\n\t●遲到觀眾須遵循工作人員指示入場。\n\t
在葡萄園式音樂廳 享受世界級的質感聲音
\n指揮界三冠大師呂紹嘉 親率國際級樂團 NSO 經典呈現
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古典音樂的頂尖勁旅國家交響樂團,在該樂團音樂總監呂紹嘉的帶領下,持續以將樂團打造為亞洲地區最具指標性樂團之一的目標邁進,為嘉惠中南部地區的古典樂迷朋友,國家交響樂團NSO與音樂總監呂紹嘉特意規劃了這場專為南部樂迷朋友而設計的音樂會,演出曲目包含了理查·史特勞斯的《節慶序曲》及布拉姆斯的第二號交響曲,並同時邀請華裔小提琴家林品任,帶來出身於高雄的作曲家蕭泰然先生的小提琴協奏曲,東西兩方經典大師作品一次薈萃呈現,給你最深的音樂感動。
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本場音樂會安排了理查·史特勞斯及布拉姆斯等二位浪漫時期的作曲家作品;布拉姆斯與巴哈及貝多芬,常被後人並列稱為「德國三B」,是浪漫主義中期極為重要的音樂家,理查.史特勞斯是浪漫主義晚期最重要的作曲家,其晚年的作品卻出現許多現代樂派的風格傾向,而蕭泰然先生的作品,則隱約帶入了浪漫主義後期國民樂派的民謠音樂風格。
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集鋼琴家、指揮家、作曲家於一身的蕭泰然先生,被譽為「臺灣拉赫曼尼諾夫—最後的浪漫主義鋼琴詩人」。他曾感慨說:「長久以來,我有一個感覺,我們有像林昭亮那麼優秀的演奏家,卻沒有好作品,以至於,他們只好演奏別人的作品。」之後,即創作出「D大調小提琴協奏曲」。蕭泰然的「D大調小提琴協奏曲」被稱為「臺灣人的史詩」也因為這首小提琴協奏曲,使蕭泰然的音樂創作邁入了新的里程碑,使他由民族音樂家蛻變成國際性的音樂家;樂曲從臺灣優美、祥和、寧靜的田園風光描寫,進入並帶出近乎於國民樂派風格,最後再以較為現代的創作手法展現對於生命的熱愛與努力不懈的精神。
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演前導聆
\n\n03/01(五)18:50-19:10於音樂廳3樓大廳由國家交響樂團執行長郭玟岑進行演前導聆。
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演出曲目
\n\n史特勞斯:《節慶序曲》
\n\n蕭泰然:D大調小提琴協奏曲
\n\n布拉姆斯:第二號交響曲
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\n演出人員
指揮|呂紹嘉
\n小提琴|林品任
\n管風琴|劉信宏
\n樂團|國家交響樂團
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贊助單位
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指揮|呂紹嘉
\n\n「指揮呂紹嘉是傳達音符之間氛圍意境的大師。」─《南德日報》
\n\n「呂紹嘉以卓越的詮釋(歌劇《顏如花》)得到聽眾如雷的歡呼。」─《法蘭克福廣訊報》
\n\n「在他僅七年的任期裡,音樂總監呂紹嘉將NSO帶到國際級樂團的地位。其音色是令人驚喜的美妙、豐富圓潤、完美平衡,而在強大的力度下演出時也不覺得過度或輕率,這是一個世界級偉大樂團才有的聲音質感。 」 ─奧地利《新標點》
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呂紹嘉出身臺灣,為享譽國際樂壇的旅歐名指揮家。自鋼琴啟蒙,後隨陳秋盛研習指揮,繼而赴美印第安那大學及維也納國立音樂院深造。在贏得法國貝桑頌、義大利佩卓地和荷蘭孔德拉辛三大國際指揮大賽首獎後,展開了他在歐洲的指揮生涯。
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旅居德國期間先後擔任柏林喜歌劇院首席駐團指揮(1995-1998)、德國柯布倫茲市立歌劇院音樂總監(1998-2001)、德國國家萊茵愛樂交響樂團音樂總監(1998-2004)、德國漢諾威國家歌劇院音樂總監(2001-2006),並於2004年5月獲文化部長頒贈象徵該省文化最高榮譽的Peter Cornelius獎章。
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在歌劇的領域中,曾於英國國家歌劇院、布魯塞爾皇家歌劇院、雪梨歌劇院、德國司徒加特、柏林德意志、漢堡、法蘭克福歌劇院客席指揮。呂紹嘉在交響樂指揮的表現也同樣耀眼。近年來合作的主要交響樂團有柏林、西南德、中德、巴伐利亞廣播、法國國家、里昂、杜魯士、史特拉斯堡、維也納廣播、英國利物浦愛樂、奧斯陸愛樂、貝爾根愛樂、赫爾辛基愛樂、瑞典廣播、挪威廣播、哥特堡、羅馬聖西西里亞、及荷蘭皇家音樂大會堂管絃樂團等。在亞洲,呂紹嘉與香港管弦樂團、NHK、新日本愛樂、首爾愛樂、韓國KBS及北京、上海等地的代表性樂團合作演出。
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自2010年8月起接任NSO國家交響樂團音樂總監。
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小提琴|林品任
\n\n旅美臺裔小提琴家林品任,其優異的演出表現,近年來已在各個國際的重要比賽中嶄露頭角,為國際古典樂界矚目的新星,同時也在多個國際著名的音樂會場地與眾多樂團合作。 2013年,林品任與Fontec發表了他的第一張演奏專輯,這張專輯由帕斯卡爾威羅特指揮日本仙台愛樂樂團,收錄了貝多芬、巴爾托克和布拉姆斯等多首小提琴與管弦樂團的作品。2014年,林品任與林品安兄弟檔,更接續發行布拉姆斯鋼琴與小提琴奏鳴曲的專輯。林品任生於美國鳳凰城,並於臺灣成長, 11歲時,林品任即與臺北市立交響樂團合作演奏聖桑的第三號小提琴協奏曲。十六歲時,林品任進入美國奧克拉荷馬大學就讀,隨格雷戈里‧李博士學習小提琴演奏。同年,林品任前往柯蒂斯音樂繼續深造,隨後在茱莉亞音樂院取得碩士學位
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樂團|國家交響樂團
\n\n自信而精銳
\n\n國家交響樂團
\n\n「他們的蕭斯塔科維契第五號交響曲十分扣人心弦:隨著樂團飛舞的弓弦與宏偉的雄心,他們的演出令人徹底信服。不需西方世界的背書,這個樂團在音樂舞台絕對佔有一席之地。」 ─奧地利《信使報》2017.3.31
\n\n「在美國加州的首次登台是其北美小規模巡演的一站…。呂紹嘉與臺灣愛樂卻以驚人、突出、充滿豐富音色變化的柴可夫斯基第五號交響曲獲得一次非凡的勝利。」 ─《音樂美國》雜誌2016.12
\n\n 「(柴科夫斯基第五號交響曲)樂曲中著名的獨奏樂段,尤其是單簧管、低音管及法國號,都很精練優雅的呈現出來,最後的高潮樂段,更是令人嘆為觀止。…臺灣愛樂應該再來美國做一次大規模的巡演。」 ─美國《洛杉磯時報》2016.12
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交響樂團在每個國家有不同的形成背景,在沒有西方管絃樂傳統的臺灣,過去樂團都以文化教育體系營運。經過三十年耕耘,我們可以驕傲的說,國家交響樂團(NSO)從交響樂、室內樂到歌劇,是自信、精銳,有文化意識的「臺灣之音」。
\n\n國家交響樂團的前身「聯合實驗管絃樂團」,是教育部於1986年集合優秀新生代音樂家,以打造頂尖交響樂團為目標而成立的。2005年成為國立中正文化中心附設團隊,2014年4月改隸國家表演藝術中心,以「臺灣愛樂」立足國際。歷任常任指揮為艾科卡(Gerad Akoka)、史耐德(Urs Schneider)及音樂總監包括張大勝、林望傑、簡文彬等人。近十年來,NSO銳意求變,大步朝專業、開放、勇於創新的職業樂團發展,2010年8月,旅德知名指揮呂紹嘉接任NSO音樂總監,更將樂團打造為亞洲地區最具指標性樂團之一。
\n\n樂團現有99名團員,每年樂季演出約75場次。2010年起,音樂總監呂紹嘉以多元化主題貫穿樂季,整合與對比並存的廣博曲目,本著「精緻、深刻、悸動」的信念,琢磨出樂團多變細膩的音色與深刻撼人的音樂表現;歌劇演出從跨國製作到深耕國內:《艾蕾克特拉》(2011)、《蝴蝶夫人》(2012)、《女武神》(2013)、《莎樂美》(2014) 、《費黛里歐》(2015) 、《奧泰羅》(2016)及《外套》、《修女安潔麗卡》、《強尼‧史基基》(2017) 、《帕西法爾》(2018),每每展現令國際樂評驚豔的製作。呂紹嘉不僅積極拓展樂團演奏近代管絃樂作品的能力,更致力於鞏固精練經典名作,也持續國人管絃樂創作之演出、錄音。2011年起,呂紹嘉帶領樂團積極展開海外巡演:廣州亞運音樂節(2011)、東北亞巡演(2012)、歐洲巡演(2013、2017)、兩岸三地巡演(2015)、北美西岸巡演(2016、2018)及韓國巡演(2018)等均獲得國際各地樂評的高度讚譽。
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近30年來與NSO合作過的客席指揮家:馬捷爾、巴夏、馬利納爵士、潘德瑞茨基、史拉特金、羅斯托波維奇、柯米希奧納、羅許德茲特溫斯基、霍格伍德、譚盾、凡斯卡、葛拉夫等;及聲樂家芙蕾妮、柯楚芭絲、帕瓦洛帝、多明哥、特菲爾、韓普森;吉他大師耶佩斯、鋼琴家傅聰、拉羅嘉、提博德、寇瓦謝維契、齊柏絲坦、洛堤、歐森、白建宇、鄧泰山、薩洛、王羽佳等;大提琴家馬友友、顧德曼、麥斯基、卡普頌、王健、伊瑟利斯、穆勒-修特、嘉碧妲;小提琴家卡瓦科斯、林昭亮、胡乃元、夏漢、明茲、列賓、希拉蕊‧韓、宓多里、林以信、陳銳;擊樂家葛魯賓格及其他器樂家莎賓‧梅耶、巴伯羅柯、弗黎崔希等千餘位國際知名音樂家。
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Conductor|Shao-Chia Lü
\n\n“Der Dirigent Shao-Chia Lü ist ein Meister der Zwischentöne.” ─ Süddeutsche Zeitung
\n\n“...Um so lauter der Jubel über die grandiose musikalische Einstudierung der‚ Jenufa'unter Shao-Chia Lü” ─ Frankfurter Allgemeine Zeitung
\n\n“In his mere 7 years at the helm, music director Shao-Chia Lü has brought the NSO to world-class status. The sound alone is a marvel—beauteous, richly rounded, perfectly balanced, at times of staggering power yet never forced or brash, the latter a quality found only to the world's very greatest orchestras.” ─ Der neue Merker
