\n理查.史特勞斯在晚年為十六件管樂器所寫的《快樂工坊》,也是在追求莫札特那般澄澈的聲響。
\n而莫札特之所以能揮灑木管樂器,是因為雙簧木管樂器與橫笛在法國宮廷中得到長足的發展。在路易十四的支持下,木管樂器受到貴族喜愛,吹奏橫笛也成為歐陸的風尚。盧利也投路易十四所好,整合宮廷的音樂資源,將木管樂器併入弦樂團,為後來的管弦樂團打下基礎。講究華麗喧嘩的流風所及,也難怪《巴黎》交響曲的編制龐大、排場熱鬧,超越了莫札特其他的交響曲。
\n理查.史特勞斯的《快樂工坊》的編制是將木管五重奏擴大而成:五件樂器各乘以二,然後增加兩把法國號,又增加了單簧管、巴塞管、低音單簧管與倍低音管各一。這讓法國號的編制達到大型管弦樂團的規模,其他低音木管的加入,會讓整體聲響更為厚實暗沉。(撰文/吳家恆)
\n《快樂工坊》寫於二戰末期,德國戰敗的命運已是不可避免,納粹雖然禮遇理查.史特勞斯,但並非真心接納,而理查.史特勞斯也只能保持表面的和諧。在此狀況下,作曲家以純熟的技巧驅動樂思,寄情於莫札特的純真,反而更顯得世局晦暗。
\n\n
演出曲目
\n\n理查.史特勞斯:交響曲《快樂工坊》,為十六件管樂器
\n\n莫札特:G大調第一號長笛協奏曲
\n\n莫札特:第三十一號交響曲《巴黎》
\n\n\n\n
演出暨製作團隊
\n\n指揮、長笛|卡爾.海因茨.舒茲
\n\n樂團|國立臺灣交響樂團
\n\n\n\n
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Conducted by Karl-Heinz Schütz, who is also the soloist, this concert pays tribute to Mozart. Popular features such as bright color schemes as well as the lightness and subtleness of woodwind ensembles are present in his symphonies, chamber music, and concertos.
\nRichard Strauss' "The Happy Workshop" for sixteen wind instruments, which was completed in his later years, aimed to emulate Mozart's crystal-clear sound.
\nWoodwind instruments gained popularity among the nobles with the support of French King Louis XIV, and playing the flute became extremely fashionable throughout Europe. The flute and double-reed woodwind instruments were extensively developed in the French court, which is why Mozart was such a master of them. Jean-Baptiste Lully also went along with Louis XIV's preferences and incorporated woodwind instruments into the string orchestra, laying the foundation for future orchestras. Given the loud and extravagant trends, it is not surprising that the arrangement of the large and lively Paris Symphony surpasses Mozart's other symphonies.
\nRichard Strauss expanded the original woodwind quintet in his "The Happy Workshop": there is double of each of the five instruments, then he added two French horns, followed by a clarinet, a basset horn, a bass clarinet, and a double bassoon. This formation has the same number of French horns as a large orchestra, plus the addition of other bass woodwinds thickens and darkens the overall sound.
\n"The Happy Workshop" was written at the end of World War II when Germany's defeat was inevitable. Although the Nazis treated Richard Strauss with courtesy, they did not really accept him; and Richard Strauss, in turn, just maintained basic politeness. Under such circumstances, the composer turned to Mozart's innocence for inspiration, which further highlighted the darkness of the world's situation.
\n\n
Program
\n\nR. Strauss: Symphony for Wind Instruments "The Happy Workshop"
\n\nW. A. Mozart: Flute Concerto No.1 in G Major, K. 313
\n\nW. A. Mozart: Symphony No. 31 in D Major, K. 297 "Paris"
\n\n\n\n
Creative and Production Team
\n\nConductor & Flute|Karl-Heinz Schütz
\n\nOrchestra|National Taiwan Symphony Orchestra
\n\n\n\n
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林沂蓁是目前活躍於歐洲樂壇新一代的年輕指揮家。出生在臺灣,自幼舉家移居維也納,先後學習小提琴、鋼琴與指揮,曾經受到祖賓梅塔、海汀克與大衛辛曼的指點。2009年,林沂蓁在維也納的金色大廳以指揮身分初登場,之後演出邀約不斷,指揮音樂會,也指揮歌劇,包括當代新作,像是在柏林德意志歌劇院演出圖納吉的《希臘》,也有經典劇碼,例如受布雷根茲藝術節邀請,指揮普契尼的《蝴蝶夫人》。
\n林沂蓁風格爽利,有能力處理困難的歌劇,讓音樂的詮釋更上一層樓,得到製作單位的欣賞,所以成為幾個歐洲音樂節與歌劇院經常邀約的對象。
\n這場音樂會有北國的冷冽,也有南國的溫暖繽紛。西貝流士《芬蘭頌》應能展現林沂蓁的俐落明快;小提琴協奏曲由自1999年起任芝加哥交響樂團首席、近年來以獨奏家身分持續活躍的陳慕融擔任獨奏,高超的技巧與飽滿的能量,與樂團對抗、碰撞。
\n拉威爾的《鵝媽媽組曲》本為鋼琴曲,由作曲家改編成管弦樂曲,充分顯露了作曲家對色彩的想法與精湛的配器。至於《西班牙狂想曲》,那是回到拉威爾在血脈中流動的音樂。因為拉威爾的母親是法、西邊界的巴斯克人,西班牙音樂是拉威爾的母語,是自然表露。
\n冰火二重天,能否冷熱分明,請看指揮與樂團的揮灑。(撰文/吳家恆)
\n\n
演出曲目
\n\n西貝流士:芬蘭頌
\n\n西貝流士:D小調小提琴協奏曲
\n\n拉威爾:鵝媽媽組曲
\n\n拉威爾:西班牙狂想曲
\n\n\n\n
演出暨製作團隊
\n\n指揮|林沂蓁
\n\n小提琴|陳慕融
\n\n樂團|國立臺灣交響樂團
\n\n\n\n
\n\n
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Young conductor Yi-Chen Lin is currently very active among the new generation in the European music circle. Born in Taiwan, she moved with her family to Vienna when she was very young. Lin later studied violin, piano, and conducting, and was instructed by Zubin Mehta, Bernard Haitink, and David Zinman. Lin made her conducting debut at Vienna's Golden Hall in 2009. Since then, she has been invited to conduct numerous concerts and operas, including contemporary new works such as Mark-Anthony Turnage's Greek at the Deutsche Oper Berlin, and classic compositions - Lin was invited by the Bregenzer Festspiele to conduct Puccini's Madame Butterfly.
\nLin’s clean and decisive style allows her to handle difficult operas and take the interpretations to the next level. Her artistry is recognized by many production producers and Lin is constantly sought after by European music festivals and opera houses.
\nThe coldness of the north and the warmth of the south are both represented in this concert. Sibelius' "Finlandia" is the perfect opportunity for conductor Yi-Chen Lin to fully demonstrate her sharp and clear form. Violinist Robert Chen, who has been the concertmaster of the Chicago Symphony Orchestra since 1999, will take the stage as the soloist in the same composer's Violin Concerto in D minor. An active soloist in the recent music scene, Chen unleashes his outstanding skills and unbridled energy in this intense interaction with NTSO.
\nRavel's Suite "Ma Mère l'oye" was a piano piece that was later adapted into an orchestral composition by the composer. This version showcases the composer's perspective of color and exquisite instrument arranging skills beautifully. His "Rapsodie Espagnole" pays homage to the music that has always flowed in Ravel's veins – Ravel's mother was of the Basque people who resided on the French-Spanish border, so Spanish music is to Ravel like a mother tongue.
\nCome and experience how the conductor and NTSO present the collision of fire and ice.
\n\n
Program
\n\nJ. Sibelius: Finlandia, Op. 26
\n\nJ. Sibelius: Violin Concerto in D minor, Op. 47
\n\nM. Ravel : Suite "Ma Mère l'oye"
\n\nM. Ravel: Rapsodie Espagnole
\n\n\n\n
Creative and Production Team
\n\nConductor|Yi-Chen Lin
\n\nViolin|Robert Chen
\n\nOrchestra|National Taiwan Symphony Orchestra
\n\n\n\n
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\n\n
來臺10週年專場
\n\n漫才少爺來臺灣第10年,特別舉辦笑中帶淚的漫才專場!兩位日本漫才師在臺灣生活了這麼長時間,對臺灣的生活日常、文化習俗,積累了許多有趣的洞察和趣事。他們將透過一場充滿笑聲的60分鐘中文漫才表演,與觀眾分享這些獨特的觀察和體驗。
\n\n漫才是日本已經發展了許多年的搞笑文化,通常由雙人組合演出。其中一個成員扮演裝傻角色,而另一個則是吐槽角色,形式上接近相聲的捧梗和逗梗。這次的漫才專場將以中文演出,讓觀眾捧腹大笑,同時深入體驗臺灣和日本文化之間的交流。
\n\n無論您是漫才的愛好者,還是對跨文化交流感興趣的人,這場漫才專場都將帶給您難忘的體驗。準備好一同歡笑,一同落淚,一同慶祝漫才少爺在臺灣的第10年!
\n\n\n\n
文章閱讀
\n\n\n\n\n\n
演出人員
\n\n主演|太田拓郎、三木奮
\n\n友情客串|冠冠
\n\n\n\n
團隊介紹
\n\n漫才少爺
\n\n漫才少爺是日本大型娛樂公司-吉本興業的搞笑藝人,在臺灣發展漫才長達10年。這個雙人組合由兩位日本漫才師太田和三木組成,太田以激動和精準又獨到的言詞吐槽,而三木則負責無釐頭的裝傻,兩人共同發展出包含臺日文化觀察的漫才。
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1696996800,end:4852713599},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6809c802b943dfe5252495048bde6463",title:"【衛武營小時光】漫才少爺《日本人の中文漫才秀》"}],related:[],title:"【Weiwuying Showtime】Manzai Bonbon - Japanese Mandarin Manzai Show",cover:"6cd23e240f8f5aeef9fc9f1cf2ed1ee3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Performed in Mandarin.
\n\tThe performance will be filmed.
\n\tIn Manzai Bonbon's 10th year in Taiwan, they present a special Manzai show that will have you laughing until tears roll down your cheeks! Manzai is a long-standing comedic tradition in Japan, usually performed by two people. One member takes on the role of the fool, while the other serves as the critic. Having lived in Taiwan for about 10 years, OOTA and MIKI have gathered many interesting insights and anecdotes about daily life and culture in Taiwan. Through a 60-minute Chinese-Manzai performance, they will share these unique observations and experiences with the audience. Whether you are a comedy enthusiast or simply curious about cross-cultural interactions, this show special promises an unforgettable experience. Get ready to laugh, shed a tear, and celebrate Manzai Bonbon's 10th year in Taiwan together!
\n\n\n\n
Artists
\n\nArtist|Takurou OOTA, Furuu MIKI
\n\nSpecial Guest|Kuan Kuan
\n\n\n\n
Team Introduction
\n\nManzai Bonbon, the duo comedian from Yoshimoto Kogyo in Japan, has been in Taiwan for 10 years. OOTA critics with sharp and accurate language while MIKI serves as fool in the performance, and they together perform the Manzai show involving Taiwan-Japan cultural observations.
\n\n\n\n
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\n\t\t |
管風琴家|劉信宏
\n\n美國華盛頓大學音樂博士。現為台南神學院專任教授。2015-2016年間獲邀至加拿大英屬哥倫比亞大學、溫哥華神學院擔任訪問學者,現為美國管風琴家協會臺灣分會理事長與臺灣管風琴家協會理事長。
\n\n曾擔任行政院公共建設審查委員會委員、臺北國家音樂廳管風琴親子音樂會顧問與高雄衛武營國家藝術文化中心籌備處管風琴委員會召集人。協助修建臺南奇美博物館的管風琴、2015年國家音樂廳管風琴,並建構臺灣最大的大稻埕教會管風琴、屏東演藝廳管風琴,與目前亞洲最大、全世界最先進的「衛武營國家藝術文化中心 - 音樂廳管風琴」。
\n\n\n\n
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管風琴家|Sean Jackson (4、5月場客席管風琴家)
\n\n國際上出色的獨奏家和伴奏家,演出遍及英國、愛爾蘭、德國、臺灣、中國大陸、加拿大、美國及加勒比海。於倫敦皇家音樂學院學習取得學士學位後,進入茱莉亞音樂學院完成了碩士和博士學位。在學期間獲獎無數,包括倫敦皇家音樂學院 Parratt、Walford Davies 和 Geoffrey Tankard 管風琴獎、Douglas Whittaker Chamber Music 獎;以及茱莉亞音樂學院 A.H. Kuhn 紀念獎學金、1999 年 William Schumann 獎和 C.V. Starr 茱莉亞音樂學院博士獎學金。自2004 年以來,在美國東北部的一些教堂擔任管風琴師及音樂總監,其中包括斯坦威奇公理會教堂。目前已錄製多張獨奏及合作專輯。
\n\n\n\n
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管風琴家|陳相瑜(6月場客席管風琴家)
\n\n管風琴家、鋼琴家兼大鍵琴演奏家,國家表演藝術中心「樂壇新秀」及「中興文藝獎」音樂類得主。
\n\n國立臺北藝術大學畢業,主修鋼琴,副修大鍵琴;美國西北大學管風琴演奏暨鋼琴演奏碩士。
\n\n曾與國家交響樂團、長榮交響樂團、台北愛樂管弦樂團、中國貴陽交響樂團、台北市民交響樂團等合作,擔任管風琴獨奏,也曾參與總統府音樂會、臺北藝術大學音樂廳及屏東演藝廳開幕系列音樂會、鼓浪嶼音樂節閉幕音樂會演出。除了獨奏、室內樂外,也經常受邀參與各大樂團、合唱團演出。
\n\n現任教於東吳大學音樂系,演出教學之餘,常受邀撰寫音樂相關文章,文字作品發表於部落格《陳相瑜的音樂世界》。
\n\n\n\n
\n\t\t |
1-4月場 主持人|朱郁柔 Abby CHU
\n\nOrgelkids Taiwan 音樂總監;曾經擔任多場屏東演藝廳管風琴推廣音樂會主持人、屏東演藝廳管風琴工作坊講師、屏東藝遊影音「9分鐘認識音樂界的重量級樂器-管風琴」主講人、屏東演藝廳兒童管風琴夏令營音樂總監、衛武營「玩樂管風琴」管風琴工作坊講師、衛武營管風琴校園推廣計畫講師、國藝會「音樂飄鄉」組裝Orgelkids 小管風琴工作坊講師。
\n\n\n\n
5-6月場 主持人|呂岱衛
\n\n資深音樂工作者,古典音樂台FM97.7《蒙德里安調色盤》節目主持人,
自從2014年起,所主持的廣播節目《蒙德里安調色盤》連續九年獲得文化部優質廣播節目之補助,締造國內廣播節目接受文化部補助的紀錄。除廣播主持外也在全國各地開辦了多場大型系列講座,並策畫了台中國家歌劇院《佰元音樂會》系列音樂會以及《風靡世界、歌舞全球-音樂劇沙龍講座》以及首屆奇美音樂節的演出。同時也在各縣市文化局、兩廳院以及國內各大樂團的邀請下舉辦了各式音樂專題講座,至今累積的數百場講座中以深入淺出的內容中暢談音樂、透析人生,不僅為愛樂者打開了音樂之門,同時也拓展了生命的深度與廣度。
\n\n\n\n
\n'},{reference:[],type:"content",name:"管風琴介紹",content:'
管風琴是世界上最古老的樂器之一,歷史可以追溯至西元前三世紀的古希臘。由於演奏效果莊嚴宏偉,與教堂迴聲搭配更顯氣勢,加上有多變的音色選擇,從中世紀開始,管風琴成為宗教音樂中相當重要的存在,也讓後世作曲家為管風琴創作大量作品。
\n\n隨著傳教士的腳步,管風琴走出歐洲,在全球的教堂內出現,像是在臺灣就有三十幾台位於教會內的管風琴。而在西方古典音樂成為主流演出的當代,建造音樂廳等表演場館時,管風琴亦成為標準配備,讓更多觀眾能夠有機會聽到此項雄偉樂器的壯觀聲響。
\n\n因此,衛武營在規劃時,就決定要在音樂廳內建置管風琴,委託德國波昂百年管風琴製造商克萊斯(Johannes Klais Orgelbau)量身打造,歷經三年多時間完成,共有9085支音管與127支音栓,為目前亞洲最大的音樂廳演奏用管風琴,也是目前全世界音樂廳內唯一可以同時邀請3位管風琴家登台演奏的音樂廳。與葡萄園式觀眾席融為一體的外觀設計,更是讓來訪的世界級管風琴家們驚艷不已!
