t\t | \n\t\t\t\n\t\t\t 肢體課程2 \n\t\t\t | \n\t\t|
\n\t\t\t 5/27(六)14:30-15:30 \n\t\t\t | \n\t\t\t\n\t\t\t 尤法.皮克《巴赫d小調》 \n\n\t\t\t演出欣賞 \n\t\t\t | \n\t\t
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授課團隊
\n\n滯留島舞蹈劇場
\n\n由視障編舞家張忠安於2010年創立,為國藝會年度獎助演藝團隊,作品屢獲國際邀演。期許能將南部人才「滯留」於在地發揮長處,停靠在「島」所提供的空間與機會,著力向下扎根、扶植在地人才,以實驗精神探索創新,關懷社會人文及時事為舞作議題,為弱勢團體發聲。
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來自屏東的視障編舞張忠安在十七歲那年因右眼失明,放棄北藝大舞蹈系回到南部家鄉,然而編舞及身體語彙是他表達思想、與世界溝通鏈結的重要存在,持續不間斷地為自己和他人進行訓練、教學和編舞。在沒有學術資源與經歷下,以對舞蹈的熱忱及追尋夢想的勇氣在2010年創立了滯留島舞蹈劇場,期望將人才滯留南方。舞團近年更致力於透過公共性的參與、藝術創作及節慶式的共融活動來提升大眾關注文化平權。
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【探索管風琴音樂《毛小孩的狂歡》大眼睛管風琴工作坊】
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\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 6/14(三)10:00-12:00 \n\t\t\t | \n\t\t\t\n\t\t\t 管風琴課程 \n\t\t\t | \n\t\t\t1186排練室 | \n\t\t
\n\t\t\t 6/14(三)14:30-15:30 \n\t\t\t | \n\t\t\t\n\t\t\t 探索管風琴音樂《毛小孩的狂歡》 \n\n\t\t\t演出欣賞 \n\t\t\t | \n\t\t
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授課團隊
\n\n社團法人台灣兒童管風琴教育推廣協會
\n\n講師-朱郁柔
\n\t高雄師範大學表演藝術所,現任社團法人台灣兒童管風琴教育推廣協會音樂總監。有二十年國小藝術與人文科老師樂隊團隊指導老師經驗、十年台北麗庭莊園婚禮電子管風琴琴師。曾經擔任多場屏東演藝廳管風琴推廣音樂會主持人、屏東演藝廳管風琴工作坊講師、屏東藝遊影音『9分鐘認識音樂界的重量級樂器-管風琴』主講人、屏東演藝廳兒童管風琴夏令營音樂總監、衛武營管風琴校園推廣計畫講師、衛武營『藝企學』管風琴音樂會主持人、衛武營『劇場藝術體驗教育計畫』業師、衛武營『玩樂管風琴工作坊』講師、國藝會『音樂飄鄉』組裝Orgelkids 小管風琴工作坊講師。
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【拾念劇集×無獨有偶×施如芳《鯨之嶋》大耳朵偶戲工作坊】
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\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 6/17(六)14:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 偶戲課程 \n\t\t\t | \n\t\t\t1192排練室 | \n\t\t
\n\t\t\t 6/17(六)19:30 \n\t\t\t | \n\t\t\t\n\t\t\t 拾念劇集×無獨有偶×施如芳《鯨之嶋》 \n\n\t\t\t演出欣賞 \n\t\t\t | \n\t\t
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授課團隊
\n\n無獨有偶工作室劇團
\n\n創立於1999年,秉持「無物不成偶」的創作觀點,打造臺灣當代偶戲劇場的新風貌,以魔幻哲思的變身美學開創獨特的劇場敘事。作品風格充滿創意的造型以及詩意的演繹能力,並以各種跨領域合作,開發『人』所不能為的自由想像空間。作品多次提名及入圍「台新藝術獎」,並經常於臺北藝術節、兩廳院國際劇場藝術節、法國外亞維儂藝術節、美國綠山藝術節等國內外重要藝術節演出,足跡遍佈15個國家。2013年於宜蘭縣五結鄉創立「利澤國際偶戲藝術村」,為亞洲最具規模的偶戲創發平台。
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【喬伊.亞歷山大三重奏《天才琴手》友善學習工作坊】
\n\n\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 9/9(六)14:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 爵士課程 \n\t\t\t | \n\t\t\t1182排練室 | \n\t\t
\n\t\t\t 9/9(六)19:30-21:30 \n\t\t\t | \n\t\t\t\n\t\t\t 【衛武營爵士週】喬伊.亞歷山大三重奏 \n\n\t\t\t《天才琴手》演出欣賞 \n\t\t\t | \n\t\t\t音樂廳 | \n\t\t
授課團隊
\n\n【喬伊.亞歷山大三重奏《天才琴手》大手大腳肢體工作坊】
\n\n講師-王夏儷
\n\n國立臺灣師範大學流行音樂產業研究所畢業
\n\n高雄市港都音樂表演藝術發展協會理事長
\n\n中國國營企業珠江鋼琴藝術中心專家講師
\n\n台灣奧福Orff音樂教育協會擔任常務理事、監事、會訊總編輯
\n\n日本Yamaha擔任音樂講師、級數檢定監考官、全台演奏者指導老師
\n\n台南應用科技大學音樂系擔任專業技術講師20年
\n\n高雄中央公園城市光廊EZ Life簡單.生活露天音樂吧
\n\nEZPlayer 易利玩仔數位股份有限公司執行長、音樂總監
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助教-朱慧詠
\n\n畢業於國立台北藝術大學音樂系,主修單簧管。現為南台灣交響樂團駐團編曲家/豎笛首席,擅長合成樂器,長期受邀於海內外演出及參與編曲製作及與樂團作連結演出。
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【唐美雲歌仔戲團《臥龍:永遠的彼日》大眼睛歌仔戲工作坊】
\n\n\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 10/6(五)14:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 歌仔戲課程 \n\t\t\t | \n\t\t\t1182排練室 | \n\t\t
10/8(日)12:45-13:35 | \n\t\t\t\n\t\t\t 【衛武營五週年慶】唐美雲歌仔戲團《臥龍:永遠的彼日》 \n\n\t\t\t觸覺導聆 \n\t\t\t | \n\t\t\t歌劇院 | \n\t\t
10/8(日)14:05-14:25 | \n\t\t\t\n\t\t\t 【衛武營五週年慶】唐美雲歌仔戲團《臥龍:永遠的彼日》 \n\n\t\t\t口述導聆 \n\t\t\t | \n\t\t|
\n\t\t\t 10/8(日)14:30 \n\t\t\t | \n\t\t\t\n\t\t\t 【衛武營五週年慶】唐美雲歌仔戲團《臥龍:永遠的彼日》 \n\n\t\t\t演出欣賞(搭配口述影像) \n\t\t\t | \n\t\t
授課團隊
\n\n【唐美雲歌仔戲團《臥龍:永遠的彼日》大眼睛歌仔戲工作坊】
\n\n講師-陳健星
\n\n戲曲編劇,中央大學中文系兼任講師。2011開啟與「唐美雲歌仔戲團」合作的因緣,投入電視、舞台歌仔戲劇本創作逾十一年。代表作品《春櫻小姑─回憶的迷宮》《冥河幻想曲》《風從何處來》《螢姬物語》《夜未央》《光華之君》《冥遊記─帝王之宴》《臥龍:永遠的彼日》。2018與王安祈教授共同編寫京崑文學劇《天上人間李
\n後主》。2019擔任電視劇《孟婆客棧》總編劇。2021以《光華之君》獲傳藝金曲獎「最佳編劇」。
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講師-陳歆翰
\n\n當代劇場歌仔戲編腔作曲、音樂設計。2023以「歌仔戲腔調設計研究」取得國立臺灣藝術大學表演藝術博士學位。曾獲第32屆傳藝金曲獎最佳音樂設計獎,並入圍廣播金鐘獎主持人獎項。曾參與唐美雲歌仔戲團、春美歌劇團、尚和歌仔戲劇團、《見城》、《船愛》等大型製作。現為國立臺灣戲曲學院兼任講師、中央廣播電台《臺灣文武爿》節目主持人。
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\n'}],onShelf:!0,sliders:[{type:"image",key:"99a04ba6f1b8291b275a0f6e88b13cda",title:"2023【衛武營場館友善計畫】友善學習工作坊"}],related:[],title:"2023【衛武營場館友善計畫】友善學習工作坊",cover:"a54dc95428dd33318c18053cf40e9480",site:{isOther:!0,site:"",other:"衛武營"},cautions:"",benefits:"",description:"衛武營自2018年開館以來,致力成為眾人的藝術中心,盼社會上眾多族群在衛武營找到自己安適的方式參與藝術活動。",introduction:'
衛武營自2018年開館以來,致力成為眾人的藝術中心,盼社會上眾多族群在衛武營找到自己安適的方式參與藝術活動。藉由各項無障礙軟硬體設施建置,讓視障和聽障朋友在友善的空間,與眾人一同感受衛武營的美好,在促進文化平權上往前邁向一大步。
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活動內容
\n\n「友善學習工作坊」由衛武營主辦節目中挑選音樂、舞蹈、戲劇等演出,邀請各障別朋友們走進劇場欣賞演出,並於演出前邀請專業師資,帶領障別朋友體驗演前工作坊,深入瞭解節目內涵與多元藝術,共享表演藝術的美好與悸動。
\n\n本活動包含前導工作坊1-2堂課程,每堂課約2-3小時,依不同課程調整,並提供演出票券每人一張(含陪同者),及跨時段餐食一份(含陪同者)。
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報名對象
\n\n身心障礙證明註記第二類者(視覺障礙、聽覺機能障礙)與第七類者(肢體障礙者),建議7歲以上。
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報名時程
\n\n下半年度(7-12月)
\n\n即日起至各場次額滿為止。
\n\n若該場次未報名額滿,將於演出前一周關閉報名表單。
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報名費用
\n\n每人(組)每場次酌收300元保證金,並於演出當日退還。
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報名流程
\n\n※報名順序將以保證金匯款順序為依據,非表單填寫順序。
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友善學習工作坊
\n\n【音樂芭蕾劇場《遇見胡桃鉗的女孩》大耳朵芭蕾工作坊】
\n\n工作坊時間:
\n\t\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 12/23(六)14:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 肢體課程 \n\t\t\t | \n\t\t\t1192排練室 | \n\t\t
\n\t\t\t 12/23(六)19:00 \n\t\t\t | \n\t\t\t\n\t\t\t 《遇見胡桃鉗的女孩》演出欣賞 \n\t\t\t | \n\t\t\t音樂廳 | \n\t\t
\n',team:""},createdAt:1679563926,updatedAt:1701238489,updatedBy:"林蔚行",host:!0},{_id:"6436213c03e56c00081bbe85",catalogs:["5fe2bffdde1961000737545c","63631a36cf05170008b40bba","5aec418cb01ea6000520f635","64812f1feb9a240007c8c8c7"],dateTime:{first:1695816e3,discrete:[{time:1695816e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1648577042783952896"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"43b9a655695a334548562507e0654ff2",title:"【衛武營小時光】唱歌集《愛(AI)妻》Cabaret"}],related:[],title:"【衛武營小時光】唱歌集《愛(AI)妻》Cabaret",cover:"b0cddd5a82014449a25f862c0032dbbb",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「每一對夫妻都應該來看這齣音樂劇,我從未認真想過有朝一日我的先生會離開我身邊,這齣戲讓我意識到每日庸碌、花這麼多時間在不重要的事情上到底為什麼?更決定要珍惜身邊相愛的人。」——韓國原劇觀眾回饋
\n\n「作曲絲絲入扣,超級好聽!」——高雄首演觀眾回饋
\n\n「只有兩位演員卻完全沒有冷場!」——高雄首演觀眾回饋
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改編韓國獲獎音樂劇《愛(AI)妻》
\n\n重製特調為小時光專屬Cabaret,再現經典片段
\n\n唱、談、演角色心境與自身感情觀
\n\n一窺周定緯、詹喆君的內心世界
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唱歌集2022年改編韓國2019大邱國際音樂劇節「最佳原創音樂劇」《愛(AI)妻》,原劇訴說一段來自2037年的愛情故事:鐵工師傅阿鎬,始終走不出意外失去愛妻Mina的痛,偶然得以AI人工智慧科技「重建」Mina的存在;然而,阿鎬重新愛上Mina的同時,卻得面對AI愛妻不時休眠充電、異常優秀的智能與體力、而且反常地積極想要整修兩人共住的老屋等。嚮往停留在過去的阿鎬,能留住來自未來的Mina嗎?
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這次唱歌集為衛武營小時光重製特調《愛(AI)妻》Caberet,由音樂劇王子周定緯、唱歌集美聲擔當詹喆君以音樂、戲劇、舞蹈、互動talking,重現《愛(AI)妻》經典片段,一起重溫音樂劇歌舞間的衝突與幸福瞬間,兩位演員更將跳脫角色,直面故事中的揪心難題與角色間的化學效應,暢聊自身感情觀,分享心中珍藏的有關愛與離別、科技與人性衝突、關係中的難忘時刻。
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演後見面會
\n\n2023/9/27(三)21:15 表演廳大廳
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周邊活動
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演出暨製作團隊
\n\n製作人|詹喆雅
\n\n執行製作|周子群
\n\n原作編劇、導演|吳抒垠
\n\n原作作曲、導演|李應奎
\n\n劇本編修|林孟寰、符沁瑜(宅故事創作)
\n\n中文歌詞|張清彥
\n\n導演|林羣翊
\n\n戲劇顧問|杜思慧
\n\n編舞|黃筱哲
\n\n舞台設計|林仕倫
\n\n燈光設計|邱郁雯
\n\n聲音設計|李志倫
\n\n服裝設計|黃稚揚
\n\n髮妝設計|陳俐廷
\n\n舞台監督暨舞台技術指導|王文明
\n\n導演助理、音效執行|石懷源
\n\n演員|詹喆君、周定緯
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"43b9a655695a334548562507e0654ff2",title:"【衛武營小時光】唱歌集《愛(AI)妻》Cabaret"}],related:[],title:"【Weiwuying Showtime】Total Musical Theatre - Cabaret: My Endearing Wife the Musical",cover:"b0cddd5a82014449a25f862c0032dbbb",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Available starting 5/22(Mon)12:00 !
\n\tPerformed in Mandarin with Mandarin surtitles.
\n\tTotal Musical Theatre adapted the award-winning South Korean musical My Endearing Wife to tell a love story set in 2037. Blacksmith A-hao, who could never quite get over the pain of losing his beloved wife Mina in an accident, happens to rebuild her existence with AI technology. Having fallen in love with Mina again, A-hao finds himself facing a unique set of challenges in their relationship: her constant need to reset and recharge, her extraordinary intellect and stamina, and her unusual fervor to renovate their old house. Will A-hao, who longs for the past, be able to convince Mina from the future to remain by his side?
\n\nTotal Musical Theatre, in collaboration with Weiwuying Showtime, has reimagined My Endearing Wife into a unique fusion of cabaret featuring music, drama, dance, and interactions between the Prince of Musicals, CHOU Ting-wei(Judy), and the bel canto singer, CHAN Jejiun. While the audience relives classic scenes of both conflict and joy, the two lead performers will break character to confront heart-wrenching dilemmas and explore their on-stage chemistry. They will openly discuss their perspectives on love, share cherished moments of union and separation, and delve into themes such as man vs. technology and relationships at large.
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Creative and Production Team
\n\nProducer|Julia CHAN
\n\nProgramme Coordinator|Chin CHOU
\n\nPlaywright & Director of Original Play|Seoeun OH
\n\nComposer & Director of Original Play|Eunggyu LEE
\n\nPlay Adapter|LIN Meng-huan (Dazi), FU Chin-yu (Story Nerd Works)
\n\nChinese Lyricist|Oscar CHANG
\n\nDirector|LIN Chiun-yi
\n\nDramaturg|DU Shih-hue
\n\nChoreographer|HUANG Hsiao-Che
\n\nSet Designer|LIN Shih-lun
\n\nLighting Designer|CIOU Yu-wen
\n\nSound Designer|Sam LEE
\n\nCostume Designer|HUANG Chih-yang
\n\nHair & Makeup Designer|Corinna CHEN
\n\nStage Manager & Technical Director|WANG Wen-ming
\n\nAssistant to Director, Sound Effects Operator|Amei SHI
\n\nPerformers|CHAN Jejiun、CHOU Ting-wei(Judy)
\n\n\n',team:""},createdAt:1681269052,updatedAt:1694509276,updatedBy:"林蔚行",host:!0},{_id:"643628ab03e56c00081bbfc2",catalogs:["5fe2bffdde1961000737545c","63631a36cf05170008b40bba","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1698235200,discrete:[{time:1698235200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1648987733008437251"}},attachment:{},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d58e7c18019ba99a7a699f3f82251745",title:"【衛武營小時光】黃玠《白天工作 晚上生活》音樂會"}],related:[],title:"【衛武營小時光】黃玠《白天工作 晚上生活》音樂會",cover:"9aac88027ba1f6274040d97f2dd1561c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
影片來源:YouTube(黃玠)
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黃玠此次與他的樂手——孟萱以兩把木吉他彈唱雙組合搭配演奏。黃玠的音樂以療癒的曲風、流暢優美的旋律、溫暖的歌詞,時常唱出每一個迷惘靈魂深刻的感觸。他在舞台上又時常展現風趣的談吐,他的幽默、他的輕鬆,在演唱會中所呈現的獨特氛圍,就像是你的好朋友,一直以來逗著你笑、唱歌給你聽,看過現場演出的朋友,一定有很深的體驗。
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演出者
\n\n主唱、木吉他|黃玠
\n\n和聲、木吉他|林孟萱
\n\n特別嘉賓|滅火器樂團主唱 楊大正
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周邊活動
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演出者介紹
\n\n創作歌手黃玠,身上擁有一半客家人血液的水瓶座,擅長吉他、直笛演奏。以溫暖的旋律,舉重若輕地唱出他對無常生命的無力感。生活感的歌詞總是譜出許多畫面,總能恰到好處的描繪意境,溫暖的嗓音和療癒的曲風讓擁有相似經驗與共鳴的聽眾,帶來心靈上的撫慰。黃玠用最真誠的音樂向這個世界傳遞只有他能給的溫柔與善良。
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d58e7c18019ba99a7a699f3f82251745",title:"【衛武營小時光】黃玠《白天工作 晚上生活》音樂會"}],related:[],title:"【Weiwuying Showtime】Dadado HUANG - Work for the Days, Live for the Nights Concert",cover:"9aac88027ba1f6274040d97f2dd1561c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Available starting 5/22(Mon)12:00 !
\n\t影片來源:YouTube(黃玠)
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This time, Dadado HUANG paired up with a fellow musician to perform as an acoustic guitarist duo. Dadado's songs, a combination of wholesome tunes and smooth melodies with heart-warming lyrics, often bring out the deepest emotions of every lost soul. On stage, he is often quick-witted, humorous, and light-spirited, creating a unique ambiance deeply felt by all live audience—always making you laugh and singing songs for you just like your best friend. In this concert, Dadado will be performing songs from his new album along with heart-warming and poignant classics.
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Artists
\n\nSinger, Acoustic Guitar|Dadado HUANG
\n\nBacking Vocal, Acoustic Guitar|LIN Meng-hsuan
\n\nSpecial Guest|Sam YANG
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Artists Introduction
\n\nSinger-songwriter Dadado HUANG is an Aquarian of Hakka descent adept at playing both the guitar and recorder. He sings heart-warming melodies about feeling powerless against the impermanence of life, rendering each song with a light touch. His unique interpretation of daily existence is always portrayed accurately in his lyrics. His soulful voice and wholesome tunes bring comfort to listeners whose similar life experiences resonate with the artist's. With utmost sincerity in his music, Dadado sends out the type of tenderness and kindness that, only he can give to the world.
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\n',team:""},createdAt:1681270955,updatedAt:1698216012,updatedBy:"林蔚行",host:!0},{_id:"643e09453fb0e90007bb2d4e",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1699165800,discrete:[{time:1699165800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1646003269911023618"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fb419c1db823cbf6ac33a9566b33b3ee",title:"《菲常女子:林羽菲箏樂獨奏會》"}],related:[],title:"《菲常女子:林羽菲箏樂獨奏會》",cover:"eafc21e1d3dc0817f96a3cd5cfcf7816",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
個人獨奏會曾獲《表演藝術評論台》點評:「除表現箏樂演奏技藝,更用心策劃與考究曲目,她奠基於箏樂傳統底蘊,並期在當代作品中以不同詮釋展現出獨特的自我。」── 評論者 / 葉娟礽
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本場獨奏會以箏樂家樊慰慈的琴曲改編作品與近代箏樂作品作為主題。將古琴語彙融入箏的音樂織體,無論是古琴的吟、猱、綽、注、撞、進復、退復等技巧或琴曲豐富的音樂特性和寬廣的音域,均更加豐富了箏樂的整體表現,並將舊韻融入新聲,充分展現古箏本身的傳統韻味及聲響,品味質樸之美,敞徉古今歲月。
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演出曲目
\n\n樊慰慈 改編:琴曲《廣陵散》《醉漁唱晚》
\n\n徐滌生:《春澗流泉》
\n\n樊慰慈:《稍縱即逝》
\n\n周展:《秦土情》
\n\n陳哲:《晨興》《蒼歌引》
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演出暨製作團隊
\n\n箏|林羽菲
\n\n鋼琴|萬筱嵐
\n\n主辦單位|臺灣絲竹箏樂團
\n\n協辦單位|箏藝之研
\n\n指導單位|高雄市政府文化局
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fb419c1db823cbf6ac33a9566b33b3ee",title:"《菲常女子:林羽菲箏樂獨奏會》"}],related:[],title:"Zheng Recital by LIN Yu-Fei",cover:"eafc21e1d3dc0817f96a3cd5cfcf7816",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The major feature of this recital will be renowned Zheng artist FAN Wei-Tsu's original work Visions Fugitives and his arrangements of three Guqin masterpieces, Guangling San, and Zuiyu Changwan, as performed by one of his most devoted pupils LIN Yu-Fei. The application of Guqin's music idiom and its unique colors on the performance practice of Zheng is not only quite profound but provocative, as it drastically enriches the characteristics of a new instrument with one of the most ancient Chinese musical idioms. This recital will also include other major contemporary Zheng works, i.e. XU Disheng's Chunjian Liuquan, and CHEN Zhe's Chenxing.