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Taiwan-born conductor Shao-Chia Lü studied music in Taipei, later at the Indiana University in Bloomington, USA, and also at Vienna's College of Music. His training resulted in important first prizes at three renowned international conductor competitions: Besançon (France), Pedrotti (Italy) and Kondrashin (the Netherlands).
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Shao-Chia Lü accepted positions as General Music Director of the Koblenz Theatre (1998-2001), the Staatsorchester Rheinische Philharmonie Koblenz (1998-2004), and the Staatsoper Hannover (2001- 2006).
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Shao-Chia Lü appears regularly as guest conductor at several world-renowned opera houses, including the Opera Australia in Sydney and Melbourne, the English National Opera, Théâtre de la Monnaie in Brussels, Den Norske Opera in Oslo, Gothenburg Opera, Oper Frankfurt, Staatsoper Hamburg and Stuttgart, Deutsche Oper and Komische Oper Berlin.
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Alongside his opera activities, Lü is equally at home on concert podiums. Lü has worked frequently with many leading European orchestras, such as the Oslo Philharmonic, Orchestra dell'Accademia Nazionale di Santa Cecilia, Norwegian and Swedish Radio Orchestras, Helsinki Philharmonic Orchestra, Royal Liverpool Philharmonic, Orchestre National de France, SWR Stuttgart, Rundfunksinfonieorchster Berlin, the Göteborgs Sinfoniker, Staatskapelle Weimar, Frankfurter Museumsorchester and Royal Concertgebouw Orchestra in Amsterdam. In Asia, Lü has worked with the Hong Kong Philharmonic, NHK, New Japan Philharmonic, Seoul Philharmonic, KBS Symphony Orchestra and leading orchestras in China.
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Shao-Chia Lü has been Music Director of the Taiwan Philharmonic (the National Symphony Orchestra) since August 2010.
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Violin/ Richard Lin
\n\nTaiwanese-American violinist Richard Lin has already amassed a startling collection of top prizes at major international competitions and collaborated with numerous orchestras at celebrated concert venues. In 2013, Lin released his first album on the Fontec label. The album includes works for violin and orchestra by Beethoven, Bartok, and Brahms performed with the Sendai Philharmonic and conductor Pascal Verrot. The next year, Mr. Lin recorded and released his second album consists of the complete Brahms Sonatas for Piano and Violin with his brother, Robert Lin. Born in Phoenix, Arizona and raised in Taiwan, he gave his public debut at age of eleven when he performed Saint-Saën's Violin Concerto No. 3 with the Taipei Symphony Orchestra. At sixteen, he moved to the United States with his teacher Dr. Gregory Lee, newly named to the violin faculty of the University of Oklahoma. In the same year, Lin was accepted to the Curtis Institute of Music and studied with Aaron Rosand. He later received his Master's degree at The Juilliard School, where he studied with renowned professor Lewis Kaplan.
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National Symphony Orchestra
\n\n“… vor allem bei Schostakowitsch'Symphonie Nr. 5 d-moll war das Ergebnis mitreißend: Es geriet eine Orchestermaschine ins Arbeiten, mit fliegendenBögenund wuchtigem Wollen, deren Produkt auf (fast) ganzer Linie überzeugen konnte. Da brauchtes kein gut gemeintes westliches Wohlwollen: Das Orchester hat seinen Platz im Konzerthaus wohl verdient. ”─ Kurier, 2017/3/31
\n\n“(US debut) as part of its first mini-tour of North America…Shao-Chia Lü and the underrated Taiwan Philharmonic scored a triumph with a stunning, fervently-played, meticulously nuanced performance of Tchaikovsky's Symphony No. 5. “─ Musical America (2016/12)
\n\n“When it came to Tchaikovsky's Fifth's… famous solos, especially those for clarinet, bassoon and horn, were exquisitely polished. The climaxes were spectacular……the Taiwan Philharmonic is overdue for a major U.S. tour.” ─ Los Angeles Times, USA(2016/12)
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Founded in 1986, the Taiwan Philharmonic, also known as the National Symphony Orchestra at home, is hailed as one of the best orchestras in the Asian Region and became the resident orchestra of the National Chiang Kai-Shek Cultural Center in 2005. Starting April 2014, the NSO has become an affiliate orchestra to the National Performing Arts Center. Led by renowned conductor Shao-Chia Lü as its 5th music director starting August 2010, the NSO has increased the country's cultural richness and music educational strength throughout Taiwan.
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The NSO with 99 members presents a 40-week musical season of approximately 75 concerts/chamber recitals and one opera production each year. It also launched educational programs and outreach projects constantly. Tour performances are regularly offered throughout Taiwan and overseas. It has toured to Vienna, Paris, Berlin, Geneva, Milan, Singapore, Kuala Lumpur, Sapporo, Tokyo, Yokohama, Seoul, Hong Kong and major cities in China.