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\n\t\t\t 1/3(三)14:30-15:30 \n\n\t\t\t【管風琴新年派對】 \n\n\t\t\t※舞台零距離體驗場 \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 說到衛武營最有名的樂器,除了榕樹廣場那知名的公共鋼琴以外,就是音樂廳裡那亞洲最大的管風琴了。在今年度的《探索管風琴音樂》系列中,我們將從《新年派對》開始與大家一同走進管風琴的音樂世界。 \n\n\t\t\t在這場音樂會中,我們將聽到大家所熟悉的貝多芬《歡樂頌》,只不過這次是由管風琴改編出截然不同的風貌,相信絕對會讓大家耳目一新。此外,古典音樂中最為浪漫甜蜜的《愛的禮讚》以及李斯特博大艱深的《以巴赫為名的前奏與賦格曲》,這些都是適合陪伴大家度過新年的精彩作品。在這場音樂會中,觀眾們更能躍上舞台,近距離欣賞音樂家們演奏管風琴的風采。 \n\n\t\t\t新的一年,那讓我們在充滿歡樂、希望與愛的管風琴音樂中互道新年快樂吧! \n\n\t\t\t\n\n\t\t\t 約翰.盧特:觸技曲「7」 \n\n\t\t\t艾爾加:愛的禮讚,作品12 \n\n\t\t\t弗雷德里克・斯旺改編:貝多芬第九號交響曲《快樂頌》 \n\n\t\t\t衛斯理:《詠歎調和嘉禾舞曲》 \n\n\t\t\t克雷格 · 塞拉 · 蘭:D大調低音號的弦律,作品15 \n\n\t\t\t李斯特:以巴赫為名的前奏與賦格曲,S. 260 \n\n\t\t\t保羅・菲改編:《快樂頌》觸技曲,改編自貝多芬第九號交響曲 \n\t\t\t | \n\t\t|
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\n\t\t\t 2/21(三)14:30-15:30 \n\n\t\t\t【管風琴古典永恆的愛】 \n\n\t\t\t※舞台零距離體驗場 \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 在管風琴的世界裡,宗教音樂彰顯的是虔誠與聖潔的信仰,而在世俗音樂中卻也常用管風琴來營造永恆的愛。從孟德爾頌的第三號管風琴奏鳴曲開始便能感受到愛的希望與喜悅,接下來的幾首小品從德佛札克的《幽默曲》到貝多芬的《給愛麗絲》,無一不是古典音樂中耳熟能詳的經典名曲。這些樂曲在管風琴的改編詮釋中更能體會到古典音樂的多元性與管風琴的豐富性。此外,這場音樂會十分難得讓觀眾以零距離體驗的方式親近管風琴,感受管風琴無與倫比的魅力。 \n\n\t\t\t就讓我們在這場音樂會中一起聽見管風琴中的愛與永恆吧! \n\n\t\t\t\n\n\t\t\t 孟德爾頌:第一樂章,選自A大調第三號管風琴奏鳴曲,作品65 | \n\t\t
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\n\t\t\t 3/20(三)14:30-15:30 \n\n\t\t\t【Bach Do-Re-Mi】 \n\n\t\t\t※自由移動體驗場 \n\n\t\t\t\n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t \n\n\t\t\t 若要說到古典音樂裡史上最知名的管風琴大師,那絕非音樂之父巴赫莫屬了。巴赫在世時便以當代最傑出的管風琴師之名享譽全歐,而且巴赫不只會彈管風琴,更會鑑定、維修管風琴,當時在日耳曼境內只要有哪座城市裡的教堂有新的管風琴製造完成,都會聘請巴赫蒞臨調校,以求能讓這座管風琴發揮良好的性能與音色。雖然我們無法回到三百年前的巴洛克時代聆聽巴赫為我們演奏管風琴,但我們仍能透過巴赫的作品了解他的天才與偉大,同時也能體悟管風琴音樂的博大精深。 \n\n\t\t\t在這場音樂會中,您可在音樂廳內透過不同角落聆聽管風琴美妙豐富的琴音,體驗仙樂飄飄四處聞的美好境界。 \n\n\t\t\t\n\n\t\t\t 巴赫:c小調前奏曲與賦格,作品549 \n\n\t\t\t巴赫:《善牧羊群》,作品208 \n\n\t\t\t巴赫:《醒來吧,那聲音在呼喚我們》,作品645 \n\n\t\t\t巴赫:D大調前奏曲與賦格,作品532 \n\n\t\t\t巴赫:降E大調前奏曲與賦格《聖安妮》,作品552 \n\n\t\t\t\n\t\t\t | \n\t\t|
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\n\t\t\t 4/10(三)14:30-15:30 \n\n\t\t\t【舞動管風琴】 \n\n\t\t\t※客席演奏家:Sean JACKSON \n\n\t\t\t\n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t \n\n\t\t\t 管風琴,是現代鋼琴發明前歷史最悠久、也最具代表性的鍵盤樂器,而鋼琴則是當今樂器之王,同時也是最普遍、也最具表現力的樂器。試想:若時空交錯,讓管風琴與鋼琴相互合作,那會呈現什麼樣的音響與效果?在這場音樂會中,我們除了將嘗試讓這兩項以往「王不見王」的樂器同台發聲,同時也精選法國作曲家法朗克、德布西與拉威爾等人的知名作品,以獨特的音響顛覆您對鍵盤樂器的想像,讓管風琴綿延豐潤的厚實與鋼琴晶瑩剔透的靈動交融在豐富多采的法式風情裡。 \n\n\t\t\t\n\n\t\t\t 杜布瓦:降B大調大合唱曲 \n\n\t\t\t戈登.楊:古典風格前奏曲 \n\n\t\t\t法朗克:前奏、賦格與變奏曲 \n\n\t\t\t德布西:〈月光〉,選自《貝加馬斯克組曲》作品 L75 - 第三首 \n\n\t\t\t勒菲比赫-維利:降E大調《退場樂》 \n\n\t\t\t拉威爾 :《波麗露》舞曲 \n\n\t\t\t\n\n\t\t\t \n\t\t\t \n\n\t\t\t\n\t\t\t \n\t\t\t | \n\t\t|
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\n\t\t\t 5/15(三)14:30-15:30 \n\n\t\t\t【管風琴電影之旅】 \n\n\t\t\t※客席演奏家:Sean JACKSON \n\n\t\t\t\n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t \n\n\t\t\t 電影配樂是當今最受歡迎的新興音樂種類之一,古今中外名列經典的電影,其配樂多半佔有功不可沒的地位。甚至許多雋永旋律更是只要一響起,馬上就讓人聯想到那讓人印象深刻的場景與畫面。在這場音樂會裡,管風琴家將化身為電影配樂大師,為您帶來一首首深植人心的經典樂曲,從莫利克奈的《教會》、《新天堂樂園》到阿根廷探戈大師皮亞佐拉的探戈舞曲;從《綠野仙蹤》裡的〈彩虹彼端〉到動感緊湊的《不可能的任務》。喔對了!還有近日才改編成電影上映的知名電玩主角《超級瑪利歐》,都將在這場音樂會中獻聲。 \n\n\t\t\t想要一探管風琴活潑俏皮卻又深情雋永的多變性格嗎?請來聆聽這場音樂會,相信一定讓您耳目一新! \n\n\t\t\t\n\n\t\t\t 哈羅德.阿倫:《在彩虹彼端》選自電影《綠野仙蹤》 \n\n\t\t\t《超級瑪利歐》幻想曲,劉信宏改編 \n\n\t\t\t《電影選曲》幻想曲,尚傑生改編 \n\n\t\t\t《感人的顏尼歐》電影音樂,劉信宏改編 \n\n\t\t\t《皮耶佐拉精選》,劉信宏改編 \n\n\t\t\tBEGIN:淚そうそう《淚光閃閃》主題曲,劉信宏改 \n\n\t\t\t拉羅.西夫林:《不可能的任務》電影音樂精選,尚傑生改編 \n\n\t\t\t拉赫曼尼諾夫《帕格尼尼主題狂想曲》選自電影《似曾相識》 \n\n\t\t\t\n\n\t\t\t \n\t\t\t \n\n\t\t\t\n\t\t\t \n\t\t\t | \n\t\t|
\n'}],onShelf:!0,sliders:[{type:"image",key:"2492cb91b46c7d025c14529f22353dee",title:"2024【探索管風琴音樂】1-6月"}],related:[],title:"2024【探索管風琴音樂】1-6月",cover:"fae133f6938893e3c8a7a22f374bb0ba",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
主辦單位保留本活動變更權利。
\n\t本活動之費用將列入衛武營會員卡消費點數累積。
\n\t舞台零距離體驗場:開放舞台區、合唱席F1-F7排自由入座。
\n\t自由移動體驗場:開放1F 1-12排、A1-A6排、2F B1-B8排 一般席自由入座。
\n\t衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n參與2024年定時導覽「廳院導覽」、主題導覽「廳院自由探索」至三樓服務中心臨櫃購買2024【探索管風琴音樂】演出,即享購票8折優惠(各項優惠折扣方案僅能擇一使用),不限購買張數。
\n\t衛武營卡友:9折
\n\t團票:8折(30人以上)
\n\t敬老票、身障及陪同:5折
\n\t更多優惠方案詳見售票頁面。
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走進衛武營音樂廳,除了驚嘆葡萄園式觀眾席與極佳音響效果外,位於最頂層的管風琴,也是眾人矚目的焦點。
\n\n若是您曾經好奇,這台亞洲最大的音樂廳管風琴,究竟能展現什麼樣的百變樣貌,「探索管風琴音樂」系列活動,將是得到解答的大好機會!
\n\n衛武營特別邀請臺灣管風琴協會理事長、美國華盛頓大學音樂博士劉信宏設計獨家節目,搭配其他樂器以及加入燈光效果等特殊聆賞規劃,加上平易近人的專業解說,展現管風琴的萬千變換與可親可愛。
\n\n活動特別安排「舞台零距離體驗場」將舞台區轉變為觀眾席區,讓您近距離一睹管風琴風采;「自由移動體驗場」在曲目間安排換位橋段,透過體驗不同的觀看視角,做為您日後蒞臨音樂廳欣賞演出的座位參考。
\n\n每月一小時,相約「探索管風琴音樂」,揭開管風琴的神祕面紗,拉近管風琴與我們的距離!
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\n 2024上半年活動場次表
\n\t\t\t 6/12(三)14:30-15:30 \n\n\t\t\t【動物狂歡齊步走】 \n\n\t\t\t※客席演奏家:陳相瑜 \n\n\t\t\t※自由移動體驗場 \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t \n\n\t\t\t 管風琴音色千變萬化眾所皆知,在同一架琴中,可以藉由改變音栓的方式變化音色。而這樣特別的機制讓管風琴擁有了獨一無二的戲劇效果,光是一架管風琴就能獨當一面、做到一整組管弦樂團才能達到的效果。但如果讓管風琴來演奏聖桑最富童趣的《動物狂歡節》,那又會什麼樣新奇的感受呢?在這場音樂會裡,我們除了聽見膾炙人口的《動物狂歡節》外,還有陳泗治充滿田園鄉村風情《臺灣素描》的〈水牛背上的八哥〉。在這些音樂裡我們不僅能更深入了解管風琴的各種音樂變化,也能體會管風琴從巴洛克時期的巴赫經典作品到當代作曲家陳泗治作品與時俱進的音樂演進。 \n\n\t\t\t一場音樂會就能讓你對管風琴音樂博古通今,何樂而不為?現在就趕緊走進音樂廳來欣賞這難得的演出吧! \n\n\t\t\t\n\n\t\t\t 艾爾加:第四號《威風凜凜進行曲》,作品39 \n\n\t\t\t華格納:〈結婚進行曲〉 ,選自《羅恩格林》 \n\n\t\t\t聖桑:《動物狂歡節》選曲 \n\n\t\t\t陳泗治:《台灣素描》選曲 \n\n\t\t\t巴赫 :〈善牧羊群〉,選自清唱劇《狩獵》,作品208 \n\n\t\t\t孟德爾頌 :〈結婚進行曲〉,選自《仲夏夜之夢》,作品61 \n\n\t\t\t魏多:f小調第5號管風琴交響曲,作品42/1 \n\n\t\t\t\n\n\t\t\t \n\t\t\t \n\n\t\t\t\n\t\t\t \n\t\t\t | \n\t\t|
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好書推薦
\n\n《打開管風琴的祕密》
\n\n由來自德國的繪本作者西妮雅.博尼希編寫繪製,衛武營取得授權後和時報出版合作在臺發行繁體中文版。以淺顯易懂的文字和充滿童趣插圖,講解樂器之王管風琴的組成構造、發聲原理,以及衛武營音樂廳中全亞洲最大管風琴,如何由德國波昂的百年管風琴製造廠Johannes Klais Orgelbau, 歷經三年多時間設計製造,並橫跨9,500多公里搬運來到高雄衛武營組裝完工的巨大挑戰 。
\n►購買連結
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藝文支持
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文化部校外文化體驗
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本活動與文化部、各地方的藝文場館及周邊場域串聯,提供文化體驗內容,共同合作推動學校帶領學生走出校園,走進戲劇院、音樂廳、演藝廳、美術館、博物館、歷史現場及績優社區營造點等文化場域,培養高中職、國中小之學子對文化藝術的興趣和感知,培育藝文欣賞人口,建立文化自信。
\n\n歡迎各縣市高中職、國中小詢問所屬縣市或有意前往縣市的文化局(處)諮詢窗口,報名參與。
\n\n►活動詳情
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Pipe Organist|LIU Hsin-hung
\n\nDr. LIU holds a Doctor of Musical Arts degree from the University of Washington and is currently a professor at Tainan Theological College and Seminary and an adjunct professor at Taipei National University of the Arts and Tainan University of Technology. LIU is a member of the American Guild of Organists (AGO) and serves as the chair of the AGO's Taiwan Chapter.
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Guest Organist|Sean JACKSON (Apr, May)
\n\nAn outstanding soloist and accompanist on the international stage, JACKSON has performed in the many countries worldwide. Since 2004, he has served as the organist and music director of music at churchs in Northeastern USA. To date, he has recorded numerous solo and collaborative albums.
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Guest Organist|CHEN Hsiang-yu (June)
\n\nOrganist, pianist, and harpsichordist; recipient of the NTCH Prominent Young Musician and Chunghsing Arts Award for music. Currently teaching at Soochow University Department of Music, CHEN is often invited to write music-related articles, and her written works are published on her blog Chen Hsiang-yu's Music World.
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Host|Abby CHU (Jan, Feb, Mar, Apr)
\n\nAbby CHU is Orgelkids Taiwan music director. She has served as a host of Educational Lecture Recitals for Organ, lecturer of the Organ Workshop in Pingtung Performing Arts Center and Weiwuying, speaker of Pingtung Performing Arts' Film A 9 minutes introduction to the King of Musical Instruments- Organ, the music director of Orgelkids Taiwan Summer Music Camp, and the lecturer of Developing STEM Approaches for Understanding Organ Project in Schools.
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Host|David LU (May, June)
\n\nAccomplished Music Professional
\n\nHost of Mondrian’s Palette on Classical FM97.7; introductory speaker for programs at the National Symphony Orchestra, National Taiwan Symphony Orchestra, Taipei Symphony Orchestra, National Taichung Theater, and National Theatre and Concert Hall; nominee for seven Golden Bell Awards; and winner of the Best Non-Mainstream Program Award and Best Non-Mainstream Program Host Award at the 52nd Golden Bell Awards
\n\n\n'},{reference:[],type:"content",name:"The pipe organ",content:"
The pipe organ is one of the world's oldest instruments, dating back to as early as the 3 rd century BC in Greece. Since it has a majestic, dignified sound, which is even more pronounced by the echo in large churches, along with its variance in timbre, it became an important presence in Christianity beginning in the Middle Ages, in turn prompting the composition of a great number of pieces over time.
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As missionaries brought their faith out of Europe, the organ followed to churches all over the world—over 30 can be found in Taiwanese churches. Now that Western classical music is a popular genre, almost all concert halls are built with an organ, allowing people all over to hear the grandeur of this fascinating instrument.
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Similarly, an organ was also put into the plans for Weiwuying.Century-old German organ manufacturer Johannes Klais Orgelbau built the instrument, which has 9,085 pipes and 127 stops, over a period of a bit more than three years. It is both the largest organ in Asia and the only concert hall organ in the world with the capacity to be played by three organists at the same time. Being perfectly blended into the vineyard seating as the cherry on top, it never fails to stun world-class organists from around the globe!
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Discount
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Besides the breathtaking vineyard-style seating and outstanding acoustics at the Weiwuying Concert Hall, the pipe organ, located on the top floor, is another major highlight. If you're wondering what this largest organ in Asia can do, our Explore the Pipe Organ series of events is just what you're looking for!
\n\nPerformances will be enhanced with other instruments, special lighting effects, and informative explanations, which will make the organ's diversity and charm more accessible and understandable to the audience.
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In addition, the programs boast two unique features: The first is that they will be Close-up Shows—the stage will be transformed into a seating area to give the audience an even closer experience with the organ. The second is the Musical Chairs aspect: members of the audience will be permitted to get up and move to other seats between pieces of music to try out different perspectives and get an idea of which seats they would like to reserve for future performances.
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So for an hour each month, come to our Explore the Pipe Organ events to see all the secrets behind this fascinating instrument!
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\n Programs
\n\t\t\t 1/3(Wed)14:30-15:30 \n\n\t\t\t【New Year's Organ Party】 \n\n\t\t\t※Close-up Show \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t When it comes to Weiwuying's most famous instruments, aside from the Public Piano in Banyan Plaza, the organ (Asia's largest), located in the Concert Hall, has quite a reputation. For this year's Explore the Pipe Organ series, we will start our stroll into this grand instrument's realm with the New Year’s Organ Party. \n\n\t\t\tAt the concert party, we will hear BEETHOVEN's ever familiar Ode to Joy, but played on the organ, as it will be an all-new breathtaking experience. Then, two of the most romantic pieces of classical music, ELGAR's Salut d'amour and LISZT's profound Prelude and Fugue on the Name B-A-C-H, are perfect additions for celebrating the arrival of the new year. What's more, members of the audience will be permitted onto the stage to enjoy the performance up close! \n\n\t\t\tLet's come together to wish each other a happy new year and immerse ourselves in hope/love-inducing music! \n\t\t\t | \n\t\t|
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\n\t\t\t 2/21(Wed)14:30-15:30 \n\n\t\t\t【Eternal Love - Classical Organ】 \n\n\t\t\t※Close-up Show \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t In religious music, the organ manifests a sense of piety and holiness, and in secular music, it is often used to create a feeling of eternal love. First, MENDELSSOHN's Sonata No. 3 will let you feel the hope and joy of love, followed by several smaller works, including DVOŘÁK's Humoresques and BEETHOVEN's Für Elise, all of which are familiar classics. The organist's interpretation of these pieces will exhibit the diversity of classical music and the organ's wealth of sound. What's more, members of the audience will get the extremely rare opportunity to watch the performance up close to truly feel the incomparable magnificence of this instrument! \n\n\t\t\tCome and experience the love and eternal bliss of the organ! \n\t\t\t | \n\t\t|
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\n\t\t\t 3/20(三)14:30-15:30 \n\n\t\t\t【Bach Do-Re-Mi】 \n\n\t\t\t※Musical Chairs \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t \n\n\t\t\t The most famous classical organist is without a doubt BACH, long known as the "father of classical music." While alive, he was viewed throughout Europe as the greatest organist, but his skill didn't stop there: he could calibrate and repair organs too. In the German cities of his day, whenever a church got a new organ, he was invariably hired to come tune it and make sure it was ship-shape with just the right timbre. We can't go back 300 years to the Baroque era and listen to him play for us, but we can gain an understanding of his talent and greatness through his music while getting a taste of the breadth and depth of the organ. \n\n\t\t\tNo matter where you sit in the Concert Hall for this event, the beauty and richness of the instrument's sound will envelop you and carry you off to a veritable wonderland. \n\n\t\t\t\n\t\t\t | \n\t\t|
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\n\t\t\t 4/10(三)14:30-15:30 \n\n\t\t\t【Dancing Organ】 \n\n\t\t\t※Organist|Sean JACKSON \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t \n\n\t\t\t The organ is the most iconic keyboard instrument with the longest history before the modern piano. Meanwhile, the piano is today's "king of the instruments" and the most common and expressive one. So what if we brought the two together…? At this concert, where we'll undertake such a bold, unheard-of experiment, we're going to completely overturn your ideas on keyboard instruments with a unique show of famous pieces by French composers FRANCK, DEBUSSY, and RAVEL that will display the reverberating, rich tone of the organ and the crystal-clear vitality of the piano. \n\n\t\t\t\n\n\t\t\t \n\t\t\t \n\n\t\t\t\n\t\t\t \n\t\t\t | \n\t\t|
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\n\t\t\t 5/15(三)14:30-15:30 \n\n\t\t\t【Cinematic Organ】 \n\n\t\t\t※Organist|Sean JACKSON \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t \n\n\t\t\t Incidental composition for film is one of the most popular forms of music. For most of silver-screen history, such music has played indispensable roles in classic films from all over the world. Upon hearing the first few notes of melodies from certain films, people often immediately think of the unforgettable scenes from which they hail. At this concert, the organ will bring you to those scenes with songs that have been inscribed into our memories, including pieces from Ennio MORRICONE's music for The Mission and Nuovo Cinema Paradiso to a medley of Argentine tango guru Astor PIAZZOLLA's work, and from The Wizard of Oz's "Somewhere over the Rainbow" to the pumping theme song of Mission: Impossible. And let's not forget the theme for the hit video game (and now movie) Super Mario Bros! \n\n\t\t\tIf you want to see the organ's capacity for both deep sentiment and lively playfulness all in one show, this concert, sure to be like no other in organ history, is for you! \n\n\t\t\t\n\n\t\t\t \n\t\t\t \n\n\t\t\t\n\t\t\t \n\t\t\t | \n\t\t|
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\n\t\t\t 6/12(三)14:30-15:30 \n\n\t\t\t【Animal Carnival】 \n\n\t\t\t※Organist|CHEN Hsiang-yu \n\n\t\t\t※Musical Chairs \n\n\t\t\t\n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t \n\n\t\t\t Everyone knows the organ's timbre can take on a multitude of demeanors through the use of its stops, which is what makes the instrument so uniquely dramatic and gives it the capacity to do what an entire orchestra is capable of. What if we performed popular movements from SAINT-SAËNS' childlike The Carnival of the Animals on the organ? We'll also hear CHEN Si-zhi's idyllic Taiwan Sketches. In this music, we can gain a deeper understanding of the many faces of the organ while enjoying a range of music from classical Baroque pieces by BACH to the contemporary, ever-advancing music of CHEN. \n\n\t\t\tAt just this one (albeit extraordinary) concert, the magical evolution of the organ from centuries past to the present day will unfold before your eyes, so what's keeping you from reserving seats? \n\t\t\t | \n\t\t
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Arts Supporting
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為避免影響演出品質,遲到及中途離席觀眾恕無法進場無遲進點,請注意,本場演出場地無提供轉播電視。
\n\t本演出非親子節目,內容涉及自殺、自殘等成人議題,敬請斟酌入場。建議觀賞年齡16歲以上。
\n\t因演出形式關係,過程中觀眾將有被拍攝之可能,購買票券之觀眾視同同意並授權劇團拍攝、修飾、使用、公開展示本人之肖像,用於演出存檔記錄與相關活動宣傳。
\n\t衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:'七歲那年,我寫了一份清單,
\n\n一份世界上所有美好事物的清單,
\n\n每件值得為它而活的事情。
\n\n這是送給我媽的禮物,我希望她可以活下去。
\n\n「事情會變好,不一定會超好,但是會變好吧?」
\n\n──《好事清單》
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一個人,一份清單,一百萬件美好的事情。
\n\n英國當代劇作家鄧肯・麥克米蘭最親密的獨角戲,
\n\n「我」與觀眾攜手相伴,一同踏上療癒之旅。
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2021與2022年場場爆滿、口碑爆棚,2024《好事清單》不插電版好評再獻!