\n\n\n\n
Program
\n\nFAN Wei-Tsu, arr. : Guqin Music
\n\nFAN Wei-Tsu: Visions Fugitives
\n\nXU Disheng: Chunjian Liuquan
\n\nZHOU Zhan: Ode to Qin
\n\nCHEN Zhe: MORNING LILT, Ode of Spring
\n\n\n\n
Creative and Production Team
\n\nZheng: LIN Yu-Fei
\n\nPiano: WAN Hsiao-Lan
\n\nOrganizer: Taiwan Sizhu Zheng Ensemble
\n\nCo-organizer: Art of Zheng
\n\nSupervision: Bureau of Cultural Affairs, Kaohsiung City Government
\n\n\n\n
\n',team:""},createdAt:1681787205,updatedAt:1698829251,updatedBy:"林蔚行",host:!1},{_id:"6440e3cd3fb0e90007bd107a",catalogs:["5fe2bffdde1961000737545c","5c1f073a5a5bea0006f3eb11","64812f1feb9a240007c8c8c7"],dateTime:{first:1697869800,discrete:[{time:1697869800},{time:1697956200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3,1200,1600],link:"https://www.opentix.life/event/1661297039334309889"}},attachment:{key:"f1be3ff59d1cbdf8ef075fd27e18b4d1",name:"【電子節目單】深深.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f184a62bcb493725afa0501fdf421bb5",title:"丞舞製作團隊《深深》"}],related:[{from:"programs",key:"64f7e731d9b1410008f744b3",title:"《深深》— 聆聽撼動的聲音"},{from:"programs",key:"64b4dac19ef3550007c6dc66",title:"《深深》美學講座"}],title:"丞舞製作團隊《深深》",cover:"daa5dc8b94e4037da5799e94d76fe9d8",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
我們知道,未來會持續看到蔡博丞的名字!——德國舞蹈雜誌 tanz
\n\n\n\n
丞舞製作團隊十週年紀念作品《深深》,有著蔡博丞一貫東西文化元素的交織及碰撞,將人類的慾望化為深淵的引力,攜手金馬獎最佳音效得主李銘杰,以臺灣傳統樂器混合後現代電子音樂的訂製配樂,誘發出身體深處的洪濤撞擊;舞台及燈光設計張廷仲結合以二次元平行時空的概念將舞台打造成上下顛倒的深海;短暫的拋出世界之外,尋找埋藏底處的幽幽微光,激起哲學與舞蹈相互交織的千重浪,在我們心底刻下深深的一痕。
\n\n\n\n
演前導聆
\n\n2023/10/21(六)14:00 戲劇院二樓大廳
\n\n2023/10/22(日)14:00 戲劇院二樓大廳
\n\n主講:蔡博丞 丞舞製作團隊藝術總監
\n\n\n\n
周邊活動
\n\n\n\n\n\n\n\n
延伸閱讀
\n\n\n\n\n\n
閱讀文章
\n\n►踩在黑暗之中,不再畏懼深淵: 丞舞製作團隊十週年鉅獻《深深》
\n\n►挖掘每個人內心的闇黑勢力:【丞舞製作團隊B.DANCE】《深深》
\n\n\n\n
演出暨製作團隊
\n\n藝術總監、編舞|蔡博丞
\n\n音樂設計|李銘杰
\n\n舞台、燈光設計|張廷仲
\n\n美術設計|王富生
\n\n製作統籌|易彥伶
\n\n排練總監|張聖和
\n\n製作人|孫佳芳
\n\n製作助理|廖冠翔
\n\n舞者|張堅志、羅立安、王昱閎、曾文譽、周新杰、吳祐麒、曾行、張瑀、劉明軒、張宸寧、葉書涵、柳婕文
\n\n動態紀錄|何孟學
\n\n水下合作攝影師|Lorenzo PIERUCCI
\n\n形象拍攝|周墨
\n\n平面紀錄|何肇昇
\n\n服裝製作|美鳳服裝工作室
\n\n\n\n
藝術家介紹
\n\n蔡博丞
\n\n丞舞製作團隊藝術總監。2014年起多次發表原創舞作並廣受國際青睞,2018年德國tanz雜誌評選為「最具潛力之青年編舞家之一」,2020年獲法國表演藝術評論協會「年度最佳新興編舞家」肯定;廣獲世界知名單位邀約擔任客席編舞,包括瑞士琉森舞蹈劇場、瑞士伯恩劇場、德國斯圖加特高提耶舞團、荷蘭Introdans舞團及德國美因茲州立劇院等。2021年獲中華民國十大傑出青年之一及2022 獲選為天下雜誌跨日線『亮點人物』。
\n\n\n\n
李銘杰
\n\n資深配樂製作人。配樂作品包括電影《紅衣小女孩》、《紅衣小女孩2》、《目擊者》、《阿嬤的夢中情人》;電視劇集《麻醉風暴》、《麻醉風暴2》、植劇場《戀愛沙塵暴》;並為丞舞製作團隊《浮花》、瑞士琉森舞蹈劇場蔡博丞客席舞作《Niflheim》、《愛麗絲》等作品設計音效及作曲。2017年以《紅衣小女孩2》入圍第54屆金馬獎最佳音效獎、2022年以《咒》獲得第59屆金馬獎最佳音效獎。
\n\n\n\n
張廷仲
\n\n丞舞製作團隊技術總監,INFINITArtS創辦人。燈光設計、技術及製作規劃經驗豐富,參與作品類型橫跨舞蹈、戲劇及演唱會等,合作對象包括丞舞製作團隊、表演工作坊、果陀劇場、焦點舞團、狂想劇場、張婷婷獨立製作、身聲劇場、野草舞蹈聚落、香港不加鎖舞踊館、盧森堡JC Movement Production、西班牙La Veronal;大型活動製作包括2018年臺北時裝週開幕式、2017年世界大學運動會開/閉幕式、陳珊妮《6502演唱會》、2016年華文原創音樂劇節等。
\n\n\n\n
丞舞製作團隊
\n\n2014年,由原生編舞家蔡博丞,以「丞」字為首,於臺北創辦『丞舞製作團隊』,為臺灣獨樹一幟的職業現代舞團。創立至今,致力推展臺灣年輕世代原創表演藝術,團隊長年於海外各地巡演並積極參與各項國際交流平台,演出至今已遍佈27個國家、95個城市、264場的足跡,以獨特的動作語彙揉合東方溫潤與西方之美詮釋獨到的極致美學,精湛成熟的舞技,成為國際藝術節與重要劇場中耀眼的常客。
\n\n\n\n
藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f184a62bcb493725afa0501fdf421bb5",title:"B.DANCE - ABYSS"}],related:[],title:"B.DANCE - ABYSS",cover:"daa5dc8b94e4037da5799e94d76fe9d8",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
Latecomers are not allowed to enter the venue.
\n\tThe performance contains smoke. Audience discretion is advised.
\n\t※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
This is a dance for our dark times, to remind us that the candle symbolises hope, even if we do not know what the future holds. ——2019-08-04 Stephanie Green Broadway Baby
\n\n\n\n
B.DANCE is proud to present its 10th Anniversary production ABYSS, featuring TSAI Po-cheng's trademark fusion of Eastern and Western movement and cultural elements. The new piece is a visual and aural spectacle that embodies TSAI's view of human desire as a gravitational pull from the abyss. For his new creation, TSAI worked closely with Rockid LEE, winner of the 2022 Golden Horse Award for Best Sound Effects, who integrated traditional Taiwanese instruments with post-modern electronic music to create the score. His long-time collaborator, stage and lighting designer Otto CHANG, envisioned a parallel space-time, turning the stage into the chaos of an upside-down ocean: the performers are briefly tossed out of the world, pulled into the abyss, seeking for a faint light at the bottom… The intertwining of dance, sound and stage design stirs a wave, a swell of emotions that leaves a mark deep into our heart, into our consciousness.
\n\n\n\n
Pre-talk
\n\n2023/10/21(Sat)14:00 Playhouse 2F Lobby
\n\n2023/10/22(Sun)14:00 Playhouse 2F Lobby
\n\n\n\n
Creative and Production Team
\n\nArtistic Director & Choreographer|TSAI Po-cheng
\n\nComposer|Rockid LEE
\n\nSet & Light Designer|Otto CHANG
\n\nGraphic Designer|Johnson WANG
\n\nProduction Manager|YI Yen-ling
\n\nRehearsal Director|CHANG Sheng-ho
\n\nProducer|SUN Chia-fang
\n\nAssistant to Production|LIAO Kuan-shiang
\n\nDancers|CHANG Chieh-chih, LO Li-an, WANG Yu-hung, TSENG Wen-yu, CHOU Hsin-chieh, WU Yu-Chi, TSENG Hsing, CHANG Yu, LIU Ming -hsuan, CHANG Chen-ning, YEH Shu-han, LIU Chieh-wen
\n\nVideographer|HO Meng-hsueh
\n\nUnderwater Videographer|Lorenzo PIERUCCI
\n\nPhotographer|CHOU Mo
\n\nPhotographer|HO Chao-sheng
\n\nTailoring|Mei-feng studio
\n\n\n\n
Artists Introduction
\n\nTSAI Po-cheng
\n\nTSAI Po-cheng, a professional dance artist, from Kaohsiung, Taiwan, is the founder and current artistic director of B.DANCE.
\n\nFrom 2014 to 2019, he had presented several original pieces to the international dance circles as touchstones and received high praises along with 4 gold medals and 1 silver medal from multiple choreography competitions around the world. In 2018, Tanz, a German magazine, included TSAI as one of the 2017/2018 most promising young choreographers around the world. TSAI was selected as the "best emerging choreographer of the year" by the France National Board of Performance Arts in 2020 and one of the "Ten Outstanding Young Persons" in Taiwan in 2021.
\n\n\n\n
Rockid LEE
\n\nRockid LEE is a Co-Founder of MUSDM music production company, and a multi-award-winning sound designer and composer for films including The Tag Along I and II, Who Killed Cock Robin? and Forever Love. He has also worked as music supervisor on many dramas and episodic series, including Wake Up I and II. He composed the music for Love of Sandstorm and Floating Flower by B.DANCE.
\n\n\n\n
Otto CHANG
\n\nOtto CHANG is the Technical Director of B.DANCE, and Founder and Director of INFINITArtS. He is actively involved in major company productions as a lighting designer, technical director, and stage manager, with productions ranging from dance and theater to live concerts, including Performance Workshop, Godot Theatre Company, Focus Dance Company, Fantasy Theatre, TTC Dance, 2018 Opening of Taipei Fashion Week, 2017 Universiade.
\n\n\n\n
B.DANCE
\n\nB.DANCE, founded in 2014, is an independent contemporary dance company in Taiwan. B.DANCE has been devoted to promoting original works in performance arts created by the young generation in Taiwan and following its philosophy of "bringing Taiwan to the world and bringing the world to Taiwan", visited 95 cities in 27 countries for 264 performances while expanding the markets in Europe and the international network, in hopes of bringing a new trend of thoughts to the ecology of arts in Taiwan to make the culture and art industry more diversified.
\n\n\n\n
\n',team:""},createdAt:1681974221,updatedAt:1697760358,updatedBy:"任立譽",host:!0},{_id:"645a0a0403e56c00082a82b7",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1696678200,discrete:[{time:1696678200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,900,1200,1600,2e3,2400],link:"https://www.opentix.life/event/1666290162032398337"}},attachment:{key:"6bd70b9a02917473a74d6bc1eab6eb1b",name:"【衛武營五週年慶】克利斯蒂安・舒密特&簡文彬&高雄市交響樂團《查拉圖斯特拉如是說》電子節目單 (2).pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d2d6b27483aae3226a0f955bca9867f0",title:"克利斯蒂安・舒密特&簡文彬&高雄市交響樂團《查拉圖斯特拉如是說》"}],related:[],title:"【衛武營五週年慶】克利斯蒂安・舒密特&簡文彬&高雄市交響樂團《查拉圖斯特拉如是說》",cover:"57464f23db67d8d55dd7b794f12f79f8",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:'影片來源:YouTube(音樂家的無聊人生 Musician Seacow)
\n\n\n\n
最豐富高深的,也能最通俗流行!理查.史特勞斯的《查拉圖斯特拉如是說》,以不可思議的音樂想像與寫作能力,將尼采同名哲學小說化為交響詩。開場〈日出〉一段,以管風琴深探樂團作品最低音,再以號角和定音鼓預告哲人降臨,因電影《2001太空漫遊》聲名大噪,堪稱家喻戶曉。麥耶貝爾的《先知》名列史上最賣座的歌劇,李斯特以其中〈贖靈作用之水〉聖詠主題譜成幻想曲與賦格,透過極端對比的力度和神乎其技的絢爛,重述戲裡的親情愛情糾葛、宗教背叛與政治動盪,最後同歸於盡於火焚教堂大爆炸,是浪漫派管風琴的華麗炫技頂冠之作,由迪普雷改成管絃編曲協奏版本後更顯魅力驚人。此次衛武營邀來名家舒密特,藉由最傑出的音樂廳聲響與管風琴性能,為大家帶來不可多得的絕技饗宴。加上櫻井弘二的新作世界首演,可看熱鬧可聽門道,愛樂者千萬別錯過!
\n\n\n\n
演前導聆
\n\n2023/10/7(六)19:00 音樂廳三樓大廳
\n\n\n\n
演出曲目
\n\n櫻井弘二:《非望行》(世界首演,衛武營委託創作)
\n\n李斯特,迪普雷改編:幻想曲與賦格,依麥耶貝爾歌劇《先知》中之聖詩〈贖靈作用之水〉
\n\n理查・史特勞斯:《查拉圖斯特拉如是說》,作品30
\nI. 序奏
\nII. 關於遁世者
\nIII. 關於大憧憬
\nIV. 歡樂與激情
\nV. 墓之頌
\nVI. 科學與學習
\nVII. 康復
\nVIII. 舞曲
\nIX. 流浪者夜晚之歌
\n\n
安可曲:
\n\nC. M. WIDOR: Organ Symphony No.1, IV Meditation
\n\nL. Janáček: Glagolitic mass organ solo
\n\n\n\n
藝術家介紹
\n\n指揮|簡文彬
\n\n衛武營國家藝術文化中心藝術總監。簡文彬1967年生,國立藝專(今國立臺灣藝術大學)鍵盤組畢業,維也納音樂暨表演藝術大學指揮碩士學位。1996年起擔任德國萊茵歌劇院 (Deutsche Oper am Rhein) 駐院指揮長達22年;1998-2004年為日本太平洋音樂節 (Pacific Music Festival) 駐節指揮;2001-2007年為國家交響樂團音樂總監,在其任內推動「定期音樂會系列」、國人作品委託創作及錄製、「歌劇系列」等創舉,並在2006年樂團20週年時推出華語地區首次自製之華格納《尼貝龍指環》四部曲;2014-2016擔任國立臺灣交響樂團藝術顧問,並於2014年9月獲頒第18屆國家文藝獎。
\n\n\n\n
管風琴|克利斯蒂安・舒密特
\n\n克利斯蒂安.舒密特在與賽門.拉圖指揮下的柏林愛樂樂團合作,以及在薩爾茲堡音樂節與曼格達蓮娜.科澤納攜手演出後,便在世界舞台上嶄露頭角,成為全球炙手可熱的管風琴家之一。在2021/22樂季中,舒密特獲選為蘇黎世音樂廳管絃樂團的「焦點音樂家」,並與指揮家帕佛.賈維合作,正式啟用了該音樂廳的新管風琴。
\n\n舒密特近期不僅攜手洛杉磯愛樂樂團於迪士尼音樂廳首次登臺,在丹尼爾.巴倫波因的指揮下與柏林國家歌劇院管絃樂團共同演出,也和克里斯多福.艾森巴赫合作錄製亨德密特的第七號室內樂。在2022/23樂季,他與布爾諾愛樂樂團一同在卡內基音樂廳首演,並和達拉斯交響樂團於麥耶生交響樂中心共同演出。
\n\n舒密特曾在漢堡易北愛樂廳、柏林音樂廳、維也納金色大廳、萊比錫布商大廈以及蒙特婁交響樂廳舉辦獨奏會;更曾與菲利浦.赫爾維格、雅庫.胡薩、馬雷克.亞諾夫斯基、丹尼爾.巴倫波因,以及帕佛.賈維與曼弗雷德.霍內克等指揮家合作。作為經常參與獨奏會的協奏者,舒密特也曾與曼格達蓮娜.科澤納、馬蒂亞斯.赫夫斯、湯瑪斯.漢普森和馬提亞斯.葛納等人合作演出。
\n\n舒密特曾與德意志留聲機公司合作,為「巴哈333年冥誕紀念」計畫錄製兩張CD,並與女高音曼格達蓮娜.科澤納合作錄製包含聲樂與管風琴演奏的專輯。在2013年,他以魏多管風琴交響曲作品42第3首及作品69的錄音作品,獲得回聲音樂古典獎。
\n\n舒密特目前任教於鹿特丹的科達茨藝術大學。他曾在巴黎、波士頓及薩爾布魯根等地學習管風琴,也曾擔任多項比賽的評審團成員。他也是班貝格交響樂團的首席管風琴家。
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高雄市交響樂團
\n\n樂在,你也在。
\n\n-年輕的樂團 堅定向前行
\n\n對一個城市而言,有專屬的樂團是難得珍貴的。高雄市交響樂團成立於1981年,是一個年輕有活力的樂團,2009年起迄今,擔任高雄春天藝術節重要演出角色,成功打響「高雄春天藝術節草地音樂會」品牌;十餘年來,不斷的與國際級指揮與名家大師們合作共鳴,勇於嘗試多元型態的演出,兼具古典與跨界是樂團發展的主軸,為樂迷創造更多優質的音樂饗宴,也培育無數表演與欣賞的種子,延展古典音樂創新的鴻翅;疫情期間也持續以各種線上模式音樂會與樂迷們見面,以音樂的能量撫慰人心。
\n\n在國際舞台上,樂團不斷獲邀至多個國際城市演出,逐步跨越城市與國界,以國際級樂團為自我提升與成長目標,堅定向前。
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\n\n
藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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更多資訊
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\n',team:""},english:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d2d6b27483aae3226a0f955bca9867f0",title:"克利斯蒂安・舒密特&簡文彬&高雄市交響樂團《查拉圖斯特拉如是說》"}],related:[],title:"【Weiwuying 5th Anniversary】Christian SCHMITT & CHIEN Wen-pin & Kaohsiung Symphony Orchestra - Also sprach Zarathustra",cover:"57464f23db67d8d55dd7b794f12f79f8",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\n
Even the most intricate and complex can attain widespread popularity! Richard STRAUSS's Also sprach Zarathustra demonstrates exceptional musical creativity and composition skills, transforming Friedrich NIETZSCHE's eponymous philosophical novel into a symphonic poem. In the initial segment, "Sunrise," the organ delves into the orchestra's deepest tones, followed by the horn and timpani heralding the philosopher's arrival. The piece gained household recognition due to its inclusion in the film 2001: A Space Odyssey.
\n\nGiacomo MEYERBEER's Le prophète stands as one of the top-selling operas of all time. Franz LISZT crafted Fantasy and Fugue inspired by its chorale theme "Ad nos, ad salutarem undam," recounting the opera's plot of love and family entanglements, religious treachery, and political upheaval, culminating in a fiery explosion of a cathedral. This work represents the pinnacle of Romantic organ music. The adaptation from Marcel DUPRÉ into an organ-concerto version further heightens its captivating appeal. This time, Weiwuying invites renowned organist Christian SCHMITT to present an exceptional spectacle featuring the finest concert hall acoustics and organ quality. Paired with the world premiere of Koji SAKURAI's latest work, this event offers an exhilarating experience for music enthusiasts – a performance not to be missed!
\n\n\n\n
Pre-talk
\n\n2023/10/7(Sat)19:00 Concert Hall 3F
\n\n\n\n
Program
\n\nKoji SAKURAI: Craving Beauty (World Premiere, Commissioned by Weiwuying)
\n\nMarcel DUPRÉ / F.LISZT: Fantasy and Fuge on the chorale Ad nos, ad salutarem undam from Giacomo MEYERBEER's opera Le Prophète
\n\nR. STRAUSS: Also sprach Zarathustra, Op. 30
\nI. Einleitung, oder Sonnenaufgang
\nII. Von den Hinterweltlern
\nIII. Von der großen Sehnsucht
\nIV. Von den Freuden und Leidenschaften
\nV. Das Grablied
\nVI. Von der Wissenschaft
\nVII. Der Genesende
\nVIII. Das Tanzlied
\nIX. Nachtwandlerlied
\n\n
Encore Pieces:
\n\nC. M. WIDOR: Organ Symphony No.1, IV Meditation
\n\nL. Janáček: Glagolitic mass organ solo
\n\n\n\n
Artists Introduction
\n\nConductor|CHIEN Wen-pin
\n\nCHIEN Wen-pin, General and Artistic Director of the National Kaohsiung Center for the Arts (Weiwuying), was born in 1967, graduated from the National Taiwan Academy of Arts and awarded aMaster's degree at the National University for Music and Performing Arts Vienna. CHIEN joined the Deutsche Oper am Rhein (Düsseldorf / Duisburg, Germany) in 1996 and served as "Kapellmeister" for 22 years. 1998-2004 he was Resident Conductor of the Pacific Music Festival (Sapporo, Japan), 2001-2007 he was Music Director of National Symphony Orchestra (Taiwan Philharmonic), during his tenure the orchestra has achieved several milestones such as creating Subscription series, commissioning Taiwanese composers, introducing an opera series which coroneted with the first production of the complete "Der Ring des Nibelungen" by Richard Wagner in Chinese speaking areas, upon orchestra's 20th anniversary in 2006. 2014-2016 CHIEN was Artistic Advisor of the National Taiwan Symphony Orchestra. In addition, CHIEN was winner of the "National Award for Arts" in 2014.
\n\n\n\n
Organ|Christian SCHMITT
\n\nChristian SCHMITT performs regularly with well-known conductors and soloists including Sir Simon RATTLE, Phillipe HERREWEGHE, Jakub HRŮŠA, Marek JANOWSKI, Manfred HONECK, Magdalena KOŽENA, Martin GRUBINGER, Juliane BANSE or Michael VOLLE. He has performed in renowned venues including Philharmonie Berlin, Konzerthaus Berlin, Musikverein Vienna, and Kölner Philharmonie. As an organ virtuoso, he is undoubtedly one of the most charismatic and internationally sought-after concert organists and chamber music partners of today.
\n\nChristian SCHMITT's great passion is the extensive romantic organ repertoire, yet his artistic spectrum goes far beyond that. He has given concerts on many of the historic organs of Europe and also devotes himself to contemporary repertoire. Christian SCHMITT serves as organ consultant for the restoration and reconstruction of organs, a.o. Berlin, Zurich, Lucerne and Brno. He is a member of numerous international music competition juries.
\n\n\n\n
Kaohsiung Symphony Orchestra
\n\nWherever there is music, there is you.
\n\n-A young orchestra moving forward with determination.
\n\nA city's orchestra is a rare and precious attribute for any place to have. The Kaohsiung Symphony Orchestra was founded in 1981 and since 2009, the orchestra has played a pivotal role in the Kaohsiung Spring Arts Festival and successfully established the reputation of the "Kaohsiung Spring Arts Festival Grassland Concert." Over the past decade, the KSO has continued to absorb the encouragement and tempering of various international personalities to create a series of concerts performed jointly by famous domestic and foreign artists. The KSO strives to incorporate classical and cross-border performances into their repertoire, permeated with their unique passion. During the pandemic, there was a series of online concerts that connected music with fans to soothe their hearts with the energy of music.
\n\nOn the international stage, the KSO orchestra continuously receives international invitations to perform in many cities, gradually reaching beyond the borders and proudly taking the name of an international-level orchestra. The KSO moves firmly onwards with talent and strength while striving for growth.
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More
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\n',team:""},createdAt:1683622404,updatedAt:1696944074,updatedBy:"林蔚行",host:!0},{_id:"645a1ae103e56c00082a8586",catalogs:["5fe2bffdde1961000737545c","5aec418cb01ea6000520f635","64812f1feb9a240007c8c8c7"],dateTime:{first:1696678200,discrete:[{time:1696678200},{time:1696746600},{time:1696833e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1600,2e3],link:"https://www.opentix.life/event/1660591089050062849"}},attachment:{key:"c3c3496818e15dc08b76bb98c999c774",name:"《但是又何奈》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3f3764375396bf1f044316fa92b7c572",title:"《但是又何奈》"}],related:[],title:"【衛武營五週年慶】《但是又何奈》",cover:"082536a2772478b2a59e2986ef1de1fe",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
中文、臺語演出,演唱段落提供中文字幕。
\n\t演出含道具槍及槍聲場景,請斟酌入場。
\n\t演出中含少量不雅字眼,請留意並斟酌入場。
\n\t演出含雷射光束、煙霧等舞台效果,請斟酌入場。
\n\t衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※以上方案 300元(含)以下票級不折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※以上方案 300元(含)以下票級不折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'┊2022年讀劇演出獲得觀眾一致好評
\n\n┊精彩復刻八〇年代歌廳秀的絕代風華
\n\n┊跨世代有共鳴,華語金曲與歌舞連發
\n\n┊超過癮,親見臺灣頂尖演員同台飆戲
\n\n┊藝界人生的悲喜劇,笑著笑著就哭了
\n\n\n\n\n\n\n\n\n\n\n\n劇情簡介
\n\n為了支撐昏倒住院的母親鳳君,成為亮晶晶大歌廳的駐唱歌手是16歲的阿梅現在唯一的選擇。
\n\n就這樣站上了舞台的阿梅,見證了歌廳秀從興盛到殞落的藝界人生,與青梅竹馬琴師─朝生剪不斷理還亂的感情、跟神秘又美艷的搭檔歌手─羽雁亦敵亦友的關係、還有大歌廳老闆弘哥對自己若有似無的情愫、面對昏迷不醒的母親、嗜賭的父親,在這樣的慾望迷宮中,阿梅企圖找尋自己的出路、自己的答案。
\n\n\n\n
《但是又何奈》講述的是80年代歌廳秀從興盛到殞落的藝界人生,在舞台上永遠光鮮亮麗的背後,是主角阿梅在時代的推動下,一步一步地拼命站穩腳步、讓人生繼續的生命旅程。
\n\n\n\n角色簡介
\n\n\n\n
亮晶晶大歌廳暖場歌手 廖玉梅|蔡亘晏(爆花)飾
\n\n為了住院的母親,16歲就登上亮晶晶大歌廳的舞台,一不小心成為了亮晶晶大歌廳的紅牌歌手。
\n
亮晶晶大歌廳暖場歌手 林羽雁|張詩盈飾
\n\n美艷又有個性的歌手羽雁,有著致命的吸引力。看似神祕的她,內心細膩又重情義,總是有意無意地幫助阿梅。
\n
亮晶晶大歌廳琴師 許朝生|洪健藏飾
\n\n跟父親一樣都是琴師,與阿梅是青梅竹馬,但視線總是不自覺地看向羽雁。
\n\n\n\n
亮晶晶大歌廳老闆 弘哥|郭耀仁飾
\n\n亮晶晶大歌廳的老闆,年輕的時候曾經當過歌廳的服務生,後來自己接手歌廳秀。對鳳君與阿梅母女相當照顧。
\n\n\n\n
亮晶晶大歌廳舞者 潘鳳君|梁允睿飾
\n\n為生活奔波打拚的舞者,有一個好賭的丈夫,獨自照顧女兒阿梅,某天病倒在床。
\n\n\n\n
阿梅的嗜賭父親 廖文凱|吳世偉飾
\n\n鳳君的丈夫、阿梅的父親,賭性堅強的賭徒。幻想自己在經濟起飛的年代也能分一杯羹。
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演前導聆
\n\n2023/10/7(六)19:00 戲劇院二樓大廳
\n\n2023/10/8(日)14:00 戲劇院二樓大廳
\n\n2023/10/9(一)14:00 戲劇院二樓大廳
\n\n與談人|編劇王詩淳、導演王靖惇
\n\n\n\n
延伸閱讀
\n\n\n\n\n\n
演出暨製作團隊
\n\n主辦暨製作單位|衛武營國家藝術文化中心
\n\n故事概念|劉建幗
\n\n編劇|王詩淳
\n\n導演|王靖惇
\n\n主演|蔡亘晏(爆花)、張詩盈、郭耀仁、梁允睿、吳世偉、洪健藏
\n\n舞蹈統籌|小事製作 Les Petites Choses Production
\n\n舞者暨演員|楊乃璇、林素蓮、張堅豪、張雅為、張雅媛、沈樂、黃裕閔、初培榕、陳詣芩、 賴祈宏
\n\n聲音演出|賈培德
\n\n舞台設計|陳威光
\n\n燈光設計|鄧振威
\n\n音樂設計|柯智豪
\n\n服裝設計|謝介人
\n\n舞蹈設計|林素蓮
\n\n歌唱指導|簡愛
\n\n原住民語指導|舞思愛
\n\n造型統籌|謝夢遷
\n\n執行製作|林國峰
\n\n節目統籌|謝長裕
\n\n製作統籌|李聚慧
\n\n行銷統籌|藍鴻苓
\n\n平面設計|林正祐
\n\n票務行銷|李毓玲
\n\n攝影|藍森松攝影工作室
\n\n影像製作|張雅茜、隧道音像社
\n\n導演暨排演助理|賴祈宏、林湘庭
\n\n舞台設計助理|羅盈柔
\n\n舞台監督|吳維緯
\n\n舞監助理|張婷婷
\n\n舞台技術指導|周志瑋
\n\n舞台工作人員|吳重諒、李佳穎、祁浩、郭墪煊、賴盈助、孫栩辰、陳怡湘、黃歆芫
\n\n燈光技術指導|郭欣怡
\n\n燈光技術人員|楊鴻偉、萬書瑋、陶曉慧、林晉偉、陳璿文
\n\n音響工程|李政田
\n\n音響技術人員|蔡幸純、潘信安
\n\n服裝管理組長|林馨
\n\n服裝管理人員|吳定盛、邱翊蕙
\n\n梳化人員|王秀雯、謝采彤、謝夢遷、蕭嘉蓉
\n\n\n\n
『本作品受衛武營高雄雄厲害演出創意計畫挹注』
\n\n\n\n
團隊介紹
\n\n編劇|王詩淳
\n\n國立臺北藝術大學戲劇學系畢業,主修表演。
\n\n編導作品包含音樂時代【隔壁親家】南海劇場版執行導演、天作之合劇團、MRT實驗音樂劇【好久不見】編導、花聲藝文x幹麻醬紙 影集式音樂劇【鬼歸代言人】ep.2.~ep.9文本編劇、春河劇團【沒有人想交作業】讀劇版及演出版編劇、新竹市文化局委託在地音樂劇【北斗星下的大煙囪】編劇、金星文創「謝謝大家收看」編劇等
\n\n\n\n
導演|王靖惇
\n\n專長編導、表演,作品以原創劇本及臺灣背景為創作核心,觀照反應當代文化、人文、精神與社會議題。編導作品曾巡演至北京、上海、廣州、深圳、澳門等地。編導作品《狂起》獲 2017 年曼谷藝術節最佳劇本、最佳導演、最佳藝術設計及最佳肢體類演出四項大獎;編劇作品《病號》獲邀參演2019 年烏鎮戲劇節;編導作品《如此美好》入選2020臺中歌劇院遇見巨人系列節目。著有《如此美好:王靖惇劇本集》。
\n\n其他編導作品有動見体劇團《兩廳院藝術出走-阿香的繪葉書》《台北詩人》《想像的孩子》《屋簷下》《那個沒有回來的朋友》、故事工廠《七十三變》、紅潮劇集《瑪莉皇后的禮服》(共同導演)、飛人集社《魚》、同黨劇團《馬克白》等。編劇作品有哈旗鼓《1895 火燒庄:最終抉擇》、表演工作坊《外公的咖啡時光》《遇見自己》、明華園總團《步月火燒》等。
\n\n\n\n製作背景
\n\n編劇創作理念
\n\n文|王詩淳
\n\n一開始,在和製作人長裕以及導演靖惇討論這個主題的時候,就有了「不要企圖複製」的共識。那麼,接下來就得找出,除卻復古情懷後,創作者對那個時空的甚麼最有感?