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The NSO works with internationally acclaimed conductors, such as Lorin Maazel, Sir. Neville Marriner, Krzysztof Penderecki, Rudolf Barshai, Leonard Slatkin, Christopher Hogwood, Oleg Caetani, Gennady Rozhdestvensky, Michael Sanderling, Vassily Sinaisky, Osmo Vanska, Hans Graf and soloists, including Midori, Vadim Repin, Hilary Hahn, Ray Chen, Yo-Yo Ma, Gautier Capuçon, Alban Gerhardt, Mischa Maisky, Sol Gabetta, Martin Grubinger, Louis Lortie, Kun-Woo Paik, Stephen Hough, Stephen Kovacevich, Sabine Meyer, Reinhold Friedrich, Leonidas Kavakos, Yuja Wang and many others.
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The NSO has extended its artistic reach, involving in theater and opera productions, such as working with Lin Hwai-min, the world-renowned choreographer and founder of Cloud Gate Dance Theatre of Taiwan, Austrian digital artist Klaus Obermaier, and opera stage directors Tobias Richter, Moffatt Oxenbould, and Hans-Peter Lehmann, Andreas Homoki and James Robinson. In addition to its record-breaking semi-stage concert operas Der Ring des Nibelungen, and Elektra, the NSO has collaborated with world-class opera houses for its multinational productions, such as Der Rosenkavalier (Deutsche Oper am Rhein, 2007), Carmen (Royal Opera House Covent Garden, Norwegian National Opera and Opera Australia, 2009), Madama Butterfly (Opera Australia, 2012), Fidelio (Operahaus Zurich, 2015) as well as in-house production Die Walküre (2013), Salome (2014), Othello (2016), Il Trittico (2017) and Parsifal (2018).
\n'}],onShelf:!0,sliders:[],related:[],title:"LÜ & NSO",cover:"",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:"Under the leadership of Music Director Shao-Chia LÜ, National Symphony Orchestra continues to be of the most representative orchestras in Asia. NSO and Music Director Shao-Chia LÜ program this concert specially designed for friends and fans of the southern Taiwan. The program includes Richard Strauss's Festival Prelude for Orchestra with Organ and Brahms's Symphony No. 2, and the concert invites the violinist Richard Lin to perform the violin concerto of the Taiwanese composer Tyzon Hsiao. This concent hopes to deliver the deepest musical sensation to the audience with these classical masterpieces of the East and the West.
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This concert programs works by two Romantic composers Richard Strauss and Brahms. Brahms, one of the important composers of the Mid-Romantic period, is regarded one of the German “Three Bs”, along with Bach and Beethoven. Richard Strauss is the most important composer of the late-Romantic period, whose late works indicate the stylistic tendency of Modernism, while Hsiao's works have the undertone of folk elements of musical nationalism.
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Tyzon Hsiao, a pianist, conductor and composer, is considered to be the Taiwanese Rachmaninoff—the last piano poet of Romanticism. He once sighed, "I always have a feeling that we have such excellent performers as Cho-Liang Lin, but there is no good composing in Taiwan, so that they have to play works of other cultures." After that, he composed his Violin Concerto in D Major. Hsiao's Violin Concerto in D Major is regarded as "Taiwanese Epic". Because of this violin concerto, Hsiao’s musical creativity has reached a new milestone, transforming him from a national musician into an international one. The concerto depicts beautiful, peaceful, quiet pastoral scenery of Taiwan, brings out the style of folk/nationalist music, and finally shows the love and striving for life with more modernist composition.
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Program
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Artists
\n\nConductor|Shao-Chia LÜ
\nViolin|Richard Lin
\nOrgan| Hsin-hung Tony LIU
\nNational Symphony Orchestra
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Sponsor
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音樂透過身體成為語言 流洩出一段令人嚮往的旅程
\n\n集敏銳、驚豔、精湛與高明於一身,絕無冷場!—《tanz 舞蹈》雜誌
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在音樂中,作曲家馬勒似乎就站在我面前,而他不同於我以往所認識的馬勒。有時聲音似乎是從一則童話遠遠地傳過來,例如第四樂章──然後聲音又再度全然地顯現,卻不帶有「這就是現在我們該作曲的方式!」這樣的批評語氣。這種自由的靈魂是獨一無二的。當你以編舞家身分研究音樂作品時,這便是個深度琢磨樂曲內容的好機會,你最終可以真正體會到,那位作曲家是怎樣的藝術家、他是如何獨立工作的,以及他有多獨特。我聽七號交響曲的次數愈多,音樂所帶來的感受就愈發超出想像。在我的編舞中,馬勒的音樂釋放了以往我不相信自己內在所擁有的。─編舞家馬汀.薛雷夫(Martin SCHLÄPFER)談論《馬勒第七號》
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舞者穿著厚重靴子和暗色大衣,經歷了長途旅程,抵達一個即將成為新家的世界。兩男一女的三人舞,在緊密和分離之間交錯的場景,舞者的能量被強化再釋放。音樂和舞蹈結合,刻劃不安寧的心靈。編舞家薛雷夫的《馬勒第七號》使世界成為舞台,以嚴肅又幽默的方式,具體呈現生命中的種種挑戰,絲毫不遮掩人生中那些挫折與瑕疵。回家,不再是流浪的對立面;流浪本身,即是回家的過程。
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演前導聆
\n\n03/02(六) 18:50-19:10於歌劇院2樓大廳由指揮簡文彬與萊茵芭蕾舞團總監雷木斯.蘇齊安納 進行演前導聆
\n03/03(日) 13:50-14:10於歌劇院由指揮簡文彬與萊茵芭蕾舞團總監雷木斯.蘇齊安納 進行演前導聆
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編舞|馬汀.薛雷夫(Martin SCHLÄPFER)
\n\n曾奪下多項大獎的馬汀.薛雷夫,將個人編舞風格融入獨特的當代芭蕾美學,是目前被視為最創新的編舞家以及芭蕾導演之一。曾任瑞士伯恩芭蕾舞團及德國美茵茲芭蕾舞團藝術總監。自萊茵芭蕾舞團2009/2010舞季起,擔任該團藝術總監暨首席編舞家。2010年更獲德國《Tanz舞蹈》雜誌票選為「年度傑出編舞家」。他將在2020年出任維也納國家芭蕾舞團總監。
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指揮|簡文彬(CHIEN Wen-pin)
\n\n衛武營國家藝術文化中心藝術總監。國立藝專(今國立臺灣藝術大學)鍵盤組畢業,維也納音樂暨表演藝術大學指揮碩士學位。1996至2018 年擔任德國萊茵歌劇院駐院指揮長達22年;1998至2004年為日本太平洋音樂節駐節指揮;2001至2007年為國家交響樂團(NSO)音樂總監,在任內推動「定期音樂會系列」、國人作品委託創作及錄製、「歌劇系列」等創舉,並在2006年樂團20週年時推出華語地區首次自製之華格納《尼貝龍指環》四部曲;2014至2016年擔任國立臺灣交響樂團藝術顧問。2014年9月獲頒第十八屆國家文藝獎。
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德國萊茵芭蕾舞團
\n\n德國萊茵芭蕾舞團為德國最成功且創新的芭蕾舞團之一,繼2010年獲得表演藝術雜誌《德國舞台》(Die Deutsche Bühne)票選第一名之殊榮後,舞團藝術總監暨首席編舞家馬汀.薛雷夫更獲德國《Tanz舞蹈雜誌》票選為「2010年度傑出編舞家」,舞團更分別於2013、2014、2015及2017年被評選為年度最佳舞團。舞團除在德國萊茵歌劇院轄下的「杜塞道夫歌劇院(Opernhaus Düsseldorf)和「杜伊斯堡劇院(Theater Duisburg)」演出外,也經常獲邀赴國際巡迴與參與藝術節演出。
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臺北市立交響樂團
\n\n臺北市立交響樂團是國內最常出訪的交響樂團,活躍於歐洲、美國、亞洲國際舞台;2018年在何康國團長帶領下,以「臺北文藝復興」精神重新啟動「臺北市音樂季」,推動跨界共融且具產業動能的創新製作,企望在下一個50年再創經典!