\n\n竺定誼、林家麒、王世緯三卡司,各自演繹,彼此美好。
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驗票入口
\n\n驗票入口位於衛武營東側警衛室(國泰路東側一樓演職員入口)。演前20分鐘開放驗票入場。
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演後座談
\n\n2024/4/12(五) 、4/13(六) 19:30 演出後於排練室B313進行。
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周邊活動
\n\n3/9(六)15:00
\n\n►《好事清單》—— 劇場與當時當地(Here and Now)的親密連結
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文章閱讀
\n\n\n\n►使我們落盡繁華,回歸劇場的本質: 專訪《好事清單》導演許哲彬
\n\n►在場上迷路,在演出中落淚,召喚愛過的時光 ——王世緯、林家麒、竺定誼,《好事清單》演員戲後雜談
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演出暨製作團隊
\n\n劇作家|鄧肯・麥克米蘭(Duncan MACMILLAN)、強尼・唐納(Jonny DONAHOE)
\n\n劇本翻譯|林冠廷
\n\n導演|許哲彬
\n\n演員|王世緯(4/13 19:30,4/14 16:30)、竺定誼(4/12 19:30,4/13 16:30)、林家麒(4/13 13:30,4/14 13:30)
\n\n空間暨燈光設計|陳冠霖
\n\n聲音設計|洪伊俊
\n\n舞台監督|鄧名佑
\n\n導演助理|林瑞恩
\n\n插畫|Machitutu
\n\n製作總監|蘇志鵬
\n\n製作人|吳可雲
\n\n劇團行政|陳怡陵
\n\n行銷統籌|BPE
\n\n攝影|黃煌智
\n\n劇本授權|Casarotto Ramsay & Associates Ltd
\n\n演出製作單位|四把椅子劇團
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團隊介紹
\n\n劇作家|鄧肯‧麥克米蘭(Duncan MACMILLAN)
\n\n當代英國劇作家與導演,重要作品包含《好事清單》(Every Brilliant Thing)、《呼吸》(Lungs)、《Monster》、《2071》、《People, Places and Things》、《1984》等。作品時常聚焦於個人與議題之間的關係,《好事清單》即是以憂鬱和自殺為核心的成長故事。
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四把椅子劇團
\n\n以「集體編創」為創作宗旨、「原創文本」為美學主軸,並實驗「在地轉譯」的改寫詮釋,在發展及深化戲劇文本時、於集體共創的製作過程中,聚焦當地(Here)、連結當時(Now),映照人們所身處的當前生活、當代社會與當下生命經驗。自2007年成立至今,作品曾多次獲台新藝術獎提名,並受邀於國家兩廳院、臺中國家歌劇院、臺北表演藝術中心等場館製作演出,亦獲國家藝術文化基金會遴選為「TAIWAN TOP 演藝團隊」,已成為臺灣劇場中兼具穩定的製作水準、美學風格、票房基礎與觀眾口碑的重要團隊。
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導演|許哲彬
\n\n四把椅子劇團藝術總監,英國皇家中央演講戲劇學院(Royal Central School of Speech and Drama)劇場創作碩士(MA in Advanced Theatre Practice)。現為國立臺北藝術大學戲劇學系專任講師、文化大學戲劇學系兼任講師。曾獲選為PAR表演藝術雜誌2021戲劇類年度人物、雲門創計畫受獎助者;以「集體性」為創作宗旨,聚焦於文本為核心的「新寫實」美學,多部作品曾提名入圍台新藝術獎。
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演員|林家麒
\n\n國立臺灣藝術大學戲劇碩士。四把椅子劇團團員、世新大學廣電系專任講師。
\n\n近期演出作品:四把椅子劇團《叛徒馬密可能的回憶錄》、《刺殺!團團圓圓之通往權力之路》、《遙遠的東方有一群鬼》等。
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演員|竺定誼
\n\n國立臺灣藝術大學戲劇學系、國立臺北藝術大學劇場藝術研究所表演組畢業。四把椅子劇團團長、劇場演員、國立臺灣藝術大學戲劇學系兼任教師。
\n\n近期演出作品:四把椅子劇團《叛徒馬密可能的回憶錄》、《全國最多賓士車的小鎮住著三姐妹(和她們的Brother)》、《遙遠的東方有一群鬼》等。
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演員|王世緯
\n\n1997年入行
\n\n中華藝術學校影劇科畢業;美國密蘇里州林登沃德大學舞蹈戲劇雙修學士
\n\nNGH認證催眠治療師
\n\n「好媳婦食堂表演課」創辦人
\n\n榮獲 2021 MOD金片子大賽 最佳女演員獎
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攝影|黃煌智
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\n',team:""},english:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ce9ce22e417bc1fef97af129cead7a5a",title:"四把椅子劇團《好事清單》不插電版"}],related:[],title:"4 CHAIRS THEATRE - Every Brilliant Thing",cover:"3d2c1b310189bad204f0874f2eece631",site:{isOther:!0,site:"",other:"排練室B313"},cautions:'
To ensure the quality of the performance, there is no late entry for latecomers and those who leave during the show. Please note the venue does not offer television broadcast for those unable to enter the auditorium.
\n\tThis production contains reference to suicide and self-harm and is not suitable for underage audiences. Audience discretion is advised. Suitable for age 16+.
\n\tDue to the nature of the performance, it is possible that audiences are caught by cameras during the performance. Those who purchase tickets are deemed to grant permissions to the presenter and the company for the photography, revision, use and public display of their images for archives and relevant promotion activities.
\n\t"When I was seven years old, I wrote a list,
\n\na list of all the brilliant things about the world,
\n\neverything that's worth living for.
\n\nThis is a gift to my mom in the hope that she will live on."
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One person, one list, a million brilliant things
\n\nA one-man show to be accomplished along with audiences
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Every Brilliant Thing, developed and created jointly by contemporary British playwright Duncan MACMILLAN and British comedian Jonny DONAHOE, is a story about a boy trying to save his mother from depression.
\n\nIn 2021, 4 CHAIRS THEATRE brings Every Brilliant Thing to Taiwan. Directed by Artistic Director Tora HSU, the 4 CHAIRS THEATRE's version of Every Brilliant Thing features a double cast, CHU Ding-yi and LIN Chia-chi, two leading members in the company, as well as Taiwan-specific experiences in growing up, localized contexts, and familiar music to share the ups and downs in a boy’s life with audiences.
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After the resounding success and rave reviews in 2021 and 2022, the unplugged version of returns in 2024! Starring CHU Ding-yi, LIN Chia-chi, and WANG Shih-wei, each delivering their own interpretations, creating mutual brilliance.
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Post-Talk
\n\n2024/4/12(Fri), 4/13(Sat) After performance at Rehearsal Room B313.
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Creative and Production Team
\n\nPlaywright|Duncan MACMILLAN, Jonny DONAHOE
\n\nScript Translator|Eric LIN
\n\nDirector|Tora HSU
\n\nActor|WANG Shih-wei (Apr.13 19:30 & Apr. 14 16:30), CHU Ding-yi (Apr. 12 19:30 & Apr. 13 16:30), LIN Chia-chi (Apr. 13 13:30 & Apr.14 13:30)
\n\nSpace and Light Designer|CHEN Guan-lin
\n\nSound Designer|HUNG Yi-chun
\n\nStage Manager|DENG Ming-you
\n\nDirector Assistant|Ryan LIN
\n\nIllustrator|Machitutu
\n\nProduction Director|SU Chih-peng
\n\nProducer|Ann WU
\n\nAdministrator | CHEN Yi-Ling
\n\nMarketing Specialist|BPE
\n\nPhotographer|Yellow
\n\nScript Licensing|Casarotto Ramsay & Associates Ltd
\n\nProduction|4 CHAIRS THEATRE
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Team Introduction
\n\nDuncan MACMILLAN
\n\nDuncan MACMILLAN is a contemporary British playwright and director. His important theatre works include Every Brilliant Thing (co-written with Jonny DONAHOE), Monster, Lungs, 2071, People, Places and Things, 1984, etc. His works often focus on the relation between individuals and topics. Every Brilliant Thing is a growth story focusing on depression and suicides.
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4 CHAIRS THEATRE is a Taiwan-based theatre company that contributes itself to devising theatre pieces and staging original or localized plays. Whether a production takes off from devising, playwriting, or translating, the company keeps in mind that the work in hand, along with the body of work, should focus on the here and now and reflect the everyday life of its audience. Since its establishment in 2007, 4 CHAIRS has not only been a multiple-time finalist of Taishin Arts Awards, but also a frequent invitee to bring works to prominent houses like the National Theatre, the National Taichung Theatre, and Taipei Performing Arts Center. And, from 2019 on, National Culture and Arts Foundation has annually placed the company under the label "TAIWAN TOP" in recognition of its dedication to the performing arts industry. At present, 4 CHAIRS has made itself a company with the ability to find balance among artistic pursuits, work quality, ticket sales, and audience reception, one not to be missed in the landscape of contemporary Taiwanese theatre.
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PHOTO|黃煌智
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影片來源:音樂家的無聊人生 Musician Seacow
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2024衛武營國際音樂節開幕音樂會將由法國指揮大師羅菲指揮國立臺灣交響樂團,臺灣首演匈牙利作曲巨擘于特福許2012年創作《說鼓》,這一首喚醒人類節奏靈魂的作品,將聽到波蘭新生代音樂家貝德納絲卡擔任「說鼓人」,運用豐富的打擊樂對比,例如石頭敲擊與管鐘對話,融合說唱藝術,與樂團共同交織出節奏與聲響的聽覺盛宴。
\n本場也將演出匈牙利現代音樂領袖巴爾托克,為慶祝布達和佩斯兩市合併 50 週年所寫的《舞蹈組曲》,一首充滿多元異國色彩的作品,引用羅馬尼牙、匈牙利、阿拉伯等多國民謠音樂元素,充分展現作曲家對民謠音樂的喜愛與研究。另外,法國作曲家白遼士一生中最著名的作品《幻想交響曲》為經典的浪漫主義代表作品,大膽又迷幻的描述一位藝術家無法自拔的墜入情網,卻因沒有回應而深陷絕望,欲服用鴉片自殺,而經歷戲劇性的幻象。
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演前導聆
\n\n4/12(五)19:00 音樂廳三樓大廳
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演出曲目
\n\n巴爾托克:《舞蹈組曲》
\n\n于特福許:《說鼓》給打擊樂及管絃樂團(臺灣首演)
\n\n白遼士:《幻想交響曲》
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文章閱讀
\n\n►【MUSICO特別報導】魔幻之擊,震響2024衛武營國際音樂節——專訪擊樂演奏家瑪麗安娜・貝德納絲卡
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演出暨製作團隊
\n\n指揮|帕斯卡.羅菲
\n\n打擊|瑪麗安娜.貝德納絲卡
\n\n國立臺灣交響樂團
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藝術家介紹
\n\n指揮|帕斯卡.羅菲
\n\n克羅埃西亞廣播電視交響樂團音樂總監
\n\n帕斯卡・羅菲是創意無限且熱情洋溢的音樂家,同時也是法國最受矚目的指揮之一。他於2013年2月至2022年7月間擔任羅亞省國立愛樂管絃樂團的音樂總監,並自2022年9月開始執掌克羅埃西亞廣播電視交響樂團。
\n\n羅菲與許多知名樂團合作,包括法國廣播的兩支樂團、愛樂管弦樂團、BBC交響樂團、BBC威爾斯國家管絃樂團、愛爾蘭RTE國家交響樂團、巴黎當代樂團、瑞士羅曼德管弦樂團、都靈RAI國家交響樂團、挪威廣播交響樂團、蒙地卡羅愛樂樂團、德國西南廣播交響樂團,以及洛桑室內樂團。在亞洲,羅菲的名聲同樣響亮,經常指揮NHK交響樂團、新日本愛樂樂團、兵庫縣立藝術文化中心管弦樂團,以及首爾愛樂樂團。
\n\n近期的重點演出包括在法國和義大利與維多利亞・穆洛娃和馬修.巴立共同首演帕斯卡・杜薩邦的小提琴與大提琴協奏曲;與SWR交響樂團參加多瑙興根音樂節;與挪威斯塔萬格交響樂團合作;攜手塔皮歐拉小交響樂團和女高音卡洛琳・山普森演出及錄製《奧萬尼之歌》;初次與 布達佩斯音樂節管弦樂團、挪威北極愛樂樂團和京都交響樂團合作均大獲好評;重返亞洲指揮首爾愛樂樂團與兵庫縣立藝術文化中心管弦樂團。
\n\n羅菲將於2024/25樂季再訪亞洲,與香港小交響樂團參加統營國際音樂節,在衛武營國際音樂節指揮國立臺灣交響樂團,並將指揮廣島交響樂團。此外,他將再次指揮波蘭樂斯拉夫愛樂樂團、法國土魯斯市國立管弦樂團和法國廣播愛樂樂團。
\n\n羅菲致力於指揮歌劇曲目:《亞莉安妮與藍鬍子》(土魯斯歌劇院)、《佩里亞斯與梅麗桑德》(格林德堡歌劇團)、《泰伊絲》(羅馬歌劇院)、《漂泊的荷蘭人》(布達佩斯春季音樂節)、《聖衣會修女對話錄》(布達佩斯春季音樂節)。帕斯卡在巴黎歌劇院指揮了曼托維瓦尼的《阿赫馬托娃》的首演獲得廣大迴響。他也積極向世人引介麥可・賈瑞爾、阿赫梅德・艾夏德以及賣可・賈瑞爾的《加利利》、阿賀梅德・艾希亞德和蜜雪勒・赫維迪等當代作曲家的歌劇作品。
\n\n羅菲豐富的錄音作品集,獲得許多獎項以及來自媒體的高度讚譽。2016年,為了紀念杜提耶百年誕辰,他與BIS唱片公司合作發行全新錄製的杜提耶作品集。此外,他與阿蒂堤四重奏以及法國廣播愛樂樂團共同錄製的杜薩邦四重奏作品集,更獲得了2018年留聲機古典音樂大獎。
\n\n羅菲畢業於巴黎音樂舞蹈學院,曾榮獲1988年貝桑頌國際青年指揮大賽第二名。自1992年開始,他與皮耶・布雷茲、大衛・羅伯森和巴黎當代樂團展開密切合作。他還曾擔任列日皇家愛樂樂團的音樂總監,直至2009年6月卸任。
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打擊|瑪莉安娜・貝德納絲卡
\n\n瑪莉安娜・貝德納絲卡是一位來自波蘭的年輕打擊樂手。她不僅以獨奏家身份,還以室內樂表演者、樂團成員和打擊樂教師等多重身份活躍於藝術界。她經常受邀至國際音樂節,且與音樂界中的多位著名人士合作。
\n\n於2019年,她榮獲第74屆日內瓦國際音樂比賽和瑞士信貸年輕獨奏家獎。在眾多國際打擊樂比賽中,她累計奪得24座首獎和特別獎,包括2016年的美國芝加哥、2016年的德國班伯格、2009年的法國巴黎、2008年的義大利費爾莫和2007年的保加利亞普羅夫迪夫。此外,她還是2009年波蘭歐洲之聲「年度優秀青年音樂家」的決賽選手。
\n\n她在歐洲和美國的音樂節上多次擔任獨奏家,如2019年的盧塞恩音樂節、2021年的達沃斯音樂節和2023年的索爾斯堡音樂節。她也曾與多支知名樂團合作,如瑞士羅曼德樂團、柏林喜歌劇院樂團、華盛頓國際室內樂團、奧爾堡交響樂團、波茲南愛樂樂團和波蘭華沙廣播樂團等。
\n\n她曾獲得波蘭、瑞士和德國的藝術獎學金。2013年,她因其在音樂上連結波蘭和丹麥兩國的獨特貢獻,被頒發波蘭-丹麥友誼獎;而在2017年,她又被提名為「波蘭音樂卓越獎」的年度新秀。
\n\n2014年,應知名丹麥作曲家安德斯・柯佩爾之邀,她成為第一位完整錄製他所有馬林巴協奏曲的打擊樂手。她的首張專輯《馬林巴協奏曲》在波蘭及國際都獲得了極大的讚賞,其中包括紐約時報、留聲機雜誌和德國廣播公司的肯定。作為獨奏家,她也參與了「100 for 100. Musical Decades of Freedom」等多個錄音項目,其中「100 for 100」在波蘭唱片學院的菲德烈克獎中勇奪兩項大獎。
\n\n瑪莉安娜最初學習的是鋼琴,但後來她的興趣轉向了古典打擊樂器。在完成波蘭齊瑪諾夫斯基音樂學校的學業後,她在德國斯圖加特音樂與表演藝術學院取得學士學位,接著在瑞士日內瓦高等音樂學院獲得碩士文憑,並於2021年完成學士後學業。
\n\n自2023年起,她在波蘭華沙蕭邦音樂大學擔任教職。除此之外,她也是山葉和Kolberg鼓棒的官方代言人。
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國立臺灣交響樂團
\n\n國立臺灣交響樂團創立於1945年,為臺灣歷史最悠久的交響樂團。成立之初,先後隸屬於臺灣省警備司令部、臺灣省藝術建設協會、臺灣省政府教育廳、文化處及行政院文化建設委員會等單位,2012年5月改隸文化部。團址座落於臺中霧峰,是擁有完整軟硬體的全方位音樂團體。
\n\n七十多年來,在歷任團長的奠基,與現任團長劉玄詠的推展下,國立臺灣交響樂團累積豐富的演奏經驗,受邀與本團合作演出的國際團隊及音樂家不計其數。
\n\n2019年起,國際知名音樂家水藍先生再度受邀擔任本團首席客席指揮,與劉團長共同合作,推動國立臺灣交響樂團「精進技藝、傳統創新、教育扎根、美學推廣」的任務,提昇全民音樂生活,讓音樂就如同空氣、水、陽光一般的在你我身邊。
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在地藝文支持夥伴
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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The 2024 Weiwuying International Music Festival will open with renowned French conductor Pascal ROPHÉ leading the National Taiwan Symphony Orchestra in the Taiwan premiere of Hungarian composer Péter EÖTVÖS's 2012 composition Speaking Drums. This remarkable piece delves into rhythmic expression and will be performed by Polish percussionist Marianna BEDNARSKA, promising a captivating fusion of percussive elements intertwined with Sprechgesang for an unforgettable auditory experience
\n\nBARTÓK's Dance Suite is a celebration of the 50th anniversary of the union of Buda and Pest. This composition incorporates diverse and exotic elements from folk music, citing Romanian, Hungarian, Arabic, and other elements, showcasing the composer's love for and research in this genre. Symphonie Fantastique, the masterpiece of French composer BERLIOZ's life, epitomizes Romanticism and vividly depicts an artist's unreciprocated love, leading him to desperation and surreal visions as he turns to opium.
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Pre-talk
\n\n4/12(Fri)19:00 Concert Hall 3F Lobby
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Program
\n\nB. BARTÓK: Dance Suite
\n\nPeter EÖTVÖS: Speaking Drums for percussion and orchestra (Taiwan Premiere)
\n\nH. BERLIOZ: Symphonie Fantastique
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Creative and Production Team
\n\nConductor|Pascal ROPHÉ
\n\nPercussionist|Marianna BEDNARSKA
\n\nNational Taiwan Symphony Orchestra
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Artists Introduction
\n\nConductor|Pascal ROPHÉ
\n\nMusic Director of the Croatian Radio and Television Symphony Orchestra
\n\nAn innovative and passionate musician, Pascal ROPHÉ is one of France's most sought-after conductors. He is currently Music Director of the Croatian Radio and Television Symphony Orchestra, effective from September 2022, and was previously Music Director of the Orchestre National des Pays de la Loire from February 2013 until July 2022.
\n\nPascal ROPHÉ works with major orchestras including the two orchestras of Radio France, Philharmonia, BBC Symphony Orchestra, BBC NOW, RTE National Symphony, Ensemble Intercontemporain, Orchestre de la Suisse Romande, RAI Torino, Norwegian Radio Symphony Orchestra, Monte-Carlo Philharmonic Orchestra, SWR Sinfonieorchester and the Lausanne Chamber Orchestra. Highly regarded in Asia, he regularly conducts the NHK Symphony Orchestra, New Japan Philharmonic, Hyogo PAC Orchestra and the Seoul Philharmonic Orchestra.
\n\nRecent highlights include the premieres of the Concerto for violin and cello by Pascal DUSAPIN with Viktoria MULLOVA and Matthew BARLEY in France and Italy, performances with the SWR Symphonieorchester at that Donaueschingen Festival and with the Stavanger Symphony Orchestra and the Tapiola Sinfonietta, with which he recorded the Chants d'Auvergne with Carolyn Sampson. He made highly acclaimed debuts with the Buda-pest Festival Orchestra, the Arctic Philharmonic and the Kyoto Symphony Orchestra as well as returning to Asia to conduct the Seoul Philharmonic and the Hyogo PAC Orchestra.
\n\nDuring the 2024/25 season, Pascal will return to Asia to conduct the Hong-Kong Sinfonietta at the Tongyeong International Music Festival and the National Taiwan Symphony Orchestra at the Weiwuying International Music Festival and the Hiroshima Symphony Orchestra. He will also return to the Wroclaw Philharmonic Or-chestra, Orchestre national du Capitole de Toulouse and the Orchestre Philharmonique de Radio France.
\n\nCommitted to the operatic repertoire – Ariane et Barbe-Bleue at the Opéra de Toulouse, Pélléas et Mé-lisande with Glyndebourne Touring Opera, Thaïs for Opera di Roma, both Der fliegende Holländer and Dialogue des Carmélites at the Budapest Spring Festival - Pascal premiered Akhmatova, by Bruno MANTOVANI at the Opera national de Paris to great acclaim and has championed further contemporary operas by Michael JARRELL, Ahmed ESSYAD and Michèle REVERDY.
\n\nFor his extensive discography of recordings, Pascal ROPHÉ has received numerous awards and praise from the press. A new recording of works by DUTILLEUX was released on BIS in 2016 to celebrate the centenary of the DUTILLEUX's birth, and his recording of Dusapin with the Arditti Quartet and the Orchestre Philharmonique de Radio France was awarded the Gramophone Award for the best contemporary recording in 2018.