\n\n80年代的我,正好是從剛出生到小學畢業前。我爸爸是一名鋼琴老師,他曾經在歌廳、西餐廳以及piano bar等地方彈奏過。我記得在他某個工作的地方,舞台上有一架鋼琴,鋼琴上放著一個跟湯鍋差不多大小的玻璃高腳杯,裡面塞了滿滿的鈔票,那是一個晚上客人們給的小費;也記得在那裏的阿姨姊姊們,眼裡常常會有一閃而逝的光,似乎她們有意地在隱藏,若她們放膽,那光應該會多耀眼奪目、令人難以招架。
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後來才知道,那個年代的臺灣,是各種衝突、解禁,各種多元對話的喧嘩開端,在混亂紛雜中醞釀翻攪,吶喊出各種自我認同。
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於是我腦中出現了兩名女性,在一座像電影「魔王迷宮」中一樣華麗詭譎的迷宮前,各自選擇一扇門進入,然後努力尋找出口,拯救自己。而男性角色們,打下江山、寵愛美人,是他們人生的立足點,也是安全感的來源,只是後來,他們要不就是被寂寞打垮,要不就是乾脆忘記寂寞。
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在劇本形式上,我用歌廳秀的「演唱」來塑造氛圍、轉述心境;用「短劇」和「說書」來取代某些回憶場景的再現。藉由不同距離的回溯方式,給出不同的色彩與質地。
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好了,嚴肅的部分到此為止。其他的,就交給大家自己體會囉!
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導演創作理念
\n\n文|王靖惇
\n\n80年代,是充滿「新奇」與「希望」的年代。交通、媒體、全球化開始發跡,卻又不如現在一切快速到發生任何事都不再新奇。每一個新的發明、新的形式,都帶來令人興奮的轉變跟希望,但同樣也可能造就某些產業逐步被淘汰。越大的希望,也意味著反面越大的挑戰。在這兩者的擺盪之間,如何相信、如何盼望、如何生存、如何面對,是《但是又何奈》的人性主題。
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《但是又何奈》講的是歌廳秀從興盛到殞落的藝界人生,試圖找回一點點小時候走過臺中聯美大歌廳外面時,曾經沾染的時代的氣味,以及對於那個時代的人物印象:每天似乎都有事情發生,在不知不覺中推著我們前進,而我們無所謂前進,只是試著在被推進的腳步中,試著站穩、試著踏出下一步,至於下一步能踏在哪,卻不是我們能選擇的事情。
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這齣戲將在舞台上交雜融合台前幕後的時空,讓日常生活躍然在歌廳秀舞台上;在華麗的表演秀裡,藏著人物日常的無奈心境,讓兩者互相交織呼應,揭開時代小人物在無奈中仍不放棄抬頭仰望天空的動人情感。
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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更多資訊
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\n',team:""},english:{onShelfRange:{start:1686110400,end:4841827199},tabs:[{reference:[],type:"content",name:"Teaser",content:""},{reference:[],type:"content",name:"Making of",content:'
Playwright Concept for Singing All the Night
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When I was discussing the theme with Rhett, the producer, and Daniel, the director, at the beginning, we agreed not to try to do any kind of reproduction of the past. So then we had to figure out what touched us most about that time.
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In the '80s, I was a young child. My dad was a piano teacher who also played at cabarets, Western restaurants, and piano bars. I have this image in my mind from sometime in my childhood of a grand piano on a stage someplace he was working, and on the piano was a stemmed glass bowl as big as a soup pot and full of money, a full night of tips given by customers. I also remember that the women had a gleam in their eyes that flashed at times but disappeared just as quickly, as if they were consciously trying to hide it. Had they let go, that gleam would have shined enough to make you squint.
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It wasn't until later that I realized that era was the tumultuous beginning of a period that saw an array of conflicts, bans lifted, and dialogues on a diversity of issues. From the chaos emerged all kinds of self-identities.
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That made me think of two women standing in front of a magnificent, treacherous maze similar to the one in the film Labyrinth, and after choosing to enter through separate doors, they do all possible to find their way out and save themselves.
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I formed the atmosphere and set the mood based on the cabaret variety shows of the past. Skits and storytelling take the place of recreating memories, and a different kind of color and texture are given by backtracking to different times in the past.
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Director Concept for Singing All the Night
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The '80s were full of novelty and hope. Progress started to be made in transportation, the media, and globalization, but it wasn't like now, so fast that nothing seems novel anymore. Every new invention and new form of the abovementioned incited exciting changes and hope, though they also may have caused certain industries to disappear. The greater the hope, the greater the accompanying challenges. How to believe, hope, survive, and face difficulties while swinging between hope and challenge is the theme of Singing All the Night.
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The piece is about the rise and decline of a cabaret variety show performer. I wanted to bring back that feeling from when I used to walk by the Lianmei Cabaret and show my impression of that era: We seemed to have something to do all the time, always unconsciously being pushed to progress, but we didn't know what for—we just tried to keep steady and take the next step despite not even knowing what the next step should be! We never had any choices.
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The story is told by blending on- and off-stage aspects to vividly depict the characters' daily lives on stage. Within the outwardly glamorous shows is hidden the inner helplessness of the characters, these two aspects interweaving and echoing each other, revealing how "insignificant" people persist in looking up at the stars despite having their hands tied.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"3f3764375396bf1f044316fa92b7c572",title:"《但是又何奈》"}],related:[],title:"【Weiwuying 5th Anniversary】Singing All the Night",cover:"082536a2772478b2a59e2986ef1de1fe",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
Performed in Mandarin and Taiwanese with Mandarin lyrics.
\n\tThe performance contains prop guns and gunshots on stage. Viewer discretion is advised.
\n\tPlease note that the performance contains a few coarse language.
\n\tThe performance contains special effects of laser light and haze on stage. Viewer discretion is advised.
\n\t※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
Let me audition!
\n\n16-year-old A-mei has no choice but to become a cabaret singer to support her hospitalized mother, Feng-chun.
\n\nDuring her time in the performance sector, she witnesses the rise and fall of the cabaret culture. Her childhood friend, a pianist named Chang Chao-sheng, is at a complete loss for what to do about his feelings for her. She has a both antagonistic and friendly relationship with the mysterious, beautiful Yu-yen, another singer. And she also has to deal with the cabaret owner, Hung Ge, who at times seems to have feelings for her. Aside from all of that, her mother is unconscious in the hospital and her father is a hopeless gambler. Within such a maze of varying desires, A-mei is looking for a way out and trying to find answers.
\n\nThe play is about the rise and decline of a cabaret variety show performer, A-mei, and how she gradually finds stability and maintains her life against the backdrop of the ever-gleaming cabaret stage. Forced down a certain path, survival is her only option.
\n\nWe fix our gaze on the stars and believe tomorrow will be better until we look down and realize that we have become someone we don't even know.
\n\nAt least we can look at the stars.
\n\nMaybe the next tomorrow really will be better.
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Pre-Talk
\n\n2023/10/7(Sat)19:00 Playhouse 2F Lobby
\n\n2023/10/8(Sun)14:00 Playhouse 2F Lobby
\n\n2023/10/9(Mon)14:00 Playhouse 2F Lobby
\n\nGuest|Playwright WANG Shi-chun, Director WANG Jing-dun
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Creative and Production Team
\n\nPresenter|National Kaohsiung Center for the Arts (Weiuwying)
\n\nStory Concept|LIU Chien-kuo
\n\nPlaywright|WANG Shih-chun
\n\nDirector|WANG Ching-tun
\n\nPerformers|TSAI Hsuan-yan, CHANG Shih-ying, KUO Yao-jen, LIANG Yun-jui, WU Shih-wei, HONG Chien-tsang
\n\nDancers|Les Petites Choses Production
\n\nSound Performance|Francis Chia
\n\nStage Designer|CHEN Wei-kuang
\n\nLighting Designer|TENG Cheng-wei
\n\nMusic Designer|KO Chih-hao
\n\nCostume Designer|Jerry HSIEH
\n\nDance Designer|Sunny YANG
\n\nHair & Makeup Supervisor|Natalie HSIEH
\n\nVocal Coach|Christine Chien
\n\nAboriginal language Coach|Usay Kawlu
\n\nMakeup & Hair Designer|HSIEH Chieh-jen
\n\nExecutive Producer|LIN Kuo-feng
\n\nProgram Coordinator|Rhett HSIEH
\n\nProduction coordinator|LEE Chu-hui
\n\nMarketing Coordinator|LAN Hung-ling
\n\nGraphic Designer|LIN Cheng-yu
\n\nPhotography|Sam Studio
\n\nFlim Editor|CHANG Ya-chieh, Tunneling Studio
\n\nDirector's & Rehearsal Assistant|CHI-HUNG LAI、LIN,SIANG-TING
\n\nAssistant to Stage Designer|LO Ying-jou
\n\nStage Maneger|WU Wei-wei
\n\nAssitant Stage Manager|CHANG,Ting-ting
\n\nTechnical Director|CHOU Chih-Wei
\n\nStage Crew|WU Chung-liang, LI Jay-ying, CHI How, GUO Dun-xuan, LAI Ying-jhu, SUN Hui-hsuan, CHEN Yi-xiang, HUANG Xin-yuan
\n\nMaster Electrician|KUO Hsin-yi
\n\nLighting Crew|Claudia WAN, YANG Hong-wei, TAO Siao-huei, LIN Jin-wei, CHEN Xuan-wen
\n\nSound Engineer|LEE Cheng-tien
\n\nSound Crew|TSAI Hsing-chun, PAN Hsin-an
\n\nHead of Wardrobe|LIN Hsin
\n\nWardrobe|WU Ding-sen, CHIU Yi-hui
\n\nHair & Makeup|WANG Hsiu-wen, HSIEH Tsai-tung, Natalie HSIEH, HSIAO Chia-jung
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Creation research supported by National Kaohsiung Center for the Arts (Weiwuying)
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Team Introduction
\n\nPlaywright|WANG Shi-chun
\n\nDegree in performance from the Department of Theatre Arts at Taipei National University of the Arts
\n\nNotable work:
\n\n2013 Executive director for All Music Theatre's My Dear Next Door (Nanhai Theater version)
\n\n2014 Playwright and director for Perfect Match's MRT experimental musical Long Time No See
\n\n2020~2022 Writer for episodes 2–9 of Blossom Co., Ltd. and Come On Creative Studio's musical series The Spokesman of the Spirit
\n\n2021~2022 Playwright for stage-reading and full-performance versions of Spring River's Never Grow Up
\n\n2022 Playwright for Big Chimney Under the Dipper, commissioned by the Hsinchu Cultural Affairs Bureau
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Director|Daniel WANG
\n\nA playwright, director, and performer, WANG focuses his creativity on original scripts with a Taiwanese background. His work, an observation and reflection of the culture, humanities, spirit, and social issues of today's Taiwan, has shown in Beijing, Shanghai, Guangzhou, Shenzhen, and Macao. Kuang Qi, which he wrote and directed, won Best Script, Best Direction, Best Art Direction, and Best Movement-Based Performance at the 2017 Bangkok Theatre Festival. He wrote The Unnamed, which was presented at the 2019 Wuzhen Theatre Festival. His work Wonderful was selected for National Taichung Theater's Fall for Great Souls series in 2022. In addition, he has compiled the book Wonderful: Collection of Scripts by Daniel Wang.
\n\nOther pieces he has written and directed include: M.O.V.E. Theatre's Postcard for the FormosART series, Uncle Poet, The Lost Sperm, Under the Roof, and Gone Friend; Story Works' The Man, the Boy, and the Monkey King; Red Theatre Group's The Dress (co-director); Flying Group Theatre's The Dying Fish; and Party Theatre Group's Macbeth. He has further written HaChiGu Culture Art's The Final Choice in 1895; Performance Workshop's The Eternal Coffee Time and A Date with Me; and Ming Hwa Yuan’s The Final War of 1895.
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More
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\n',team:""},createdAt:1683626721,updatedAt:1696584932,updatedBy:"林蔚行",host:!0},{_id:"645b457d3fb0e90007ce1331",catalogs:["5fe2bffdde1961000737545c","5aec418cb01ea6000520f635","64812f1feb9a240007c8c8c7"],dateTime:{first:1696660200,discrete:[{time:1696660200},{time:1696746600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,900,1200,1800,2400,2600,3e3],link:"https://www.opentix.life/event/1663142806393516033"}},attachment:{key:"eb1646e7d0ac49b61d77d380a3c12739",name:"唐美雲歌仔戲團《臥龍:永遠的彼日》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fe112cbca52c20f8b34bbad20b4e25bf",title:"唐美雲歌仔戲團《臥龍:永遠的彼日》高雄場"}],related:[{from:"programs",key:"64a240307ff0a4000788b293",title:"【創意學習工作坊】解密歌仔戲"},{from:"programs",key:"64c9bdaa82449b0007963c6a",title:"【幕後解密】探索唐美雲歌仔戲團《臥龍:永遠的彼日》後台風景"}],title:"【衛武營五週年慶】唐美雲歌仔戲團《臥龍:永遠的彼日》",cover:"939c9b60be6fcab4b9324e511296e296",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
臺語演出,中、英雙語字幕。
\n\t演出含煙霧舞台效果,請斟酌入場。
\n\t衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
\n\n
「人生勝利組」諸葛瞻,奮力想擺脫老爸諸葛亮的巨人陰影,身為「臥龍之子」是他的幸運,也是最大不幸。諸葛亮死後的蜀漢,猶如一艘即將沉沒的鐵達尼,英雄的後代們沒有選擇,只能掙扎求生。歌仔戲新說三國史,從兒子諸葛瞻視角,窺探諸葛亮深情眷戀的生命光影。
\n\n繼《冥遊記─帝王之宴》,二度力邀國光劇團當家老生─唐文華跨界飾演劉備,「國家文藝獎得主」唐美雲飾演諸葛亮,共同譜寫一段超越君臣、世所罕見的知己之情,攜手「永遠的娘子」許秀年、「人間國寶」小咪,帶領中、新生代優秀演員,傾情演出具有浪漫情懷的熱血英雄史詩。
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演前導聆
\n\n2023/10/7(六)14:00 歌劇院二樓大廳
\n\n2023/10/8(日)14:00 歌劇院二樓大廳
\n\n主講人:陳健星
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文章閱讀
\n\n一條路,走向兩個父親 ── 專訪編劇陳健星,深談新戲《臥龍:永遠的彼日》(出處:FLiPER)
\n\n多重時空織寫,直探人性幽光—唐美雲歌仔戲團《臥龍:永遠的彼日》
\n\n專訪《臥龍:永遠的彼日》唐美雲感念父母苦心「追自己的夢」浪漫談三國父子情(出處:美麗佳人)
\n\n創新跨界裡的傳統堅持,讓一加一大於二(出處:Par 表演藝術)
\n\n在這個時代看見那個時代──唐美雲歌仔戲團《臥龍:永遠的彼日》(出處:報導者)
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周邊活動
\n\n►【創意學習工作坊】解密歌仔戲—身段唱腔篇
\n\n9/2(六)14:00-18:00
\n\n主講與示範人:陳健星、曾玫萍、吳宜蓁
\n\n內容:現代劇場歌仔戲介紹、演員訓練體驗、幕後花絮揭秘
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►【幕後解密】探索《臥龍:永遠的彼日》後台風景
\n\n10/7(六)18:00
\n\n內容:走上演出後的劇場舞台、節目的設計執行與工作甘苦談
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►【唐美雲歌仔戲團《臥龍:永遠的彼日》大眼睛歌仔戲工作坊】
\n\n10/6(六)-10/8(日)
\n\n內容:歌仔戲課程、觸覺導聆、演出欣賞(搭配口述影像)
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演出暨製作團隊
\n\n藝術總監、製作人|唐美雲
\n\n導演|戴君芳*
\n\n編劇|陳健星
\n\n服裝設計|黃文英
\n\n舞臺設計|王世信
\n\n影像設計|王奕盛
\n\n燈光設計|邱逸昕
\n\n作曲、編曲、指揮|姬君達
\n\n編腔設計|陳歆翰
\n\n舞蹈設計|張逸軍
\n\n平面攝影|蔡榮豐
\n\n舞台監督|劉伊婷
\n\n演員|唐美雲、唐文華(特邀)*、許秀年、小咪、鄒慈愛*、林芳儀、黃宇臻、曾玫萍、杜健瑋、李嘉、吳旻真、吳宜蓁、梁芳毓、陳柏臻、劉家熒暨唐美雲歌仔戲團
\n\n(*為國立傳統藝術中心國光劇團支援演出)
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口述影像設計師|吳宜頴
\n\n演前觸覺導聆設計師|林明慧
\n\n口述影像暨演前觸覺導聆委託製作|衛武營國家藝術文化中心、臺中國家歌劇院
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團隊介紹
\n\n唐美雲歌仔戲團
\n\n唐美雲歌仔戲團始終秉持著「承傳統、創新局」的宗旨,致力將傳統戲曲提昇至精緻藝術的層面,並不斷探索與嘗試,大膽進行跨界合作,期盼以各種巧思與創意改變大眾對歌仔戲的固有印象。劇團不僅延攬歌仔戲界優秀資深演員,同時積極提拔演出新秀及扶植創作人才,希望讓傳統戲曲在臺灣的土地上傳承扎根,在世界的舞台上袖舞翩翩。
\n\n唐美雲歌仔戲團獲獎紀錄
\n\n★2007 年《梨園天神 桂郎君》榮獲 第 42 屆電視金鐘獎傳統戲劇節目獎。
\n\n★2014 年榮獲教育部第 1 屆藝術教育貢獻獎團體獎。
\n\n★2016 年《春櫻小姑——回憶的迷宮》榮獲第27 屆傳藝金曲獎最佳團體演出獎。
\n\n★2017 年《風從何處來》榮獲第 28 屆傳藝金曲獎最佳團體演出獎。
\n\n★2019 年《夜未央》榮獲第 30 屆傳藝金曲獎最佳團體演出獎。
\n\n★2020 年《月夜情愁》榮獲第 31 屆傳藝金曲獎最佳團體演出獎。
\n\n★2021 年《光華之君》榮獲第 32 屆傳藝金曲獎最佳編劇獎、最佳導演獎、最佳團體演出獎。
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唐美雲
\n\n唐美雲出身於歌仔戲世家,為「戲狀元」蔣武童之女,自15歲粉墨登台以來,演出橫跨外台、電視、劇場、電影,飾演過各類角色,累積豐富作品,尤擅長小生、老生、三花。
\n\n歌仔戲資歷完整而厚實,唱、作、唸、打、表,紮實不馬虎,曾連續兩屆榮獲地方戲劇比賽最佳小生獎,亦當選第17屆全國十大傑出女青年。
\n\n【得獎紀錄】
\n\n1998 第17屆全國十大傑出女青年
\n\n2001 第36屆金鐘獎連續劇最佳女主角
\n\n2012 第16屆國家文藝獎
\n\n2018 第29屆傳藝金曲獎年度最佳演員獎
\n\n2018 第38屆行政院文化獎
\n\n\n\n
唐文華
\n\n1961年出生,原名唐慶華,畢業自復興劇校(後來改制為臺灣戲曲學院),曾任海光、陸光、復興等京劇團演員,現為國光劇團當家老生,師承臺灣四大鬚生之首的胡少安。
\n\n曾獲國軍文藝金像獎最佳生角獎、文藝獎章、SGI文化賞、全球中華藝術文化薪傳獎。
\n\n代表作:老戲《珠簾寨》、《一捧雪》、《瓊林宴》、《四進士》、《趙氏孤兒》等;新編戲《閻羅夢》、《胡雪巖》、《快雪時晴》。
\n\n\n\n
藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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更多資訊
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fe112cbca52c20f8b34bbad20b4e25bf",title:"唐美雲歌仔戲團《臥龍:永遠的彼日》高雄場"}],related:[],title:"【Weiwuying 5th Anniversary】TANG MEI YUN Taiwanese Opera Company Zhuge Liang:A Promise Never Forgotten ",cover:"939c9b60be6fcab4b9324e511296e296",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Performed in Taiwanese with both English and Mandarin surtitles.
\n\tThe performance contains haze on stage. Viewer discretion is advised.
\n\t\n\n
Zhuge Zhan did all he could to get out from underneath the immense shadow of his highly accomplished statesman father, Zhuge Liang. Being the son of such a great man was both good and ill fortune. Following the death of Zhuge Liang, his Shu kingdom declined to the verge of collapse, and those who survived him had to give their all to survive. Through Taiwanese opera, this tale from the Three Kingdoms period gives us a glimpse at Zhuge Liang's immense love for family from the perspective of his son.
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Following their stellar performances in Royal Feast of the Underworld, TANG Wen-hua of the Guo Guang Opera Company will play LIU Bei and winner of the National Award for Arts TANG Mei-yun will play Zhuge Liang in presenting a rare friendship that surpassed the ordinary ruler-subject relationship. Also, "Eternal Actress" XU Xiu-nian and "National Treasure on Earth" Xiao-Mi will lead an outstanding cast of reputed and new faces alike in pouring out their emotions in a heroic epic piece embellished with romance.