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製作暨演出單位
\n\n音樂|古斯塔夫.馬勒 第七號交響曲
\n編舞家|馬汀.薛雷夫
\n指揮| 簡文彬
\n舞台暨服裝設計|弗洛里安.艾堤
\n燈光設計|沃克.維哈特
\n演 出|德國萊茵芭蕾舞團
\n樂 團|臺北市立交響樂團
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照片版權|Gert Weigelt
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主辦單位|衛武營國家藝術文化中心
\n\n共同主辦|臺中國家歌劇院、臺北市立交響樂團
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贊助單位
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大師講座
\n《大師開啟歌劇院》-林懷民 X 馬汀・薛雷夫 X 簡文彬—與馬勒共舞
\n2/28 (四) 16:00 歌劇院
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"Ballett am Rhein Düsseldorf Duisburg 7",cover:"db6d01e1e91f3daca19419be05828fbb",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:"
A genuine Mahler and yet a different one from the one I know seemed to stand before me in this music. Sometimes the sound seems to be coming from a fairy tale a long way off, for example in the fourth movement – and then it's entirely present again but without telling us “This is how we compose now!” This spirit of freedom is something very special. When you work with a piece of music as a choreographer, that is a chance to dig deep down inside it and ultimately to really experience what kind of artist someone was, how independently he worked and how unique he is. The more I listen to the Seventh, the crazier it gets. Mahler's music releases things in my own choreography which I did not believe I had in me.—Martin SCHLÄPFER about his ballet "7"
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Dancers in heavy boots and dark overcoats arrive after a long journey in a world which might become their new home. In a trio between two men and one woman their energies are intensified and discharged in a striking scene between intimacy and parting. Music and dance combine in a psychological portrait of obsessed individuals. In Martin SCHLÄPFER's ballet the world becomes a stage on which the challenges of life are literally embodied – both with seriousness and with humour. The rejections and the cracks remain intact and are not covered up. Wandering towards the fixed destination of home is no longer placed in opposition to the experience of vagrancy but finds itself within it.
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Choreographer|Martin SCHLÄPFER
\n\nWinner of numerous prestigious awards,Martin SCHLÄPFER is currently regarded as one of the most innovative and successful choreographers and ballet directors. In over 70 works he has been able to distil his own choreographic style into an entirely individual contemporary ballet aesthetics.
\n\nHe was appointed Director of the Bern Ballet and Head of Ballett Mainz. From the 2009/10 season he has been Artistic Director and Principal Choreographer of Ballett am Rhein. In 2010 Tanz Magazine's poll of international critics has named Martin SCHLÄPFER “Choreographer of the Year”.
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Conductor|CHIEN Wen-pin
\n\nCHIEN Wen-pin is the executive and artistic director of the National Kaohsiung Center for the Arts (Weiwuying). He received an undergraduate degree from the National Taiwan Academy of Arts and a Master’s degree from the University for Music and Performing Arts Vienna. In 1996, he began his 22-year career as Kapellmeister of Deutsche Oper am Rhein (Düsseldorf Duisburg, Germany). From 1998 to 2004, he was resident conductor of the Pacific Music Festival (Sapporo, Japan). From 2001 to 2007, while CHIEN was its music director, the National Symphony Orchestra (Taiwan Philharmonic) created its Subscription Concert Series, commissioned Taiwanese composers, introduced an opera series and completed the first production of Der Ring des Nibelungen by Richard Wagner in the Chinese-speaking world for its 20th anniversary in 2006. From 2014 to 2016, CHIEN served as artistic advisor to the National Taiwan Symphony Orchestra. In 2014, he was honored with the National Award for Arts.
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Ballett am Rhein Düsseldorf Duisburg
\n\nThe Ballett am Rhein Düsseldorf Duisburg is regarded as one of Germany's most successful and innovative ballet companies. Die Deutsche Bühne had already given the company the first place in 2010, and Tanz Magazine’s poll of international critics has named Martin SCHLÄPFER “Choreographer of the Year 2010” and the Ballett am Rhein “Company of the Yea” four years in a row in 2013, 2014, 2015 and 2017. Since the 2016/17 season, Ballet Director Remus Şucheană has been managing the company alongside Artistic Director and Principal Choreographer Martin SCHLÄPFER. The company can be seen not only on the Deutsche Oper am Rhein’s two stages at Opernhaus Düsseldorf and Theater Duisburg, but also in international touring and festival appearances.
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Taipei Symphony Orchestra (TSO)
\n\nThe TSO is no stranger to international stages. The abundant performances in Europe, the States and Asia have marked it as the Taiwanese orchestra that performs most frequently in foreign countries. In 2018, under the leadership of Director Kang Kuo HO, the TSO has rebooted Taipei Music Festival with the spirit of “Taipei Renascence”, in order to promote cross-fields innovative collaboration. Through this spirit, the TSO hopes to create an epic chapter for the orchestra in the next 50 years!
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Creative and Production Team
\n\nMusic| Symphony No. 7 in E minor by Gustav MAHLER
\nChoreography| Martin SCHLÄPFER
\nConductor| CHIEN Wen-pin
\nSet & Costume Design| Florian ETTI
\nLighting Design|Volker WEINHART
\nPerformer| Ballett am Rhein Düsseldorf Duisburg
\nOrchestra|Taipei Symphony Orchestra( TSO)
\nPhoto by Gert Weigelt
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Presented by National Kaohsiung Center for the Arts (Weiwuying)
\n\nCo-presented by National Taichung Theater、Taipei Symphony Orchestra
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Sponsor
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\n英倫首席樂團 ╳ 國際歌劇獎年度最佳指揮 ╳ 留聲機雜誌年度最佳藝人
親聆演奏過最多全球賣座電影配樂的頂尖管絃樂團
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倫敦愛樂管絃樂團是國際舞台上最優秀的樂團之一,擁有長久並顯赫的歷史,在英國也作為最有前瞻性樂團之一廣為人知。此樂團除了在音樂廳演出之外,也為電影和電動遊戲錄製原聲帶,有自己的唱片公司,並透過與家庭、學校和當地社區舉辦的活動,每年將音樂帶給成千上萬的民眾。
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此樂團為許多賣座強片錄製原聲帶,從《魔戒三部曲》到《阿拉伯的勞倫斯》、《哈比人:意外旅程》以及《雷神索爾2:黑暗世界》。它也定期在電視和廣播現場直播,且在2005年時建立了自己的唱片公司。現在有超過100首曲子可供購買CD及下載,最近新增的曲目包含由庫特.馬舒後期所指揮之蕭士塔高維契第七號交響曲,以及一片由理查‧史特勞斯斯指揮的管絃樂作品的光碟,其中曲目也有由弗拉基米爾‧尤洛夫斯基指揮的阿爾卑斯交響曲(An Alpine Symphony)。
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於2012年的夏天,倫敦愛樂管絃樂團在泰晤士河上演出,為女王的六十週念紀念慶典其中一個節目,且也被選中為2012倫敦奧運錄製每個國家的國歌。2013年時贏得皇家愛樂協會音樂獎 (RPS Music Award) 最佳樂團。
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演前導聆
\n\n03/12(二) 18:50-19:10於音樂廳3樓大廳由衛武營藝術總監 簡文彬 進行演前導聆
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指揮│ 弗拉基米爾·尤洛夫斯基
\n\n弗拉基米爾.尤洛夫斯基是現今最熱門的指揮家之一,他敏銳的音樂家性格及致力於大膽的藝術作風受世界的讚賞。於2015年10月,弗拉基米爾.尤洛夫斯基被宣布成為柏林廣播交響樂團的下一屆首席指揮及藝術總監,從2017/18季度開始任職。他於2003年被指定為倫敦愛樂管絃樂團(London Philharmonic Orchestra)的首席客席指揮,並於2007年9月成為該樂團的首席指揮。他也身兼啟蒙時代管絃樂團 (Orchestra of the Age of Enlightenment) 的首席藝術家、俄羅斯國立模範交響樂團(Russian State Academic Symphony Orchestra)的藝術總監,以及布加勒斯特之喬治‧埃內斯庫國際藝術節(George Enescu International Festival)的藝術總監。
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小提琴│ 茱莉亞.費雪
\n\n德國小提琴家茱莉亞‧費雪(Julia Fischer)因擁有不尋常的天分而享譽國際。她的演奏具有「純粹且細緻、有幸得到似乎無限細微變化的音色」(《芝加哥論壇報》),並結合稀有的「卓越技術」(《衛報》),都讓她成為今日大眾認同最熱門的獨奏家之一。
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倫敦愛樂管絃樂團
\n\n指揮|弗拉基米爾‧尤洛夫斯基
\n小提琴|茱莉亞費雪
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曲目
\n\n理查.史特勞斯:《提爾愉快的惡作劇》,作品28
\n\n孟德爾頌:E 小調小提琴協奏曲,作品64
\n\n布拉姆斯:D 大調第二號交響曲,作品73
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照片版權|Sheila Rock、Richard Cannon、Felix Broede
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贊助單位
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"Jurowski & London Philharmonic Orchestra",cover:"ca5d3029e94cb10ab6130870d4d280f6",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:"
One of the finest orchestras on the international stage, the London Philharmonic Orchestra was founded in 1932 by Sir Thomas Beecham. Since then, its Principal Conductors have included Sir Adrian Boult, Bernard Haitink, Sir Georg Solti, Klaus Tennstedt and Kurt Masur. In 2007 Vladimir Jurowski became the Orchestra's current Principal Conductor. The London Philharmonic Orchestra has been performing at Southbank Centre's Royal Festival Hall since it opened in 1951, becoming Resident Orchestra in 1992. It also has residencies in Brighton and Eastbourne, and performs regularly around the UK. The Orchestra frequently tours abroad: highlights of the 2018/19 season include a major tour of Asia including South Korea, Taiwan and China, as well as performances in Belgium, France, Germany, The Netherlands, Spain, Greece, Switzerland and the USA. The Orchestra broadcasts regularly on television and radio, and has recorded soundtracks for numerous films including The Lord of the Rings. In 2005 it began releasing live, studio and archive recordings on its own CD label.