\n\nFrom 1992, after studying at the Conservatoire National Supérieur de Musique de Paris and winning second prize at the 1988 Besançon International Competition, he collaborated closely with Pierre BOULEZ and the Ensemble Intercontemporain. Pascal previously served as Music Director of the Liège Royal Philharmonic Orches-tra until June 2009.
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Percussionist|Marianna BEDNARSKA
\n\nMarianna BEDNARSKA is a young polish percussionist. She runs an active artistic activity, not only as a soloist, but also as a chamber music performer, orchestra musician and percussion teacher. She is regularly invited to international music festivals and cooperates with recognized personalities of the musical world.
\n\nShe is a Laureate of the 74th Geneva International Music Competition 2019, Winner of the Prix Credit Suisse Jeunes Solistes 2019 and a winner of 24 first prizes and special prizes at international percussion competitions, among others in Chicago (USA 2016), Bamberg (DE, 2016), Paris (FR, 2009), Fermo (IT, 2008) or Plovdiv (BG, 2007). She is also a Finalist of the Polish Eurovision Contest "Young Musician of the Year 2009".
\n\nShe performed in Europe and USA making her solo debuts at international music festivals, such as the Lucerne Festival 2019, Davos Festival 2021 or Solsberg Festival 2023. As a soloist, she performed with orchestras such as Orchestre de la Suisse Romande, Komische Oper Orchestra, International Chamber Orchestra of Washington, Aalborg Symphony Orchestra, Sinfonia Varsovia Orchestra, Poznań Philharmonic Orchestra or Polish Radio Orchestra in Warsaw.
\n\nShe is the winner of artistic scholarships in Poland, Switzerland and Germany. In 2013, she received the Polish-Danish Friendship Award for her unique artistic activity connecting both countries, and in 2017, a nomination for the award "Koryfeusz Muzyki Polskiej 2017" in the Debut of the Year category.
\n\nIn 2014, at the invitation of the renowned Danish composer, Anders KOPPEL, she was the first percussionist in a history to record the complete set of all his marimba concertos (Dacapo Records 2014) on her debut album Marimba Concertos, which received extremely positive reviews, both in Poland and abroad (including The New York Times, Gramophone or Deutschlandfunk). As a soloist, she also took part in recordings for Bayerische Rundfunk, the Institute of Music and Dance in Poland and the PWM Edition in the artistic project "100 for 100. Musical Decades of Freedom", which was honored with the "Fryderyk Award" of the Polish Phonographic Academy in two categories.
\n\nShe began her artistic path with the piano, which was soon replaced by classical percussion instruments. After graduating with honors from the Karol Szymanowski Music School in Warsaw, she received with the highest marks both a bachelor's degree from the Staatliche Hoschule für Musik und Darstellende Kunst in Stuttgart, and a master's degree from the Haute Ècole de Musique in Geneva, where she also completed postgraduate studies in 2021.
\n\nFrom 2023, Marianna BEDNARSKA holds a teaching position at the Fryderyk Chopin University of Music in Warsaw. She is a Yamaha Artist and a Kolberg Mallet Artist.
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National Taiwan Symphony Orchestra
\n\nFounded in 1945, the National Taiwan Symphony Orchestra (NTSO) is the oldest symphony orchestra in Taiwan. Since its establishment, it has been successively affiliated with the Taiwan Garrison Command, Taiwan Art Construction Association, Taiwan Provincial Department of Education, Department of Culture, Council for Cultural Affairs, and the Executive Yuan. In May of 2012, it came under the auspices of the Ministry of Culture. The orchestra is located in Wufeng, Taichung. It is a full-fledged music group with a full complement of software and hardware.
\n\nOver 70 years of history, under the directors of the past and the efforts of the current director LIU Suan-yung, the NTSO has accumulated extensive performing experience. Countless international teams and musicians have been invited to perform with the NTSO.
\n\nSince 2019, the internationally renowned conductor maestro Lan SHUI has taken on the position of the NTSO Principal Guest Conductor, cooperating with the NTSO Director LIU to enrich artistic skills, innovate on tradition, deepen education, and promote aesthetics, thus enhancing the public’s musical life, making music ever-present like air, water and sunshine.
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Cultural Development Partner
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\n',team:""},createdAt:1698113809,updatedAt:1714460212,updatedBy:"林蔚行",host:!0},{_id:"653732f37550150008fb320d",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1712988e3,discrete:[{time:1712988e3}],type:"discrete"},activity:{type:"free",free:{description:"報名參加,免費入場",englishDescription:"Free Admission"}},attachment:{key:"75719385f2ac773702148a2ba10d4078",name:"【2024衛武營國際音樂節】彼得.于特福許紀錄片放映暨座談會電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2a2819f2e323f0d5773301041076e8e2",title:"【2024衛武營國際音樂節】彼得.于特福許紀錄片放映暨座談會"}],related:[],title:"【2024衛武營國際音樂節】彼得.于特福許紀錄片放映暨座談會",cover:"562eb0bad67790c5cc68cf4f3e16843e",site:{isOther:!1,site:"5b1029cdda0322000751e9ad",other:""},cautions:'
影片約55分鐘,中場休息15分鐘。
\n\t建議12歲以上觀眾參與。
\n\t為維護講師著作權與活動品質,講座進行中請勿攝錄影。
\n\t報名時請確實填寫報名資訊,以利報到進場。
\n\t主辦單位保留本活動變更權利。
\n\t相關問題請洽 service@npac-weiwuying.org
\n\t匈牙利作曲家及指揮家彼得.于特福許是20世紀最著名的音樂詮釋者之一。藉由放映紀錄片《第七道門》帶領觀眾進入這位奮而不懈的作曲家充滿想像力的世界。在觀看紀錄片之後,也將由與談人進行映後座談,探討在國際當代音樂發展的經驗。
\n\n
\n紀錄片簡介:《第七道門》
《第七道門》是關於傑出當代音樂大師彼得.于特福許的紀錄片。導演茱蒂特.凱兒運用舊影像資料及舊照片搭配嶄新的畫面,帶領觀眾進入這位奮而不懈的作曲家充滿想像力的世界,並探究他「讓聽眾看見音樂」的追求背後令人費解的個性。片中不僅訪問了皮耶.布列茲與卡爾海因茲.史托克豪森,更包含了于特福許在排演其歌劇作品《三姊妹》時的珍貴鏡頭。
\n獲1999年法國作詞作曲者與音樂發行人協會「最佳音樂創作紀錄片獎」、2000年國際藝術電影節「加拿大普拉特.惠特尼首獎」,以及2000年經典電影節「評審團特別獎」
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映後座談
\n\n4/13(六)15:10 演講廳
\n\n與談人|陳銀淑、簡文彬
\n\n主持人|沈雕龍
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報名方式
\n\n參加對象:歡迎喜愛藝術人文活動的朋友(建議12歲以上觀眾觀賞)
\n\n報名方式:報名參加,免費入場(限額100名,額滿為止)。
\n\n(線上報名於2024/2/7(三)11:00至2024/4/4(四)23:59止,活動優先保留席次予線上報名者;現場將視狀況開放現場報名。)
\n\n報名流程:填寫線上報名表→ 於活動前三天,統一寄送活動通知信件 → 完成報名。
\n\n活動地點:衛武營演講廳
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與談人
\n\n2024衛武營國際音樂節藝術總監|陳銀淑
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身兼作曲家與音樂策展人的陳銀淑生於1961年的韓國首爾,並自1985年起旅居德國。她曾獲頒許多古典音樂獎項,包含森寧音樂獎、荀貝格獎,以及格文美爾作曲獎。她的作品深受許多國際級指揮大師的喜愛,包括拉圖、吉伯特、杜達美、長野健等知名指揮都曾指揮其作。全球知名樂團如柏林愛樂、紐約愛樂、芝加哥交響樂團等,都曾邀請陳銀淑譜寫曲目並為其演奏。同時,她也是瑞士琉森音樂節、北德廣播易北愛樂樂團、BBC交響樂團所舉辦之沉浸式音樂節的駐團作曲家。
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衛武營國家藝術文化中心藝術總監|簡文彬
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簡文彬1967年生,國立藝專(今國立臺灣藝術大學)鍵盤組畢業,維也納音樂暨表演藝術大學指揮碩士學位。
\n1996年起擔任德國萊茵歌劇院(Deutsche Oper am Rhein)駐院指揮長達22年;1998-2004年為日本太平洋音樂節(Pacific Music Festival)駐節指揮;2001-2007年為國家交響樂團(NSO)音樂總監,在其任內推動「定期音樂會系列」、國人作品委託創作及錄製、「歌劇系列」等創舉,並在2006年樂團20週年時推出華語地區首次自製之華格納《尼貝龍指環》四部曲;2014-2016擔任國立臺灣交響樂團藝術顧問,並於2014年9月獲頒第18屆國家文藝獎。
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在地藝文支持夥伴
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\n',team:""},english:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2a2819f2e323f0d5773301041076e8e2",title:"【2024衛武營國際音樂節】彼得.于特福許紀錄片放映暨座談會"}],related:[],title:"【2024 Weiwuying International Music Festival】Peter EÖTVÖS Lecture and Documentary Screening",cover:"562eb0bad67790c5cc68cf4f3e16843e",site:{isOther:!1,site:"5b1029cdda0322000751e9ad",other:""},cautions:'
In order to protect the copyright of the lecturer and the quality of the activity, please do not take pictures during the lecture.
\n\tWhen registering, please fill in the registration information to facilitate registration and entry.
\n\tThe organizer reserves the right to change this event.
\n\tFor related questions, please contact service@npac-weiwuying.org
\n\tThe SEVENTH DOOR draws a portrait of composer Peter EÖTVÖS, a prominent champion and exponent of modern music.
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The SEVENTH DOOR
\n\nThe SEVENTH DOOR draws a portrait of composer Peter EÖTVÖS, a prominent champion and exponent of modern music. Using new footage, archival films and photos, Judit Kele provides an imaginative insight into the world of this tireless musician and complex personality whose desire is to "make what is heard visible". This documentary also includes interviews with Pierre Boulez and Kariheinz Stockhausen and shows precious footage of Peter EÖTVÖS rehearsing his opera "Three Sisters"
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Post Talk
\n\n4/13(Sat)15:10 Lecture Hall
\n\nGuest|Unsuk CHIN, CHIEN Wen-pin
\n\nHost|SHEN Diau-long
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How to register
\n\nProspective participants: The lecture is suitable for those who love art and humanities.
\n\nRegistration deadline: From Feb 2(Wed.) 11:00am to April 4, 2024 (Thu.) 23:59pm(GMT+8).
\n\nNumber of on-site participants is limited to 100. Places are limited and are reserved strictly on a first-come-first-serve basis.
\n\nSymposium registration procedure: Weiwuying website online registration → receiving confirmation mail → registration complete.
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Guest
\n\nArtistic Director of 2024 Weiwuying International Music Festival|Unsuk Chin
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Composer and curator Unsuk CHIN was born in 1961 in Seoul, and she has lived in Germany since 1985. Chin's career has been celebrated with a series of classical music awards such as the Leonie Sonning Prize, the Sibelius Prize and the Grawemeyer Award. Hermusic has attracted the attention of international conductors such as Simon RATTLE, Alan GILBERT, Gustavo DUDAMEL, Kent NAGANO, and others. Regularly commissioned by leading performing organizations worldwide, Chin's music has been performed by orchestras such as the Berlin Philharmonic, New York Philharmonic, Chicago Symphony Orchestra, Royal Concertgebouw, among others. She has been Composer-in-Residence of the Lucerne Festival, the NDR Elbphilharmonie Orchestra, the BBC's Total Immersion Festival, and many more.
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Conductor|CHIEN Wen-pin
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CHIEN Wen-pin, General and Artistic Director of the National Kaohsiung Center for the Arts (Weiwuying), was born in 1967, graduated from the National Taiwan Academy of Arts and awarded a Master's degree at the National University for Music and Performing Arts Vienna. CHIEN joined the Deutsche Oper am Rhein (Düsseldorf / Duisburg, Germany) in 1996 and served as "Kapellmeister" for 22 years. 1998-2004 he was Resident Conductor of the Pacific Music Festival (Sapporo, Japan).
\n\n2001-2007 he was Music Director of National Symphony Orchestra (Taiwan Philharmonic); during his tenure the orchestra has achieved several milestones such as creating Subscription series, commissioning Taiwanese composers, introducing an opera series which coroneted with the first production of the complete "Der Ring des Nibelungen" by Richard WAGNER in Chinese speaking areas, upon orchestra's 20th anniversary in 2006. 2014-2016 CHIEN was Artistic Advisor of the National Taiwan Symphony Orchestra. In addition, CHIEN was winner of the "National Award for Arts" in 2014.
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Cultural Development Partner
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衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
聲樂世界裡,「歌劇」和「藝術歌曲」可稱是位在天平兩端:前者宏偉而戲劇化,後者精巧且細膩。相對地,討論器樂作品時除了規模大小以外,「標題音樂」和「絕對音樂」的區分,亦是經常被提起的重點:前者用音樂來說故事,後者則純粹為音樂而音樂。歌劇選粹、藝術歌曲、標題音樂和絕對音樂作品,是四種原則上互不相屬的音樂類型。安排音樂會曲目時,可以主打一種類型,或包含其中兩類;曲目即便分屬於其中三類,也還不算稀奇;但若是四種類型統統都有,那就真的有點特別了。 《歌詠音畫》就是這麼一場包含上述四類曲目的音樂會:室內交響曲屬於絕對音樂、《詩人之戀》是德語藝術歌曲、《波堤切利三聯畫》是標題音樂、三首詠嘆調則分別出自兩部義語歌劇和一部法語歌劇。如此豐富多樣的選曲,很能為我們展示這群來自韓國的青年音樂家有多麼廣博而優異的才能!當然,這些曲目彼此之間倒也不是毫無關聯:儘管創作年代跨越近一個世紀,這整套曲目卻沒有哪一首是不浪漫的!歌曲和詠唱調不用多說,每一首都浪漫得要命;雷史畢基也以生動優美的音樂,讓波堤切利的名畫變得活靈活現;施雷克爾更在其作品中充分展現他「音色魔術師」的功力,譜出一首充滿畫面的動人樂曲!
\n\n
\n 文章閱讀
►【MUSICO特別報導】2024衛武營國際音樂節:統營國際音樂節室內樂團《歌詠音畫》——專訪指揮尹漢潔與女高音黃秀美
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演前導聆
\n\n2024/4/13(六)19:00 音樂廳三樓大廳
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演出曲目
\n\n施雷克爾:室內交響曲(臺灣首演)
\n\n舒曼(克里斯蒂安.佑斯特重新譜曲):聯篇歌曲《詩人之戀》選粹(臺灣首演)
\n\n雷史畢基:《波堤切利三聯畫 》(臺灣首演)
\n\n文鍾仁改編:歌劇詠嘆調選粹:
\n普契尼:〈主人,請聽我說〉,選自《杜蘭朵》
\n普契尼:〈我的名字叫咪咪〉,選自《波希米亞人》
\n古諾:〈我願活在美夢中〉,選自《羅密歐與茱麗葉》
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安可曲:
\n\n普契尼:〈我親愛的爸爸〉,選自《強尼‧史基基》
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演出暨製作團隊
\n\n指揮|尹漢潔
\n\n女高音|黄秀美
\n\n統營國際音樂節室內樂團
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藝術家介紹
\n\n指揮|尹漢潔
\n\n韓國指揮家尹漢潔為2023年卡拉揚青年指揮家獎得主,他將於2024年8月薩爾茲堡音樂節上以指揮維也納廣播交響樂團正式亮相,亦將首度於與薩爾茲堡莫札特管絃樂團、佛羅倫斯市立劇院等進行合作,並在喬治.艾內斯科國際音樂節登台,更將返鄉與韓國國家交響樂團演出。
\n\n2022/23 樂季亮點包含與首爾愛樂管絃樂團、挪威斯塔萬格交響樂團、伯恩交響樂團、康士坦茲西南德愛樂交響樂團和釜山愛樂管絃樂團同台,並於東京與韓國最知名的KBS交響樂團合作多場演出。在二月份,尹漢潔協助拉圖爵士指揮巴伐利亞廣播交響樂團演出歌劇《齊格飛》,並在七月協助指揮家提勒曼。
\n\n2019年,尹漢潔成為格施塔德音樂節暨學院史上最年輕的尼姆・傑瑞獎得主。此外,他還分別在2020年蕭提國際指揮大賽和2021年德國指揮獎進入決賽。尹漢潔同時以一名作曲家的身分,在歐洲各大作曲比賽中備受肯定。
\n\n尹漢潔生於南韓大邱,但自2011年起以慕尼黑為家。他在慕尼黑音樂戲劇學院學習指揮、作曲和鋼琴演奏。
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女高音|黄秀美
\n\n完成首爾國立大學和慕尼黑音樂學院的學業後,南韓女高音黃秀美以多項大賽獲獎實績廣受好評,其中包含薩爾茨堡國際《偉大之聲》大賽、康斯坦茨安妮莉絲.羅滕貝格比賽,以及德國西南廣播公司頒發的艾默瑞奇.史莫拉推廣獎。
\n\n2014年贏得伊莉莎白女皇國際音樂比賽後,黃秀美加入波昂劇院四年,期間演出角色包含《里納多》亞米蕾娜、《朱利奧・凱撒》埃及豔后,《女人皆如此》費奧迪麗姬,《魔笛》帕米娜,《費黛里歐》瑪彩琳娜、《採珠人》蕾拉、《波希米亞人》咪咪等。
\n\n她引人注目的演出可見於日內瓦大劇院、慕尼黑攝政王劇院、首爾的韓國國家歌劇院與大邱歌劇院。在2021-22樂季,她成為德國黑森邦立威斯巴登歌劇院終身歌手,隨後以《唐.喬望尼》安娜、《女人皆如此》費奧迪麗姬、《伊多美聶歐》伊莉亞和《魔笛》帕米娜等角色登台。
\n\n作為藝術歌曲演唱家,黃秀美經常與鋼琴家多伊奇在國際間合作,包含黃秀美在倫敦威格莫爾音樂廳的初次亮相,以及於2019年發行、並收錄理查・史特勞斯、李斯特、布瑞頓作品的首張個人獨唱專輯。
\n\n在音樂會演出的亮點,則包含與奧斯陸愛樂、慕尼黑交響樂團演出布拉姆斯《德意志安魂曲》,並在奧拉莫指揮下與BBC交響樂團演出莫札特詠嘆調選粹,以及與指揮家史坦茲、荷蘭廣播愛樂樂團共演莫札特《安魂曲》。國際舞台上的演出,還包含了統營國際音樂節,以及與KBS交響樂團和首爾愛樂樂團等的演出。在她與赫爾辛基愛樂樂團首度合作時,她演唱作曲家陳銀淑作品《愛麗絲夢遊仙境》中的〈猜謎及遊戲〉;並且,她在韋格爾指揮下與哥本哈根愛樂樂團演出理查・史特勞斯的《最後四首歌》。
\n\n黃秀美自2022年9月起,在首爾的慶熙大學擔任聲樂教授。
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統營國際音樂節室內樂團
\n\n統營國際音樂節室內樂團於2001年成立,以成為韓國指標性樂團為目標,同時在統營國際音樂節中擔綱大使。樂團由優秀的年輕音樂家組成,並在國際舞台上演出。他們在2002年「統營國際音樂節D-100音樂會」中首度亮相,自那之後,不斷擴展曲目和演出領域,並逐步建立起專業樂團形象。他們呈現的多樣化節目和高品質的演出滿足了古典和當代的樂迷。
\n\n統營國際音樂節室內樂團與許多世界知名作曲家合作,包含陳銀淑、譚盾、郭貝爾、霍利格、細川俊夫、史提夫.萊許等,音樂家包含摩登樂集、阿格麗希、納卡利亞科夫、高提耶.卡普松、山下和仁、海德堡斯可拉合唱團,以及其他韓國頂尖音樂家。
\n\n該樂團持續與韓國著名的音樂廳合作,並積極推廣當代作曲家的作品,且參與了各式各樣的藝術活動,其中包括「Music & Electronics」、「C-LAB」、「Open your Ears」及「Sound on the Edge」等獨特的演出製作。此外,統營國際音樂節室內樂團每年都會與尹伊桑國際音樂大賽的決賽選手合作,亦參與過理查.史特勞斯《莎樂美》、阿班.貝爾格《伍采克》及《露露》等多部歌劇的韓國首演。其密集的活動不僅觸及國內市場,樂團傑出的表現更使其在國際舞台為人所知。他們常見於歐陸演出,包含:羅馬尼亞的巴克烏當代音樂節、德國達姆施塔特國際當代音樂節、波蘭華沙秋季音樂節、西班牙ARCO馬德里當代藝術博覽會、威尼斯雙年展和比利時克拉拉藝術節等。
\n\n2005年,統營國際音樂節室內樂團學院成立,並首創了一系列高品質的教育計劃,致力於培養新一代的音樂家。統營國際音樂節室內樂團將不斷拓展其表演領域。透過持續創新的節目企劃和跨越古典與當代的多樣曲目,他們將成為推進韓國音樂走向未來的重要樂團。
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在地藝文支持夥伴
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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\n',team:""},english:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0121ef4fd1cbd22471486eb68ace843c",title:"【2024衛武營管風琴音樂節】統營國際音樂節室內樂團《歌詠音畫》"}],related:[],title:"【2024 Weiwuying International Music Festival】Ensemble TIMF - Music of Love and Longing",cover:"ce86c5048198198b18fd88a5ba94e0cf",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
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Opera excerpts, art songs, program music, and absolute music are four distinct genres that, in essence, do not intersect. When curating a concert repertoire, one can opt to emphasize a single genre or incorporate a combination of two. While it's fairly common for a repertoire to encompass three of these categories, including all four genres is a rarity. Ensemble TIMF Music of Love and Longing showcases a remarkable blend of these four music categories: SCHREKER Chamber Symphony is absolute music, The Poet's Love is a German art song, Trittico Botticelliano is program music, and the three opera arias originate from two Italian operas and one French opera. Such a diverse and abundant selection of compositions adeptly demonstrates the wide-ranging and exceptional talents of these young South Korean musicians! It's worth noting that these pieces, spanning nearly a century in composition, share a common thread of romanticism. Each art song and aria exudes a profound sense of romance. RESPIGHI skillfully breathes life into Botticelli's renowned paintings through vivid and beautiful music, while Franz SCHREKER unmistakably demonstrates his "timbre magician" craftsmanship and weaves a poignant musical tapestry full of images!