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Pre-talk
\n\n2023/10/7(Sat)14:00 Opera House 2F Lobby
\n\n2023/10/8(Sun)14:00 Opera House 2F Lobby
\n\nHost: CHEN Jian-xing
\n\n\n\n
Creative and Production Team
\n\nArtistic Director & Producer|TANG Mei-yun
\n\nDirector|DAI Jun-fang
\n\nPlaywright|CHEN Jian-xing
\n\nCostume Designer|HUANG Wen-ying
\n\nStage Designer|Samuel WANG
\n\nVideo Designer|WANG Yei-sheng
\n\nLighting Designer|QIU Yi-xin
\n\nMusic Designer, Conductor|JI Jun-da
\n\nVocal Composer|CHEN Xin-han
\n\nDance Designer|CHANG Yi-chun
\n\nPhotographer|CAI Rong-feng
\n\nStage Manager|LIU Yi-ting
\n\nPerformers|TANG Mei-yun, TANG Wen-hua (guest actor), XU Xiu-nian, Xiao-Mi, TSOU Tzu-Ai, LIN Fang-yi, HUANG Yu-Jhen, ZENG Mei-ping, DU Jian-wei, LI Jia, WU Min-zhen, WU Yi-zhen, LIANG Fang-yu, CHEN Bo-zhen, LIU Jia-ying
\n\nTANG MEI YUN Taiwanese Opera Company
\n\n\n\n
Audio Description Designer|WU Yi-ying
\n\nTouch Tour Designer|LIN Ming-hui
\n\nAudio Description and Touch Tour Commissioned by National Kaohsiung Center for the Arts (Weiwuying)&National Theater & Concert Hall
\n\n\n\n
Artists Introduction
\n\nTANG Mei-yun Taiwanese Opera Company
\n\nTANG MEI YUN Taiwanese Opera Company has entered its 26th year with its head held high and has always aimed at the idea of "inheriting tradition and fostering innovation." The company is committed to elevating traditional opera to the level of fine art. This who-else-but-me sense of mission drives the troupe to actively engage in cross-boundary cooperation and the cultivation of talents. Through joint performances with senior and outstanding actors from different fields, the troupe hopes to transform the public stereotype of Taiwanese opera with various ingenuity and creativity and attract the old, middle, and young generations to let the prosperity of Taiwanese opera reappear.
\n\n\n\n
TANG Mei-yun
\n\nAs the daughter of the "Taiwanese Opera Champion" JIANG Wu-tong, TANG Mei-yun comes from a Taiwanese Opera family, and currently she is the artistic director of Tang Mei Yun Taiwanese Opera Company. Since her debut at the age of fifteen, she has starred in TV shows, theatre, and movies over the years, being famous for the roles of Young Sheng, Elderly Sheng, and Clown. She has solid skills in singing, chanting, acting, and martial arts. She won the Best Young Sheng award in local drama competitions two consecutive times for her outstanding Taiwanese Opera achievement.
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More
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\n',team:""},createdAt:1683703165,updatedAt:1696555777,updatedBy:"林蔚行",host:!0},{_id:"645b4f7a3fb0e90007ce14e4",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1696746600,discrete:[{time:1696746600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,900,1200,1600,2e3],link:"https://www.opentix.life/event/1662045444371705857"}},attachment:{key:"c70905d8401a1f77a039ae2d792e78bc",name:"【衛武營五週年慶】《萬彩雙琴》楊文信&克利斯蒂安・舒密特 電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a1282dd81ec78469079eecf3f3267bdd",title:"楊文信x克利斯蒂安・舒密特《萬彩雙琴》"}],related:[],title:"【衛武營五週年慶】《萬彩雙琴》楊文信&克利斯蒂安・舒密特",cover:"974cc3a5455fb275527d2c5698a9d9c0",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
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享譽國際的大提琴家楊文信曾榮獲日內瓦國際大賽首獎,年僅24歲時就擔任德國巴伐利亞廣播交響樂團大提琴首席,曾兩度灌錄巴赫無伴奏大提琴組曲全集,並獲得企鵝唱片 「三星帶花」 最高殊榮。德國管風琴家克利斯蒂安・舒密特2015年曾首度來臺與國家交響樂團合作演出開季音樂會,並以高超的技巧與獨特的魅力廣受歡迎,是各大樂團競相邀請的對象。音樂會除了李斯特《哭泣、哀嘆、憂慮、猶豫》主題變奏曲以外,也帶來一系列德國音樂,包括:巴赫D大調給古提琴與大鍵琴的奏鳴曲、c小調帕薩卡雅舞曲與賦格;現代作曲家亨德密特給大提琴與管風琴的喪禮樂、霍勒給大提琴與管風琴的《美哉主耶穌》聖歌即興曲。此外,還有獻給臺灣愛樂者的驚喜—臺灣歌曲的改編曲。曲目涵蓋巴洛克到現代、德國到臺灣,展現管風琴絢麗多變的色彩!
\n\n\n\n
文章閱讀
\n\n►【MUZIK AIR】生與死、開始與結束 都是人生的一部分——楊文信談他與舒密特的《萬彩雙琴》
\n\n►當管風琴遇上大提琴:衛武營五周年慶之《萬彩雙琴》/文 瓦力唱片行
\n\n►【MUZIK AIR】衛武營五週年 交響+重奏 舒密特展現管風琴之美
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演前導聆
\n\n2023/10/8(日)14:00 音樂廳三樓大廳
\n\n\n\n
演後簽名會
\n本場音樂會演後將於音樂廳三樓大廳進行親筆簽名會。每人限索取每位藝術家簽名一次,簽名物件僅限現場販售之藝術家個人相關專輯及免費節目單;不開放物件署名、現場合影。歡迎粉絲踴躍參與,珍藏藝術家親筆簽名。
\n※簽名會於音樂會正式曲目演出結束後開放排隊。
\n\n
演出曲目
\n\n巴赫:D大調給古提琴與大鍵琴的奏鳴曲,BWV 1028
\n\n巴赫:c小調帕薩卡雅舞曲與賦格,BWV 582
\n\n霍勒:給大提琴與管風琴的《美哉主耶穌》聖歌即興曲,作品55
\n\n亨德密特:給大提琴與管風琴的喪禮樂(楊文信與克利斯蒂安・舒密特改編)
\n\n李斯特:根據清唱劇《哭泣、哀嘆、憂慮、猶豫》數字低音主題而作的變奏曲
\n\n皮亞提:《尼歐貝》主題隨想曲,作品21
\n\n鄧雨賢:《望春風》,給大提琴與管風琴(由劉聖賢改編)
\n\n\n\n
安可曲:
\n\nEnjott SCHNEIDER: Romance on a Taiwanese Folksong for Violoncello and Organ
\n\nEdward ELGAR: Salut d'Amour
\n\n\n\n
演出暨製作團隊
\n\n管風琴|克利斯蒂安・舒密特
\n\n大提琴|楊文信
\n\n\n\n
藝術家介紹
\n\n管風琴|克利斯蒂安・舒密特
\n\n克利斯蒂安.舒密特在與賽門.拉圖指揮下的柏林愛樂樂團首次登台合作,以及在薩爾茲堡音樂節與曼格達蓮娜.科澤納攜手演出後,便在世界舞台上嶄露頭角,成為全球炙手可熱的管風琴家之一。在2021/22樂季中,舒密特獲選為蘇黎世音樂廳管絃樂團的「焦點音樂家」,並與指揮家帕佛.賈維合作,正式啟用了該音樂廳的新管風琴。
\n\n舒密特近期不僅攜手洛杉磯愛樂樂團於迪士尼音樂廳首次登台,在丹尼爾.巴倫波因的指揮下與柏林國家歌劇院管絃樂團共同演出,也和克里斯多福.艾森巴赫合作錄製亨德密特的第七號室內樂。在2022/23樂季,他與布爾諾愛樂樂團一同在卡內基音樂廳首演,並和達拉斯交響樂團於麥耶生交響樂中心共同演出。
\n\n舒密特曾在漢堡易北愛樂廳、柏林音樂廳、維也納金色大廳、萊比錫布商大廈以及蒙特婁交響樂廳舉辦獨奏會;更曾與菲利浦.赫爾維格、雅庫.胡薩、馬雷克.亞諾夫斯基、丹尼爾.巴倫波因,以及帕佛.賈維與曼弗雷德.霍內克等指揮家合作。作為經常參與獨奏會的協奏者,舒密特也曾與曼格達蓮娜.科澤納、馬蒂亞斯.赫夫斯、湯瑪斯.漢普森和馬提亞斯.葛納等人合作演出。
\n\n舒密特曾與德意志留聲機公司合作,為「巴哈333年冥誕紀念」計畫錄製兩張CD,並與女高音曼格達蓮娜.科澤納合作錄製包含聲樂與管風琴演奏的專輯。在2013年,他以魏多管風琴交響曲作品42第3首及作品69的錄音作品,獲得回聲音樂古典獎。
\n\n舒密特目前任教於鹿特丹的科達茨藝術大學。他曾在巴黎、波士頓及薩爾布魯根等地學習管風琴,也曾擔任多項比賽的評審團成員。他也是班貝格交響樂團的首席管風琴家。
\n\n\n\n
大提琴|楊文信
\n\n對未知事物的熱情和鑽研不懈,使楊文信成為當今最全面的大提琴家之一。他的演奏不僅復興了瑟瓦、大衛朵夫等十九世紀大提琴大師的作品,還向他的聽眾引介了萊曼和尹伊桑等現代作曲家。
\n\n身為享譽國際的獨奏家,楊文信曾與諸多指揮家與交響樂團合作:戴維斯爵士、馬澤爾、楊頌斯、呂紹嘉、挪華克、克萊納、佐渡裕和霍夫許泰特、巴伐利亞廣播交響樂團、上海交響樂團、東京NHK交響樂團、英國皇家愛樂管絃樂團和俄羅斯國立交響樂團等;同時也是室內樂合作的熱門人選。楊文信藉由過人且細膩的表現力,不斷開拓新的聆賞視野。
\n\n楊文信多元的演奏曲目收錄於30多張CD中,不僅涵蓋鮑凱里尼、海頓、貝多芬、舒伯特、聖桑、拉羅、柴科夫斯基和德佛札克的經典大提琴作品,還包括魏奧當、馬丁、薩巴涅夫和古拜杜麗娜等作曲家的作品。其中許多是首演時的錄音。
\n\n2005年,楊文信與巴伐利亞電視台合作,錄製了巴赫的六首獨奏組曲。這張由Arthaus發行的DVD被評論家盛讚為極具歷史考究意識的現代樂器詮釋。
\n\n自2004年起,楊文信在慕尼黑音樂與戲劇學院擔任大提琴教授,並定期舉辦國際大師班。
\n\n\n\n
\n\n
藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
更多資訊
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a1282dd81ec78469079eecf3f3267bdd",title:"楊文信x克利斯蒂安・舒密特《萬彩雙琴》"}],related:[],title:"【Weiwuying 5th Anniversary】Variations of Colors- Wen-sinn YANG & Christian SCHMITT",cover:"974cc3a5455fb275527d2c5698a9d9c0",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\n
Internationally renowned cellist Wen-sinn YANG has won the top prize at the Geneva International Music Competition, was named Principal Cellist of the Bavarian Radio Symphony Orchestra at the age of just 24, has recorded BACH's Six Cello Suites twice, and earned from The Penguin Guide to Recorded Classical Music a rating of three stars plus a rosette (the highest honor given by the guide). German organist Christian SCHMITT first came to Taiwan in 2015 to collaborate with the National Symphony Orchestra for their season opener. His amazing skill and unparalleled charm have made him quite popular and put him in great demand for collaboration by the world's major orchestras. At the concert, besides LISZT's Variations on a Basso Continuo from the Cantata Weinen, Klagen, Sorgen, Zagen, there will be a series of German pieces: BACH's Sonata in D Major for Viola da Gamba and Harpsichord, BWV 1028, and Passacaglia and Fugue in c minor, BWV 582; HINDEMITH's Funeral Music for Cello and Organ; and HÖLLER's Improvisations on the Spiritual Folk Song Most Beautiful Lord Jesus for Cello and Organ, Op. 55. Moreover, Taiwanese music lovers will be given the pleasant surprise of a rearrangement by YANG and SCHMITT of a local piece! With music ranging from the Baroque to the contemporary by German, Hungarian, and Taiwanese composers, the concert is to be a perfect showcase of the many and brilliant faces of the organ.
\n\n\n\n
Pre-talk
\n\n2023/10/8(Sun)14:00 Concert Hall 3F Lobby
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Program
\n\nJ. S. BACH: Sonata in D Major for Viola da Gamba and Harpsichord, BWV 1028
\n\nJ. S. BACH: Passacaglia and Fugue in c minor, BWV 582
\n\nK. HÖLLER: Improvisations on the Spiritual Folk Song Most Beautiful Lord Jesus for Cello and Organ, Op. 55
\n\nP. HINDEMITH: Funeral Music for Cello and Organ (Arranged by Wen-sinn YANG & Christian SCHMITT)
\n\nF. LISZT: Variations on a Basso Continuo from the Cantata Weinen, Klagen, Sorgen, Zagen
\n\nA. PIATTI: Capriccio sopra un tema della Niobe di Pacini, Op. 21
\n\nDENG Yu-hsien: Bang Chhun Hong (Longing for the Spring Breeze) for Cello and Organ (Arranged by LIU Shen-hsien)
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Encore Pieces:
\n\nEnjott SCHNEIDER: Romance on a Taiwanese Folksong for Violoncello and Organ
\n\nEdward ELGAR: Salut d'Amour
\n\n\n\n
Creative and Production Team
\n\nOrgan|Christian SCHMITT
\n\nCello|Wen-sinn YANG
\n\n\n\n
Artists Introduction
\n\nOrgan|Christian SCHMITT
\n\nSince his debuts with the Berlin Philharmonic under Sir Simon RATTLE and the Salzburg Festival with Magdalena KOŽENÁ, Christian SCHMITT has become one of the world's most sought-after organists. In the 2021/22 season, he was "Artist in Focus" of the Tonhalle Orchestra Zurich where he inaugurated the new organ at the Tonhalle with conductor Paavo JÄRVI.
\n\nSCHMITT recently debuted at Walt Disney Concert Hall presented by the Los Angeles Philharmonic, performed with the Staatskapelle Berlin conducted by Daniel BARENBOIM, and recorded HINDEMITH's Chamber Music No. 7 with conductor Christoph ESCHENBACH. In the 2022/23 season he debuted at Carnegie Hall with the Philharmonie Brno and at Meyerson Symphony Center presented by the Dallas Symphony Orchestra.
\n\nSCHMITT has performed as a recitalist at the Elbphilharmonie Hamburg, Konzerthaus Berlin, Wiener Musikverein, Gewandhaus Leipzig, and Maison Symphonique Montréal. He has performed under conductors including Philippe HERREWEGHE, Jakub HRŮŠA, Marek JANOWSKI, Daniel BARENBOIM, Paavo JÄRVI, and Manfred HONECK. A frequent recital collaborator, SCHMITT has additionally performed with Magdalena KOŽENÁ, Matthias HÖFS, Thomas HAMPSON, and Matthias GOERNE.
\n\nFor Deutsche Grammophon, SCHMITT recorded two CDs for the project "Bach 333 - Die neue Gesamtausgabe" and an album of works for voice and organ with soprano Magdalena KOŽENÁ. In 2013, he was awarded an ECHO Klassik for his recording of WIDOR's organ symphonies, Opp. 42, 3 and 69.
\n\nSCHMITT is on the faculty at Codarts University Rotterdam. SCHMITT studied organ in Paris, in Boston, and in Saarbrücken and has been a member of the jury for numerous competitions. SCHMITT is the Principal Organist of the Bamberger Symphoniker.
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Cello|Wen-sinn YANG
\n\nEnthusiasm for the unknown and constant research distinguishes Wen-sinn YANG as one of the most versatile cellists of the present day. His performances not only revive the music of nineteenth-century cello virtuosos such as Adrien François SERVAIS and Karl Yulievich DAVYDOV, but also introduce his audiences to such modern composers as Aribert REIMANN and Isang YUN.
\n\nAlongside his activities as an internationally renowned soloist under conductors including Sir Colin DAVIS, Lorin MAAZEL, Mariss JANSONS, Shiao-Chia LÜ, Grzegorz NOWAK, Daniel KLAJNER, Yukata SADO and Michael HOFSTETTER and with such orchestras as the Bavarian Radio Symphony Orchestra the Shanghai Symphony, the NHK Tokyo, the Royal Philharmonic Orchestra and the Russian State Orchestra of Moscow, Wen-sinn YANG is also a highly sought-after chamber music partner. His mastery and technical skill is not only strongly expressive but also particularly sensitive, which continues to open up ever-new listening perspectives.
\n\nWen-sinn YANG’s wide-ranging repertoire is documented on more than 30 CDs. These include not only the principal works for violoncello by BOCCHERINI, HAYDN, BEETHOVEN, SCHUBERT, SAINT-SAENS, LALO, TCHAIKOVSKY and DVOŘÁK, but also compositions by Henri VIEUXTEMPS, Frank MARTIN, Leonid SABANEEV and Sofia GUBAIDULINA. Many of these are distinguished as premiere recordings.
\n\nYANG, in cooperation with Bavarian Television, recorded the six solo suites of J. S. BACH in 2005. This DVD, released by Arthaus, was praised by critics for its profound awareness of historically informed interpretation performed on modern instruments.
\n\nYANG has been Professor of Violoncello at the Academy of Music and Theater in Munich since 2004 and also regularly conducts international master courses.
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More
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\n',team:""},createdAt:1683705722,updatedAt:1698659242,updatedBy:"林蔚行",host:!0},{_id:"645b812d03e56c00082bd616",catalogs:["6007fc45ba34870007c22b8b","5aec45edb01ea6000520f655"],dateTime:{first:1689987600,discrete:[{time:1689987600},{time:1690074e3},{time:1690592400},{time:1690678800},{time:1700893800}],type:"discrete"},activity:{type:"free",free:{description:"線上報名"}},attachment:{key:"ef8d065ac0eb2fa44bbdc29436228c96",name:"【電子節目冊】第三屆文學劇本改編工作坊讀劇發表會.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"讀劇呈現",content:'
透過文學與劇場專業教師的指引,本屆工作坊學員們將臺灣文學作品改編為青少年舞台劇本,完成了22篇,每篇長度6分鐘的舞台劇劇本。此次讀劇演出邀請高雄在地劇團「響座劇場」擔綱製作及演出團隊,期待激發出更多精彩火花。演出在11月25日隆重發表,歡迎對文學改編跟讀劇演出有興趣的觀眾們,千萬別錯過!
\n\n誠摯地邀請您前來欣賞,一起給這群未來新秀指點與建議,一同見證學員們幾個月以來辛勤耕耘的成果!
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演出時間與地點
\n\n時間:112年11月25日
\n\n14:30-17:30 讀劇呈現(14:00開放入場)
\n\n18:00-19:30 演後交流會
\n\n演出地點:衛武營B313樂團排練室
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入場方式
\n\n請進行索票登記
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電子節目冊
\n\n►點我下載
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演員徵選
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\n'}],onShelf:!0,sliders:[{type:"image",key:"727dcdcda72c1a9541fdf6174fc0014e",title:"【第三屆文學劇本改編工作坊】"}],related:[{from:"programs",key:"644e5ddf03e56c0008250936",title:"【2023花露露的童樂節】寶寶啟蒙專業工作坊"},{from:"programs",key:"6455c9c303e56c0008285fbe",title:"【夏舞營】克萊茵技巧工作坊—芭芭拉・馬勒"}],title:"2023 衛武營X臺文館 【第三屆文學劇本改編工作坊】",cover:"268062c2069c32a82dbe5f30f26d2f19",site:{isOther:!0,site:"",other:"衛武營、臺文館"},cautions:"",benefits:"",description:"心動的瞬間,苦痛的磨練,世俗的挑戰,那些以愛為名的靈魂故事,由你來書寫!",introduction:'
►劇作學員 錄取名單公告 | \n\t\t
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心動的瞬間,苦痛的磨練,世俗的挑戰,那些以愛為名的靈魂故事,由你來書寫!
\n\n衛武營國家藝術文化中心 與 國立臺灣文學館 攜手主辦「文學劇本改編工作坊」第三屆正式啟航!邀請八位戲劇和文學專業講師設計七堂課程,連續兩個周末,從臺南到高雄,帶領學員改編以愛為主題的臺灣文學成為舞臺劇本,並在最後挑戰讀劇呈現,聆聽自己的文字,品味創作的聲音。
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申請對象
\n\n※第一、二屆已參與學員原則上不重複錄取。
\n\n※本工作坊核給公(教)人員研習時數30小時,並統一登錄於相關研習時數平臺。
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申請日期及名額
\n\n即日起至 6/30日中午12:00止;逾時不受理。
\n\n預計於7月7日前公布錄取名單,正取20名與青春觀察員2名,另備取2名。
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申請簡章
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申請流程
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報名費用
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注意事項
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主辦單位
\n\n衛武營國家藝術文化中心
\n\n國立臺灣文學館
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聯絡窗口
\n\n衛武營國家藝術文化中心 朱先生 07-262-6422
\n\n國立臺灣文學館 展示組 陳先生 06-2217201#2302
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資源下載
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精彩回顧
\n\n文學劇本改編工作坊劇本集 :
\n\n►別緻時代
\n\n\n\n►動物時代
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\n',team:""},createdAt:1683718445,updatedAt:1700815364,updatedBy:"林蔚行",host:!0},{_id:"645d92beec46650007ab77fc",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1697351400,discrete:[{time:1697351400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1600,2e3],link:"https://www.opentix.life/event/1696124888247001089"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"88bfcf95c38e6004792ab2ed2c7255d7",title:"2023 C-LAB聲響藝術節 IRCAM《大都會》電影音樂會"}],related:[],title:"2023 C-LAB聲響藝術節 IRCAM《大都會》電影音樂會",cover:"0ddc67a686b4af82d8bd605448373c0e",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
德語演出,中文字幕。
\n\t演出有裸露畫面,請斟酌入場。
\n\t\n\t\t\t ※原訂於《大都會電影音樂會》之演後座談,由於作曲家行程因素,不克親自前往現場,演後座談因故取消,造成不便,敬請見諒。 \n\n\t\t\t※作曲家另提供訪談影片,透過訪談亦可更加了解創作內容,歡迎線上觀賞。►點我觀看 \n\t\t\t | \n\t\t
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2023 C-LAB聲響藝術節帶來電影導演佛列茲・朗 (Fritz LANG) 經典科幻電影《大都會》 (Metropolis) 結合16位音樂家編制室內樂團、電子音樂以及沉浸式環繞聲場版本的電影音樂會。對作曲家馬丁・馬塔隆 (Martin MATALON) 而言,音樂不是為了襯托電影而存在的角色,音樂本身便可自成一格。
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\n《大都會》長度約二個半小時。音樂依著劇情鋪陳與影像發展,每一個段落,透過音樂的帶領,觀眾透過聽覺感受到故事內容與環環相扣的動態影像流動性。在室內樂團現場演出之外,馬塔隆拓展音樂與聽覺維度,加入電子音樂元素以及聲音和音場設計。新的科技與技術,讓作曲家在仰賴樂團演奏出的音樂之外,還得以動用電腦工程師、聲音設計師、音場設計師、音響工程人員等,透過預製、收錄音、混音等繁複的電腦工程技術搭配上精細的音場設計,讓觀眾的聽覺經驗不只是來自舞台單一方向,而是被來自四面八方流動性的音樂包覆其中,擴大觀眾對音樂的體驗感受。
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\n2023 C-LAB聲響藝術節「IRCAM《大都會》電影音樂會」展現了電影音樂創作新的維度,融合了音樂、科技、聲響、空間的想像元素,拓展出新的類型。2023年10月15日在高雄衛武營呈現的作品版本,為法國IRCAM工程團隊專為衛武營做現地聲場設計的版本。無論你是電影迷、音樂迷、聲響迷或是想要拓展聆聽體驗,IRCAM《大都會》電影音樂會是絕不可錯過的節目!