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Conductor| Vladimir Jurowski
\n\nOne of today's most sought-after conductors, acclaimed worldwide for his incisive musicianship and adventurous artistic commitment.In October 2015, Vladimir Jurowski was announced as the next Chief Conductor and Artistic Director of the Rundfunk-Sinfonieorchester Berlin, a position he will take up from the 17/18 season. He was appointed Principal Guest Conductor of the London Philharmonic Orchestra in 2003, becoming the orchestra's Principal Conductor in September 2007. He also holds the titles of Principal Artist of the Orchestra of the Age of Enlightenment, Artistic Director of the Russian State Academic Symphony Orchestra, and Artistic Director of the George Enescu International Festival, Bucharest.
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Violin | Julia fischer
\n\nGerman violinist Julia Fischer is recognized worldwide for possessing a talent of uncommon ability. Her “pure and fine-spun tone, blessed with seemingly infinite shadings” (The Chicago Tribune) combined with rare “technical brilliance” (The Guardian) make her one of the most-sought after soloist before the public today.
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Program
\n\nRichard STRAUSS: Till Eulenspiegel's Merry Pranks, Op. 28
\n\nFelix MENDELSSOHN: Violin Concerto in E minor, Op. 64
\n\nJohannes BRAHMS: Symphony No. 2 in D major, Op. 73
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Artists
\n\nLondon Philharmonic Orchestra
\nConductor|Vladimir Jurowski
\nViolin|Julia Fischer
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Photo by Sheila Rock、Richard Cannon、Felix Broede
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Sponsor
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\n',team:""},createdAt:1544171548,updatedAt:1566891478,updatedBy:"葉奕萱"},{_id:"5c2ef3364adcce0007fdee64",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1553945400,discrete:[{time:1553945400},{time:1554013800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[350,500,800,1e3],link:"https://www.artsticket.com.tw/CKSCC2005/Product/Product00/ProductsDetailsPage.aspx?ProductID=rotyiUrPteRKfb39q2AmCw"}},sliders:[{type:"image",key:"97dfa9e11a71a475694b3bff05da9000"}],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"2019音契敘事樂篇-生命與愛的河流",cover:"c34dd6c662a3db118b09e57c8898a450",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:"
音契敘事樂篇---《生命與愛的河流》,描述馬偕博士用犧牲化解衝突,灌溉出永恆的盼望。獲國家文藝獎殊榮的台灣作曲家金希文,以馬偕生命中基督的精神為底蘊,將其創作的《黑鬚馬偕》歌劇選曲為主軸,精選應景的古典樂曲,配合量身定做的串場音樂連貫於故事中。當中使用合唱與獨唱的宣敘調與詠嘆調,吟唱出歷史的旁白及馬偕內心悲天憫人的情感,輔以唯美的多媒體畫面結合精心撰寫的文字,讓觀眾更深刻地體會馬偕博士「寧願燒盡,不願銹壞」,一生在台灣奉獻己身的心志。為台灣默默耕耘三十幾年歷史的音契合唱管弦樂團,邀請國內知名女高音陳美玲及中生代男高音周柏谷擔任獨唱,將為國人帶來無可限量的靈性養分。
\n\n\n\n
演出曲目
\n\n\n\n
音契合唱管絃樂團
\n\n1984年多位任教於大專院校的音樂家,基於古典音樂滌淨心靈的功能,發起成立「音樂科系團契」。1989年8月「音契合唱管絃樂團」創立,秉持對演奏及創作品質的堅持,期許為社會帶來具有提升心靈層次與關懷人心的音樂。每年於國家音樂廳持續演出《心靈樂篇》及《人文樂篇》系列,以古典聖樂與古典經典名作與愛樂者進行深度溝通。2001年5月正式成立了「財團法人音契文化藝術基金會」,計畫性的推廣精緻音樂藝術。三十多年來,受到台灣各地許多愛樂者的支持與迴響,音契將堅持以音樂傳達對台灣的愛,期許在世界追求物質生活的洪流中,為藝術盡份心力,喚起大家對文化的重視。
\n\n\n\n
演出團隊
\n\n指揮|金希文
\n樂團|音契合唱管絃樂團
\n女高音|陳美玲
\n男高音|周柏谷
\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"The River of Agape and Vitae",cover:"",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:"
Music of Narratives--“The River of Agape and Vitae” (shortened as “ The River of Agape and Vitae”) depicts how Dr. George Leslie Mackay, a Canadian missionary, sacrificed himself to resolve conflicts and cultivated a sense of eternal hope in Taiwan. Gordon Shi-Wen Chin, a Taiwanese composer and receiver of National Awards of Art, composed several pieces for “The River of Agape and Vitae” with the inspirations from Dr. Mackay's Christ-centered life stories, selections from Chin's opera “Mackay─The Black Bearded Bible Man,” and other relevant works of classical music. Among these pieces, the Recitativo and the Aria encapsulate a sense of history and Dr. Mackay's compassion, and are presented with delicately designed multimedia and narration. The audience could therefore be deeply touched by Dr. Mackay's lifelong dedication--which was epitomized in his motto “It is better to burn up than rust out”-- in Taiwan. In this performance, Yinqi Symphony Orchestra & Chorus, which has been cultivating the musical land in Taiwan for more than three decades, invites a famous Taiwanese soprano, Mei-Lin Chen, and a promising Taiwanese Tenor, Bogu Chou, as soloists, expecting to bring ample spiritual nutrients to the public.