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Pre-talk
\n\n2024/4/13(Sat)19:00 Concert Hall 3F Lobby
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Program
\n\nF. SCHREKER: Chamber Symphony (Taiwan Premiere)
\n\nR. SCHUMANN, Recomposed by Christian JOST: Excerpts from Dichterliebe (A Poet’s Love) (Taiwan Premiere)
\n\nO. RESPIGHI: Trittico Botticelliano (Taiwan Premiere)
\n\nOpera Arias, Arranged by Jongin MOON
\n -G. PUCCINI: "Signore, ascolta" (My lord, listen!) from Turandot, SC 91
\n -G. PUCCINI: "Si, mi chiamano Mimi" (Yes. They call me Mimi) from La Bohème, SC 67
\n -C. GOUNOD: "Ah, Je veux vivre" from Roméo et Juliette, CG 9
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Creative and Production Team
\n\nConductor|Hankyeol YOON
\n\nSoprano|Sumi HWANG
\n\nEnsemble TIMF
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Artists Introduction
\n\nConductor|Hankyeol YOON
\n\nKorean Conductor Hankyeol YOON is the winner of the 2023 Herbert von Karajan Young Conductors Award. As a result, Hankyeol will make his official debut at the Salzburger Festspiele in August 2024 conducting the Vienna Radio Symphony Orchestra. He will also debut with Mozarteumorchester, Fondazione Teatro del Maggio Musicale Fiorentino, and at the George Enescu International Festival, and will return to the Korean National Symphony.
\n\nHighlights of the 2022/23 season include debuts with Seoul Philharmonic Orchestra, Stavanger Symphony Orchestra, Bern Symphony Orchestra, Sudwestdeutsche Philharmonie Konstanz, and Busan Philharmonic Orchestra and a return to KBS Symphony Orchestra for concerts in Tokyo. In February, Hankyeol assisted Sir Simon RATTLE for a tour of Siegfried with the Symphonieorchester des Bayerischen Rundfunks, returning again in July to assist Christian THIELEMANN.
\n\nHankyeol was the youngest ever recipient of the Neeme Järvi Prize at the 2019 Gstaad Menuhin Festival & Academy, and was also a finalist at the 2020 Georg Solti Competition and 2021 Deutscher Dirigentenpreis respectively. As a composer, Hankyeol has been recognized at several European competitions.
\n\nBorn in Daegu, South Korea but calling Munich his home since 2011, Hankyeol studied conducting, composing, and piano performance at the Hochschule für Musik und Theater München.
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\nSoprano|Sumi HWANG
Following her studies in Seoul and Munich, South Korean soprano Sumi HWANG has garnered acclaim through her successes at the International Grandi Voci Competition in Salzburg, the Anneliese Rothenberger Competition in Konstanz and the Emmerich Smola Förderpreis awarded by SWR.
\n\nAfter winning the Concours Reine Elisabeth competition in Brussels in 2014, she joined the ensemble of the Theater Bonn for four years, performing roles such as Almirena (Rinaldo), Cleopatra (Giulio Cesare in Egitto), Fiordiligi (Così fan tutte), Pamina (Die Zauberflöte), Marzelline (Fidelio), Leïla (Les pêcheurs de perles) and Mimì (La Bohème).
\n\nNotable guest appearances have taken the soprano to the Grand Théâtre de Genève, Prinzregententheater in Munich, Korean National Opera in Seoul and the Daegu Opera House. In the 2021/22 season, she became a permanent ensemble member of the Hessisches Staatstheater Wiesbaden, subsequently appearing there as Donna Anna (Don Giovanni), Fiordiligi, Ilia (Idomeneo) and Pamina among others.
\n\nAs a lied singer, Sumi HWANG regularly collaborates internationally with pianist Helmut DEUTSCH, with whom she made her debut at London's Wigmore Hall in 2015 and has since released her first solo album with songs by STRAUSS, BRITTEN and LISZT in 2019.
\n\nAmong the soprano's concert highlights are BRAHMS' Ein deutsches Requiem with the Oslo Philharmonic and Munich Symphony orchestras, selected MOZART arias with the BBC Symphony Orchestra and Sakari ORAMO, and MOZART's Requiem with the Netherlands Radio Orchestra under Markus STENZ. Further international appearances include the Tongyeong International Music Festival, and performances with the KBS Symphony and Seoul Philharmonic orchestras. In her debut with the Helsinki Philharmonic Orchestra she sang Unsuk CHIN's "Puzzles and Games" from Alice in Wonderland, while with the Copenhagen Philharmonic and Sebastian Weigle she performed STRAUSS' Four Last Songs.
\n\nSumi HWANG has been working as a professor of singing at Kyunghee University in Seoul since September 2022.
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\nEnsemble TIMF
Ensemble TIMF was founded in 2001 with the goal of incepting a major performance ensemble as a key representative of Korea and an ambassador of the Tongyeong International Music Festival. It has been engaged in intense activities in and outside of Korea and comprised of excellent young musicians. Its first performance began with the "D-100 Concert of TIMF 2002". Since then, it has continuously expanded the range of repertoires and performances to date and established itself as a professional ensemble. With a variety of programs and high-quality performances, it gives fruitful and satisfactory pleasures to audiences of classic and contemporary music. It has concertized with some of the most renowned composers and pianists around the world, including Unsuk CHIN, TAN Dun, Heiner GOEBBELS, Heinz HOLLIGER, Toshio HOSOKAWA, Steve REICH, the Ensemble Modern, Martha ARGERICH, Sergei NAKARIAKOV, Gautier CAPUCON, Kazuhito YAMASHITA, and Schola HEIDELBERG. The ensemble's intense activities reach markets not only in Korea but also in foreign countries, and their excellence has been recognized internationally. They have performed in European concert stages, such as the Bacau Contemporary Music Festival in Romania, the Darmstadt International Contemporary Music Festival, the Warsaw Autumn Festival, the Venice Biennale, KlaraFestival in Belgium, Festival Presences. With "Ensemble TIMF Academy", which began in 2005, it has spearheaded a movement in providing superior education programs to post-generation of musicians. Ensemble TIMF's expansion of the performance fields will continue. With its freshly creative project planning and its wide range of repertoires from the classical to contemporary periods, it will continue to advance as one of the leading ensembles for the future of Korean music.
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Cultural Development Partner
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衛武營會員綁定OPENTIX
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融合口白、肢體與劇場元素的擊樂名作,拓展你我聽覺想像。
\n\n2019年日內瓦音樂大賽擊樂得主,同年亦獲頒瑞士信貸青年藝術家大獎,來自波蘭的貝德納絲卡(Marianna BEDNARSKA)近年以出眾的音樂表現和洗鍊技巧,成為歐陸最受矚目的新星之一。她的演奏曾被《琉森報》(Luzerner Zeitung)評為能「啟發聽眾」,《紐約時報》更以「耀眼的錄音」來形容她灌錄的丹麥作曲家柯佩爾(A. Koppel)四首木琴協奏曲專輯。
\n\n本次音樂會她除了將以木琴演奏多首弦樂改編曲,包括巴赫大提琴無伴奏與帕格尼尼隨想曲,展現詮釋底蘊和俐落身手,更挑選了融入多元表現形式的當代傑作以饗樂迷。無論是希臘作曲家阿貝爾吉斯用口白與手鼓,塑造兩人或兩物之間,纏鬥得難分難解的〈相搏〉;斯洛維尼亞作曲家葛洛波卡以身體為樂器,藉由拍打不同部位探索音響組合的〈?肢體〉;或是加入電子樂伴奏的哈奇斯《生之祭典》與賽瓊奈〈吸引力〉,無一不拓展你的聽覺體驗!
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演出曲目
\n\n伊阿尼斯.澤納基斯:〈反彈B〉給綜合打擊樂獨奏
\n\n巴赫:第六號無伴奏大提琴組曲之〈前奏曲〉與〈薩拉邦德舞曲〉(改編給木琴)
\n\n帕格尼尼:〈第二十四首隨想曲〉(由布里傑改編給木琴)
\n\n喬治.阿貝爾吉斯:《相搏》
\n\n克里斯托斯.哈齊斯:《生命祭典》
\n\n文科.葛洛波卡:〈?肢體〉
\n\n皮亞佐拉:〈布宜諾斯艾利斯的夏天〉(由張鈞量改編給木琴)
\n\n赫蘇斯.托瑞斯:〈變形蟲〉
\n\n艾曼紐爾.賽瓊奈:〈吸引力〉(短版)
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安可曲:
\n\nA. Piazzolla: Libertango (Arranged for Marimba by Eric Sammut)
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文章閱讀
\n\n►【MUSICO特別報導】魔幻之擊,震響2024衛武營國際音樂節——專訪擊樂演奏家瑪麗安娜・貝德納絲卡
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演出者
\n\n打擊|瑪莉安娜・貝德納絲卡
\n\n瑪莉安娜・貝德納絲卡是一位來自波蘭的年輕打擊樂手。她不僅以獨奏家身份,還以室內樂表演者、樂團成員和打擊樂教師等多重身份活躍於藝術界。她經常受邀至國際音樂節,且與音樂界中的多位著名人士合作。
\n\n於2019年,她榮獲第74屆日內瓦國際音樂比賽和瑞士信貸年輕獨奏家獎。在眾多國際打擊樂比賽中,她累計奪得24座首獎和特別獎,包括2016年的美國芝加哥、2016年的德國班伯格、2009年的法國巴黎、2008年的義大利費爾莫和2007年的保加利亞普羅夫迪夫。此外,她還是2009年波蘭歐洲之聲「年度優秀青年音樂家」的決賽選手。
\n\n她在歐洲和美國的音樂節上多次擔任獨奏家,如2019年的盧塞恩音樂節、2021年的達沃斯音樂節和2023年的索爾斯堡音樂節。她也曾與多支知名樂團合作,如瑞士羅曼德樂團、柏林喜歌劇院樂團、華盛頓國際室內樂團、奧爾堡交響樂團、波茲南愛樂樂團和波蘭華沙廣播樂團等。
\n\n她曾獲得波蘭、瑞士和德國的藝術獎學金。2013年,她因其在音樂上連結波蘭和丹麥兩國的獨特貢獻,被頒發波蘭-丹麥友誼獎;而在2017年,她又被提名為「波蘭音樂卓越獎」的年度新秀。
\n\n2014年,應知名丹麥作曲家安德斯・柯佩爾之邀,她成為第一位完整錄製他所有馬林巴協奏曲的打擊樂手。她的首張專輯《馬林巴協奏曲》在波蘭及國際都獲得了極大的讚賞,其中包括紐約時報、留聲機雜誌和德國廣播公司的肯定。作為獨奏家,她也參與了「100 for 100. Musical Decades of Freedom」等多個錄音項目,其中「100 for 100」在波蘭唱片學院的菲德烈克獎中勇奪兩項大獎。
\n\n瑪莉安娜最初學習的是鋼琴,但後來她的興趣轉向了古典打擊樂器。在完成波蘭齊瑪諾夫斯基音樂學校的學業後,她在德國斯圖加特音樂與表演藝術學院取得學士學位,接著在瑞士日內瓦高等音樂學院獲得碩士文憑,並於2021年完成學士後學業。
\n\n自2023年起,她在波蘭華沙蕭邦音樂大學擔任教職。除此之外,她也是山葉和Kolberg鼓棒的官方代言人。
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在地藝文支持夥伴
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Marianna BEDNARSKA won't just be showcasing her marimba prowess, but she's also curated a line-up of notable percussion pieces.
\n\nHailing from Poland, Marianna BEDNARSKA clinched the title of percussion winner at the 2019 Geneva Music Competition and was also honored with the Credit Suisse Young Artist Award that same year. With her remarkable musical interpretations and impeccable technique, she's rapidly emerging as one of Europe's most notable rising stars. Luzerner Zeitung extolled her ability to inspire audiences "with her virtuosic, emotional, and masterful playing across instruments. The New York Times lauded her "sparkling" recording of four marimba concertos by the Danish composer Anders KOPPEL.
\n\nIn her upcoming concert, BEDNARSKA will render several string pieces on the marimba, including BACH's standalone Cello Suite and PAGANINI's Caprice, each demonstrating her profound interpretative depth and deft technique. She's also chosen contemporary masterpieces that blend diverse forms of artistic expression to enchant music aficionados. Whether it's Georges APERGHIS's Le Corps à Corps, a piece that melds spoken word with hand drums to portray an entwined battle between two entities; Vinko GLOBOKAR's "? Corporel," where the body itself becomes a musical instrument, exploring soundscapes through strikes to various body parts; or Emmanuel SÉJOURNÉ's "Attraction" and others, every piece promises to be a unique auditory journey!
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Program
\n\nIannis XENAKIS: "Rebonds B" for multipercussion
\n\nJ. S. BACH: Cello Suite No.6 in D-Major, BWV 1012 "Prelude", "Sarabande" (Arranged for Marimba)
\n\nN. Paganini: "Caprice No.24 for Marimba" (Arranged for Marimba by Johan BRIDGER)
\n\nGeorges APERGHIS: Le corps à corps
\n\nChristos HATZIS: Fertility Rites
\n\nVinko GLOBOKAR: "?Corporel"
\n\nA. PIAZZOLLA: "Verano Porteño" (Arranged for Marimba by Pius CHEUNG)
\n\nJesus TORRES: "Proteus"
\n\nEmmanuel SÉJOURNÉ: "Attraction" (short version)
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Encore Pieces:
\n\nA. Piazzolla: Libertango (Arranged for Marimba by Eric Sammut)
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Artist Introduction
\n\nPercussionist | Marianna BEDNARSKA
\n\nMarianna BEDNARSKA is a young polish percussionist. She runs an active artistic activity, not only as a soloist, but also as a chamber music performer, orchestra musician and percussion teacher. She is regularly invited to international music festivals and cooperates with recognized personalities of the musical world.
\n\nShe is a Laureate of the 74th Geneva International Music Competition 2019, Winner of the Prix Credit Suisse Jeunes Solistes 2019 and a winner of 24 first prizes and special prizes at international percussion competitions, among others in Chicago (USA 2016), Bamberg (DE, 2016), Paris (FR, 2009), Fermo (IT, 2008) or Plovdiv (BG, 2007). She is also a Finalist of the Polish Eurovision Contest "Young Musician of the Year 2009".
\n\nShe performed in Europe and USA making her solo debuts at international music festivals, such as the Lucerne Festival 2019, Davos Festival 2021 or Solsberg Festival 2023. As a soloist, she performed with orchestras such as Orchestre de la Suisse Romande, Komische Oper Orchestra, International Chamber Orchestra of Washington, Aalborg Symphony Orchestra, Sinfonia Varsovia Orchestra, Poznań Philharmonic Orchestra or Polish Radio Orchestra in Warsaw.
\n\nShe is the winner of artistic scholarships in Poland, Switzerland and Germany. In 2013, she received the Polish-Danish Friendship Award for her unique artistic activity connecting both countries, and in 2017, a nomination for the award "Koryfeusz Muzyki Polskiej 2017" in the Debut of the Year category.
\n\nIn 2014, at the invitation of the renowned Danish composer, Anders KOPPEL, she was the first percussionist in a history to record the complete set of all his marimba concertos (Dacapo Records 2014) on her debut album Marimba Concertos, which received extremely positive reviews, both in Poland and abroad (including The New York Times, Gramophone or Deutschlandfunk). As a soloist, she also took part in recordings for Bayerische Rundfunk, the Institute of Music and Dance in Poland and the PWM Edition in the artistic project "100 for 100. Musical Decades of Freedom", which was honored with the "Fryderyk Award" of the Polish Phonographic Academy in two categories.
\n\nShe began her artistic path with the piano, which was soon replaced by classical percussion instruments. After graduating with honors from the Karol Szymanowski Music School in Warsaw, she received with the highest marks both a bachelor's degree from the Staatliche Hoschule für Musik und Darstellende Kunst in Stuttgart, and a master's degree from the Haute Ècole de Musique in Geneva, where she also completed postgraduate studies in 2021.
\n\nFrom 2023, Marianna BEDNARSKA holds a teaching position at the Fryderyk Chopin University of Music in Warsaw. She is a Yamaha Artist and a Kolberg Mallet Artist.
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Cultural Development Partner
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\n',team:""},createdAt:1698129188,updatedAt:1713171875,updatedBy:"林蔚行",host:!0},{_id:"65376fcd7550150008fb3d48",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1713439800,discrete:[{time:1713439800},{time:1713526200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600],link:"https://www.opentix.life/event/1726899189686116353"}},attachment:{},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"759f5b7ec99826134f7ee92d526d64df",title:"【2024衛武營國際音樂節】衛武營當代樂團《當代音樂萬花筒:建構》、《當代音樂萬花筒:碰撞》"}],related:[],title:"【2024衛武營國際音樂節】衛武營當代樂團 當代音樂萬花筒:《街頭劇場之情景》、《音樂玩具》",cover:"162f9d720015eb4afbce0136e88524de",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
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\n',benefits:'節目單下載
\n\n\n\n衛武營當代樂團 當代音樂萬花筒:《街頭劇場之情景》電子節目單
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當代音樂彷如萬花筒反射各種想像——作曲家透過音聲建構想像,聽眾則以自身想像與音聲化之想像碰撞,氤氳為對話、協商與共融之可能。
\n\n想像是如真似幻的建構:多納托尼《熾》以反覆與嬗變之「想像爵士樂」為音樂會揭開極具動態感的序幕;陳銀淑則在《高加隆》「想像的民間音樂」中,描畫一幀幀戰後首爾街頭劇場之幻想情景。
\n\n想像亦會碰撞:《庫朗舞曲》與《脈動》之題皆可溯源於音樂史,馬格努斯.林德貝里與馬克-安德烈.達勒巴維卻採前衛的音樂技法與之產生奇詭的摩擦;麥克.道赫悌《李伯拉斯輓歌》拼貼流行音樂語彙於古典樂框架,後現代之音樂風格與許多人對當代音樂之既有印象相撞而迸裂出火花。
\n\n臺灣青年作曲家的作品則說明想像亦為期許:林碩俊以生成式人工智慧為靈感,以音樂刻畫其微妙的精確性與不確定性;劉韋志則借鑑巴赫金之「眾聲喧嘩」,以音樂觀照社會現實之餘,傳達尊重差異與達成對話的期許。(文|莊聖玄)
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文章閱讀
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演後座談
\n\n2024/4/18(四)、4/19(五)演出結束後於表演廳
\n\n與談人|皮耶-安德烈.瓦拉德、陳銀淑
\n\n主持人|陳宜貞
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演出曲目
\n\n4/18(四)19:30
\n\n多納托尼:《熾》,給薩克斯風獨奏與樂團(臺灣首演)
\n\n林碩俊:《非零即一的和解》(世界首演,衛武營委託創作)
\n\n馬格努斯.林德貝里:《庫朗舞曲》(臺灣首演)
\n\n陳銀淑:《高加隆》- 街頭劇場之情景(臺灣首演)
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4/19(五)19:30
\n\n馬克-安德烈.達勒巴維:《律動》
\n\n劉韋志:《眾聲喧嘩六:欲望之歌》(世界首演,衛武營委託創作)
\n\n《音樂玩具》鋼琴獨奏小品集:
\n\n麥克.道赫悌:《李柏拉斯輓歌》,給鋼琴獨奏與樂團(臺灣首演)
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安可曲:
\n\n麥克.道赫悌:《李柏拉斯輓歌》IV.燭台倫巴
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演出暨製作團隊
\n\n指揮|皮耶-安德烈.瓦拉德
\n\n薩克斯風|陳力鋒 (4/18)
\n\n鋼琴|傅美兒 (4/19)
\n\n衛武營當代樂團
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執行單位|時間藝術工作室
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在地藝文支持夥伴
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\n',team:""},english:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"759f5b7ec99826134f7ee92d526d64df",title:"【2024衛武營國際音樂節】衛武營當代樂團《當代音樂萬花筒:建構》、《當代音樂萬花筒:碰撞》"}],related:[],title:"【2024 Weiwuying International Music Festival】Weiwuying Contemporary Music Ensemble - Street Theatre and Hot Dances & Musical Toys",cover:"162f9d720015eb4afbce0136e88524de",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\n
Contemporary music serves as a kaleidoscope, reflecting a myriad of imaginations. Composers craft imaginative soundscapes, and audiences engage with these musicalized imaginations, fostering dialogue, negotiation, and communion.