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演出暨製作團隊
\n\n《大都會》音樂(2010)
\n\n作曲家| 馬丁・馬塔隆
\n\n指揮|張尹芳
\n\n樂團|時間藝術工作室、國立臺北藝術大學音樂學系、台北打擊樂團
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\n《大都會》電影(1927)|德國
導演|佛列茲 朗
\n\n規格|黑白,數位修復版(2010)
\n\n長度|150 分鐘
\n\n電影修復|弗里德里希.威廉.穆瑙基金會,威斯巴登
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指導單位|文化部
\n\n主辦單位|臺灣當代文化實驗場
\n\n策劃單位|C-LAB臺灣聲響實驗室、法國聲響與音樂研究統合中心
\n\n合作單位|時間藝術工作室
\n\n協辦單位|衛武營國家藝術文化中心、國立臺北藝術大學音樂學系
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藝術家介紹
\n\n作曲家馬丁‧馬塔隆
\n\n馬丁·馬塔隆 1958 年出生於布宜諾斯艾利斯,1989 年,開始與雅克-路易·莫諾一起擔任指揮的他於紐約創立了Music Mobile樂團,致力於演奏當代曲目(1989-96)。
\n\n1993年定居巴黎後,馬塔隆首度與 IRCAM 合作,為龐畢度中心舉辦的博爾赫斯宇宙展覽創作了《La Rosa profunda》。次年,再受 IRCAM 委託為佛列茲·朗的默片《大都會》修復版創作音樂。
\n\n此外,他的作品還包括大量室內樂和管弦樂,例如大型管弦樂曲《Otras Ficciones 》和《Lignes de fuite》,大提琴八重奏曲《del matiz al color》,合唱及電子樂作品 《Monedas de hierro》,以及光譜廣泛的各類型作品,橫跨音樂故事、舞蹈、裝置藝術、文本音樂、廣播劇、音樂劇、默劇配樂等。
\n\n始於 1997 年,介於遊走獨奏協奏曲創作和室內樂之間的《Trames》系列,以及為獨奏樂器和即時處理音樂構思的《Traces》系列,構成了這位作曲家的某種作曲日記,也是他的作品集中極為重要的一部分。
\n\n此外,他也定期指揮樂團並從事教學活動,2003 年和 2004 年,他擔任洛林國家管弦樂團和阿森納音樂廳的駐團作曲家。2005 年到 2009 年,擔任 La Muse en Circuit 電子音樂工作室的駐團作曲家。
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指揮|張尹芳
\n\n張尹芳以細膩、層次豐富的指揮風格受到國內外樂壇的喜愛。2006至2022年於NSO國家交響樂團先後擔任助理指揮及駐團指揮,期間曾與金曲流行樂團蘇打綠、與國際樂壇知名組合「音樂駭客Igudesman & Joo」多次合作,並分別與張艾嘉、王耀慶攜手製作演出《仲夏夜之夢》、《皮爾金》等。近年受臺中國家歌劇院之邀,指揮NSO歌劇音樂會《風流寡婦》、音樂劇場《複眼人》,以及改編暨指揮室內樂版歌劇《唐懷瑟》,均深獲各界好評。近年合作包括日本金澤管絃樂團、香港城市室內樂團、臺北市立國樂團、國立臺灣交響樂團,並受邀參與總統府音樂會、臺南國際藝術節及日本金澤音樂祭演出。
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團隊介紹
\n\n法國「聲響與音樂研究統合中心」
\n\n由Frank MADLENER領導的法國「聲響與音樂研究統合中心」(Institute for Research and Coordination in Acoustics/Music,下稱IRCAM)同時致力於音樂表現與科學研究,是全球數一數二的公共音樂研究中心,共有超過 160 位人士齊聚在此藝術與科技創新碰撞的獨特機構中相互合作。
\n\nIRCAM 的三大主要活動為創作、研究、傳播,分布於 IRCAM 的音樂季、法國國內外的製作,以及兩項年度盛會:ManiFeste藝術節結合國際音樂節與不同領域學術單位,Vertigo 論壇則呈現其技術研究發展與對藝術創作的影響。
\n\nIRCAM 由皮耶·布列茲(Pierre BOULEZ)創立,在法國文化部支持下與龐畢度中心合作。旗下的混合式研究室「音樂和聲音科技研究實驗室」(STMS)也獲得法國國家科學研究中心(CNRS)與索邦大學(Sorbonne University)的支持。
\n\n2020 年,IRCAM 創立了一間為協助該機構的聲音創新發明商業化而衍生的公司Ircam Amplify。作為最先進的聲音研究與全球工業界之間的絕佳介面,Ircam Amplify是推動 21 世紀聲音革命的主要參與者。
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C-LAB臺灣聲響實驗室
\n\n2018年由文化部與法國「聲響與音樂研究統合中心」(IRCAM Centre-Pompidou,簡稱IRCAM)簽署合作意向書,2019年臺灣當代文化實驗場(C-LAB)與法國IRCAM合作成立「臺灣聲響實驗室」(Taiwan Sound Lab,簡稱TSL),汲取其音樂與聲響領域之發展策略及營運經驗,促進當代跨域創作的合作。
\n\n聲響實驗室以藝術創作、科學、科技、跨域、教育研究融匯建置,希冀打造一個由音樂聲響進而媒合跨學科、跨藝術領域的創意與技術工程的實驗平台,整合資源、跨機構協作,硬體上打造49.4聲道與16聲道二個沉浸式立體聲場空間讓創作者實驗、創作;軟體方面持續推動技術與創作人才培育與交流,包含作曲、音樂學、數位藝術、聲音工程、錄音處理等項目,應用於音樂與聲響的創作和製作、跨領域展演、交互式多媒體系統與聽覺介面設計等,激發音樂與聲音創意多樣性發想,為臺灣音樂與聲響領域發展多層次的文化想像及對話,進而建構出健全的媒體科技創新生態鏈。
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德國弗里德里希·威廉·穆瑙基金會
\n\n自1966年成立以來,弗里德里希·威廉·穆瑙基金會一直致力於保存、維護和提供德國電影遺產的重要部分,這些電影具有卓越的文化和電影歷史價值,時間跨足從電影開始時期到1960年代初,包括2000部無聲電影、1000部有聲電影和約3000部短片(廣告、文化、紀錄片等)。這意味著Friedrich-Wilhelm-Murnau基金會是保存電影作為文化資產的媒體行業中的重要機構之一。
\n\n這個收藏包括了重要導演的作品,如弗里茨·朗、弗里德里希·威廉·穆瑙、恩斯特·盧比奇、德特勒夫·席克、赫爾穆特·考特納和沃爾夫岡·斯道特等人的電影作品,這些作品至今仍然具有重要價值。除了《大都會》(METROPOLIS),這部電影被列為聯合國教科文組織的文化遺產之一,還包括德國電影的偉大經典,如《尼伯龍根》(DIE NIBELUNGEN)、《卡里加里博士的櫃子》(THE CABINET OF DR. CALIGARI)、《藍色天使》(THE BLUE ANGEL)、《加油站的三人組》(THE THREE FROM THE GAS STATION)、《蒙恰斯》(MUNCHHAUSEN)、《第七號大自由》(GROSSE FREEDOM NO. 7)和《英雄》(HEROES)等。
\n\n該基金會自2009年以來位於威斯巴登的德國電影博物館(Deutsches Filmhaus),該博物館除了設有基金會和其他電影行業機構外,還包括穆瑙電影院(Murnau Film Theater)。
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時間藝術工作室
\n\n「時間藝術工作室」是由一群二十一世紀的音樂人,一方面繼承了前人偉大的音樂遺產,一方面卻又秉持著現代人獨有的創造力所成立的音樂團體。「時間藝術工作室」的演出,有古樂、有現代音樂、也不乏古典音樂或是與其他藝術結合的跨界合作。除了推廣當代音樂,也嘗試通過與不同領域的藝術家合作,探索視覺、空間和聲音之間的關係,創作靈感來自當地傳統和最新技術的項目。是最不受拘束的多元化音樂團體!
\n自成立以來,已在眾多國際音樂節和藝術節上演出,從全舞台音樂劇到多媒體作品再到重奏及獨奏表演。演出足跡遍佈荷蘭、美國、智利、中國、澳門、香港等不同國家/地區。
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© Fritz Lang / Fondation Friedrich Wilhelm Murnau
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
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Performed in German with Mandarin Intertitles.
\n\tThe performance contains nudity scenes, viewer discretion is advised.
\n\tThe "2023 C-LAB Sound Festival: Diversonics" will pair film director Fritz LANG's classic science fiction movie Metropolis with a movie concert involving a chamber music ensemble consisting of 16 musicians, electronic music, and an immersive sound field. As far as composer Martin MATALON is concerned, the music he has composed for Metropolis, and which bears the same name, is not meant to accompany or enhance the film's visual experience in a complementary role, but is rather intended to stand independently on its own two feet.
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Martin MATALON's music develops along with the enfolding plot and visual images, and serves as a vehicle letting viewers experience the story content and interconnected visual flow via their sense of hearing. Apart from the on-site performance of the chamber music ensemble, Mr. MATALON has also increased the dimensions of music and auditory perception, and added elements of electronic music and sound and acoustic design. He has employed computerized pre-production, recording, and mixing steps in conjunction with painstaking acoustic design to ensure that listeners' do not feel that sound is just coming from the direction of the stage, but instead make them feel that they are surrounded by music from all directions, enlarging their musical experience.
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At the "2023 C-LAB Sound Festival: Diversonics", the "IRCAM Cine-concert Metropolis" to be given at National Kaohsiung Center for the Arts (Weiwuying) on October 15, 2023 will feature an on-site sound design created specifically for the Weiwuying Opera House by the team at France's IRCAM (Institute for Research and Coordination in Acoustics/Music). Regardless of whether you are a movie fan, music fan, audio fan, or just want to broaden your listening experiences, "IRCAM Cine-conert Metropolis" is absolutely not to be missed!
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Creative and Production Team
\n\nMETROPOLIS (music, 2010)
\n\nComposer|Martin MATALON
\n\nConductor|CHANG Yin-fang
\n\nEnsemble|TimeArt Studio, Department of Music Taipei National University of the Arts, Taipei Percussion
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\nMETROPOLIS (film, 1927)|Germany
Director|Fritz LANG
\n\nFormat|Black and white, digital restoration (2010)
\n\nRunning time|150 minutes
\n\nRestoration|Friedrich Wilhelm Murnau Foundation, Wiesbaden
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Advised by|Ministry of Culture
\n\nPresenter|Taiwan Contemporary Culture Lab
\n\nCuratorial Team|C-LAB Taiwan Sound Lab, IRCAM Centre-Pompidou
\n\nCollaborator|TimeArt Studio
\n\nCo-organiser|National Kaohsiung Center for the Arts (Weiwuying), Taipei Percussion, Department of Music, Taipei National University of the Arts
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Artists Introduction
\n\nMETROPOLIS Composer|Martin MATALON
\n\nBorn in Buenos Aires in 1958, Martin MATALON received his Master’s degree from the Juilliard School of Music in 1986. In 1989, having initiated himself in conducting with Jacques-Louis MONOD, he founded Music Mobile, a New York-based ensemble devoted to the contemporary repertoire (1989-96).
\n\nIn 1993, having settled in Paris, the composer collaborated for the first time with IRCAM and worked on La Rosa profunda, music for an exhibition at the Pompidou Centre on The Universe of Borges. The following year, IRCAM commissioned a new score for the restored version of Fritz LANG's silent film, Metropolis.
\n\nHis catalogue also includes a large number of chamber and orchestral works, such as Otras Ficciones or Lignes de fuite for large orchestra, …del matiz al color… for cello octet, Monedas de hierro for ensemble and electronics as well as pieces written for a large spectrum of different genres : Musical tales, choreographic works, installations, music with text, horspiels, musical theater, music with mimes…
\n\nBegun in 1997, the series of Trames, borderline works between solo concerto writing and chamber music, and the series of Traces, conceived for solo instruments and real time processing, constitutes a sort of compositional diary for their author, they form as well an important part of his catalogue.
\n\nMr. Matalon conducts ensembles regularly and has as well a teaching activity. He was the composer-in-residence with the Orchestre National de Lorraine and the Arsenal de Metz for the years 2003 and 2004. and from 2005 until 2009 he is composer in residence at the electronic studios of La Muse en Circuit.
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Conductor|CHANG Yin-fang
\n\nCHANG Yin-fang was the Resident conductor of the Taiwan Philharmonic (NSO) from 2017 to 2022. She is good at various cross-industry collaborations, all of which are well-received. In addition, CHANG is actively involved in the publication of contemporary Asian music works. In 2018, she was invited to conduct the opening concert of the Asia-Pacific Music Festival and premiered the works of several composers. Her recent appearances include conducting new productions, such as The Man with the Compound Eyes and Tannhäuser (chamber version). In recent years, CHANG has been invited to cooperate with Orchestra Ensemble Kanazawa, Hong Kong City Chamber Orchestra, Taipei City Chinese Orchestra, National Taiwan Symphony Orchestra, Tainan City Symphony Orchestra and Kaohsiung City Symphony Orchestra.
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Teams Introduction
\n\nIRCAM Centre-Pompidou
\n\nIRCAM, the Institute for Research and Coordination in Acoustics/Music directed by Frank MADLENER, is one of the world's largest public research centers dedicated to both musical expression and scientific research. This unique location where artistic sensibilities collide with scientific and technological innovation brings together over 160 collaborators.
\n\nIRCAM's three principal activities — creation, research, transmission — are visible in IRCAM's Parisian concert season, in productions throughout France and abroad, and in two annual rendezvous: ManiFeste that combines an international festival with a multidisciplinary academy and the Vertigo forum that presents technical mutations and their tangible effects on artistic creation.
\n\nFounded by Pierre BOULEZ, IRCAM is associated with the Centre Pompidou, under the tutelage of the French Ministry of Culture. The mixed STMS research lab (Sciences and Technologies for Music and Sound), housed by IRCAM, also benefits from the support of the CNRS and Sorbonne University.
\n\nIn 2020, IRCAM created Ircam Amplify, a spin-off for the commercialization of the institute’s audio innovations. A true interface between state of the art of audio research and the industrial world on a global scale, Ircam Amplify is a major actor in the sound revolution of the 21st century.
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C-LAB Taiwan Sound Lab
\n\nIn 2018, the Ministry of Culture, Taiwan and IRCAM Centre-Pompidou (IRCAM), France signed a letter of intent for cooperation. In 2019, Taiwan Contemporary Culture Lab (C-LAB) and IRCAM co-founded the Taiwan Sound Lab (TSL) to promote cross-disciplinary contemporary art-making in Taiwan by drawing from IRCAM's development strategies and operational experiences in the domains of music and sounds.
\n\nTSL was founded by adhering to the integration of artistic creation, sciences, technologies, cross-disciplinary practices, and educational research. TSL intends to build an experimental platform which, based on musical sounds, matches technical engineering with creativities across disciplines and art genres. It also conducts resource integration and cross-institutional collaboration; in terms of hardware, a 49.4 channel immersive stereo sound field and a 16-channel immersive stereo sound workstation have been built for artistic experimentations and creations. As for software engineering, TSL continues its cultivation of and exchanges for technicians and talents, including projects of composition, musicology, digital art, sound engineering, and sound recording and processing, which are applied in electronic music-making, computer music production, cross-field exhibitions and performances, and interactive multimedia systems and auditory interface design, attempting to stimulate diverse ideas and creativities of musical sounds, develop multi-level cultural imagination and dialogue for music and sound art in Taiwan, and forge a complete ecosystem chain for innovating media technologies.
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Friedrich-Wilhelm-Murnau-Foundation
\n\nSince it was founded in 1966, the Friedrich-Wilhelm-Murnau-Foundation has been committed to preserving, maintaining and making accessible a large part of the German film heritage of outstanding cultural and film-historical importance from the beginning of the motion pictures to the beginning of the 1960s, namely 2000 silent films, 1000 sound films and around 3000 short films (advertising, cultural, documentary films).
\n\nThis means that the Friedrich-Wilhelm-Murnau-Foundation is one of the central institutions in the media industry for the preservation of film as a cultural asset.
\n\nThe inventory includes films by important directors such as Fritz Lang, Friedrich Wilhelm Murnau, Ernst Lubitsch, Detlef Sierck, Helmut Käutner and Wolfgang Staudte, works that are still up-to-date today. In addition to METROPOLIS, which is part of the UNESCO documentary heritage, these include the great classics of German cinema such as DIE NIBELUNGEN, THE CABINET OF DR. CALIGARI, THE BLUE ANGEL, THE THREE FROM THE GAS STATION, MUNCHHAUSEN, GROSSE FREEDOM NO. 7 and HEROES.
\n\nThe foundation is located at the Deutsches Filmhaus in Wiesbaden since 2009, which, in addition to the foundation and other film industry institutions, also includes the Murnau Film Theater.
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TimeArt Studio
\n\nTimeArt Studio is a collaboration of a group of young musicians, who aim to inherit the tradition embedded in contemporary music. They pursue the goal of supporting New Music and giving it appropriate performances. In addition to seeking the fusion between cultures, TimeArt Studio has also explored the relationship between visuals, space and sound through collaboration with artists from different fields, creating projects inspired by local traditions and the most recent technology.
\n\nTimeArtStudio has performed in numerous international Music Festival and Arts Festivals, ranging from fully-staged musical theatres to multimedia works to intimate solo performances. It has performed in different countries/places such as the Netherlands, the United States, Chile, China, Macau and Hong Kong.
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© Fritz Lang / Fondation Friedrich Wilhelm Murnau
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精緻的小提琴獨奏,與充滿動感的打擊樂四重奏,會碰撞出什麼火花?處女星座中的恆星Alaraph,為何啟動了作曲家童年以來對宇宙天體的幻想?美國作曲家邦奇、臺灣旅美女性作曲家陳可嘉、韓國女性作曲家陳銀淑,各自大展身手,帶您體驗前所未有的聽覺感動。
\n\n童話故事人人愛聽,透過音符說童話,更讓人意猶未盡。史特拉汶斯基的交響詩《夜鶯之歌》,柴可夫斯基的芭蕾音樂《天鵝湖》,重新開啟您的想像力,聽見童話故事的繽紛與樂趣。
\n\n國家交響樂團與朱宗慶打擊樂團聯袂登場,由準.馬寇爾領軍,小提琴家黃俊文精彩演繹,不只讓您驚艷,而且驚喜連連!
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演前導聆
\n\n2023/10/27(五)19:00 音樂廳三樓大廳
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演出曲目
\n\n肯吉.邦奇:《橫跨大陸》(小提琴與擊樂四重奏)(亞洲首演,委託創作)
\n\n陳可嘉:《古木幽情》(小提琴與擊樂四重奏)(亞洲首演,委託創作)
\n\n陳銀淑:《右執法恆星-心跳儀式》(亞洲首演)
\n\n史特拉汶斯基:《夜鶯之歌》,K026
\n\n柴可夫斯基:《天鵝湖》組曲,作品 20a
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安可曲:
\n\n巴哈:第三號E大調奏鳴曲
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演出暨製作團隊
\n\n指揮|準.馬寇爾
\n\n小提琴|黃俊文
\n\n朱宗慶打擊樂團
\n\n國家交響樂團
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藝術家介紹
\n\n指揮|準.馬寇爾
\n\n準.馬寇爾出生於德國慕尼黑,他在 1986 年於德國音樂協會會所舉辦的指揮大賽中獲勝,於美國檀格塢與指揮名家伯恩斯坦、小澤征爾學習,隨後於德國薩蘭邦國家歌劇院與曼海姆國家劇院展開首任的音樂總監生涯,繼而活躍於歐洲、日本、美國各大歌劇院。
\n\n長久以來,馬寇爾被讚譽為德奧樂派作品的權威,近年來他在法國印象派樂曲的獨到而精緻的詮釋,亦獲得熱烈的迴響。在2012年間,法國文化部特地頒授馬寇爾法蘭西藝術與文學騎士勳章,以表彰他對法國樂壇的貢獻。
\n\n馬寇爾目前擔任國家交響樂團音樂總監,以及荷蘭海牙愛樂管絃樂團首席客席指揮;近期還受邀擔任美國印第安納波利斯交響樂團的藝術顧問,以及美國奧勒岡交響樂團首席客座指揮。
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小提琴|黃俊文
\n\n臺灣小提琴家黃俊文於 2015 年獲得艾佛瑞‧費雪事業獎, 2017年獲得林肯中心新銳藝術家獎。華盛頓郵報在他甘迺迪中心的獨奏會後更評論他為「具備著完美條件的藝術家, 必定將有一番偉大的演奏生涯」。黃俊文於2014年替小提琴宓多里代打與史拉特金率領的底特律交響樂團合作「西貝流士小提琴協奏曲」,轟動樂壇,也為他開啟了多采多姿的演奏生涯。黃俊文近期合作的樂團包含德國紐倫堡交響樂團,鹿特丹愛樂與沙尼、荷蘭海牙交響樂團與馬寇爾、達拉斯交響樂團路易西、馬林斯基與葛濟夫、休士頓交響樂團與艾斯查達、首爾愛樂以及巴爾的摩交響樂團與史坦茲、廣島交響樂團、臺北市立交響樂團與瓦格、及臺灣國家交響樂團與馬寇爾等。近期除了於瑞士琉森音樂節及美國亞斯本音樂節的獨奏會首演,黃俊文亦於美國維爾音樂節為小提琴家安·蘇菲·穆特代打演奏莫札特第四號小提琴協奏曲。黃俊文使用的琴為1742年 “維尼奧夫斯基” 耶穌·瓜內里名琴, 由史特拉底瓦里協會長期贊助出借。
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朱宗慶打擊樂團
\n\n由朱宗慶先生於1986年成立,是臺灣第一支職業打擊樂團,也是國際上少數能融合傳統與現代展演風格的團體,廣受專業社群與社會大眾的喜愛與肯定,是現代打擊樂在臺灣發展的重要推手。35年來,朱宗慶打擊樂團以臺灣為家、世界為舞台,結合演奏、教學、研究、推廣工作,持續分享感動的節奏。至今,樂團足跡遍及全球34個國家及地區,累積委託創作曲目達260首,並透過教學系統培育超過15萬學習人口;同時,團隊開枝散葉,陸續成立「朱宗慶打擊樂團2」、「躍動打擊樂團」、「傑優青少年打擊樂團」、「JUT打擊樂團─傑優教師打擊樂團」等,致力推動臺灣成為世界打擊樂的發展重鎮。
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國家交響樂團
\n\n自信而精銳
\n\n國家交響樂團 (NSO) 的前身「聯合實驗管絃樂團」成立於1986年,以打造頂尖交響樂團為目標;2014年4月改隸國家表演藝術中心,以「臺灣愛樂」立足國際。經過三十多年耕耘,NSO 參與交響樂、室內樂、歌劇、舞蹈、跨界製作。樂團在歷任音樂總監張大勝、林望傑、簡文彬、呂紹嘉共同悉心呵護下成長,以專業、開放、勇於創新的職業樂團為發展核心,現已成為亞洲地區最具指標性的樂團。2021年8月,德國指揮家準・馬寇爾 (Jun MÄRKL) 接任NSO藝術顧問,2022年1月起擔任音樂總監,期望以樂團獨特的聲音擔任臺灣的文化大使,向全世界表達特有的身分和情感。
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合辦單位:國家交響樂團、衛武營國家藝術文化中心
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
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What kind of sparks will fly when the delicate violin solo meets the dynamic percussion quartet? Why did the star Alaraph in the Virgo constellation ignite the composer's childhood fascination with celestial bodies? American composer Kenji BUNCH, Taiwanese-American composer CHEN Ke-chia, and South Korean composer Unsuk CHIN will each showcase their talents, taking you on an unprecedented auditory journey full of emotion.
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People have always favored fairy tales, and when told through musical notes, these stories become even more enchanting. The symphonic poem Le Chant du rossignol (The Song of the Nightingale) by Igor STRAVINSKY and Pyotr Ilyich TCHAIKOVSKY's ballet suite Swan Lake are both masterful pieces that will transport you into a world of wonder and imagination, where you can experience the colorful and joyous essence of fairy tales.
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Led by Jun MÄRKL, the National Symphony Orchestra and Ju Percussion Group will take the stage together, with the virtuosic violinist Paul HUANG as the featured performer. Prepare to be both amazed and delighted by this performance, which promises wonderful surprises at every turn.
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Pre-talk
\n\n2023/10/27(Fri)19:00 Concert Hall 3F Lobby
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Program
\n\nKenji BUNCH: Transcontinental (Violin and Percussion Quartet) (Asia Premiere, Commissioned Work)
\n\nCHEN Ke-chia: Witness Tree (Violin and Percussion Quartet) (Asia Premiere, Commissioned Work)
\n\nUnsuk CHIN: Alaraph 'Ritus des Herzschlags' (Asia Premiere)
\n\nI. STRAVINSKY: The Song of the Nightingale, K026
\n\nP. TCHAIKOVSKY: Swan Lake Suite, Op. 20a
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Creative and Production Team
\n\nConductor|Jun MÄRKL
\n\nViolin|Paul HUANG
\n\nJu Percussion Group
\n\nNational Symphony Orchestra
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Artists Introduction
\n\nConductor|Jun MÄRKL
\n\nJun MÄRKL is a highly respected interpreter of the core German repertory, and has become known for his refined and idiomatic explorations of the French Impressionists. He currently serves as Music Director of the Taiwan Philharmonic (the National Symphony Orchestra), and Principal Guest Conductor of the Residentie Orkest of The Hague. He has also recently been appointed Artistic Advisor of the Indianapolis Symphony Orchestra and Principal Guest Conductor of the Oregon Symphony in the United States. His long-standing relationships with the state operas of Vienna, Berlin, Munich, Semperoper Dresden and the Metropolitan Opera New York have been complemented by his music directorships of the Orchestre National de Lyon, the MDR Leipzig Radio Symphony Orchestra and the Basque National Orchestra. In recognition of his achievements in France, he was honored in 2012 with the Chevalier de l’Ordre des Arts et des Lettres.
\n\nBorn in Munich, MÄRKL won the conducting competition of the Deutscher Musikrat in 1986 and studied at Tanglewood with Leonard Bernstein and Seiji Ozawa. Soon afterwards, he appeared in opera houses throughout Europe, Japan and USA followed by his first music directorships at the Staatstheater Saarbrücken and the Nationaltheater Mannheim.