\n\n\n\n
Program
\n\nP. I. Tchaikovsky : Ballet Swan Lake
\n\tJ. Massenet:”Pourquoi me réveiller” from Werther
\n\tD. Shostakovich:“The Hunt” from Hamlet Suite, Op.32a -
\n\tA. Glazunov:”Grand Pas d'action”from Raymonda
\n\tJ. S. Bach / L. Stokowski arr.:Come, Sweet Death
\n\tGordon Chin:selected pieces from “Mackay─The Black Bearded Bible Man”
\n\tW. A. Mozart:Ave Verum Corpus K.618
\n\tE. Grieg:Two Elegiac Melodies, Op. 34 No. 2
\n\t\n\n
YinQi Symphony Orchestra & Chorus
\n\nBack in 1984, several professors of music, due to their belief in how classical music could cleanse one's mind and soul, founded “Music Major Fellowship.” In August 1989, “Yinqi Symphony Orchestra & Chorus” (shortened as “Yinqi” later) was established. With great insistence of producing high quality performances and compositions, Yinqi has been dedicated to bringing soothing and enhancing music to the society. Every year, Yinqi hosts two series of concerts-- Music of the Soul and Music of Humanity-- in the National Theater & Concert Hall, with the hope to have in-depth conversations with music lovers via sacred classical music and other masterpieces. In May 2001, “Yinqi Culture & Music Foundation” was founded, strategically promoting classical music traditions. In the past three decades, Yinqi, with the support and positive responses from music lovers around Taiwan, perseveres in conveying genuine love for Taiwan via music. While many in the world are pursuing material comfort, Yinqi hopes to increase public awareness in the value of culture and contribute to the development of the arts.
\n\n\n\n
Cast
\n\nYinQi Symphony Orchestra & Chorus
\nConductor|Gordon Shi-Wen Chin
\nSoprano|Mei-Lin Chen
\nTenor|Bogu Chou
\n\n
\n\n
\n',team:""},createdAt:1546580790,updatedAt:1551662888,updatedBy:"許哲維"},{_id:"5c37fedf78d9f90007157469",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1552127400,discrete:[{time:1552127400},{time:1552197600},{time:1553337e3},{time:1553407200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[1200,1500,1800,2100,2400,2800,3e3,3200,3600,3900],link:"#"}},sliders:[{type:"image",key:"cc2d733b72c7a59125b341e2e7f147e5"},{type:"image",key:"4c02088155cd08127b146d6849d4e5e8"},{type:"image",key:"4b365466089f39e4056c44aef7b2d328"},{type:"image",key:"0f5416c15127ed02d8e906be9e06e271"},{type:"image",key:"9ec807a94ef50fc9d81736df53691269"}],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"《哈利波特》電影交響音樂會",cover:"cc2d733b72c7a59125b341e2e7f147e5",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:"
●全片英文發音,中文字幕。
\n\t●建議6歲以上觀眾觀賞,12歲以下孩童需家長陪同。
\n\t●本場地一樓觀眾席為階梯式入口,請斟酌考量購票。
\n\t改編自英國J.K.羅琳同名小說的電影《哈利波特》系列,自2001年至2011年十年時間,以八部電影的方式完整呈現小說精華,大人、小孩無不為之瘋狂,魔法熱潮全球席捲,累積逾85億美元票房,是史上最暢銷系列電影,更是許多人最美好的回憶!由華納兄弟獨家授權的哈利波特電影交響音樂會,2019將首次造訪高雄!一連帶來四集的電影配樂音樂會,包含由電影配樂巨擘約翰.威廉斯(John Williams)操刀編創的《神秘的魔法石》、《消失的密室》、《阿茲卡班的逃犯》,以及由派崔克.朵伊爾(Patrick Doyle)編寫的《火盃的考驗》,搭配HD高畫質螢幕全片電影,邀請樂迷影迷一同穿越九又四分之三月台,重返奇幻的魔法世界!
\n\n\n\n\n\n\n\n
※各場次票劵獨立販售
\n\n2019/03/09 (六)18:30 哈利波特:神秘的魔法石™電影交響音樂會
\n\n約翰.威廉斯(John Williams)曾為「星際大戰」系列、《搶救雷恩大兵》、《小鬼當家》、《關鍵報告》創作出金獎音樂,在「哈利波特」前三部曲施展音樂魔法,彩繪著洋溢想像力因子的冒險傳奇,包含以中古世紀味道的管樂號淡淡勾勒出神秘氣氛的序曲;以華格納的歌劇音調掌握主角身世命運主題音樂等,其中〈Hedwig’s Theme〉最為人所知,是約翰為哈利波特系列所創作,在《神秘的魔法石》中首度運用,後續也運用於每一套哈利波特電影音樂中。
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電影音樂會全長約176分鐘,含中場休息20分鐘。
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2019/03/10 (日)14:00哈利波特:消失的密室™電影交響音樂會
\n\n約翰在第二集的音樂編寫以《神秘的魔法石》的基調及風格為主,並延伸兩個音樂主題〈Hedwig’s Theme〉及〈Harry’s Wondtous〉優雅純真、閃亮繽紛的音樂質感,再次創作了更多的新主題,並找來《阿甘正傳》、《神鬼傳奇2》的編曲威廉.羅斯(William Ross),一同打造幾段峰迴路轉、高低起伏不斷的驚險氣氛運作。
\n\n\n\n
電影音樂會全長約178分鐘,含中場休息20分鐘。
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2019/03/23(六)18:30哈利波特:阿茲卡班的逃犯™電影交響音樂會
\n\n約翰與第三集導演柯朗做出兩大音樂創作上的改變,首先是以兒童唱詩班的合聲歡迎霍格華茲的學返校,將〈Hedwig’s Theme〉融入莎翁名劇《馬克白》的論述精神,進行了主題樂章的變裝遊戲,樂章中瀰漫的中古世紀色彩成為彩繪《哈利波特》的奇幻魔法世界基調,以多種變裝方式,創造出爵士風格、加重黑色成分的音樂特性等改造了〈Hedwig’s Theme〉主題音樂。
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電影音樂會全長約166分鐘,含中場休息20分鐘。
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2019/03/24(日)14:00哈利波特:火盃的考驗™電影交響音樂會
\n\n本集電影導演由麥克紐.威爾擔任,音樂創作也找來派崔克.朵伊爾(Patrick Doyle)編寫,為本集音樂帶來多種交響視聽感受,包含管號齊揚、氣勢凌人的交響樂、鑼鼓喧天的鼓號樂、華麗多姿的華爾滋、清新的蘇格蘭民謠、詭譎魔幻的歌德音樂、陰鬱的安魂曲、溫暖和煦的田園民謠小品,還有如童話一般小巧可愛的音樂片段。
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電影音樂會全長約176分鐘,含中場休息20分鐘。
\n\n\n\n\n\n\n\n
演出人員
\n\n\n\n
指揮|楊士弘Shih-Hung Young
\n\n楊士弘,來自臺灣的華裔指揮家與小提琴家,出生於馬來西亞吉隆玻,後來到美國,他獲得茱莉亞音樂學院音樂學士及碩士學位,並在紐約州立大學石溪分校獲得其音樂博士學位。自1995 年來,楊博士一直擔任茱莉亞音樂學院預科分部教師。作為一個活躍的交響、電影配樂以及歌劇指揮,與獨奏以及室內樂音樂會的表演者,楊博士也是霍華.蕭爾奧斯卡金像獎得獎《魔戒》電影交響音樂會的御用指揮;與金球獎得主麗莎. 潔拉德一同合作演出漢斯.季默得獎作品《神鬼戰士》電影交響音樂會;以及尼諾.羅塔《教父》電影交響音樂會的指揮。他曾是在紐約ThirdStreet Music School Settlement 室內樂團指揮,以及巡迴全美東尼獎得獎《晴光翡冷翠》、《窈窕淑女》的百老匯以及無線電城火箭女郎所帶來的《Christmas Spectacular》巡迴的副指揮以及首席。即將來到的音樂會包括捷克布拉格、斯洛伐克布拉提斯拉瓦、法國巴黎、休士頓、德克薩斯、西班牙以及德國。
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樂團|長榮交響樂團Evergreen Symphony Orchestra
\n\n財團法人張榮發基金會所屬長榮交響樂團是一個「年輕有活力、團結有紀律、專業有特色」的樂團,有別於其他公立樂團,是全國目前唯一也是國際間少數由民間法人機構經營的職業交響樂團,其成立宗旨為提供一個優質的表演舞台,全方位培養屬於台灣的音樂人才,期以向下扎根的方式耕耘出具有台灣特色的音樂園地,既關懷本土也放眼世界。
\n\n2007 年起正式聘請曾任慕尼黑室內獨奏樂團、慕尼黑愛樂、斯圖加特廣播交響...等知名樂團客座的葛諾.舒馬富斯先生為現任音樂總監及首席指揮。長榮交響樂團是國際間少數曾分別與世界三大男高音帕華洛帝、卡瑞拉斯、多明哥合作之樂團,多年來曾與樂團合作之藝術家還包括:指揮海慕特. 瑞霖、井上道義,男高音安德烈.波伽利、羅素. 華生,女高音安琪拉.蓋兒基爾、芮妮.弗萊明, 小提琴家林昭亮、呂思清、神尾真由子,長笛大師彼得-盧卡斯.葛拉夫(Peter-Lukas Graf)等。長榮交響樂團於2004 年起開始出國巡演,至今已創下國內樂團出國巡演的場次紀錄,邀約不斷的國際演出機會,都意味著長榮交響樂團的腳步已邁向世界,藉由長榮集團海運及航空等運輸事業在國際上打下的根基,長榮交響樂團期望能將台灣精緻的藝術文化推廣到世界每一個角落。
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國立實驗合唱團|Taiwan National Choir
\n\n為培養歌樂人才,充實國家劇院、音樂廳及各地文化中心展演內容,教育部於民國 74 年輔導成立國立實驗合唱團,迄今 30 年,已演出超過 700 場,現由教育部委託國立臺灣藝術教育館鄭乃文館長擔任團長。2007 至 2012 年間,聘請國際知名合唱指揮葛羅絲曼教授擔任音樂總監,接受多方面音樂風格的訓練。合唱團曾應邀至全球十餘國演唱,將台灣歌唱藝術帶至國際舞台。合唱團優異表現成為國際知名音樂團體來台演出爭相邀請合作對象,包括:世界知名指揮家 辛諾波里、馬舒、哈汀、霍內克、謝貝斯 塔、久石讓、葛濟夫、德國德勒斯登國家管絃樂團(2000)、 美國紐約愛樂交響樂團(2002)、英國倫敦交響樂團(2007)、美國匹茲堡交響樂團(2009)、俄國 馬林斯基劇院交響樂團等。合唱團演唱曲目極廣,含括各國民謠、藝術歌曲、經文歌、彌撒曲、清唱劇、神劇、歌劇等,合唱團員大部份為修習聲樂者,其中不乏學成返國之優秀歌唱家,亦是國內聲樂家培育的搖籃,國內許多知名聲樂家均曾在此接受過訓練。