\n\nImagination is a construction with a distance from reality. F. DONATONI's Hot electrifies the concert with its dynamic 'imaginary jazz', evolving through repetition and transmutation. Gougalon, described as an 'imaginary folk music' by Unsuk CHIN, depicts the street theatre of post-war Seoul in a series of imaginative scenes.
\n\nImagination collides. Corrente and Tactus draw from Western music history, creatively reimagined by Magnus LINDBERG and Marc-André DALBAVIE, sparking intriguing friction. Michael DAUGHERTY's postmodern collage of popular music idioms in Le Tombeau de Liberace challenges conventional perceptions of contemporary music.
\n\nPremieres by Taiwanese composers underline imagination's role in shaping expectations. LIN Shuo-chun, inspired by Generative A.I., employs music to depict its precision and uncertainty. LIU Wei-chih, referencing M. BAKHTIN's concept of 'heteroglossia', uses music to address societal realities, fostering dialogue and embracing differences.
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Post-talk
\n\n2024/4/18(Thu)、4/19(Fri) After the performances at Recital Hall
\n\nGuest|Pierre-André VALADE, Unsuk CHIN
\n\nHost|CHEN Yi-Chen
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Program
\n\n4/18(Thu)
\n\nF. DONATONI: Hot, for saxophone solo and ensemble (Taiwan Premiere)
\n\nLIN Shuo-chun: Harmony in Binary (World premiere, Commissioned by Weiwuying)
\n\nMagnus LINDBERG: Corrente (Taiwan Premiere)
\n\nUnsuk CHIN: Gougalōn - Scenes from a street theatre (Taiwan Premiere)
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4/19(Fri)
\n\nMarc-André DALBAVIE: Tactus
\n\nLIU Wei-chih: Heteroglossia VI: Song of Desires (World premiere, Commissioned by Weiwuying)
\n\nMusical toys for solo piano:
\n\nMichael DAUGHERTY: Le Tombeau de Liberace, for solo piano and ensemble (Taiwan Premiere)
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Creative and Production Team
\n\nConductor|Pierre-André VALADE
\n\nSaxophone|CHEN Li-fong (4/18)
\n\nPiano|Mei Yi FOO (4/19)
\n\nWeiwuying Contemporary Music Ensemble
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Project Executive|TimeArt Studio
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Cultural Development Partner
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\n',team:""},createdAt:1698131917,updatedAt:1713747932,updatedBy:"林蔚行",host:!0},{_id:"653778d47550150008fb3edd",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1712984400,discrete:[{time:1712984400},{time:1713002400},{time:1713070800},{time:1713088800},{time:1713589200},{time:1713607200},{time:1713675600},{time:1713693600}],type:"discrete"},activity:{type:"free",free:{description:"免費入場",englishDescription:"Free Entry"}},attachment:{key:"ca3e740d4bbe0d53c97dced7dcfd3095",name:"《樂讀里希特》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bd0764f7f0b5b76133f1336de9733b10",title:"【2024衛武營國際音樂節】《里希特圖像》"}],related:[],title:"【2024衛武營國際音樂節】《樂讀里希特》",cover:"fe43b7a6d5d17b55947cb520f59879f0",site:{isOther:!0,site:"5aec47d3b01ea6000520f663",other:"樹冠大廳西側"},cautions:'
演出開始前30分鐘開放入場,自由入座。
\n\t主辦單位有權視現場人潮狀況,進行入口管制或暫停開放入場。
\n\t主辦單位將於活動期間進行攝影作為活動紀錄,本影像紀錄以藝文推廣或非營利性之目的為限,凡入場者即表示同意拍攝。
\n\t抽象繪畫X當代音樂
\n\n一場跨領域的藝術交流
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《樂讀里希特》影片以德國當代重量級藝術家葛哈.里希特(Gerhard RICHTER)的圖像所組成,由作曲家馬庫斯.施密克勒(Marcus SCHMICKLER)與電影導演科琳娜.貝爾茲(Corinna BELZ)共同創作。貝爾茲以里希特於2015年送給她的一張圖畫為中心創作,藉由專門開發的電腦軟體製作成電影。施密克勒則在電影製作的同時創作音樂,並將里希特的分割方法延伸應用到聲音和時間層面。觀眾體驗這些聲音的時候就像在看一幅畫,透過施密克勒的音樂詮釋,我們將聽見里希特圖像中的視覺節奏!
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演出暨製作團隊
\n\n作曲|馬庫斯.施密克勒
\n\n導演|科琳娜.貝爾茲
\n\n藝術家、原始概念|葛哈・里希特
\n\n錄音演出單位|音樂工廠樂團
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藝術家介紹
\n\n作曲|馬庫斯.施密克勒
\n\n作曲家馬庫斯.施密克勒住在德國科隆及奧地利格拉茲,專攻當代與電子音樂,作品主要為電腦音樂、重奏、表演以及科學的融合,創建獨特的聲響空間。施密克勒探索謝潑德音調以及環形調變的各種技法,透過資訊聽覺化以及耳聲傳射探索不同的聲響。
\n\n此外, 施密克勒也替《MusikTexte》等各種出版物撰寫音樂理論相關文章,他的音樂作品被收錄在約莫50張黑膠唱片與CD中。施密克勒獲獎無數,包括羅馬德國文化機構備受尊崇的羅馬獎,他也在哈得遜河畔的巴德學院、加州藝術學院及杜塞道夫的舒曼音樂學院任教。其作品曾被斯圖加特當代人聲團、德國音樂工廠樂團、科隆擊樂四重奏、Recherche 樂團、科隆頌歌者合唱團、威瑪國家管絃樂團、Ruhr 樂團、科隆西德廣播合唱團、科隆西德廣播樂團、蘇格蘭皇家音樂學院室內合唱團等演繹。
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導演|科琳娜.貝爾茲
\n\n科琳娜.貝爾茲過去於科隆與柏林研讀哲學、藝術史,以及媒體科學。她參與過數個影片製作的編劇與導演工作,例如:《微軟之後的生活》(2001)以及《其他美國聲音》(2002;獲頒「德國律師協會電影獎」)。貝爾茲第一部紀錄葛哈.里希特作品的影片《科隆大教堂花窗》(2007)獲頒「世界媒體金獎(藝術紀錄片類別)」;紀錄長片《里希特的畫作》(2011)則獲頒「德國電影獎金獎」(德國影界最高榮耀)。另一部紀錄長片《彼得.漢德克:我在森林,晚一點到》在2016年於盧卡諾影展的正式評選項目中首映。2015年,貝爾茲與里希特再次合作抽象影片《樂讀里希特》以及《動態影像(946-3)》。此外,貝爾茲的電影紀錄片《烏菲茲內部》(2021)以及《湯瑪斯.舒特,我不是一個人》(2023)廣獲好評,並在國際影展表現亮眼。科琳娜.貝爾茲現居住於科隆與柏林。
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藝術家、原始概念|葛哈・里希特
\n\n德國藝術家葛哈.里希特(1932年出生於德勒斯登)自1962年還在杜塞道夫藝術學院就讀期間就開始獨立創作畫作。里希特的創作起初以攝影作品為創作依據,往後更擴展到各種不同的抽象風格。除了畫作以及物件創作,里希特豐富多元的作品還包括素描、水彩、以繪畫加工的照片,以及限定版數發行的系列作品等。里希特被公認為當代最重要也最具影響力的藝術家之一,作品於重要的博物館與世界各地展出。里希特2007年面世的《科隆大教堂花窗》出現在電影導演科琳娜.貝爾茲的同名紀錄片當中。貝爾茲的紀錄長片《里希特的畫作》於2011年上映,兩位創作者也於2015年第三次合作,創作抽象影片《樂讀里希特》以及《動態影像(946-3) 》。
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©Marcus Schmickler
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在地藝文支持夥伴
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\n',team:""},english:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bd0764f7f0b5b76133f1336de9733b10",title:"【2024衛武營國際音樂節】《里希特圖像》"}],related:[],title:"【2024 Weiwuying International Music Festival】Richters Patterns by Marcus SCHMICKLER",cover:"fe43b7a6d5d17b55947cb520f59879f0",site:{isOther:!0,site:"",other:"Crown Hall Westside"},cautions:'
The auditorium with free-seating opens 30 minutes before each performance starts.
\n\tThe presenter reserves the right to control the entrance or suspend admission based on the crowd in the auditorium.
\n\tThe presenter will take photographs during the event. These photos will be used in the future for artistic promotion or non-profit purposes only. By entering this area, you agree to be photographed.
\n\tAbstract PaintingxContemporary Music
\n\nAn Exchange Between Different Arts
\n\n\n\n
The film Richters Patterns, which consists of significant contemporary German artist Gerhard RICHTER's patterns, was created by composer Marcus SCHMICKLER and film director Corinna BELZ. BELZ used a detail of a photo that RICHTER gave her in 2015 to create a movie that was generated by a computer algorithm programmed for the project. SCHMICKLER wrote the music in parallel with the film's creation, and extended RICHTER's dividing method into the field of sound and time. Listeners experience these sounds as if they are looking at a painting. We will hear the visual rhythm in RICHTER's patterns with SCHMICKLER's interpretation in music!
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Creative and Production Team
\n\nComposer|Marcus SCHMICKLER
\n\nDirector|Corinna BELZ
\n\nVisual Artist & Original Idea|Gerhard RICHTER
\n\nPerformers of Music Recording|Ensemble Musikfabrik
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Artists Introduction
\n\nComposer|Marcus SCHMICKLER
\n\nMarcus SCHMICKLER (1968- ) is a composer specializing in contemporary and electronic music. He resides in Cologne and in Graz. SCHMICKLER's work deals with the convergence of computer music, ensemble composition, performance, and science. His compositions create unique auditory spaces. Exploring a range of techniques from Shepard tones to ring modulations, SCHMICKLER harnesses their compositional potential, delving into sonic exploration through data sonification and otoacoustic emissions.
\n\nAdditionally, he contributes texts on music theory to various publications, including MusikTexte, and his musical works have been featured in about 50 LPs and CDs. SCHMICKLER has been the recipient of numerous accolades, including the esteemed Rome Prize from the German Academy Villa
\n\nMassimo. He has taught at Bard College, CalArts, Robert Schumann Hochschule. His compositions have been performed by notable ensembles such as Neue Vocalsolisten, Ensemble Musikfabrik, Schlagquartett Köln, Ensemble Recherche, Kölner Kurrende, Staatskapelle Weimar, Ensemble Ruhr,
\n\nWDR Rundfunk Chor, WDR Rundfunk Orchestra, and RSAMD Chamber Choir, among others.
\n\n\n\n
Director|Corinna BELZ
\n\nCorinna BELZ studied philosophy, history of art and media sciences in Cologne and Berlin. She has
\n\nwritten and directed numerous film productions, including Life After Microsoft (2001) and Other American Voices (2002, awarded the Filmpreis des Deutschen Anwaltvereins). Her first film documenting Gerhard RICHTER's work, The Cologne Cathedral Window (2007), was awarded the World Media Gold Award -Art Documentaries. Her feature-length cinema documentary Gerhard Richter Painting (2011), won the German Film Prize in Gold (highest honors in German cinema). In 2016, her feature-length documentary Peter Handke. In the Woods, Might be Late premiered at the Film Festival Locarno, Official Selection. 2015 saw a new collaboration with Gerhard RICHTER for the abstract films Richters Patterns and Moving Picture (946-3). BELZ' cinema documentary Inside the Uffizi (2021) and Thomas Schütte, I am Not Alone (2023) won much critical acclaim and had international festival success. Corinna BELZ lives in Cologne and Berlin.
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Visual Artist & Original Idea|Gerhard RICHTER
\n\nThe German artist Gerhard RICHTER (1932 born in Dresden) developed his independent oeuvre of paintings from 1962, while still a student at the Düsseldorf Art Academy, initially on the basis of photographic models. He later expanded his painting to include a wide variety of abstract styles. In addition to paintings and objects, RICHTER's complex oeuvre also includes drawings, watercolors, overpainted photographs and editions. His works can be found in important museum collections and are exhibited worldwide. RICHTER is considered one of the most important and influential living artists. The creation of Gerhard RICHTER's Cologne Cathedral Window, unveiled in 2007, was accompanied by film-maker Corinna BELZ in a documentary. In 2011, BELZ' feature-length documentary Gerhard Richter Painting was released. 2015 saw a third collaboration for the abstract films Richters Patterns and Moving Picture (946-3).
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©Marcus Schmickler
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Cultural Development Partner
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\n',team:""},createdAt:1698134228,updatedAt:1712633705,updatedBy:"林蔚行",host:!0},{_id:"65377c977550150008fb3f81",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1713594600,discrete:[{time:1713594600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,900,1200,1500],link:"https://www.opentix.life/event/1727599895799484417"}},attachment:{key:"ed55525886a2b883468c876fcd44375f",name:"【2024衛武營國際音樂節】金善昱 & 魏靖儀《琴競 ‧ 奏鳴曲》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"dc7a90cc130060e32e4cb6c73af51a1f",title:"【2024衛武營國際音樂節】金善昱與魏靖儀獨奏會"}],related:[],title:"【2024衛武營國際音樂節】金善昱 & 魏靖儀《琴競 ‧ 奏鳴曲》",cover:"9696b6348a5a302d96665fdb15717f31",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
這一場充滿能量,火花四射的雙琴交鋒,將由利茲國際鋼琴大賽得主-韓國鋼琴家金善昱,和榮獲伊莉莎白皇后國際大賽桂冠小提琴家魏靖儀連袂登場。兩位重要新生代演奏家將以完美默契及深厚技巧,為觀眾帶來橫跨近二世紀,震懾人心的小提琴與鋼琴合奏曲目。
\n\n盧托斯瓦夫斯基晦暗的《即刻》,在小提琴與鋼琴步步試探中,融合為懸疑緊湊的謎團,小提琴不停以「瞬間」的變化,開展出爆炸般的龐雜旋律。長約26分鐘的貝多芬第七號小提琴奏鳴曲,則是小提琴經典大作,激情四溢的旋律和濃烈情感,為作曲家探索心靈的一場壯遊。下半場,楊納傑克的小提琴與鋼琴奏鳴曲將帶領觀眾進入截然不同的音樂世界,充滿現代感的和弦結構混合著鮮明民謠元素的旋律線條,而同樣創作於戰爭年代的雷史畢基b小調奏鳴曲,義式浪漫抒情中帶有印象樂派的色彩,豐富織度近乎管絃樂作品。
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演後座談
\n\n2024/4/20(六)16:15 演後5分鐘於音樂廳觀眾席
\n\n與談人:簡文彬、金善昱、魏靖儀
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演出曲目
\n\n盧托斯瓦夫斯基:《即刻》給小提琴與鋼琴
\n\n貝多芬:c小調第七號小提琴奏鳴曲,作品三十之二,《英雄》
\n\n楊納傑克:給小提琴與鋼琴的奏鳴曲
\n\n雷史畢基:給小提琴與鋼琴的b小調奏鳴曲,P. 110
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安可曲:
\n\nJ. Brahms, arr. J. Heifetz: Contemplation
\n\nF. J. Gossec, arr. par Mischa Elman: Govotte
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文章閱讀
\n\n►【MUSICO特別報導】傑出琴藝,光芒耀眼,2024衛武營國際音樂節精彩壓軸——專訪鋼琴家金善昱
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演出暨製作團隊
\n\n鋼琴|金善昱
\n\n小提琴|魏靖儀
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藝術家介紹
\n\n鋼琴|金善昱
\n\n2006年,鋼琴家金善昱以18歲之齡在享負盛名的利茲國際鋼琴比賽中勝出,成為該比賽40年以來最年輕的冠軍得主,並是首位亞洲人贏得此獎項。 金善昱曾與無數頂尖樂團合作,包括倫敦交響樂團、皇家大會堂管絃樂團、德勒斯登國家管絃樂團、芝加哥交響樂團、洛杉磯愛樂樂團、明尼蘇達交響樂團、柏林愛樂樂團、柏林廣播交響樂團、北德廣播易北愛樂樂團、布萊梅德意志室內愛樂管絃樂團、芬蘭廣播交響樂團、愛樂管絃樂團、倫敦愛樂交響樂團、蘇格蘭國家管絃樂團、BBC威爾斯國家管絃樂團、法國廣播愛樂樂團、NHK交響樂團、哈雷樂團、伯明罕市立交響樂團,並在2014年與波茅斯交響樂團合作,首次於逍遙音樂節演出。他曾與多位知名指揮家合作,包括卡內拉基斯、史都茲曼、桑德加德、索契耶夫、哈丁、賈維、艾非肯、加德納、賈第納爵士、鄭明勳、凡斯卡、阿胥肯納吉、卡拉畢茲、亞諾夫斯基、歐拉莫、曼澤、辛奈斯基、桑德林、貝許米特和艾爾德爵士等。 金善昱迄今重要的獨奏音樂會,包括定期在威格莫音樂廳、伊莉莎白女王音樂廳(倫敦國際鋼琴音樂會系列)、巴黎愛樂廳和香榭麗舍劇院的《鋼琴四星》系列、雅各賓國際鋼琴音樂節、艾克斯音樂節、法國拉羅克當泰龍國際鋼琴音樂節,以及在貝多芬波昂故居、魯爾鋼琴音樂節、梅克倫堡-前波美拉尼亞音樂節、布宜諾斯艾利斯哥倫布劇院、東京的纪尾井音樂廳、大阪交響音樂廳和首爾藝術中心等地演出。金善昱也熱衷於演奏室內音樂,曾與多位歌手合作演出。 在2022/23樂季中,金善昱以獨奏家身份返回洛杉磯愛樂(呂天貽指揮)、倫敦交響樂團(提森・湯瑪斯指揮),並擔任歐洲室內樂團韓國巡演獨奏,以及首爾愛樂歐洲巡演於皇家大會堂及卡杜甘音樂廳的獨奏家。繼上個樂季中,金善旭成功領奏波茅斯交響樂團及首度在國際舞台上指揮KBS交響樂團,他在此樂季以指揮及鋼琴家身份回到波茅斯交響樂團演出德弗札克大提琴協奏曲以及布拉姆斯第二號交響曲。2022年8月,金善昱榮幸受邀指揮首爾愛樂,慶祝韓國光復節七十七週年,並在2022年12月再次合作,指揮三場貝多芬的第九交響曲音樂會。另外,他也首次指揮馬德里卓越基金會(Fundación Excelentia)和澳門樂團。下個樂季,金善昱將首次與亞特蘭大交響樂團、荷蘭廣播愛樂樂團、英國皇家北方交響樂團以及瑞典的耶夫勒交響樂團合作,同時還將首次指揮李斯特室內樂團。
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小提琴|魏靖儀
\n\n「魏靖儀已證明自己是位大師,以一種魔幻敏銳的方式詮釋音樂。」——《西德日報》
\n\n魏靖儀為新生代備受國際矚目的臺灣小提琴家,2015年摘下伊莉莎白女王國際音樂大賽桂冠殊榮。擁有天然靈動的音樂性、游刃有餘的演奏技巧、真摯細膩的情感與哲思,散發著光芒四溢的音樂爆發力,西德日報的讚賞「具有極其細微的音樂顏色變化。」曾與世界頂尖樂團、藝術家如比利時國家管弦樂團、國家交響樂團(臺灣愛樂)、台北市立交響樂團、倫敦愛樂,殷巴爾、吉博瓦格、瑪琳艾索普,艾德華加德納、吉爾夏漢、胡乃元、林昭亮、陳銳、王佩瑤、歐拉夫森、約格.魏德曼並於全球重要音樂殿堂演出。目前使用由奇美基金會贊助提供的1722年史特拉底瓦里「姚阿幸—艾爾曼」名琴。
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在地藝文支持夥伴
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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\n',team:""},english:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"dc7a90cc130060e32e4cb6c73af51a1f",title:"【2024衛武營國際音樂節】金善昱與魏靖儀獨奏會"}],related:[],title:"【2024 Weiwuying International Music Festival】Sunwook KIM & William WEI - Soulful Duets from Beethoven to Janacek",cover:"9696b6348a5a302d96665fdb15717f31",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\n
Sunwook KIM, winner of the Leeds International Piano Competition, and William WEI, the laureate of the Queen Elisabeth International Violin Competition, invite you to an effervescent instrumental duel, their remarkable skills and synergy showcasing a breathtaking repertoire that traverses two centuries.