\n\n\n\n
Violin|Paul HUANG
\n\nRecipient of the prestigious 2015 Avery Fisher Career Grant and the 2017 Lincoln Center Award for Emerging Artists, violinist Paul HUANG is considered to be one of the most distinctive artists of his generation. The Washington Post proclaimed him as "an artist with the goods for a significant career; following his recital debut at the Kennedy Center. Mr. HUANG's recent and forthcoming appearances include Nürnberger Symphoniker with Kahchun WONG, Residentie Orkest Den HAAG with Jun MÄRKL, Rotterdam Philharmonic with Lahav SHANI, Dallas Symphony with Fabio LUISI, Mariinsky Orchestra with Gergiev, Houston Symphony with Andres OROZCO-ESTRADA, Seoul Philharmonic with Markus STEBZ, and the National Symphony Orchestra of Taiwan with Jun MÄRKL. In addition to his recital debuts at both Lucerne Festival and Aspen Music Festival, Paul also stepped in for Anne-Sophie Mutter at Bravo! Vail Music Festival with Chamber Orchestra Vienna-Berlin performing MOZART Violin Concerto No.4 to critical acclaim. Paul performs on the legendary 1742 Ex-Wieniawski Guarneri del Gesu, on extended loan from the Stradivari Society of Chicago.
\n\n\n\n
Ju Percussion Group
\n\nJU Tzong-ching founded the Ju Percussion Group (JPG) in 1986, as the first professional percussion group in Taiwan. It is one of the few groups in the world that seamlessly blends traditional and modern performance styles, earning recognition and praise from both the professional community and the general public. The group is considered the most important promoter of modern percussion in Taiwan. Over the past 37 years, the JPG has established deep roots in Taiwan while expanding its reach to the global stage through performances, teaching, research, and promotion that aim to inspire and move audiences with the beauty of rhythm. The group has traveled to 34 countries and regions, producing more than 260 commissioned works, and has trained over 150,000 students through its teaching programs. Additionally, the group has established several subgroups, such as Ju Percussion Group 2, Jumping Percussion Group, Juvenile Percussion Ensemble, and JU Teacher Percussion Group- all dedicated to advancing Taiwan's position as a global center of percussion music.
\n\n\n\n
National Symphony Orchestra
\n\nFounded in 1986, the Taiwan Philharmonic, also known as the National Symphony Orchestra (NSO) at home, has been hailed as one of the best orchestras in Asia. With some of the finest musical talent from at home and abroad, trained at top schools and international orchestras, the NSO enjoys a unique voice rich in diversity and tradition. Under the leadership of music director Jun MÄRKL since January 2022, the NSO aspires to resonate throughout the world as the cultural ambassador of Taiwan. Music by Taiwanese composers is extensively commissioned, performed, and recorded by the NSO.
\n\n\n\n
Co-presenter: National Symphony Orchestra, National Kaohsiung Center for the Arts (Weiwuying)
\n\n\n\n
\n',team:""},createdAt:1683859213,updatedAt:1698649150,updatedBy:"林蔚行",host:!0},{_id:"645db23265a7e80007ba2564",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1698492600,discrete:[{time:1698492600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,900,1200],link:"https://www.opentix.life/event/1663130062125015041"}},attachment:{key:"e829cbbd9fb84bb230839ea92dfc818a",name:"NSO國家交響樂團《萬聖節的玩具音樂盒》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3fb14934e0dd76e3b7d613e09cc1490c",title:"NSO國家交響樂團《萬聖節的玩具音樂盒》"}],related:[],title:"NSO國家交響樂團《萬聖節的玩具音樂盒》",cover:"02a778d28a957e1855ad63687f802a3b",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:"",description:"由指揮張尹芳及主持人許逸聖攜手NSO管樂名家呈現NSO國家交響樂團《萬聖節的玩具音樂盒》,演出《玩具箱幻想曲》、《阿達一族》及《聖誕夜驚魂》等經典選粹,陪您歡慶萬聖節!",introduction:'\n\n\n\n
延續近年國家交響樂團專為親子打造之管樂魔法音樂會,今年萬聖節也邀請國家交響樂團以管樂團形式,演出萬眾期待的NSO國家交響樂團《萬聖節的玩具音樂盒》!將由指揮張尹芳及主持人許逸聖再次攜手NSO管樂名家打造萬聖節特別版之音樂魔法共遊,而曲目含括家喻戶曉的古典旋律,更有幽默風趣的《玩具箱幻想曲》、《阿達一族》主題曲以及《聖誕夜驚魂》等經典選粹,不只溫馨、趣味,還充滿著家的味道與節慶氣氛!
\n\n\n\n
周邊活動
\n\nDress Code:音樂會當日,請與音樂家們一起搞怪扮裝,或穿著橘、黑色系服裝來玩。扮裝以不影響周圍觀眾為前提。
\n\n現場拍印照片:有扮裝者可現場拍攝、上傳照片,套用節目專屬邊框並獲得照片即時沖印服務。(每人可印2張)
\n\n\n\n
演出曲目
\n\n高橋宏樹:《玩具箱幻想曲》
\n\n湯瑪士.道斯:恐怖小組曲
\n\n弗蘭克.丘吉爾:〈吹口哨工作〉,選自電影《白雪公主》(由真島俊夫改編)
\n\n維克.米齊:《阿達一族》主題曲(由約翰尼.文森改編)
\n\n雷洛伊.安德森:《打字機》
\n\n艾佛.呂德:給管樂團的第六首組曲,第三樂章 「萬聖節惡鬼」
\n\n埃爾默.伯恩斯坦:電影《魔鬼剋星》選粹
\n\n保羅.狄卡:《魔法師的小學徒》選粹
\n\n聖桑斯:《骷髅之舞》,作品40(由馬克.辛德利改編)
\n\n葛利格:〈山魔王的宮殿〉,選自《皮爾金》第一組曲
\n\n丹尼.葉夫曼:〈這是萬聖節〉選自電影《聖誕夜驚魂》(由麥可‧布朗改編)
\n\n\n\n
安可曲:
\n\nGelato Con Caffè (Toshio Mashima)
\n\n\n\n
演出暨製作團隊
\n\n指揮|張尹芳
\n\n主持人|許逸聖
\n\n國家交響樂團演奏家群
\n\n\n\n
藝術家介紹
\n\n指揮|張尹芳
\n\n張尹芳以細膩、層次豐富的指揮風格受到國內外樂壇的喜愛。2006至2022年於NSO國家交響樂團先後擔任助理指揮及駐團指揮,期間參與製作的教育類節目及跨樂界演出均深獲好評。近年亦受臺中國家歌劇院及衛武營國家藝術文化中心之邀,指揮樂劇,室內樂歌劇及定期兒童節目等。合作樂團包括日本金澤管絃樂團、香港城市室內樂團、臺北市立國樂團、國立臺灣交響樂團、高雄市立交響樂團,並受邀參與總統府音樂會、臺南國際藝術節及日本金澤音樂祭演出。
\n\n張尹芳熱衷與聽眾的溝通,並致力於古典音樂的推廣,目前任教於國立臺北藝術大學及輔仁大學。
\n\n\n\n
主持人|許逸聖
\n\n大學講師、劇場工作者,畢業於國立臺北教育大學音樂系研究所。表演橫跨歌劇、音樂劇、舞台劇,並經常受邀編導。現任教於南臺科技大學流行音樂產業系、實踐大學音樂系、臺灣師範大學表演藝術研究所。2008年參與NTSO《強尼史基基》飾Spinelloccio開始了歌劇的演出,此後演出的角色包括《黑鬚馬偕》飾劉大人;《馬儂.雷斯考》飾 L'oste、Sergente;《唐.喬望尼》飾Leporello等。並於衛武營開幕季輕歌劇《憨第德》中飾演說書人等要角。舞台劇作品有《綠島小夜曲》、《吻我吧娜娜》、《愛呀,我的媽!》、《徵婚啟事》等。重要編導作品:《阿爸掠魚的時陣攏咧唱歌》、《糖果屋》等。
\n\n\n\n
國家交響樂團
\n\n自信而精銳
\n\n國家交響樂團(NSO)的前身「聯合實驗管絃樂團」成立於1986年,以打造頂尖交響樂團為目標;2014年4月改隸國家表演藝術中心,以「臺灣愛樂」立足國際。經過三十多年耕耘,NSO 參與交響樂、室內樂、歌劇、舞蹈、跨界製作。樂團在歷任音樂總監張大勝、林望傑、簡文彬、呂紹嘉共同悉心呵護下成長,以專業、開放、勇於創新的職業樂團為發展核心,現已成為亞洲地區最具指標性的樂團。2021年8月,德國指揮家準・馬寇爾(Jun MÄRKL)接任NSO藝術顧問,2022年1月起擔任音樂總監,期望以樂團獨特的聲音擔任臺灣的文化大使,向全世界表達特有的身份和情感。
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3fb14934e0dd76e3b7d613e09cc1490c",title:"NSO國家交響樂團《萬聖節的玩具音樂盒》"}],related:[],title:"NSO Halloween - Family Concert",cover:"02a778d28a957e1855ad63687f802a3b",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\n
In following the NSO's recent tradition of the Fantasia - Family Concert, the highly anticipated NSO Halloween - Family Concert is on its way! Conductor CHANG Yin-fang and host HSU Yi-sheng will come together again with members of the NSO wind orchestra in arranging a special Family Concert with the magic of Halloween. Music to be played includes not only well-known classical pieces but also the humorous Toy Box Fantasy and theme to The Addams Family, as well as select classics from The Night Before Christmas, creating a warm, fun atmosphere with a sense of home and celebration!
\n\n\n\n
Program
\n\nHiroki TAKAHASHI: Toy Box Fantasy
\n\nThomas DOSS: A Little Suite of Horror
\n\nFrank CHURCHILLl: 'Whistle While You Work' from Snow White and the Seven Dwarfs (arr. by Toshio MASHIMA)
\n\nVic MIZZY: The Addams Family Theme (arr. by Johnnie VINSON)
\n\nLeroy ANDERSON: Typewriter
\n\nAlfred REED: Sixth Suite for Band, mov.III 'Halloween Hobgoblin'
\n\n------Intermission------
\n\nElmer BERSTEIN: Selections form Ghostbusters
\n\nPaul DUKA: Selections form L'apprenti sorcier
\n\nCamille SAINT-SAËNS: Danse Macabre, Op.40 (arr. by Mark HINDSLEY)
\n\nEdvard GRIEG: 'In The Hall of the Mountain King' from Peer Gynt Suites No.1
\n\nDanny ELFMAN: 'This is Halloween' from The Night Before Christmas (arr. by Michal BROWN)
\n\n\n\n
Encore Pieces:
\n\nGelato Con Caffè (Toshio Mashima)
\n\n\n\n
Creative and Production Team
\n\nConductor|CHANG Yin-fang
\n\nHost|HSU Yi-sheng
\n\nNational Symphony Orchestra Musicians
\n\n\n\n
Artists Introduction
\n\nConductor|CHANG Yin-fang
\n\nCHANG Yin-fang was Assistant Conductor and Resident Conductor of the Taiwan Philharmonic (NSO) from 2006 to 2022. She is good at various cross-industry collaborations, all of which are well received. In addition, CHANG is actively involved in the publication of contemporary Asian music works. In 2018, she was invited to conduct the opening concert of the Asia-Pacific Music Festival and premiered the works of several composers. Her recent appearances include conducting new productions, such as The Man with the Compound Eyes and Tannhäuser (chamber version). CHANG has been invited to cooperate with Orchestra Ensemble Kanazawa, Hong Kong City Chamber Orchestra, Taipei City Chinese Orchestra, National Taiwan Symphony Orchestra, Tainan City Symphony Orchestra and Kaohsiung City Symphony Orchestra.
\n\n\n\n
Host|HSU Yi-sheng
\n\nBorn in Kaohsiung, he graduated from the Graduate Institute of Music at National Taipei University of Education, Department of Applied Music. He has studied with WU Hong-zhang, DENG Chi-lung, YAO He-shun and LIAU Choon-boon. He is the 2009 Young Star of the Association of Vocal Artist of the R.O.C. and a member of the 2009 Opera Studio sponsored by NTCH. He is an Adjunct Lecturer at Southern Taiwan University of Science and Technology and Shih Chien University and NTNU. In 2008, he made his operatic debut as Spinelloccio in Gianni Schicchi with the Taipei Symphony Orchestra. Later, He performed in Mackay ─ The Black Bearded Bible Man as Mandarin LIU, L'oste and Sergente in Manon Lescaut, Leporello in Don Giovanni, Guglielmo in Così fan tutte, L'Horloge Comtoise and Le Chat in L'Enfant et les Sortilèges, Marquis in La Traviata, Papageno in Die Zauberflöte, Peter in Hänsel und Gretel, Schaunard in La Bohème, Ying Kao Shu and Guard in A Vow To The Underworld Spring, Second Rascal in Der Mond, also as a concert singer, he performed constantly in opera scenes concerts.
\n\n\n\n
National Symphony Orchestra
\n\nFounded in 1986, the Taiwan Philharmonic, also known as the National Symphony Orchestra (NSO) at home, has been hailed as one of the best orchestras in Asia. With some of the finest musical talent from at home and abroad, trained at top schools and international orchestras, the NSO enjoys a unique voice rich in diversity and tradition. Under the leadership of music director Jun MÄRKL since January 2022, the NSO aspires to resonate throughout the world as the cultural ambassador of Taiwan. Music by Taiwanese composers is extensively commissioned, performed, and recorded by the NSO.
\n\n\n\n
\n',team:""},createdAt:1683862066,updatedAt:1698649227,updatedBy:"林蔚行",host:!0},{_id:"646201e958ebc500098a7ce5",catalogs:["5aec418cb01ea6000520f635","64812f1feb9a240007c8c8c7"],dateTime:{first:1697887800,discrete:[{time:1697887800},{time:1697956200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,900,1400,1700,2e3,2300,2600],link:"https://tixfun.com/UTK0201_?PRODUCT_ID=Q00Z2ONI"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"de2e93f5531e0d90284d92c7ade47dc3",title:"舞台劇《冒牌天使》"}],related:[],title:"舞台劇《冒牌天使》",cover:"56b4b17ef57178d7405e547ca67c142e",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
舞台劇《冒牌天使》10/21(六)19:30場次,將於演出前進行「聲學測試」,測試時間約5分鐘,測試流程如下:\n\t\t\t
\n\t\t\t感謝各位觀眾的參與,如有任何疑問,歡迎詢問廳院現場工作人員。 | \n\t\t
\n\n
「這是一場無關宗教,有關歡笑感動的好戲,看完通體舒暢、好笑的淚、揪心的淚,兩個半鐘頭的時間在我臉上來回交替...」── 金鐘影后 / 天心
\n\n「看不到的才要相信,像"愛"就是看不到卻體會得到的,需要我們去感受和相信。」──金鐘影后 / 林依晨
\n\n「冒牌的人說出有如天使般的話,發自內心覺得感動及美好,尤其投影在畫面上非常地驚喜。」──知名女子團體S.H.E / Selina 任家萱
\n\n「就是因為看不到,你才需要相信。《冒牌天使》在笑和淚中找到希望,恢復那純且真的心,勇敢生活下去...」──知名演員 / 任容萱
\n\n\n\n
「相信,就會有奇蹟!」果陀劇場經典冒險喜劇《冒牌天使》We're no angels 。當逃犯變神父,當巧合變成神蹟,陰錯陽差開啟一場通往自由之路的奇幻大逃亡。給你超越信仰的醍醐灌頂,一場笑中帶淚的冒險旅程 。一對難兄難弟的囚犯大寶(曾國城 飾)與二寶(唐從聖 飾),故事從獄中逃亡開始,描繪兩人一路上歷經波折,陰錯陽差下荒謬地被誤認為神父,途中遇上的鄉村妓女(楊千霈 飾),並大寶發展出一段意外戀情。
\n\n\n\n
演出暨製作團隊
\n\n創作團隊
\n\n導 演|梁志民
\n\n編劇/作詞|陳樂融
\n\n舞台設計|王世信
\n\n燈光設計|曹安徽
\n\n服裝造型設計|沈斻
\n\n影像設計|王奕盛
\n\n音樂設計|沈筑婷
\n\n編舞、動作指導|李羿璇
\n\n舞台監督|黃諾行
\n\n\n\n
演員|曾國城、唐從聖、楊千霈、陳大天、辰亞御、林玟圻Ctwo、韓賓、呂旻璟、曾冠東、昶瑋
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"de2e93f5531e0d90284d92c7ade47dc3",title:"舞台劇《冒牌天使》"}],related:[],title:"We're no angels",cover:"56b4b17ef57178d7405e547ca67c142e",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Creative and Production Team
\n\nPRODUCTION TEAM
\n\nDirected by|Liang James Chi-Ming
\n\nScript and Lyrics|Chen Lo –Jung
\n\nSet Designed by|Wang Shih-Hsin
\n\nLighting Designed by|Tsao An-Huei
\n\nCostume Designed by|Shen Francis
\n\nVisual Designed by|Wang Ethan
\n\nMusic Designed by|Shen Anny
\n\nChoreographed by|LI YI-SYUAN
\n\nStage Manager|Huang Nuo-Hsing
\n\n\n\n
CAST|TSENG Kuo-chen, Action TANG, Pink YANG, CHEN Da-tian, CHEN Ya-yu, LIN Wun-ci (Ctwo), HAN Bin, LYU Min-jing, ZENG Guan-dong, Chang-wei.
\n\n\n',team:""},createdAt:1684144617,updatedAt:1697768075,updatedBy:"林蔚行",host:!1},{_id:"6462e8ac65a7e80007bcbc19",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1698924600,discrete:[{time:1698924600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[900,1200,2200,3600,4800,5200,6e3],link:"https://www.opentix.life/event/1661998475997671425"}},attachment:{key:"3466551eeab03e479357d2c525f2f37c",name:"克勞斯.麥凱萊&奧斯陸愛樂管絃樂團《極致北國》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"77f90878f9465dc9db58c7b64dfa7106",title:"克勞斯.麥凱萊x奧斯陸愛樂管絃樂團《極致北國》"}],related:[],title:"克勞斯.麥凱萊&奧斯陸愛樂管絃樂團《極致北國》",cover:"557895b9712a1ea48b4873b45570b6a0",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
創作於芬蘭亟欲擺脫俄羅斯高壓統治的氣氛中,西貝流士在1902年完成人生第二部交響曲,不僅成功建立起和俄國音樂迥異的風格,同時也是他從初期深受史詩《卡勒瓦拉》影響,邁入更抽象、更具原創性的交響曲寫作階段。自此他不斷嘗試如何有機地發展微小動機,使樂曲宛如從一顆種子生長,同時也透過持續的長音聲部和管樂中低音運用,醞釀出一種融合蒼茫與遼遠的「自然」聲景。緊接著完成的小提琴協奏曲也毫不流俗,作曲家除了將對小提琴的熱愛,寫成展技又抒情的片段,其中「主題不斷顯現、稍後真正發展」的手法,更進一步拓展了「有機」概念,形成生動的樂思交織。
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本場指揮麥凱萊是奧斯陸愛樂管絃樂團首席指揮,也是巴黎管絃樂團音樂總監,2027年更將入主荷蘭皇家大會堂管絃樂團,其風格洗鍊、優雅又不失活力,近年以旋風式速度擄獲廣大樂迷之心。擔綱獨奏的楊森則早已縱橫樂壇多年,她的演奏向來兼具力與美,音樂極具渲染力。當代樂壇秀逸的兩位名家將激盪出什麼花火,相信值得所有樂迷倒數期待。
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演前導聆
\n\n2023/11/2(四)19:00 音樂廳三樓大廳
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演出曲目
\n\n西貝流士:d小調小提琴協奏曲,作品47
\n\n西貝流士:D大調第二號交響曲,作品43
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安可曲:
\n\n小提琴安可:
\nJ. S. BACH: Violin Sonata No.3 in C Major, BWV 1005 - III. Largo
\nJ. S. BACH: Violin Partita No.2 in d minor, BWV 1004 - V. Chaconne
\n樂團安可:
\nJ. SIBELIUS: Musette, from King Christian II
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演出暨製作團隊
\n\n指揮|克勞斯.麥凱萊
\n\n小提琴|吉妮.楊森
\n\n奧斯陸愛樂管絃樂團
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藝術家介紹
\n\n指揮|克勞斯.麥凱萊
\n\n©Marco Borggreve_Oslo Philharmonic
\n\n芬蘭指揮家克勞斯.麥凱萊於2020年接下奧斯陸愛樂首席指揮一職,並從2021年9月起擔任巴黎管絃樂團音樂總監。他在2022年成為荷蘭皇家大會堂管絃樂團的藝術夥伴,並將於2027年接任該團的首席指揮。他於2023年8月演出湯瑪斯.拉赫爾的第二號交響曲和馬勒的第四號交響曲,迎接其擔任奧斯陸愛樂首席指揮的第四個樂季。本樂季的重要演出也包括蕭斯塔科維契的第七號交響曲、巴爾托克《藍鬍子城堡》音樂會,以及在布拉姆斯雙重協奏曲同時擔任指揮及演奏大提琴。
\n\n在擔任巴黎管絃樂團音樂總監的第三個樂季中,麥凱萊在艾克斯音樂節和巴黎舉行近20場音樂會,向史特拉汶斯基的俄羅斯芭蕾舞團作品致敬。而在成為荷蘭皇家大會堂管絃樂團藝術夥伴的第二個樂季中,麥凱萊預計帶領樂團演出六檔節目。
\n\n麥凱萊同時作為大提琴家,不定期與樂團成員合作演出,每年夏天也會在韋爾比耶音樂節的室內音樂會登台。身為迪卡唱片的簽約藝術家,麥凱萊已與奧斯陸愛樂錄製了完整的西貝流士交響曲專輯。
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小提琴|吉妮.楊森
\n\n©Marco Borggreve
\n\n小提琴家吉妮.楊森在本樂季的重要演出,包括由指揮家帕帕諾爵士帶領倫敦交響樂團的歐洲巡演、在提勒曼指揮下與德勒斯登國家管絃樂團合作,以及與麥凱萊領軍的奧斯陸愛樂進行遠東巡迴演出。
\n\n2024年3月,第一屆「吉妮.楊森巴赫音樂節」將於荷蘭阿姆斯特丹皇家大會堂舉行,包括一系列由楊森與音樂夥伴共同策劃並演出的音樂會。管絃樂方面的其他重要演出合作還有帕帕諾爵士指揮下的捷克愛樂樂團,與蘇黎世音樂廳管絃樂團/賈維、鹿特丹愛樂/沙尼,以及瑞士羅曼德交響樂團/杜特華攜手合作。
\n\n身為迪卡唱片的簽約藝術家,其最新的錄音作品《12把史特拉底瓦里》,探索了12把史特拉底瓦里小提琴的音色,以及靈感取自這些偉大樂器的作品。楊森也是烏得勒支國際室內樂節的創辦人兼藝術總監,該音樂節將在2023年12月迎來第20週年。楊森並於2023/24樂季成為威格摩爾音樂廳的駐館藝術家。
\n\n楊森現使用1715年製的「舒姆斯基-羅德」史特拉底瓦里小提琴,由一位歐洲贊助人慷慨出借。
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奧斯陸愛樂管絃樂團
\n\n©John-Halvdan Halvorsen/Oslo Philharmonic
\n\n1919年九月,愛樂協會管絃樂團(後來改制為奧斯陸愛樂管絃樂團)在挪威首都首次公開演出。這個私人樂團成立的重要場合,連皇室也共襄盛舉。不久,愛樂協會管絃樂團就吸引到西貝流士、尼基許等國際巨星的合作。他們兩位也都於1921年指揮過該樂團。在接下來的一個世紀,奧斯陸愛樂管絃樂團在布隆斯泰特、楊頌斯、薩拉斯特、佩特連科等首席指揮的傑出領導下,藉由巡迴演出和錄音,成功地將自己打造成數一數二的國際管絃樂團。
\n\n2020年8月,奧斯陸愛樂管絃樂團在新首席指揮克勞斯.麥凱萊的帶領下,展開第101個樂季。麥凱萊與音樂家的緊密合作模式,從2018年與該樂團首次合作即顯而易見。麥凱萊與樂團的第一件大型企劃是錄製西貝流士的交響曲全集。這張合輯於2022年春天由迪卡唱片發行,並獲得了法國《Classica》雜誌的年度專輯獎,以及荷蘭愛迪生唱片大獎。接著,該樂團於維也納音樂廳、漢堡易北愛樂廳、巴黎愛樂廳和BBC逍遙音樂節演出西貝流士交響曲全集,皆獲得《倫敦時報》和《衛報》的五星評價。
\n\n如今,麥凱萊和奧斯陸愛樂管絃樂團的合作已經邁入第三個樂季,他們仍定期巡迴演出。當他們再次回到奧地利首都演出時,《維也納日報》評論道「樂團和指揮之間的搭配洋溢著活力與歡樂。」
\n\n2021年,為因應疫情,奧斯陸愛樂管絃樂團舉辦了《間奏》(Mellomspill)線上音樂會系列。音樂會不僅大獲成功,該樂團致力以數位推廣藝文的努力,更獲頒挪威觀眾發展創新獎。2022年,被提名留聲機年度樂團獎,並與麥凱萊一同獲得了西貝流士獎,以表揚他們在促進芬蘭和挪威音樂圈交流的傑出貢獻。
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獨家贊助
\n\n柯珀汝
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指定住宿
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巡演場次
\n\n臺北|11/3-11/4 國家音樂廳
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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\n\n
SIBELIUS completed his second symphony in 1902, at a time when Finland was eager to break away from Russia's high-handed rule. In this work, he not only established a style that was distinctly different from Russian music, but also drew inspiration from the epic poem Kalevala. This influence propelled him towards a more abstract and innovative approach to symphonic composition. SIBELIUS began to develop small motifs organically, so that the music seemed to grow from seed. By incorporating continuous long voice parts and mid-bass in wind music, he created a soundscape of "nature" that evoked vastness and remoteness.