\n\n▲3/24(日)場次無合唱編制
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\n\n
HARRY POTTER characters, names and related indicia are © & ™ Warner Bros. Entertainment Inc. J.K. ROWLING`S WIZARDING WORLD™ J.K. Rowling and Warner Bros. Entertainment Inc. Publishing Rights © JKR. (s19)
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"Harry Potter Film Concert Series",cover:"",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:"
●Performed in English with Chinese subtitles.
\n\t●Suitable for age 6+.Children under age 12 need to be accompanied by an adult.
\n\tThe book that broke all publishing records -selling more than 97 million books in 115 countries in 40 languages -is now the year's most highly anticipated motion picture. Harry Potter Film Concert Series will feature the film's magical musical score, composed by the renowned John WILLIAMS. Best known for his unforgettable scores to such classic films as Jaws, Star Wars, Schindler's List, Superman, and the Indiana Jones trilogy, WILLIAMS has taken home a stunning array of awards, including 5 Oscars and 18 Grammys.
\n\nThe performance will feature a live symphony orchestra performing, to picture, every note from Harry Potter. Audiences will be able to relive the magic of the film in high-definition on big screen while hearing the orchestra performing John WILLIAMS' unforgettable score.
\n\n\n\n
03/09 Harry Potter and the Philosopher's Stone
\n\n03/10 Harry Potter and the Chamber of Secretes
\n\n03/23 Harry Potter and the Prisoner of Azkaban
\n\n03/24 Harry Potter and the Goblet of Fire
\n\n※Each performance will be ticketing seperetly.
\n\n2019/03/09 (Sat.)18:30 Harry Potter and the Philosopher's Stone
\n\nHarry Potter learns on his eleventh birthday that he is the orphaned son of two powerful wizards and possesses magical powers of his own. At Hogwarts School of Witchcraft and Wizardry, Harry embarks on the adventure of a lifetime. He learns the high-flying sport of Quidditch and plays a thrilling game with living chess pieces on his way to face a Dark wizard bent on destroying him.
\n\n\n\n
Duration is 176 mins with 20 mins intermission.
\n\n\n\n\n\n\n\n
2019/03/10 (Sun.)14:00 Harry Potter and the Chamber of Secretes
\n\nCars fly, trees fight back and a mysterious house-elf comes to warn Harry Potter at the start of the second year of his amazing journey into the world of wizardry. This year at Hogwarts, spiders talk, letters scold and Harry's own unsettling ability to speak to snakes turns his friends against him. From Dueling Clubs to rogue Bludgers, it's a year of adventure and danger when bloody writing on a wall announces: “The Chamber of Secrets has been opened.” Saving Hogwarts will require all of Harry’s, Ron's and Hermione's magical abilities and courage.
\n\n\n\n
Duration is 178 mins with 20 mins intermission.
\n\n\n\n\n\n\n\n
2019/03/23(Sat.)18:30 Harry Potter and the Prisoner of Azkaban
\n\nIn Harry Potter and the Prisoner of Azkaban, Harry, Ron and Hermione, now teenagers, return for their third year at Hogwarts, where they are forced to face escaped prisoner, Sirius Black, who seems to pose a great threat to Harry. Harry and his friends spend their third year learning how to handle a half-horse, half-eagle Hippogriff, repel shape-shifting Boggarts and master the art of Divination. They also visit the wizarding village of Hogsmeade and the Shrieking Shack, which is considered the most haunted dwelling in Britain. In addition to these new experiences, Harry must overcome the threats of the soul-sucking Dementors, outsmart a dangerous werewolf and finally deal with the truth about Sirius Black and his relationship to Harry and his parents. With his best friends, Harry masters advanced magic, crosses the barriers of time and changes the course of more than one life.
\n\n\n\n
Duration is 166 mins with 20 mins intermission.
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2019/03/24(Sun.)14:00 Harry Potter and the Goblet of Fire
\n\nWhen Harry Potter's name emerges from the Goblet of Fire, everything changes as the three largest European schools of wizardry battle for glory in the Triwizard Tournament. But if Harry never submitted his name for the Tournament, who did? Now Harry must confront a deadly dragon, fierce water demons and an enchanted maze only to find himself in the cruel grasp of He Who Must Not Be Named. Everything changes as Harry, Ron and Hermione leave childhood forever and take on challenges greater than anything they could have imagined.
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Duration is 176 mins with 20 mins intermission.
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Cast
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Conductor|Shih Hung Young
\n\nShih-Hung Young, Chinese Conductor and violinist from Taiwan, was born in Kuala Lumpur, Malaysia and later came to the United States to attend the Juilliard Pre-College. He received his Bachelor's and Master's of Music degrees from The Juilliard School and a Doctorate of Music from State University of New York at Stony Brook. Dr.Young has been on The Juilliard School Pre-College Division faculty since 1995.
\n\nAn active conductor of symphonic, film scores and operas, and a performer of solo and chamber music recitals, Dr. Young serves as a conductor for Howard Shore's Academy Award-winning Lord of the Rings: Live to Projection & Lord of the Rings Symphony. He recently began conducting Hans Zimmer's award winning score Gladiator: Live to Projection, collaborating with Golden Globe winner Lisa Gerrard.
\n\nUpcoming performances include concerts in Bulgaria, Madrid, Barcelona and Munich.