\n\nLUTOSLAWSKI Subito evolves into a frenetic mystery as the violin and piano develop suspensefully from the beginning, with the violin's instant shifts crafting intricate and explosive melodies. BEETHOVEN's 26-minute Violin Sonata No. 7 is a masterpiece filled with passionate melodies and deep emotions, offering a profound journey into the composer's soul.
\n\nIn the second half, JANÁČEK Sonata for Violin and Piano offers a blend of modern chords and folk element-infused melodies, while RESPIGHI Sonata in B minor, composed around the same time during World War I, presents romantic lyricism with an Impressionistic touch and achieves a rich, almost orchestral texture by only two instruments.
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Post-talk
\n\n2024/4/20(Sat)16:15 Five mins after the performance at Concert Hall Auditorium
\n\nSpeaker: CHIEN Wen-pin, Sunwook KIM, William WEI
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Program
\n\nWitold LUTOSLAWSKI: Subito for Violin and Piano
\n\nL. v. BEETHOVEN: Violin Sonata No. 7 in c minor, Op. 30 No. 2, Eroica
\n\nL. JANÁČEK: Sonata for Violin and Piano
\n\nO. RESPIGHI: Sonata for Violin and Piano in b minor, P. 110
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Creative and Production Team
\n\nPiano|Sunwook KIM
\n\nViolin|William WEI
\n\n\n\n
Artists Introduction
\n\nPiano|Sunwook KIM
\n\nSunwook KIM came to international recognition when he won the prestigious Leeds International Piano Competition in 2006, aged just 18, becoming the competition's youngest winner for 40 years, as well as its first Asian winner. Since then, he has established a reputation as one of the finest pianists of his generation, appearing as a concerto soloist in the subscription series of some of the world's leading orchestras including the London Symphony Orchestra, Royal Concertgebouw Orchestra, Staatskapelle Dresden, Chicago Symphony, Los Angeles Philharmonic, Minnesota Orchestra, Berliner Philharmoniker, Berlin Radio Symphony, NDR Elbphilharmonie Orchester, Deutsche Kammerphilharmonie Bremen, Finnish Radio Symphony, Philharmonia Orchestra, London Philharmonic, Royal Scottish National Orchestra, BBC Orchestra of Wales, Radio-France Philharmonic, NHK Symphony, Hallé Orchestra, City of Birmingham Symphony and the Bournemouth Symphony Orchestra for his BBC Proms debut in Summer 2014. Conductor collaborations include with Karina CANELLAKIS, Nathalie STUTZMANN, Thomas SONDERGARD, Tugan SOKHIEV, Daniel HARDING, Paavo JÄRVI, David AFKHAM, Edward GARDNER, John Elliot GARDINER, Myung-Whun CHUNG, Osmo VÄNSKÄ, Vladimir ASHKENAZY, Kirill KARABITS, Marek JANOWSKI, Sakari ORAMO, Andrew MANZE, Vassily SINAISKY, Michael SANDERLING, Yuri BASHMET and Sir Mark ELDER.
\n\nRecital highlights to date include regular appearances at the Wigmore Hall, Queen Elizabeth Hall (London International Piano Series), in the 'Piano 4 Etoiles' series at the Philharmonie de Paris and Théâtre des Champs- Élysées, Piano aux Jacobin Festival, AIX Festival, La Roque d'Antheron International Piano Festival (France) as well as at the Beethoven-Haus Bonn, Klavier-Festival Ruhr, Mecklenburg-Vorpommern Festspiele, Teatro Colon Buenos Aires, Kioi Hall in Tokyo, Symphony Hall Osaka and Seoul Arts Centre. Sunwook is also a keen chamber musician and has collaborated with singers.
\n\nAs soloist in the 2022/23 season, Sunwook returned to the Los Angeles Philharmonic (Tianyi LU), London Symphony Orchestra (Michael Tilson THOMAS), Chamber Orchestra of Europe to tour South Korea as well as to the Seoul Philharmonic in their tour of Europe (Concertgebouw, Cadogan Hall). Sunwook also returned to Bournemouth Symphony both as soloist (KARABITS) and to conduct DVORAK's Cello Concerto alongside Brahms Symphony No. 2. Sunwook's return to the Bournemouth Symphony as conductor follows his instant success having made his play-direct debut with the orchestra and international conducting debut with the KBS Symphony only last season. In August 2022, Sunwook also had the honour to conduct the Seoul Philharmonic in their National Liberation Day Concert marking the 77th anniversary of Korea's National Liberation Day and in December 2022 returned to conduct three performances of BEETHOVEN's Symphony No.9. Further conducting debuts included with the Fundación Excelentia Madrid and Macao Orchestra.
\n\nNext season, Sunwook will make his debut with Atlanta Symphony, Netherlands Radio Philharmonic, Royal Northern Sinfonia and Gävle Symfoniorkester as well as his conducting debuts with the Franz LISZT Chamber
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Violin|William WEI
\n\n"Mr. Wei … proved to be a virtuoso, but a special and sensitive interpreter at the same time."——WestDeutsche Zeitung
\n\nLaureate of the prestigious 2015 Queen Elisabeth International Violin Competition, Taiwanese violinist William Wei is quickly building an international career as a soloist. With inherent musicality, liberated virtuosity, refined sensibility and shimmering dynamism, he has been expressing his unique voice to the world. Westdeutsche Zeitung described William as "proved to be a virtuoso, but a special and sensitive interpreter at the same time;" Wei has collaborated as a soloist with leading conductors and orchestra such as Belgium National Orchestra, Cleveland Orchestra, Taipei Symphony Orchestra, London Philharmonic Orchestra, Eliahu Inbal, Gilbert Varga, Marin Alsop, Gil Shaham, Nai-Yuan Hu, Cho-Liang Lin, Ray Chen, Pei-Yao Wang, Vikingur Ólafsson and Jörg Widmann. William plays on a Stradivari, 1722 ex "Joachim-Elman," kindly loaded to him by the Chimei Foundation in Taiwan.
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Cultural Development Partner
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\n',team:""},createdAt:1698135191,updatedAt:1713770917,updatedBy:"林蔚行",host:!0},{_id:"653785556baf59000811dd4e",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1713681e3,discrete:[{time:1713681e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,900,1200,1600,2e3,2400],link:"https://www.opentix.life/event/1726916032869519361"}},attachment:{key:"6c2752c4e93621b1c2920c36264e4220",name:"閉幕音樂會《跨越兩世紀的琴聲》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"044e3aa2b96bda2460f710ac5059d1a1",title:"【2024衛武營國際音樂節】閉幕音樂會"}],related:[],title:"【2024衛武營國際音樂節】閉幕音樂會《跨越兩世紀的琴聲》",cover:"40a0517c0221d95895148ce7c9bbda95",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
2024衛武營國際音樂節閉幕音樂會的曲目將橫跨兩世紀,從貝多芬、華格納的大師巨作,到享譽國際的現代作曲家陳銀淑的作品。陳銀淑的大提琴協奏曲著於2006年,本場將由簡文彬指揮高市交,攜手柴可夫斯基國際音樂大賽首獎得主-美國大提琴家馮勇智,以精湛的技法詮釋這首被《衛報》評選為「二十一世紀最傑出的二十五首作品之一」,探索大提琴與管絃樂團的音響碰撞,從扣人心弦的獨奏,到與樂團萬馬奔騰的壯麗合奏,是現代樂迷不可錯過的巔峰之作。本場還將邀請韓國鋼琴家金善昱演出貝多芬第五號鋼琴協奏曲《皇帝》,ㄧ首在戰火綿延背景下誕生,充滿鬥志的困難曲目。《帕西法爾》為華格納生前最後的作品,最能展現作曲家純熟音樂技法及飽滿的情緒表達,特別是第一幕前奏曲,時而莊嚴,時而輕妙優雅,以層次豐富的配器交織出戲劇性濃厚的開場。
\n\n\n\n
文章閱讀
\n\n►【MUSICO特別報導】時間淬鍊經典:2024衛武營國際音樂節《跨越兩世紀的琴聲》——專訪指揮簡文彬
\n\n►不只「新」與「舊」—談2024年第三屆「衛武營國際音樂節」的「閉幕音樂會」
\n\n►【MUSICO特別報導】傑出琴藝,光芒耀眼,2024衛武營國際音樂節精彩壓軸——專訪鋼琴家金善昱
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演前導聆
\n\n2024/4/21(日)14:00 音樂廳觀眾席
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演出曲目
\n\n華格納:第一幕前奏曲,選自歌劇《帕西法爾》,WWV 111
\n\n陳銀淑:大提琴協奏曲
\n\n貝多芬:降E大調第五號鋼琴協奏曲《皇帝》,作品73
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安可曲:
\n\nProkofiev: Music for children,op.65,No.10 March
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演出暨製作團隊
\n\n指揮|簡文彬
\n\n大提琴|馮勇智
\n\n鋼琴|金善昱
\n\n高雄市交響樂團
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演出暨製作團隊
\n\n指揮|簡文彬
\n\n衛武營國家藝術文化中心藝術總監。簡文彬1967年生,國立藝專(今國立臺灣藝術大學)鍵盤組畢業,維也納音樂暨表演藝術大學指揮碩士學位。
\n\n1996年起擔任德國萊茵歌劇院(Deutsche Oper am Rhein)駐院指揮長達22年;1998-2004年為日本太平洋音樂節(Pacific Music Festival)駐節指揮;2001-2007年為國家交響樂團(NSO)音樂總監,在其任內推動「定期音樂會系列」、國人作品委託創作及錄製、「歌劇系列」等創舉,並在2006年樂團20週年時推出華語地區首次自製之華格納《尼貝龍指環》四部曲;2014-2016擔任國立臺灣交響樂團藝術顧問,並於2014年9月獲頒第18屆國家文藝獎。
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大提琴|馮勇智
\n\n馮勇智為近四十年來,第一位獲得柴可夫斯基國際音樂大賽首獎的美國音樂家,同時也是歷史上最年輕的得獎者。被譽為是當代最傑出的大提琴家之一,馮勇智以不可限量的精湛琴藝及細膩敏銳的音樂性征服觀眾。這位年僅23歲的音樂家已證明了自己是新一代世界級音樂家中的耀眼之星,並以完美的卡農演奏及當代曲目的卓越洞見受到樂壇肯定,榮頒 2022 年BB信託獎及 2020 年艾佛瑞・費雪事業獎。
\n\n在2022-2023樂季,馮勇智與許多樂團合作演出,並在世界各地舉辦獨奏音樂會。他與BBC愛樂樂團、羅徹斯特愛樂樂團、密爾瓦基交響樂團、雷汀交響樂團、林肯交響樂團、里奇菲爾德交響樂團、聖塔菲交響樂團、巴爾的摩室內樂團、薩拉索塔交響樂團和APEX樂團合作,並與達拉斯交響樂團首演凱薩琳・巴奇的大提琴協奏曲世界首演。他還與許多傑出鋼琴家在全美各地舉行獨奏會,包括霍克曼(B. HOCHMAN)、維因斯坦(D. VAINSHTEIN)和卡里莎( J. CARISSA),所到之處包括紐約市、芝加哥、聖地牙哥、柏克萊、洛克維爾、佛羅里達州墨爾本、溫哥華和賽舍爾特、麻州北安普敦、羅德島州普洛威頓斯、佛蒙特州伯靈頓和維吉尼亞州瓦特福。歐洲和亞洲的巡迴演出包括在倫敦威格莫爾音樂廳的獨奏會,以及兩場在阿姆斯特丹大提琴雙年展上的演出。
\n\n近期的夏季音樂節演出包括亞斯本音樂節、美國維爾音樂節(與紐約愛樂及指揮史拉特金合作)、克里夫蘭室內音樂節、西北室內音樂節、拉荷亞音樂協會仲夏音樂節、岩港室內音樂節、韋爾比耶音樂節。作為一名獨奏家,馮勇智曾與底特律交響樂團、堪薩斯城交響樂團、西雅圖交響樂團、猶他交響樂團、格林斯伯勒交響樂團、安娜堡交響樂團和阿胥維爾交響樂團等多個樂團合作演出。在獨奏會方面,馮勇智曾與鋼琴家莫門(M. R. Momen)合作,在卡內基音樂廳首次亮相,並在北美、歐洲和亞洲進行巡演。作為室內樂演奏家,他曾受邀參加費城室內音樂協會、橙郡愛樂協會、英國IMS音樂節、多倫多的潘神簫音樂會、華盛頓特區的大使館音樂會系列和菲利普斯收藏音樂會,以及紐約市的「名家沙龍」和「保加利亞音樂之夜」音樂會。
\n\n馮勇智在2017年美國青年音樂會藝術家國際試音比賽和2017年國家星界藝術家甄選中獲勝,並在2018年愛麗絲與愛倫諾.勛菲爾德國際弦樂大賽、2016年埃內斯庫國際大提琴、2015年約翰遜國際青年弦樂音樂、2014年史圖爾伯國際弦樂大賽、2014年克萊國際音樂大賽⋯等眾多大賽中獲得首獎。他也榮獲2016年美國總統學者藝術獎,並在2016年德國克隆勃格音樂學院大提琴大師班上受頒黑森蘭德格夫獎。
\n\n具有保加利亞和中國血統的馮勇智,從三歲起便開始學習大提琴。他在茱麗亞音樂學院師承理察.亞倫和提摩西.艾迪。馮勇智曾在NPR的《今日演出》節目中亮相,並六次受邀出席《來自頂尖》節目。除了音樂,他還喜愛電影、閱讀和超快棋(blitz chess)。他演奏的大提琴為製琴師大衛・泰克勒1717年於羅馬所製,由一位捐贈者慷慨地透過畢爾國際小提琴協會借給他使用。
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鋼琴|金善昱
\n\n2006年,鋼琴家金善昱以18歲之齡在享負盛名的利茲國際鋼琴比賽中勝出,成為該比賽40年以來最年輕的冠軍得主,並是首位亞洲人贏得此獎項。 金善昱曾與無數頂尖樂團合作,包括倫敦交響樂團、皇家大會堂管絃樂團、德勒斯登國家管絃樂團、芝加哥交響樂團、洛杉磯愛樂樂團、明尼蘇達交響樂團、柏林愛樂樂團、柏林廣播交響樂團、北德廣播易北愛樂樂團、布萊梅德意志室內愛樂管絃樂團、芬蘭廣播交響樂團、愛樂管絃樂團、倫敦愛樂交響樂團、蘇格蘭國家管絃樂團、BBC威爾斯國家管絃樂團、法國廣播愛樂樂團、NHK交響樂團、哈雷樂團、伯明罕市立交響樂團,並在2014年與波茅斯交響樂團合作,首次於逍遙音樂節演出。他曾與多位知名指揮家合作,包括卡內拉基斯、史都茲曼、桑德加德、索契耶夫、哈丁、賈維、艾非肯、加德納、賈第納爵士、鄭明勳、凡斯卡、阿胥肯納吉、卡拉畢茲、亞諾夫斯基、歐拉莫、曼澤、辛奈斯基、桑德林、貝許米特和艾爾德爵士等。 金善昱迄今重要的獨奏音樂會,包括定期在威格莫音樂廳、伊莉莎白女王音樂廳(倫敦國際鋼琴音樂會系列)、巴黎愛樂廳和香榭麗舍劇院的《鋼琴四星》系列、雅各賓國際鋼琴音樂節、艾克斯音樂節、法國拉羅克當泰龍國際鋼琴音樂節,以及在貝多芬波昂故居、魯爾鋼琴音樂節、梅克倫堡-前波美拉尼亞音樂節、布宜諾斯艾利斯哥倫布劇院、東京的纪尾井音樂廳、大阪交響音樂廳和首爾藝術中心等地演出。金善昱也熱衷於演奏室內音樂,曾與多位歌手合作演出。 在2022/23樂季中,金善昱以獨奏家身份返回洛杉磯愛樂(呂天貽指揮)、倫敦交響樂團(提森・湯瑪斯指揮),並擔任歐洲室內樂團韓國巡演獨奏,以及首爾愛樂歐洲巡演於皇家大會堂及卡杜甘音樂廳的獨奏家。繼上個樂季中,金善旭成功領奏波茅斯交響樂團及首度在國際舞台上指揮KBS交響樂團,他在此樂季以指揮及鋼琴家身份回到波茅斯交響樂團演出德弗札克大提琴協奏曲以及布拉姆斯第二號交響曲。2022年8月,金善昱榮幸受邀指揮首爾愛樂,慶祝韓國光復節七十七週年,並在2022年12月再次合作,指揮三場貝多芬的第九交響曲音樂會。另外,他也首次指揮馬德里卓越基金會(Fundación Excelentia)和澳門樂團。下個樂季,金善昱將首次與亞特蘭大交響樂團、荷蘭廣播愛樂樂團、英國皇家北方交響樂團以及瑞典的耶夫勒交響樂團合作,同時還將首次指揮李斯特室內樂團。
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高雄市交響樂團KSO
\n\n樂在,你也在。
\n\n--年輕的樂團 堅定向前行
\n\n對一個城市而言,有專屬的樂團是難得珍貴的。高雄市交響樂團是一個年輕有活力的樂團,勇於嘗試多元型態的演出,兼具古典與跨界是樂團發展的主軸,為樂迷創造更多優質的音樂饗宴,也培育無數表演與欣賞的種子,延展古典音樂創新的鴻翅。
\n\n2009年起迄今,高雄市交響樂團擔任高雄春天藝術節重要演出角色,成功打響「高雄春天藝術節草地音樂會」品牌,亦參與藝術節全本自製歌劇,皆獲得觀眾廣大的迴響與讚譽。
\n\n在國際舞台上,樂團不斷獲邀至多個國際城市演出,逐步跨越城市與國界,以國際級樂團為自我提升與成長目標,堅定向前。疫情期間也持續以各種線上模式音樂會與樂迷們見面,以音樂的能量撫慰人心。
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合作夥伴:高雄春天藝術節
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在地藝文支持夥伴
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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The closing concert of the 2024 Weiwuying International Music Festival will blend centuries, spotlighting timeless Beethoven and Wagner works, alongside a modern piece by maestro Unsuk CHIN. Kaohsiung Symphony Orchestra, led by conductor CHIEN Wen-pin, will perform CHIN's 2006 Cello Concerto with renowned American cellist Zlatomir FUNG, champion of the Tchaikovsky International Music Competition. This concerto, renowned in contemporary music, offers captivating interplay between cello and orchestra, and was hailed by The Guardian as "one of the best 25 classical music works of the 21st century."
\n\nKorean pianist Sunwook KIM will shine as soloist in BEETHOVEN's Emperor piano concerto – a bold creation emerging from wartime audacity, demonstrating unwavering determination. WAGNER's final opera, Parsifal, showcases his mature and profound musicality. The masterful prelude beautifully blends solemnity and elegance, weaving intricate orchestral layers for a captivating and dramatic opening.
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Pre-talk
\n\n2024/4/21(Sun)14:00 Concert Hall Auditorium
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Program
\n\nR. WAGNER: Act I. Prelude from Opera Parsifal, WWV 111
\n\nUnsuk CHIN: Cello Concerto
\n\nL. v. BEETHOVEN: Piano Concerto No.5 in E-flat Major, Op. 73 Emperor
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Creative and Production Team
\n\nConductor|CHIEN Wen-pin
\n\nCello|Zlatomir FUNG
\n\nPiano|Sunwook KIM
\n\nKaohsiung Symphony Orchestra
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Artists Introduction
\n\nConductor|CHIEN Wen-pin
\n\nCHIEN Wen-pin, General and Artistic Director of the National Kaohsiung Center for the Arts (Weiwuying), was born in 1967, graduated from the National Taiwan Academy of Arts and awarded a Master's degree at the National University for Music and Performing Arts Vienna. CHIEN joined the Deutsche Oper am Rhein (Düsseldorf / Duisburg, Germany) in 1996 and served as "Kapellmeister" for 22 years. 1998-2004 he was Resident Conductor of the Pacific Music Festival (Sapporo, Japan).
\n\n2001-2007 he was Music Director of National Symphony Orchestra (Taiwan Philharmonic); during his tenure the orchestra has achieved several milestones such as creating Subscription series, commissioning Taiwanese composers, introducing an opera series which coroneted with the first production of the complete "Der Ring des Nibelungen" by Richard WAGNER in Chinese speaking areas, upon orchestra's 20th anniversary in 2006. 2014-2016 CHIEN was Artistic Advisor of the National Taiwan Symphony Orchestra. In addition, CHIEN was winner of the "National Award for Arts" in 2014.
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Cello|Zlatomir FUNG
\n\nThe first American in four decades and youngest musician ever to win First Prize at the International Tchaikovsky Competition Cello Division, Zlatomir FUNG is poised to become one of the preeminent cellists of our time. Astounding audiences with his boundless virtuosity and exquisite sensitivity, the 23-year-old has already proven himself to be a star among the next generation of world-class musicians. A recipient of the Borletti-Buitoni Trust Fellowship 2022 and a 2020 Avery Fisher Career Grant, FUNG's impeccable technique demonstrates mastery of the canon and exceptional insight into the depths of contemporary repertoire.