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The composer's subsequent work, the Violin Concerto, was also unconventional. In addition to showcasing his love for the violin through displays of virtuosic skill and lyrical sections, he expanded on the "organic" concept by introducing the technique of continuously anticipating themes and further developing them later on. This approach resulted in a vivid interweaving of musical ideas.
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Klaus MÄKELÄ, the conductor for this performance, currently serves as the Chief Conductor of the Oslo Philharmonic Orchestra, and the Music Director of Orchestre de Paris. He is known for his refined, elegant, and energetic style, which has won him a legion of devoted fans in recent years. In 2027, he will be taking the stage at the Concertgebouw. Janine JANSEN, a seasoned soloist with extensive experience on stage, is recognized for her commanding and exquisite performances that exude passion and captivate audiences. The combination of these two masters is bound to generate the dazzling synergy music enthusiasts eagerly await.
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Pre-talk
\n\n2023/11/2(Thu)19:00 Concert Hall 3F Lobby
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Program
\n\nJ. SIBELIUS: Violin Concerto in d minor, Op. 47
\n\nJ. SIBELIUS: Symphony No. 2 in D Major, Op. 43
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Encore Pieces:
\n\nViolin solo:
\nJ. S. BACH: Violin Sonata No.3 in C Major, BWV 1005 - III. Largo
\nJ. S. BACH: Violin Partita No.2 in d minor, BWV 1004 - V. Chaconne
\nOrchestra:
\nJ. SIBELIUS: Musette, from King Christian II
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Creative and Production Team
\n\nConductor|Klaus MÄKELÄ
\n\nViolin|Janine JANSEN
\n\nOslo Philharmonic Orchestra
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Artists Introduction
\n\nConductor|Klaus MÄKELÄ
\n\n©Marco Borggreve_Oslo Philharmonic
\n\nFinnish conductor Klaus MÄKELÄ has held the position of Chief Conductor of the Oslo Philharmonic since 2020 and Music Director of the Orchestre de Paris since September 2021. As Artistic Partner to the Concertgebouworkest since 2022 he will assume the title of Chief Conductor in 2027. He opened his fourth season as Chief Conductor of the Oslo Philharmonic Orchestra in August with Thomas LARCHER's Symphony No. 2 and MAHLER's Symphony No. 4. Additional season highlights include SHOSTAKOVICH's Symphony No. 7, a concert performance of BARTOK's Bluebeard's Castle and BRAHMS' Double Concerto, in which MÄKELÄ conducts and plays cello alongside violinist Daniel LOZAKOVICH.
\n\nFor his third season as Music Director of the Orchestre de Paris, Klaus MÄKELÄ is honouring STRAVINSKY's Ballets Russes presented at both the Festival d'Aix and in Paris with nearly twenty concerts, and a recording of STRAVINSKY's Petrushka, Jeux and DEBUSSY's L'Après-midi d'un faune for Decca Classics. Other highlights include performances of recent works by Unsuk CHIN and Anna THORVALDSDOTTIR and the French premiere of Miroslav SRNKA's Superorganisms. For his second season as Artistic Partner of the Concertgebouworkest, Klaus MÄKELÄ leads six programmes in 2023-2024, including MUSSORGSKY's Pictures at an Exhibition, DE FALLA's Nights in the Gardens of Spain and Hawar TAWFIQ's The Imagination of M.C. Escher. He also conducts
\n\nMAHLER's Symphony No. 3, and BRUCKNER's Symphony No. 5 as part of a cycle celebrating the 200th anniversary of the composer's birth.
\n\nAs a cellist MÄKELÄ partners with members of the Oslo Philharmonic, Orchestre de Paris and Concertgebouworkest for occasional programmes, and each summer he performs at the Verbier Festival in chamber music concerts with fellow artists. An exclusive Decca Classics artist, he has recorded The Firebird and The Rite of Spring with the Orchestre de Paris and the complete SIBELIUS Symphonies with the Oslo Philharmonic.
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Violin|Janine JANSEN
\n\n©Marco Borggreve
\n\nViolinist Janine JANSEN has longstanding relationships with the world's most eminent orchestras and conductors. This season's highlights include European tours with London Symphony Orchestra under the direction of Sir Antonio PAPPANO, Dresden Staatskapelle with Christian THIELEMANN and a Far East tour together with Oslo Philharmonic and Klaus MÄKELÄ. As part of her Artistic Partnership with Camerata Salzburg Janine JANSEN will also join two major tours across Europe.
\n\nIn March 2024 the Concertgebouw Amsterdam will host the first "Janine Jansen Bach Festival" comprising of a number of orchestral, choral and chamber concerts programmed, inspired and performed by JANSEN and her musical partners.
\n\nOther orchestral highlights include engagements with Czech Philharmonic Orchestra under Sir Antonio PAPPANO, Tonhalle Orchestra / Paavo JÄRVI, Rotterdam Philharmonic / SHANI and Orchestre de la Suisse Romande / DUTOIT, Janine JANSEN will perform the world premiere of Britta BYSTRÖM's Violin Concerto co-commissioned by the Royal Stockholm Philharmonic Orchestra and returns to the London Symphony Orchestra for Sally BEAMISH's Double Concerto Distans together with Martin FRÖST.
\n\nJANSEN records exclusively for Decca Classics. Her latest recording "12 Stradivari" is a unique exploration of 12 great Stradivarius violins and the repertoire these extraordinary instruments inspired. The chosen repertoire is specially curated by Janine JANSEN to showcase the unique qualities of each violin.
\n\nShe is the Founder and Artistic Director of the International Chamber Music Festival Utrecht which celebrates its 20th anniversary in December 2023. Together with Martha ARGERICH and Mischa MAISKY she performs a number of trio performances across Europe and continues her fruitful recital collaboration with pianist Denis KOZHUKHIN. Further chamber music projects are planned at Sion and Røros Festivals as well as at London's Wigmore Hall where she is Artist-in-Residence during the 23/24 season.
\n\nJanine JANSEN plays the Shumsky-Rode Stradivarius from 1715, on generous loan from a European benefactor.
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Oslo Philharmonic Orchestra
\n\n©John-Halvdan Halvorsen/Oslo Philharmonic
\n\nIn September 1919, the Orchestra of the Philharmonic Company-later to be known as the Oslo Philharmonic-took to the stage for its first public concert in the Norwegian capital. The launch of an independent symphony orchestra was a major event attended by the Royal Family and its fame soon started attracting international stars such as Jean SIBELIUS and Arthur NIKISCH, who both conducted the orchestra in 1921. In the century to follow, the Oslo Philharmonic successfully established itself as one of the major international orchestras, through tours and recordings under the
\n\nleadership of eminent Chief Conductors, including Herbert BLOMSTEDT, Mariss JANSONS, Jukka-Pekka SARASTE and Vasily PETRENKO.
\n\nThe Oslo Philharmonic began its 101st season in August 2020 with new Chief Conductor Klaus MÄKELÄ, whose close relationship with the musicians had been immediately apparent on his debut with the orchestra two years earlier. MÄKELÄ's first major project with the orchestra was a recording of the complete symphonies of SIBELIUS, which was released on Decca in Spring 2022 and awarded both the Choc Classica Recording of the Year (France) and an Edison Award (Netherlands). The recording was followed by critically acclaimed SIBELIUS residencies at the Wiener Konzerthaus and Hamburg Elbphilharmonie and appearances at the Paris Philharmonie and BBC Proms, which received five star reviews from both The London Times and Guardian.
\n\nNow in their third season together, Klaus MÄKELÄ and the Oslo Philharmonic continue to tour regularly and, as the Wiener Zeitung wrote of their recent return to the Austrian capital, “The collaboration between orchestra and conductor is alive with lightness and joy.”
\n\nIn 2021 the Oslo Philharmonic was awarded the Norwegian Audience Development Innovation Award for its extraordinary success and digital commitment through the online concert series Mellomspill (Interlude), launched in response to the pandemic. In 2022 the orchestra was nominated for Gramophone Orchestra of the Year and, together with Klaus MÄKELÄ, received the Sibelius Prize for outstanding efforts to promote contact between Finnish and Norwegian musical life.
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Sponsor
\n\n柯珀汝
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Accommodation
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\n\n優惠方案
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\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:'才華洋溢,技術超群....這個舞團的卓越應與世界分享!——紐約時報
\n\n雲門舞者掌控能力和動作精準,已臻神奇,宛如超人。他們似乎有一種可以改變你新陳代謝的神奇力量。——芝加哥太陽報
\n\n你若是錯過了臺灣雲門舞集的表演,那麼你已經與完美失之交臂。——澳洲 時代報
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雲門50週年 鄭宗龍運勁著力全新創作
\n\n聯手里約奧運「東京八分鐘」首席科技總監真鍋大度
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沒有故事 只有身體的事
\n\nAI入舞 振盪成波
\n\n\n\n
波,是可見的科學物理現象,也是肉眼無法清楚看到的能量振盪。
\n\n許多科幻和動漫作品,都描繪出聚集身體隱藏能量,可以爆發出合全為一的力量招式。雲門五十週年,藝術總監鄭宗龍聯手日本新媒體藝術家真鍋大度(Daito MANABE),拆解舞者流動的身體,將肌肉、呼吸與神經傳遞的電波化為數據,經由程式的深度學習及藝術的折射,創作出突破身體和科技的當代大招《波》。將看不見的波,由看得見的身體完整呈現。
\n\n鄭宗龍與真鍋大度構思作品時觀察到,遍及全球三年的疫情對社會和個人帶來了巨大的影響,科技和資訊的迅速流動,與個人意識相互干涉。兩人分別從身體和科技的載體出發,凝視當中的互動關係,創造出減法的作品美學。在技術上,延展AI人工智慧和科技工具的實驗,作為身體運動的基礎,勾出舞者身體的隱藏能量。使其穿梭在音樂、影像與空間不同的維度,將各方之氣聚集成一道道的波。
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《波》是鄭宗龍重新定義身體的突破之作。
\n\n在2019年,鄭宗龍創作《毛月亮》,首次探索人性和科技的主題。透過三個巨型LED和相對微小的舞者作對比,呈現被科技所包圍而無法擺脫的孤獨感,及人們努力擺脫的集體性。真鍋大度則長年遊走在虛擬與現實之間,追求高度臨場感的感官式體驗。在為雲門五十週年創作的作品裡,鄭宗龍和團隊連結舞蹈與科技之間的本質,讓波的物理特性和象徵意義在作品裡相遇。這回,《波》沒有故事,只有身體的事。
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演前導聆
\n\n11/4(六)、11/5(日)14:00 歌劇院二樓大廳
\n主講:洪凱西(雲門執行總監)
※原定11/4(六)導聆人小樹,因身體因素,該場次調整為雲門執行總監洪凱西導聆。
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文章閱讀
\n\n\n\n►舞者將每一吋肌肉、每一個關節,都化成了波。——雲門50 鄭宗龍《波》看舞筆記
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演後座談
\n\n11/4(六) 演出結束後 歌劇院舞台
\n主講:鄭宗龍(雲門舞集藝術總監)
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演出暨製作團隊
\n\n編舞/構思|鄭宗龍
\n\n共同構思/影像/音樂/程式|真鍋大度
\n\n燈光|沈柏宏
\n\n服裝|范懷之
\n\n演出|雲門舞集
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藝術家介紹
\n\n鄭宗龍|藝術總監暨編舞家
\n\n2020年出任雲門舞集藝術總監。出生於臺北艋舺,從擺攤叫賣的幼年汲取創作靈感,作品交織街頭張力與人生百態。曾獲德國No Ballet當代編舞比賽銅牌獎,西班牙MASDANZA 編舞大賽首獎。
\n\n2016年編作《十三聲》挖掘臺灣古老、俚俗的文化記憶,2020年巡演法國巴黎、里昂、英國倫敦及瑞典斯德哥爾摩,被法媒譽為是「吸引眼球的一場勝利」。
\n\n2019年《毛月亮》結合人文、科技、當代、未來,國際專業舞蹈評論網站Seeing Dance稱這個作品「兇猛而美麗」。2020年《定光》融合身體與自然,舞評譽為「雕琢精緻,值得一看再看」。2022年《霞》,以薩克斯風版的巴赫無伴奏《大提琴組曲》入舞,讓舞者用身體訴說個人生命。
\n\n2020年鄭宗龍與阿喀朗‧汗、威廉‧佛賽等,同時入選英國羅德里奇出版的「50位當代編舞家」。
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真鍋大度|藝術家、程式設計師、DJ
\n\n2006年創立了Rhizomatiks。
\n真鍋的作品為日常素材和現象採取了新的切入角度,但他的目標並非是呈現高畫質、高臨場感的豐富表現,而是通過深度的觀察來發現關於各種現象、身體、程式、計算機自身所固有的趣味,從而描繪出類比和數位、真實和虛擬間的關係和界限,活躍於不同領域之中。
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演出|雲門舞集
\n\n1973年,林懷民創辦雲門舞集。這是臺灣第一個職業舞團,也是所有華語社會的第一個當代舞團。2020年,由鄭宗龍接任藝術總監。
\n\n雲門長年海外巡演,以獨特的動作語言,傑出的舞作,精湛的舞技,被譽為「世界一流現代舞團」。2018年,雲門獲頒英國國家舞蹈獎的「傑出舞團獎」。
\n\n雲門除了定期發表新作品及搬演經典舞作外,舞團每年在臺灣不同城市舉辦大型戶外公演,更以親切、活潑的方式深入社區,讓舞蹈走進大眾的生活。
\n\n2023年,雲門50週年,舞過半世紀,持續透過舞蹈扎根臺灣,開展舞蹈淑世志業。
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主辦單位|衛武營國家藝術文化中心
\n\n共同製作|國家兩廳院、臺中國家歌劇院、衛武營國家藝術文化中心
\n\n演出單位|雲門舞集
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其他巡演場次|10.12-10.15臺北國家兩廳院、10.28-10.29臺中國家歌劇院
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指定贊助雲門舞集
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攝影 李佳曄
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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Talent and skill require no translation... it's only right that they should be shared with the rest of the world.——The New York Times
\n\nWhen you're talking about Cloud Gate, magic is not too strong a word.——Time Out
\n\nDancers of the Cloud Gate possess a control and articulation that verge on the superhuman…In fact, they have the power to change your metabolism.——Chicago Sun-Times
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CHENG Tsung-lung, Artistic Director and choreographer of Cloud Gate, selected as 50 Contemporary Choreographers by Routledge Publishing, creates new work WAVES for Cloud Gate's 50th anniversary. CHENG invites renowned digital artist Daito MANABE together to imagine the unseen body.
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MANABE, founder of media studio Rhizomatiks in Tokyo, is a composer, digital artist, DJ and programmer. MANABE's augmented-reality design for 2016 Rio Olympics Closing Ceremony showcasing Japan's technology and creativity has made him a known figure beyond the digital arts world. Over the years, he has collaborated with iconic artists Bjork, Perfume, and OK Go.
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CHENG and MANABE explore what WAVES, in forms of energies, could transmit from the body, across spatial surfaces, mediums and humans. Waves transmit tangible objects and intangible elements. Set out to collect dancing body movements as digital data, metamorphose through artificial intelligence, CHENG and MANABE explore with dancers the boundaries of human movements in cognition, and provide an alternative perspective of how we see the world around us.
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Pre-talk
\n\n11.4 Sat. 14:00 Opera House 2F
\n\n11.5 Sun. 14:00 Opera House 2F
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Post-talk
\n\n11.4 Sat. After performance at Opera House Stage
\n\nHost: CHENG, Tsung-lung / Artistic Director of Cloud Gate
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Creative and Production Team
\n\nChoreography / Concept|CHENG Tsung-lung
\n\nConcept / Visual / Music / Program|Daito MANABE
\n\nLighting Design|SHEN Po-hung
\n\nCostume Design|FAN Huai-chih
\n\nPerform|Cloud Gate Dance Theatre of Taiwan
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Co-production|
\n\nNational Theater & Concert Hall
\n\nNational Taichung Theater
\n\nNational Kaohsiung Center for the Arts (Weiwuying)
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Artists Introduction
\n\nCHENG TSUNG-LUNG Artistic Director / Choreographer
\n\nFrom street hawker selling slippers to internationally recognized choreographer, CHENG Tsung-lung became Artistic Director of Cloud Gate Dance Theatre of Taiwan in 2020 after he succeeded the company's founder LIN Hwai-min. CHENG is best known for works inspired by the street life and folk religion elements that were part of his upbringing in Taipei. His recent creations include 13 Tongues (2016), which received rave reviews in France, Germany, the UK and China; Lunar Halo (2019), which is set to music by Sigur Rós and hailed widely as a work of "fierce beauty"; Sounding Light (2020), which reflects on the relationship between human and nature during the COVID pandemic and is praised as a "beautifully crafted work, bearing repeated viewings"; and Send In A Cloud (2022) which displays in shifting colors a panorama of dancers' personal life journeys. CHENG has been a fixture of Routledge's respected annual survey of dance practitioners, Fifty Contemporary Choreographers (2020), alongside the likes of William Forsythe, Akram Khan, Hofesh Shechter and leaders in the form.
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DAITO MANABE Artist / Programmer / DJ.
\n\nLaunched Rhizomatiks in 2006. Specially-appointed professor at Keio University SFC.
\n\nMANABE's works, which range into a variety of fields, take a new approach to everyday materials and phenomena. However, his end goal is not simply rich, high-definition realism by recognizing and recombining these familiar elemental building blocks. Rather, his practice is informed by careful observation to discover and elucidate the essential potentialities inherent to the human body, data, programming, computers, and other phenomena, thus probing the interrelationships and boundaries delineating the analog and digital, real and virtual.
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CLOUD GATE DANCE THEATRE OF TAIWAN
\n\nFounded in 1973 by internationally renowned choreographer, LIN Hwai-min, Cloud Gate is acclaimed as "Asia's leading contemporary dance theater" (The Times), and "One of the finest dance companies in the world" (The Globe and Mail). While touring extensively worldwide, Cloud Gate holds regular seasons in theaters at home, and stages annual free outdoor performances in cities and villages of Taiwan, drawing an average of 30,000 people per performance. From 2020, CHENG Tsung-lung succeeded LIN as the Artistic Director of Cloud Gate. In 2023, Cloud Gate ushers in its 50th anniversary.
\n\n\n\n
Sponsor
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PHOTO 李佳曄
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楊雅鈞
\n\n臺南安平人,自由藝術工作者。
\n\n2022波麗露在高雄 排練指導。
\n\n近年以身體表演創作的合作 –
\n\n廣藝劇場NO.6《與清醒夢》跨界劇場、顧鈞豪策劃《福爾摩沙的呢喃2.0 Formosa Whispering 2.0》音樂影像製作、羽日映像X無年無限共製 短片作品 《TUNNEL》、《因為相愛所以無限JUBY CHIU 2021 S/S 跨界時裝展演》、純屬虛構製作社《再製寫身》計劃。
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陳品霓
\n\n陳品霓出生於1998年來自嘉義,畢業於樹德科技大學流行設計系,2014年接觸了嘻哈文化街舞灌溉了身體的基礎,2022 衛武營國家藝術文化中心《波麗露在高雄》獨立舞者,開啟身體看見不同舞蹈的可能性,也擔任台北時裝周 Let go : FW22 projectbyh 舞者。內惟藝術中心邀約演出 《行走之間》擔任編舞者,高雄流行音樂中心影像港榮獲評審團大獎、人氣獎。
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林蔓葶
\n\n來自高雄,現為自由舞者。曾參與2022波麗路在高雄,2022 台北時裝周<Let go> 舞者。在當代舞中,持續找尋身體的更多發展,並同時在流行舞蹈中進修。主要風格為Jazz funk及高跟鞋。
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葉名樺
\n\n畢業於國立臺北藝術大學舞蹈學院,為臺灣知名舞蹈家。作品包含《一個的人美術館—寂靜敲門》、《編舞家葉名樺以—真實人體回應山姆‧詹克斯》、王大閎建築劇場X葉名樺《牆後的院宅》、《SHE》系列、《波光閃閃的房間》、《跳芭蕾》、《進入誰天堂》等。曾以《牆後的院宅》獲第19屆台新藝術獎「年度大獎」。
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\n\n
大眾參與,與眾不同的舞蹈初體驗
\n\n跳舞是什麼?
\n\n《武營來跳舞》能滿足您對舞蹈的好奇,一起探索跳舞的樂趣!
\n\n為使愛跳舞、想嘗試跳舞的您有更多機會親近舞蹈,《武營來跳舞》在每個月的第一個星期三的晚上,與您相約在衛武營榕樹廣場西側平台。
\n\n透過不同舞團與藝術家帶領,認識舞蹈的基礎語言,探索舞動的美好,找尋你與他身體之間的共振。
\n\n邀請您報名參與,盡情享受舞蹈及活動空間,感受舞動的自由吧!
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下半年活動場次表
\n\n時間 | \n\t\t\t誰來跳舞 | \n\t\t\t跳什麼舞 | \n\t\t\t報名網址 | \n\t\t
---|---|---|---|
7/5(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:楊雅鈞 \n\t\t\t助教:楊以灣、吳兆容 | \n\t\t\t《擁抱身體,沈浸在美好的時光裡》 | \n\t\t\t立即報名 | \n\t\t
8/2(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:陳品霓 \n\t\t\t助教:李鈺婕、吳凱文 | \n\t\t\t《嘻哈星期三Having fun!》 | \n\t\t|
9/6(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:林蔓葶 \n\t\t\t助教:王雨婕 、朱浩沂 | \n\t\t\t《穿上你的高跟鞋》 | \n\t\t|
10/4(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:葉名樺 | \n\t\t\t由你跳浪漫芭蕾《仙女》 | \n\t\t\t立即報名 | \n\t\t
11/1(三) \n\t\t\t19:00-20:30 | \n\t\t\t由你跳古典芭蕾《胡桃鉗》 | \n\t\t||
12/6(三) \n\t\t\t19:00-20:30 | \n\t\t\t由你跳新古典芭蕾美學《小夜曲》 | \n\t\t
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課程簡介
\n\n7-9月「打開舞蹈的想像」
\n\n由衛武營駐地藝術家周書毅所發起的舞蹈演出計畫「波麗露在高雄」去年在高雄各地區起舞28場,今年我們繼續將沿山起舞。出發前,衛武營將邀請《1875拉威爾與波麗露》的排練指導楊雅鈞以及兩位舞者陳品霓、林蔓葶,來與我們分享他們的舞蹈訓練,從現代舞到街舞的練習,最後將請你一起在波麗露的樂曲中起舞。
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7/5(三) 《擁抱身體,沈浸在美好的時光裡》
\n\n與自己最親密的時刻,是當你可以觸碰到自己的身體,感受與呼吸並行 ,依著自己的步調,將身體逐漸地開展,與外面的世界產生聯繫, 身體,是生命旅程中的一條連通道,La Vie en rose~
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8/2(三) 《嘻哈星期三Having fun!》
\n\n街舞不再受限於年紀,喚醒身體聽見音樂而律動的本能,由嘻哈音樂帶動身體拆解進入最純粹最直接的身體感受,開啟一人在家享受音樂而舞蹈,一群人在相同節奏找到相同語言而同樂!
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9/6(三) 《穿上你的高跟鞋》
\n\n踩上高跟鞋,感受不一樣的姿態,找到屬於自己的舞動。課程中會帶領大家找到高跟鞋的重心,感受腳掌的力量,踩出新的舞步。高跟鞋不是模特兒的專屬,每一個人都可以從高跟鞋中找到自己那自信的步伐。
\n\n(備註:自備跟鞋,課程前面暖身可穿著舒適的布鞋。任何有跟的鞋子都適合,盡量是包鞋,涼鞋厚底鞋不適合。)
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10-12月
\n\n我們很常聽到「古典芭蕾」這一詞,有時又聽說「浪漫芭蕾」,或是「現代芭蕾」?到底區別為何?芭蕾舞的流派和風格變化隨著時間和地理而發展。芭蕾誕生於「義大利」,興盛於「法國」,而將芭蕾藝術推向鼎盛繁榮時刻的是「俄羅斯」。我將用三個不同時期的芭蕾舞劇中小品帶大家體驗芭蕾的經典與流變。
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10/4(三) 由你跳浪漫芭蕾《仙女》
\n\n浪漫芭蕾題材大多圍繞在「人與超自然事物」,例如精靈、幽靈、仙女等。並且通常具有更柔和的美感。舞劇都以帶有神秘力量的女角色為主線,奴役了凡人的心靈和感官。《仙女》La Sylphide首演於1832年,是芭蕾歷史最重要的芭蕾舞劇之一。
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11/1(三) 由你跳古典芭蕾《胡桃鉗》
\n\n三大古典芭蕾舞劇中的《胡桃鉗》是柴可夫斯基和馬蒂斯佩蒂帕的經典之一。聖誕季節最經典的芭蕾舞劇《胡桃鉗》人人喜愛的胡桃鉗組曲中,長笛吹出的飛舞般尖銳的旋律中國舞曲《茶之舞》,給人印象極為深刻。
\n\n\n\n
12/6(三) 由你跳新古典芭蕾美學《小夜曲》
\n\n喬治·巴蘭欽是新古典芭蕾美學的芭蕾代表。 沒有華麗的服裝和道具,注意力轉移到在舞者身上。 穿著簡單的緊身衣來突出動作。 他不相信音樂應該對應浪漫的故事,但動作必須與音樂直接相關。著名的《小夜曲》是舞蹈史上的一個里程碑。
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Artists Introduction",content:'
\n\n
YANG Ya-chun
\n\nYANG Ya-chun is a freelance artist hailing from Anping, Tainan who was the rehearsal director for the 2022 Bolero in Kaohsiung. In recent years, she has collaborated on various body performance projects. These include Quanta Theater NO.6 crossover with A Lucid Dream Performance, the music video production of Formosa Whispering 2.0 curated by GU Jun-hao, the short film TUNNEL by SSUNRISEstudio and oneyearnoyear, the JUBY CHIU 2021 S/S INFINITE crossover fashion show, and the Reenactment in the found footage project by Almost fiction production.