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Evergreen Symphony Orchestra
\n\nFounded and supervised by the Chang Yung-Fa Foundation, the Evergreen Symphony Orchestra (ESO) is exceptional in being the only professional orchestra in Taiwan overseen by a private foundation, and one of but a few of its kind on the international stage. Young and energetic, full of team spirit and discipline,and characterized by outstanding professionalism and a unique style, the ESO's mission is to offer the public superior performances of classical music by training and employing local talent. We are devoted to fostering young musicians and cultivating an environment and outlook that is both rooted in Taiwan and open to the world, an aspiration that is amply reflected in our musical repertoire.
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Taiwan National Choir
\n\nIn order to help the young vocalists developing their careers, and provide elaborate programs for the audience all over Taiwan, Taiwan National Choir was established under the supervision of the Ministry of Education in 1985. Over seven hundred concerts were performed in the past thirty years. Cheng-Chih Wu, who is also the director of National Taiwan Normal University , is the director currently. Since 2007 to 2012, professor Agnes Grossmann, who is invited to be the music director of chorus.
\n\nThe repertoire of Taiwan National Choir is extensive, ranging from folk songs from various countries, lieder to motets, masses, cantatas, and oratorios. Its members are primarily students of vocal music plus a number of accomplished singers who have graduated from the music schools overseas. Practices are held twice a week at least. It is the most proficient and welcomed chorus funded by the government. Hopefully it will reach the requirement for a full-time professional chorus in the near future.
\n\n▲Taiwan National Choir will only perform on 9th, 10th and 23th Mar.
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HARRY POTTER characters, names and related indicia are © & ™ Warner Bros. Entertainment Inc. J.K. ROWLING`S WIZARDING WORLD™ J.K. Rowling and Warner Bros. Entertainment Inc. Publishing Rights © JKR. (s19)
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來唱歌吧!
\n泰武古謠傳唱-唱進WOMAD行前首發場
\n讓大武山的歌聲,唱響世界最大藝術節
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「泰武古謠傳唱」將於三月受邀前往於澳洲-阿得雷德與紐西蘭-新普利茅斯舉辦的WOMADelaide與WOMAD New Zealand 進行巡迴演出,特別於出發前舉辦「行前首發場」,讓喜愛原民古謠的樂迷們先聽為快。
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本節目上半場為「古謠清唱版」,純粹乾淨的歌唱,讓樂迷感受聲音美感與演唱功力;下半場加入吉他、大提琴、打擊及鍵盤四位知名樂手演繹「跨界動感版」,藉由全新編曲,加入輕電音,呈現輕鬆氛圍,讓現場不分年齡,皆能透過「泰武古謠傳唱」優美亮麗的歌聲歡樂唱跳。
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此次演出聚集了老、中、青三代同台,部落老人的歲月嗓音賦予儀式般莊重感,中壯年嗓音與青年交疊其中,展現排灣音樂旋律線條的交織厚度與綿密性,創造了極為豐富的合唱聲響。
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演前導聆
\n\n03/03(日) 15:50-16:10於音樂廳3樓大廳由查馬克與團員代表進行演前導聆
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\n泰武古謠傳唱- 來自北大武山的排灣族美聲天籟,征服了世界的耳朵
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歌,飛過群山 - 泰武古謠傳唱 & Daniel Ho
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泰武古謠傳唱與Daniel Ho 的故事
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泰武古謠傳唱
\n\n「泰武古謠傳唱」擅長古調清唱及融合現代音樂語彙的跨界演出,曾被日本NHK電視台Amazing Voice節目的全球觀眾票選為最受歡迎第四名,譽為「能從歌中看山聽風的天籟之音」。
\n\n在藝術總監查馬克.法拉屋樂指導下,橫跨兒童到青少年的成員們,既能以自然且充滿情感的歌聲詮釋老祖先流傳的複音歌謠,又能與專業音樂家合作高難度的跨界演出,是許多國際音樂節或國際文化活動爭相邀請的臺灣瑰寶,也與葛萊美音樂家Daniel Ho合作專輯及世界巡迴演出,亦自製多場演唱會及音樂劇,深受國內外樂迷喜愛。
\n\n2002年成立以來,參演過愛沙尼亞國際東方音樂節、瑞士托根堡自然之聲音樂節、韓國全州國際清唱藝術節、馬來西亞熱帶雨林世界音樂節、2018世界音樂節@臺灣等重要演出,2019年三月受邀前往澳洲阿得雷德、紐西蘭新普利茅斯舉辦的WOMADelaide與WOMAD New Zealand 進行巡迴演出,是首支唱進WOMAD主舞台的臺灣團隊。
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製作暨演出單位
\n節目總監|于蘇英
\n藝術總監|查馬克.法拉屋樂
\n音樂總監|曾仁義
\n執行製作|黃珮迪
\n吉他|曾仁義、張理軒
\n鍵盤|洪子龍
\n打擊|吳政君
\n大提琴、電貝斯|葉俊麟
\n歌手|湯董香圓、邱宵鳳、董美珠、戴曉晴、徐念宗、德路特.達理瑪勞、劉藝馨、許聖玫、陳芯筠、林雪兒、芮樂絲勒斯.阿扎伊浪、陳欣慈、徐念庭
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Come and Sing!
\nTaiwu Ancient Ballads Troupe: Pre-WOMAD Concert
\nThe songs of Mt. Taiwu at the world's biggest festival!
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WOMAD is an annual celebration of art that is watched by the world. Since the first WOMAD in 1980, it has become highly developed and symbolic.
\n\nThe Taiwu Ancient Ballads Troupe has been invited to perform at WOMADelaide and WOMAD New Zealand in March, and before they set off, they will give a pre-departure concert for indigenous folk music lovers in Taiwan.
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The first half of the concert, “Ancient Ballads in Acapella,” will allow listeners an immersion into the beauty of pure vocals; during the second half, “Crossover Dynamics,” the guitar, cello, keyboard, and percussion will be incorporated into all-new rearrangements. Elements of light electronic music will also be added, creating a relaxing atmosphere of joy for all who attend regardless of their age.
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Diversity in age will also be seen in the performers themselves. The voices of elderly singers, resonating with a sense of ritual solemnity, will be accompanied by younger singers in a heightened display of the richness and refinement of Paiwan-tribe choral singing.
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Paiwan's natural voice - Taiwu Children's Ancient Ballads Troupe
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To & From The Heart - Taiwu & Daniel Ho
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Taiwu Children & Daniel Ho's Story
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The Taiwu Ancient Ballads Troupe
\n\nThe Taiwu Ancient Ballads Troupe was formed at the Taiwu Elementary School in Taiwan. In 2002, Camake VALAULE began teaching at the school and led his students in taking part in traditional singing competitions, in part to work toward passing down the legacy of Paiwan tribal singing. VALAULE began documenting ancient Paiwan songs through oral accounts and speeches from tribal elders.
\n\nThe Taiwu Ancient Ballads has performed at venues in the US, Germany, France, Australia, the Netherlands, Belgium, Estonia, Switzerland, China, and Japan. The troupe has been invited to perform at WOMADelaide and WOMAD New Zealand in March, 2019. They're the first Taiwanese group to perform on the main stage of WOMAD. They have also been involved in collaborations with pipa master Wu Man and Grammy Award-winning ukulele guru Daniel Ho. Their work has been described as “heavenly music that allows one to see the mountains and hear the breeze.”
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Creative and Production Team
\n\nDirector|Yu Su-Ying
\nArtist Director & Leader|Camake Valaule
\nMusic Director|Tseng Jen-Yi
\nExecutive producer|Huang Pei-Ti
\nGuitar|Tseng Jen-Yi, Ljavuras Llimatjajan
\nKeyboard|Huang Tzu-Lung
\nPercussion|Wu Cheng-Chun
\nCello & Bass|Yeh Chun-Lin
\nSingers|Tang Dong Xiang-Yuan, Chiu Hsiao-Feng, Tung Mei-Chu, Tai Hsiao-Ching, Hsu Nien-Tsung, Tedrwt Talimaraw, Liu Yi-Hsin, Hsu Sheng-Mei, Chen Hsin-Yun, Lin Hsueh-Erh, Dresdres Azangiljan, Chen Hsin-Tzu, Hsu Nien-Ting
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