\n\n\n\n
CHEN Pin-ni
\n\nCHEN Pin-ni, a '98er from Chiayi, graduated from the Department of Fashion Design at Shu-Te University. First exposed to hip-hop culture in 2014, she immersed herself in street dances, which later became the cornerstone of her performances. As a solo dancer, she explored her body’s capabilities for other dance types in the 2022 Bolero in Kaohsiung at the National Kaohsiung Center for the Arts (Weiwuying). She was invited to perform at the Let go: FW22 projectbyh during Taipei Fashion Week and choreographed At Walk for Neiwei Arts Center. She then won the Grand Jury Prize and Popularity Award for the Image Harbor contest hosted by Kaohsiung Music Center.
\n\n\n\n
LIN Man-ting
\n\nAs a freelance dancer from Kaohsiung, LIN Man-ting participated in Bolero in Kaohsiung for Weiwuying and Let go for Taipei Fashion Week in 2022. She continues to refine her contemporary dance performances while learning more popular dances, focusing mainly on jazz funk, and stiletto.
\n\n\n\n
YEH Ming-hwa
\n\nGraduated from School of Dance of Taipei National University of Arts, YEH is a renowned Taiwanese dancer. Her works include The Serene Gallery Performance X Exhibition, Choreographer Ming-Hwa Yeh Responds to Sam Jinks with Her Body, Wang Da Hong House Theatre X Ming-Hwa Yeh The House Behind the Wall, the SHE series, A Room by the Sea, and Paradise, Who?. She was awarded the Grand Prize at the 19th Taishin Arts Award for The House Behind the Wall.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"44c1693eab51f175ae1bc45d33110f12",title:"2023【武營來跳舞】7-12月"}],related:[],title:"2023 Weiwuying 365+ DANCE July-December",cover:"74ec7cea59782c0752befbbe4dde5f8a",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:"",benefits:"",description:" ",introduction:'\n\n
\n\n
Sessions
\n\nDate | \n\t\t\tCourse | \n\t\t\tRegistration Link | \n\t\t
---|---|---|
7/5(Wed) \n\t\t\t19:00-20:30 | \n\t\t\t\n\t\t\t Embrace Your Body and Soak in the Good Times \n\t\t\t | \n\t\t\tRegistration | \n\t\t
8/2(Wed) \n\t\t\t19:00-20:30 | \n\t\t\tHip-Hop Wednesday , Having fun! | \n\t\t|
9/6(Wed) \n\t\t\t19:00-20:30 | \n\t\t\tKick Up Your Heels | \n\t\t|
10/4(Wed) \n\t\t\t19:00-20:30 | \n\t\t\tYour Turn to Dance the Romantic Ballet La Sylphide | \n\t\t\tRegistration | \n\t\t
11/1(Wed) \n\t\t\t19:00-20:30 | \n\t\t\tYour Turn to Dance the Classical Ballet The Nutcracker | \n\t\t|
12/6(Wed) \n\t\t\t19:00-20:30 | \n\t\t\t\n\t\t\t Your Turn to Dance the Neo-Classical Ballet Serenade \n\t\t\t | \n\t\t
\n\n
Introduction
\n\nJuly to September
\n\nBolero in Kaohsiung project in 2022, initiated by Weiwuying Artist-In-Residence-CHOU Shu-yi, featured 28 dance performances in various local areas. This year, we are scaling new mountain heights with YANG Ya-chun, who served as the rehearsal assistant for the 1875 Ravel and Bolero, as well as dancers CHEN Pin-ni and LIN Man-ting, who will be sharing their expertise in modern and hip-hop dances. We invite you to dance along with us to Bolero music.
\n\n\n\n
7/5(Wed) Embrace Your Body and Soak in the Good Times
\n\nThe most intimate moment with yourself is when you can touch your own body, feel and breathe side by side, and gradually develop your body at your own pace to connect with the outside world.
\n\nLa Vie en rose~
\n\n\n\n
8/2(Wed) Hip-Hop Wednesday , Having fun!
\n\nStreet dance is no longer limited by age, awakening the body's instinct to hear the music and rhythm, driven by hip-hop music to dismantle the body into the purest and most direct physical sensations, inspired for one person to enjoy music and dance at home, and a group of people to find the same language in the same rhythm and have fun together!
\n\n\n\n
9/6(Wed) Kick Up Your Heels
\n\nStep on the heels, feel the different posture, and find your own dance. The course will lead you to find the center of gravity of high heels, feel the power of your feet, and step on new dance steps. High heels are not exclusive to models, everyone can find their own confident steps from high heels.
\n\n\n\n
October to December
\n\nWe often hear of ballet as "classical", "romantic", or even "contemporary", but how do they differ? The truth is various schools and styles of ballet developed over time and in diverse geographical locations. Originating in Italy, ballet gained popularity in France and flourished in Russia. Below are ballet shorts from 3 distinctive periods to introduce classic works and changes in the history of ballet.
\n\n\n\n
10/4(Wed) Your Turn to Dance the Romantic Ballet La Sylphide
\n\nBallet themes generally encompass humans and the supernatural with gentle aesthetics including elves, spirits, and fairies. The protagonists are usually women with mysterious power who enslave the souls and senses of common people. Premiering in 1832, La Sylphide marks one of the major cornerstones of ballet history.
\n\n\n\n
11/1(Wed) Your Turn to Dance the Classical Ballet The Nutcracker
\n\nThe Nutcracker, one of 3 classical ballets, was a masterpiece by TCHAIKOVSKY and Marius PETIPA. In this iconic Christmas suite, high-pitched swirling flute from the Chinese Tea Dance leave a strong impression on listeners.
\n\n\n\n
12/6(Wed) Your Turn to Dance the Neo-Classical Ballet Serenade
\n\nGeorge BALANCHINE is a symbol of neo-classical ballet aesthetics. Without fancy costumes and props, the audience's focus is solely on the dancer. Sporting a simple bodysuit, he draws attention to his movements, which he believes have to directly connect to the music instead of the romantic atmosphere of the story. His famous Serenade is a milestone in the history of dance.
\n\n\n\n
\n',team:""},createdAt:1684379092,updatedAt:1698891276,updatedBy:"林蔚行",host:!0},{_id:"646b0b9a65a7e80007bfe6b3",catalogs:["5fe2bffdde1961000737545c","6007fc45ba34870007c22b8b"],dateTime:{first:1696734e3,discrete:[{time:1696734e3},{time:1696752e3},{time:1696762800},{time:1696827600},{time:1696838400},{time:1696849200},{time:1696914e3},{time:1696924800}],type:"discrete"},activity:{type:"free",free:{description:"線上報名",englishDescription:"Registration"}},attachment:{key:"c7372ae894d0f1bc2564a0cbeb810a69",name:"Open House 系列節目 電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"dd7ff0380453f79efca064364337941f",title:"萬衛之路"}],related:[],title:"【衛武營五週年慶】《萬衛之路》幕後體驗X實境解謎",cover:"2323ac9ad07a83ae11285a5e95377f5f",site:{isOther:!0,site:"",other:"衛武營後台"},cautions:'
全長約120分鐘,無中場休息。
\n\t本體驗非親子活動。
\n\t建議7歲以上(含7歲)可獨立作業者為主,12歲以下孩童須家長陪同。
\n\t7/25(二)12:00-8/9(三)報名享限量早鳥價$500,8/10全面啟售 (10/10場次除外)。
\n\t衛武營會員憑本活動購票證明可至衛武營3樓服務中心現場補登會員點數 (一元一點)
\n\t活動中禁止拍照、錄影。
\n\t本活動將有專門活動攝錄影紀錄,報名者需於報名階段同意肖像權露出相關事宜。本影像紀錄以藝文推廣或非營利性之目的為限。
\n\t主辦單位保有最終修改、變更活動解釋及取消本活動之權利。
\n\t相關報名問題請洽芒果遊戲06-3588812。
\n\t誠徵不怕挑戰、想嘗試當個劇場黑衣人的你!無經驗可,只要你願意卸貨裝台調整燈光音響整理服裝道具、卸貨裝台調整燈光音響整理服裝道具……等等!到底發生什麼事?好像有什麼神秘的力量,讓劇場人被卡在時間的輪迴當中!
\n\n\n\n
今天「還是」萬衛劇團正式演出的前一天,每天醒來又是重複的一天,只能無止盡地彩排又彩排!?為了突破這個惡夢般的循環,他們突然有個大膽的想法:「如果,重新招募新的劇組人員,是不是就可以......?」
\n\n\n\n
衛武營今年邁入五週年慶、每年場場爆滿的《萬衛之路》首度結合實境解謎遊戲,期望用不同形式讓參與者運用智慧與團隊合作,解開一系列的謎題,揭開劇場幕後的神秘面紗,領略劇場工作的點點滴滴與日常甘苦。
\n\n\n\n
您有信心完成劇場工作之餘,找到時間停止的原因,打破混亂糾結的循環嗎?招募對劇場充滿好奇、喜歡解謎的您,歡迎「應徵」成為劇場新成員,一起來一趟難忘的劇場解謎之旅,從角色扮演中找到屬於自己的故事,將劇場人從靜止的時間當中拯救出來!
\n\n\n\n
活動日期/時間
\n\n衛武營無限卡友專場:
\n10/8(日)11:00
付費報名場次:
\n10/8(日)16:00、19:00
\n10/9(一)13:00、16:00、19:00
憑票免費報名場次:
\n10/10(二)13:00、16:00
\n\n
報名資訊
\n\n\n\n
付費報名場次:
\n\n10/8(日)16:00-18:00、19:00-21:00
\n10/9(一)13:00-15:00、16:00-18:00、19:00-21:00
\n(體驗時間依現場實際狀況為主。)
招募對象|對劇場工作好奇、喜歡冒險解謎、熱心服務。
\n\n招募職務|舞台道具組、燈光組、視聽組、服裝組,於報名時選填有興趣的兩個組別,將依報名順序及任務需求分組。
\n\n年齡限制|建議7歲以上(含7歲)可獨立作業者為主,惟12歲以下孩童須家長陪同參與(兒童及家長各一人一票,憑票入場)
\n\n報到地點|衛武營西側營運辦公室入口。
\n\n限定人數|每場次上限60人。
\n\n報名費用|新臺幣600元/人。(10/10場次除外)
\n\n早鳥優惠|新臺幣500元/人,限量110名。(10/10場次除外)
\n\n體驗範圍|衛武營後台空間
\n\n早鳥報名|112年7月25日(二)中午12:00至8月9日止,額滿為止。(10/10場次除外)
\n\n正式報名|112年8月10日(四)起,額滿為止。(10/10場次除外)
\n\n\n\n\n\n
\n\n
憑票免費報名場次:
\n\n10/10(二)13:00-15:00、16:00-18:00
\n\n【衛武營五週年慶】生日趴系列免費報名
\n\n活動場次|10/10(二)13:00-15:00、16:00-18:00 (體驗時間依現場實際狀況為主。)
\n\n報名方式|10/10場次為免費報名,請於報名頁面上傳「10/7-10/10【衛武營五週年慶】生日趴系列售票節目」之購票憑證(一票僅限用乙次),經主辦方確認無虞即可免費報名參與,額滿為止;報名成功者,活動開始前30分鐘開放報到,如活動開始前10分鐘尚未報到者,名額將釋出提供現場候補民眾。
\n\n開放報名|112年9/14(四)12:00起,額滿為止。
\n\n\n\n\n\n
\n\n
10/7-10/10【衛武營五週年慶】生日趴系列售票節目:
\n\n克利斯蒂安・舒密特&簡文彬&高雄市交響樂團《查拉圖斯特拉如是說》
\n\n\n\n\n\n\n\n\n\n
演出暨製作團隊
\n\n主辦暨製作單位|衛武營國家藝術文化中心
\n\n藝術總監|簡文彬
\n\n副總監(製作)|郭遠仙
\n\n節目經理|王昭驊
\n\n技術經理|陳美玲
\n\n節目統籌|許菡舒
\n\n製作統籌|陳姵妤、顏嘉煌
\n\n技術執行|王瑞心、劉東信、黃羽菲、曾俊融
\n\n\n\n
實境遊戲製作|芒果遊戲
\n\n製作人|方群、張麒威
\n\n舞台監督|劉昱德
\n\n技術統籌|翁韻婷
\n\n行政統籌|羅伊真
\n\n遊戲企劃|蘇妙悅、侯威宇
\n\n編 劇|方群、侯威宇、翁韻婷
\n\n行銷專員|葉黛潔
\n\n美術設計|李偲詩
\n\n服裝管理|吳佩璇
\n\n演 員|朱殷秀、彭漪婷、陳柏亨
\n\n活動組長|李皇逸、王榮典
\n\n\n\n
更多資訊
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"dd7ff0380453f79efca064364337941f",title:"萬衛之路"}],related:[],title:"【Weiwuying 5th Anniversary】One Way Try and Go: Backstage Experience & Alternate Reality Game",cover:"2323ac9ad07a83ae11285a5e95377f5f",site:{isOther:!0,site:"",other:"Weiwuying Backstage"},cautions:'
Duration is 120 minutes without intermission.
\n\tAge guidance 7+, Children under 12 must be accompanied by an adult
\n\tPhotography and video recording are prohibited during the event.
\n\tWe're looking for anyone who is unafraid of a challenge and wants to be a crew. You don't need relevant work experience, as long as you are willing to load in, set up the stage, adjust lights and sounds, prepare costumes and props, load in, set up the stage, adjust lights and sounds, prepare costumes and props…Wait! What's happening? There seems to be some mysterious power causing the theater to have to relive the same day repeatedly.
\n\n\n\n
Today is, once again, the day before the official launch of One Way to Backstage. Every day is the same—they wake up and rehearse. To get out of this nightmare, they have a bold idea: "What if we recruit new team members?......"
\n\n\n\n
This is the fifth year of Weiwuying's One Way Try and Go event and its first attempt incorporating an alternate reality game to allow participants to learn about the everyday details, good and bad, of backstage operations and theater working general. Do you have the confidence to complete your work, find why time stops, and break the confusing and tangled cycle? Let's finish the last rehearsal together and let the show go on!
\n\n\n\n\n\n
\n\n
\n\n
Creative and Production Team
\n\nPresenter|National Kaohsiung Center for the Arts (Weiuwying)
\n\nStory Concept|LIU Chien-kuo
\n\nPlaywright|WANG Shih-chun
\n\nDirector|WANG Ching-tun
\n\nCast|TSAI Hsuan-yan, CHANG Shih-ying, KUO Yao-jen, LIANG Yun-jui, WU Shih-wei, HONG Chien-tsang
\n\nDance Coordination|Les Petites Choses Production
\n\nDancers&Performers|YANG Nai-hsuan, LIN Su-lien, CHANG Chien-hao, CHANG Ya-yuan, CHANG Ya-wei, SHEN Le, HUANG Yu-Min , CHU Pei-rung, CHEN Yi-chin, LAI Chi-hung
\n\nStage Designer|CHEN Wei-kuang
\n\nLighting Designer|TENG Cheng-wei
\n\nMusic Designer|KO Chih-hao
\n\nCostume Designer|Jerry HSIEH
\n\nDance Designer|Su-Lien LIN
\n\nMakeup & Hair Designer|HSIEH Chieh-jen
\n\nExecutive Producer|LIN Kuo-feng
\n\nProgram Coordinator|Rhett HSIEH
\n\nProduction Coordinator|LEE Chu-hui
\n\nMarketing Coordinator|LAN Hung-ling
\n\nGraphic Designer|LIN Cheng-yu
\n\nPhotography|Sam Studio
\n\nFlim Editor|CHANG Ya-chieh, Tunneling Studio
\n\nDirector's & Rehearsal Assistant|CHI-HUNG LAI、LIN,SIANG-TING
\n\n\n\n
More
\n\n\n\n
\n',team:""},createdAt:1684736922,updatedAt:1696590416,updatedBy:"林蔚行",host:!0},{_id:"646b128858ebc500099183b3",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","6007fc45ba34870007c22b8b"],dateTime:{first:1696917600,discrete:[{time:1696917600},{time:1696926600}],type:"discrete"},activity:{type:"free",free:{description:"免費索票",englishDescription:"Redeem Free Ticket Online or at the Ticket Booth"}},attachment:{key:"c7372ae894d0f1bc2564a0cbeb810a69",name:"Open House 系列節目 電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"844f1beb701536d54e4ebfe2ebe4868f",title:"《武營歐普拉 Let's Opera》"}],related:[],title:"【衛武營五週年慶】《武營歐普拉 Let's Opera》",cover:"5dcefe3a582c14139a650d11452fd5c9",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
演出全長約60分鐘,無中場休息。
\n\t建議5歲以上觀眾觀賞。
\n\t\n\n
\n\t\t\t ►錄取名單 \n\n\t\t\t\n\t\t\t | \n\t\t
\n\n
「高手在民間」相信有許多深藏不露的歌唱高手隱身於各個領域,今年第四屆《武營歐普拉 Let's Opera》,透過兩輪的選拔、激烈的競爭,最終挖掘出7位素人歌手。這7位獲選者經由李文智、林慈音、林健吉三位聲樂名家專業指導,共同登上衛武營世界級舞台一展動人歌唱實力。
\n\n今年的五週年特別企劃,更是邀請了歷屆獲選者回娘家,組成期間限定武營歐普拉合唱團,演出知名歌劇合唱曲,並在合唱指揮洪晴瀠的帶領下,以歌聲舉杯,歡慶五週年,邀請大家共襄盛舉。
\n\n\n\n
索票資訊
\n\n\n\n
網路索票規則
\n\n現場索票規則
\n\n\n\n\n\n
\n\n
演出曲目
\n\n\n\n
演出暨製作團隊
\n\n製作團隊|衛武營國家藝術文化中心
\n\n製作執行|歐普思音樂藝術
\n\n評審暨聲樂指導|李文智、林慈音、林健吉
\n\n評審暨合唱指導|洪晴瀠
\n\n評審|陳巧儀
\n\n演出者|田叡謀、王依吟、陸震、楊宇哲、李子葳、劉哲豪、唐梅玲
\n\n武營歐普拉合唱團|黃詩茜、吳慶蓀、阮婕容、蔡依倩、蔡昀臻、吳文若、足立育子、林怡嘉、吳亦婷、林湧恩、廖上凱、林理凱、黃炌山、邊平威、林洋、吳相儒、陳致平
\n\n鋼琴|王庭悅
\n\n主持人|我是江老師
\n\n舞台監督|李尹蘋
\n\n燈光暨影像工程|秉冠有限公司
\n\n影像製作暨執行|謝欣如
\n\n\n\n
更多資訊
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"844f1beb701536d54e4ebfe2ebe4868f",title:"《武營歐普拉 Let's Opera》"}],related:[],title:"【Weiwuying 5th Anniversary】Let's Opera!",cover:"5dcefe3a582c14139a650d11452fd5c9",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Duration is 60 minutes without intermission.
\n\tAge guidance 5+
\n\t\n\n
Hidden in the shadows of everyday life, there exist singing sensations waiting to be discovered. In our fourth annual "Let's Opera" at Weiwuying, we've delved deep and, after two thrilling rounds of auditions, brought to light 7 remarkable amateur vocalists. Guided by the esteemed vocal maestros Peter LEE, Grace LIN, and Claude LIN, these talented individuals are poised to mesmerize audiences on Weiwuying's world-renowned stage.
\n\nMarking Weiwuying's fifth grand year, we're also reuniting past stars to form the unique "Let's Opera Homecoming Choir". Performing iconic opera choruses and led by the illustrious conductor HUNG Ching-ying, they will serenade us in a jubilant chorus. Be part of this musical spectacle and celebrate with us!
\n\n\n\n
Open house Ticketing Information
\n\n\n\n
Program
\n\nLet's Opera Homecoming Choir
\nR. WAGNER: "Treulich geführt ziehet dahin" from Lohengrin
TIEN Jui-mou
\nG. DONIZETTI: "Bella siccome un angelo" from Don Pasquale
WANG Yi-yin
\nV. BELLINI: "Ah! Non credea mirarti… Ah! non giunge uman pensiero" from La Sonnambula
LU Chen, YANG Yu-che
\nG. VERDI: "Dio, che nell'alma infondere amor" from Don Carlo
LI Zhi-wei
\nG. PUCCINI: "E lucevan le stelle" from Tosca
LIU Che-hao
\nG. PUCCINI: "Nessun dorma" from Turandot
Meiling TANG
\nA. DVORAK: "Měsíčku na nebi hlubokém" from Rusalka
Let's Opera Homecoming Choir
\nG. VERDI: "Vedi! le fosche notturne spoglie" from Il Trovatore
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Creative and Production Team
\n\nProduced by National Kaohsiung Center for the Arts (Weiwuying)
\n\nProduction Operator|Opus Music Arts
\n\nAudition Consultant and Vocal Coach|Peter LEE, Grace LIN, Claude LIN
\n\nChoir Director & Choir Conductor|HUNG Ching-ying
\n\nAudition Consultant|CHEN Chiao-yi
\n\nPerformer|TIEN Jui-mou, WANG Yi-yin, LU Chen, YANG Yu-che, LI Zhi-wei, LIU Che-hao, Meiling TANG
\n\nLet's Opera Homecoming Choir|HUANG Shih-chien, WU Chin-sun, JUAN Chieh-jung, TSAI I-chien, Audrey TSAI, WU Wen-ruo, Ikuko ADACHI, LIN Yi-chia, WU Yi-ting, LIN Yung-en, LIAO Shang-kai, LIN Lee-kai, HUANG Kai-shan, BIAN Ping-way, LIM Yang, Peppinot WU, CHEN Jr-ping
\n\nPiano|WANG Ting-yueh
\n\nThe Host|I am Teacher Chiang
\n\nStage Manager|LI Yin-ping
\n\nLighting & Video Engineer|Pinggune CO., LTD.
\n\nVideo Maker & Operator|Hsieh Hsin-Ju
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More
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在地獨立舞者們(依姓氏筆畫順序):
\n\n王雨婕/舞者
\n\n『人與人之間的關係和獨特性,每個人都是一個個體,再怎麼不同,都還是需要彼此包容諒解。』
\n\n來自高雄,從小學習舞蹈一直到左中舞蹈班畢業後,至澳洲讀大學時轉系讀設計,期間仍於MAD Dance House參與舞蹈課程,接觸了街舞、爵士等不同舞風,也一同參與各式演出及比賽。出社會進入航空公司工作,閒暇之餘仍持續參與舞蹈工作坊及課程,同時也因工作福利得以定期出國接觸不同舞蹈課程及比賽。 參與「波麗露在高雄」計畫後,再次回歸舞者這個身份,近期參與活動有2022年台北時裝週 Project by H.《Let go》、衛武營藝企學管風琴導覽音樂會《遺忘·終曲》,以及大東藝術圖書館演出《身體之書》。 「波麗露在高雄」作品想傳達的似乎也呼應這次舞者們相遇的情景,非常珍惜所有來自不同地方、年齡、背景的舞者們因這次的徵選成團,排練過程一起感受波麗露前進的力量,詮釋作品的同時,全團的情感也支持著作品的情感表達。在參與了波麗露演出之後,更確定了這種與觀眾近距離接觸的戶外環境演出是自己喜愛的形式。期待透過這次巡演能夠拜訪尚未去過的地方,成為更認識高雄的高雄人。
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李宛蓁/舞者
\n\n『舞動到懷疑人生,卻在過程中逐漸找到自我的旅程。』
\n\n來自臺南,目前主要從事街舞相關的演出與教學活動,擔任過流行商業演出、與藝人合作、演唱會舞者等。學舞過程印象最深的是高三那年為了學跳舞,一直臺南高雄兩地跑,當時街舞教室就在高雄新崛江一帶。去年毅然決然報名「波麗露在高雄」徵選計畫,入選後再次展開往返兩地的旅行。 訓練過程中印象最深刻的是之前跳過波麗露的前輩們來觀看和指導,腦子一直接收到過去演出過的相關訊息,有一種時空交錯跟傳承的感動,覺得是很特別的經。這也是她第一次要挑戰在場上跳這麼久的舞作,體力上是考驗;再者,所有的動作質地與自己以往的習慣都不同,有種被重新建構的身體感受。期待藉由巡演的淬煉,可以讓大家看到她的蛻變。
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