\n\nIn the 2022-2023 season, FUNG performs with orchestras and gives recitals in all corners of the world. Orchestral engagements include the BBC and Rochester Philharmonics, Milwaukee, Reading, Lincoln, Ridgefield and Sante Fe Symphonies, Baltimore Chamber Orchestra, Sarasota Orchestra, and APEX Ensemble. He gives the world premiere of a new cello concerto by Katherine Balch with the Dallas Symphony Orchestra. He plays recitals throughout North America with pianists Benjamin Hochman, Dina Vainshtein, and Janice Carissa, including stops in New York City, Chicago, IL, San Diego and Berkeley, CA, Los Alamos, NM, Rockville, MD, Melbourne, FL, Vancouver and Sechelt, BC, Northampton, MA, Province , RI, Burlington, VT, and Waterford, VA. Tours of Europe and Asia include a recital at Wigmore Hall and two performances at Cello Biënnale Amsterdam.
\n\nRecent summer festival appearances include Aspen Music Festival, Bravo! Vail with the New York Philharmonic and Leonard Slatkin, ChamberFest Cleveland, Chamber Music Northwest, La Jolla Chamber Music Society, Rockport Chamber Music Festival, and Verbier. As a soloist, FUNG has appeared with the Detroit, Kansas City, Seattle, Utah, Greensboro, Ann Arbor, and Asheville Symphonies, among many others. Past recital highlights include his Carnegie Hall Weill Recital Hall debut with pianist Mishka Rushdie Momen and multiple tours throughout North America, Europe, and Asia. As a chamber musician, he has been presented by the Philadelphia Chamber Music Society, Philharmonic Society of Orange County, IMS Prussia Cove, Syrinx Concerts in Toronto, The Embassy Series & The Phillips Collection in Washington DC, and Salon de Virtuosi and Bulgarian Concert Evenings in New York City.
\n\nA winner of the 2017 Young Concert Artists International Auditions and the 2017 Astral National Auditions, FUNG has taken the top prizes at the 2018 Alice & Eleonore Schoenfeld International String Competition, 2016 George Enescu International Cello Competition, 2015 Johansen International Competition for Young String Players, 2014 Stulberg International String Competition, and 2014 Irving Klein International Competition. He was selected as a 2016 U.S. Presidential Scholar for the Arts and was awarded the 2016 Landgrave von Hesse Prize at the Kronberg Academy Cello Masterclasses.
\n\nOf Bulgarian-Chinese heritage, Zlatomir FUNG began playing cello at age three. FUNG studied at The Juilliard School under the tutelage of Richard Aaron and Timothy Eddy. FUNG has been featured on NPR's Performance Today and has appeared on From the Top six times. In addition to music, he enjoys cinema, reading, and blitz chess. He plays a 1717 cello by David Tecchler of Rome, kindly loaned to him through the Beare's International Violin Society by a generous benefactor.
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Piano|Sunwook KIM
\n\nSunwook KIM came to international recognition when he won the prestigious Leeds International Piano Competition in 2006, aged just 18, becoming the competition's youngest winner for 40 years, as well as its first Asian winner. Since then, he has established a reputation as one of the finest pianists of his generation, appearing as a concerto soloist in the subscription series of some of the world's leading orchestras including the London Symphony Orchestra, Royal Concertgebouw Orchestra, Staatskapelle Dresden, Chicago Symphony, Los Angeles Philharmonic, Minnesota Orchestra, Berliner Philharmoniker, Berlin Radio Symphony, NDR Elbphilharmonie Orchester, Deutsche Kammerphilharmonie Bremen, Finnish Radio Symphony, Philharmonia Orchestra, London Philharmonic, Royal Scottish National Orchestra, BBC Orchestra of Wales, Radio-France Philharmonic, NHK Symphony, Hallé Orchestra, City of Birmingham Symphony and the Bournemouth Symphony Orchestra for his BBC Proms debut in Summer 2014. Conductor collaborations include with Karina CANELLAKIS, Nathalie STUTZMANN, Thomas SONDERGARD, Tugan SOKHIEV, Daniel HARDING, Paavo JÄRVI, David AFKHAM, Edward GARDNER, John Elliot GARDINER, Myung-Whun CHUNG, Osmo VÄNSKÄ, Vladimir ASHKENAZY, Kirill KARABITS, Marek JANOWSKI, Sakari ORAMO, Andrew MANZE, Vassily SINAISKY, Michael SANDERLING, Yuri BASHMET and Sir Mark ELDER.
\n\nRecital highlights to date include regular appearances at the Wigmore Hall, Queen Elizabeth Hall (London International Piano Series), in the 'Piano 4 Etoiles' series at the Philharmonie de Paris and Théâtre des Champs- Élysées, Piano aux Jacobin Festival, AIX Festival, La Roque d'Antheron International Piano Festival (France) as well as at the Beethoven-Haus Bonn, Klavier-Festival Ruhr, Mecklenburg-Vorpommern Festspiele, Teatro Colon Buenos Aires, Kioi Hall in Tokyo, Symphony Hall Osaka and Seoul Arts Centre. Sunwook is also a keen chamber musician and has collaborated with singers.
\n\nAs soloist in the 2022/23 season, Sunwook returned to the Los Angeles Philharmonic (Tianyi LU), London Symphony Orchestra (Michael Tilson THOMAS), Chamber Orchestra of Europe to tour South Korea as well as to the Seoul Philharmonic in their tour of Europe (Concertgebouw, Cadogan Hall). Sunwook also returned to Bournemouth Symphony both as soloist (KARABITS) and to conduct DVORAK's Cello Concerto alongside Brahms Symphony No. 2. Sunwook's return to the Bournemouth Symphony as conductor follows his instant success having made his play-direct debut with the orchestra and international conducting debut with the KBS Symphony only last season. In August 2022, Sunwook also had the honour to conduct the Seoul Philharmonic in their National Liberation Day Concert marking the 77th anniversary of Korea's National Liberation Day and in December 2022 returned to conduct three performances of BEETHOVEN's Symphony No.9. Further conducting debuts included with the Fundación Excelentia Madrid and Macao Orchestra.
\n\nNext season, Sunwook will make his debut with Atlanta Symphony, Netherlands Radio Philharmonic, Royal Northern Sinfonia and Gävle Symfoniorkester as well as his conducting debuts with the Franz LISZT Chamber
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Kaohsiung Symphony Orchestra (KSO)
\n\nWherever there is music, there is you.
\n\n- A young orchestra moving forward with determination
\n\nA city's orchestra is a rare and precious attribute for any place to have. The Kaohsiung Symphony Orchestra is a young, talented and energetic orchestra that strives to incorporate classical and cross-border performances into their repertoire, permeated with their unique passion. KSO creates high-quality themes for the fans of music.
\n\nFounded in 1981 and merged with the Kaohsiung Chinese Orchestra Foundation in 2009 to form the "Kaohsiung Philharmonic Cultural and Art Foundation", with the current Kaohsiung City Deputy Mayor, SHIH Che, took up the post of the first President. The present chairperson of Foundation is WANG, Wen-Tsui, Director of Kaohsiung City's Bureau of Cultural Affairs. CHU Hung-Chang is the CEO of Foundation, and the resident conductor is Yang Chih-Chin.
\n\nSince 2009, the orchestra has played a pivotal role in the Kaohsiung Spring Arts Festival and successfully established the reputation of the “Kaohsiung Spring Arts Festival Grassland Concert”. KSO also took part in full opera production in Kaohsiung Spring Art Festival-Magic Flute, La Traviata, Carmen and La Boheme, which all have gained significant resonance and praise from the audience.
\n\nOn the international stage, KSO has been continuously invited to perform in many cities, gradually stepping beyond the borders of cities and countries, taking the international-level orchestra as the goal of self-improvement and growth, and moving forward firmly.
\n\nDuring the pandemic, various online concerts were used to meet with music fans online to soothe people's hearts with the energy of music.
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Partner: Kaohsiung Spring Arts Festival
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Cultural Development Partner
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\n',team:""},createdAt:1698137429,updatedAt:1713748023,updatedBy:"林蔚行",host:!0},{_id:"65387ecc7550150008fc2ee1",catalogs:["5fe2bffdde1961000737545c","5aec418cb01ea6000520f635","64812f1feb9a240007c8c8c7"],dateTime:{first:1714199400,discrete:[{time:1714199400},{time:1714285800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,700,1e3,1500,2e3,2500],link:"https://www.opentix.life/event/1719276323117568000"}},attachment:{},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"82025f7e3670e2d90eaf2d53ed3438fe",title:"國光劇團《王熙鳳大鬧寧國府》"}],related:[],title:"國光劇團《王熙鳳大鬧寧國府》",cover:"fba740896b44c39f03ae5398c94edc35",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
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「魏老師的《王熙鳳大鬧寧國府》在2003年開啟了【臺灣京劇新美學】,此劇猶如里程碑般帶領臺灣的京劇發展進入全新視野的藝術境界。今年7月國光28周年團慶時,又讓王熙鳳大發雌威了,現場觀眾的熱情反饋,彷彿是疫情已經被趕跑,一切都恢復正常了。」——2023年演後觀眾回饋
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「魏海敏與國光合作這齣戲,一不留神竟已堂堂邁入第20年!多年後再看魏海敏詮釋王熙鳯,原本的外顯潑辣刁鑽、工於心計之外,又多了幾分比較深沈幽微的內心糾葛,透過唱白、台步動作、表情抽換乍變、甚至款款水袖的收、放及舞動,看到紅樓夢中這號貫穿全劇的鳳辣子,在『辣』之外的幾分『酸』與『苦』」——葉樹姍(資深媒體人)
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明是一盆火 暗裡一把刀
\n\n攤開覆雨翻雲手 施展爭風吃醋才
\n\n睽違十年 王熙鳳再度下港開演
\n\n看京劇天后魏海敏 爐火純青演繹鳳辣子
\n\n《王熙鳳大鬧寧國府》演出二十年來持續受到新舊觀眾喜愛,京劇天后魏海敏主演「鳳辣子」王熙鳳,豫劇皇后王海玲跨刀賈母,兩位國家文藝獎得主同台飆戲,再加上黃宇琳、鄒慈愛、黃詩雅共同出演,一齊紅樓過招!
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《王熙鳳大鬧寧國府》劇情簡介
\n\n賈璉在國孝(宮中老太妃逝世)、家孝(賈珍之父賈敬逝世)期間,仍經由賈珍、賈蓉父子之助,暗中納賈珍妻尤氏之妹尤二姐為二房,安置於花枝巷居住,並已懷有身孕。王熙鳳得知消息,施展心機訂下計謀,一面哄騙尤二姐搬進榮國府同住,噓寒問暖、體貼呵護,一面遣人狀告賈璉及賈珍父子強奪人妻,驚動賈母,正當寧國府雞犬不寧之際,再逐一安撫擺平,藉此展現其大度能容之量,卸除眾人戒心,再用藥使尤二姐墮下胎兒,絕賈璉之後。此時,賈家老爺因賈璉辦差有功,賞下秋桐為妾。王熙鳳正不滿賈璉心繫尤二姐冷落自己,便藉秋桐刺激尤二姐,二姐吞金自盡,王熙鳳計謀終於得逞。
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演前導聆
\n\n2024/4/27(六)14:00 歌劇院2樓大廳
\n\n2024/4/28(日)14:00 歌劇院2樓大廳
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周邊活動
\n\n\n\t\t\t 【大東講堂X國光講堂】 \n\n\t\t\t鳳辣子出招!—《紅樓夢》文學與劇場系列講座 \n\n\t\t\t講座地點:大東文化藝術中心演講廳 \n\n\t\t\t\n\n\t\t\t 3/3場次 \n\n\t\t\t極盡毒辣鳳姐弄權.可憐失節尤二受辱——評析「王熙鳳大鬧寧國府」 \n\n\t\t\t主講人:朱嘉雯 示範演員:黃宇琳 \n\n\t\t\t時間:2024/3/3(日)14:30 \n\n\t\t\t\n\n\t\t\t\n\n\t\t\t 3/30場次 \n\n\t\t\t十二金釵誰登場:紅樓夢戲曲改編 \n\n\t\t\t主講人:王安祈 示範演員:鄒慈愛 \n\n\t\t\t時間:2024/3/30(六)14:30 \n\n\t\t\t\n\n\t\t\t\n\n\t\t\t 主辦單位:國立傳統藝術中心 國光劇團 \n\n\t\t\t共同主辦:大東藝術圖書館 \n\t\t\t | \n\t\t
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【創意學習工作坊】解密京劇
\n\n時間:2024/4/13(六)14:00-17:30
\n\n地點:衛武營1186排練室
\n\n人數上限:每班人數30人,額滿為止。
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文章閱讀
\n►Call cue青少年《王熙鳳大鬧寧國府》:國家級雙后搭配!看鳳辣子「
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演出暨製作團隊
\n\n主演|魏海敏、王海玲(特邀)、黃宇琳、鄒慈愛、黃詩雅
\n\n製作人|張育華
\n\n藝術總監|王安祈
\n\n編劇|陳西汀
\n\n創排導演|李小平
\n\n戲劇指導|魏海敏
\n\n主排|彭俊綱
\n\n唱腔.音樂設計|顧永湘
\n\n唱腔.音樂改編|李超
\n\n舞臺設計|房國彥
\n\n服裝設計|蔡毓芬
\n\n燈光設計|任懷民
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藝術家介紹
\n\n魏海敏 飾 王熙鳳
\n第11屆「國家文藝獎」得主
享譽國際的京劇表演藝術家。海光劇校、國立臺灣藝術專科學校(現臺藝大)戲劇科國劇組畢業。梅蘭芳大師之子梅葆玖大弟子,並受教於陳永玲、 童芷苓,傳統底蘊深厚,深得梅派精髓。擅演《穆桂英掛帥》、《貴妃醉酒》、《白蛇傳》、《宇宙鋒》、《鳳還巢》、《霸王別姬》、《楊門女將》等傳統經典,主演國光新編戲《王熙鳳大鬧寧國府》、《金鎖記》、《孟小冬》、《百年戲樓》、《水袖與胭脂》、《快雪時晴》、《孝莊與多爾袞》、《十八羅漢圖》等,並與國際大導演羅伯‧威爾森合作意象劇場《歐蘭朵》,一人獨撐全劇。曾參與當代傳奇劇場《慾望城國》及《樓蘭女》,主演白先勇小說改編話劇《遊園驚夢》。曾榮獲國家文藝獎、中國梅花獎、上海白玉蘭戲劇表演藝術獎、亞洲最傑出藝人獎、世界十大傑出青年獎等。
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王海玲(特邀) 飾 賈母
\n臺灣國寶級戲曲藝術家
第四屆「國家文藝獎」得主、第六屆「中華文化薪傳獎」得主;現任臺灣豫劇團藝術總監、國立中山大學劇場藝術學系、國立高雄大學、國立高雄師範大學兼任副教授。
\n\n兩岸共尊「豫劇皇后」榮銜,出生於臺灣、生長於臺灣的王海玲,體現並代表「臺灣豫劇」60多年來的風格與精神。自幼為了興趣而進入豫劇團學戲,有「八齡神童」之稱。十四歲便挑大樑扛起劇團重責。1969年獲中國文藝協會頒贈戲曲表演獎章,為歷年最年輕得獎人。
\n\n主演超過 155齣劇目,詮飾過 200 多個不同人物。近年主演豫劇劇目,包含《武皇投簡》、《觀。音》、《天問》、《美人尖》、《花嫁巫娘》、《約/束》等。
\n\n除了在藝術層面上的永恆追求之外,王海玲更擔起教導及傅承責任,為豫劇薪火延續而努力。
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黃宇琳 飾 秋桐
\n國光一等旦行演員。
復興劇校國劇科第24屆宇字班(現為國立臺灣戲曲學院),中國文化大學中國戲劇系畢業,主修青衣花旦,師承兩岸流派名師,2022年6月正式加入國光劇團。
\n\n2010年拜入顧正秋老師門下學習。
\n\n2013年向劉長瑜老師拜師請益《春草闖堂》,渴望持續精進傳統。
\n\n近年來積極參與各類跨界演出,透過接觸不同程式來豐富角色生命,與自身舞台的經歷相互對照,不斷實踐累積以內化表演能量。曾獲榮譽:央視青年京劇大賽螢屏獎、北京青年京劇擂台賽新星獎、中國文藝協會第五十一屆文藝獎章國劇表演獎,為臺灣第一位「傳藝金曲獎最佳新秀獎」的獲獎者。近年更將觸角延伸至影視、現代戲劇、崑曲、相聲曲藝、歌仔戲等多種領域。如歌仔戲《千年》及《光華之君》,小劇場《崔氏》等。
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黃詩雅 飾 尤二姐
\n\n國光青衣,國立臺灣戲曲學院京劇學系畢業。師承胡陸蕙、郭錦華、白明鶯、王鳳雲、李光玉、趙復芬、魏海敏、周雪雯、陳淑芳、周百穗等兩岸名師。曾習劇目有《大探二》、《貴妃醉酒》、《昭君出塞》、《白蛇傳》、《四郎探母》、《春秋配》、《鳳還巢》及《尋夢》等。2014年加入國光劇團,於新編大戲《王熙鳳大鬧寧國府》中飾演尤二姐,《孝莊與多爾袞》反串娃娃生順治帝,《夢紅樓.乾隆與和珅》飾演孝賢后、《閻羅夢.天地一秀才》飾演呂后、伏后。主演《孟麗君》、《白蛇傳》、《春草闖堂》、《楊門女將》及《捧印》。2017年榮獲第58屆中國文藝獎章。2023年6月正式拜魏海敏老師為師。
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鄒慈愛 飾 賈璉
\n\n國光老生,海光劇校第3期、國光藝校京劇科第一期、中國文化大學戲劇學系中國戲劇組畢業。師承張鳴福、謝景莘、胡少安、周正榮等名師,近年隨馬派名師安雲武老師習藝。曾服務於海光國劇隊,1995年國光成團即入團。擅演劇目包含《斷臂說書》、《失空斬》、《斬子》、《審頭刺湯》、《白蟒台》及《馬鞍山》等,新編戲《西施歸越》主演句踐、《天上人間.李後主》飾趙匡胤、《夢紅樓.乾隆與和珅》飾永琰、《虎符風雲》飾魏王。亦參與崑曲傳習計畫,師承計鎮華、黃小午、張世錚等名師,擅演劇目有《爛柯山》、《蝴蝶夢》、《掃松》、《寄子》、《彈詞》及《望鄉》等。
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團隊介紹
\n\n國光劇團
\n\n自1995年創團以來,即不斷嘗試於京、崑劇傳統中注入當代意識,以「現代化」與「文學化」為創作方針,張愛玲小說、王羲之字帖均可入戲,題材多元,手法靈活。代表作除傳統京崑名劇之外,新編劇作《閻羅夢—天地一秀才》《王熙鳳大鬧寧國府》《三個人兒兩盞燈》《金鎖記》《快雪時晴》《狐仙故事》《孟小冬》《百年戲樓》《水袖與胭脂》《探春》《康熙與鰲拜》《十八羅漢圖》《關公在劇場》《孝莊與多爾袞》《繡襦夢》《夢紅樓.乾隆與和珅》《費特兒》《武動三國.她的凝視》《優伶天子》《虎符風雲》等皆受文化界高度重視,多齣獲選台新文化獎,觀眾年齡普及各層。劇團近年更致力於青年人才傳承,形塑臺灣京崑新美學品牌。藝術總監王安祈、青衣魏海敏皆因國光創作而獲國家文藝獎;老生唐文華獲臺北文化獎及日本SGI文化賞,京崑小生溫宇航獲金曲獎與全球中華文化藝術薪傳獎;花旦朱勝麗獲2018年臺北文化獎、2020傳藝金曲獎年度最佳演員獎。曾多次應邀赴歐、亞、美洲各國演出。
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合作夥伴:高雄春天藝術節
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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►[House Program] GuoGuang Opera Company - Wang Shi-fong
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During a time of national mourning (the death of an old concubine in the Imperial Palace) and family bereavement (the death of, JIA Jhen's father), JIA Lian, with the help of JIA Jhen and JIA Rong (father and son), secretly took YOU Erjie, the sister of JIA Jhen's wife, as his concubine. He settled Erjie, who was already pregnant, in a dwelling on Hua-Jhih Lane. When WANG Shi-Fong heard about this, she went into action.
\n\nFirst, she artfully persuaded Erjie to move over to Ning-Guo Mansion, where she could care for her and provide anything she might need. At the same time, she sent someone to file charges against JIA Lian, JIA Jhen, and his son, JIA Rong, accusing them of using force to abduct another man's wife. This considerably alarmed Head of the family. Then while confusion reigned at Ning-Guo Mansion, Shi-Fong solved each problem, one by one, thereby bringing peace of mind to the family. By using this incident to display great tolerance, she also removed any reservations the family may have harbored towards her.
\n\nLater, she fed ErJie a special preparation that aborted her pregnancy, thereby leaving JIA Lian without an heir. At the same time, as a reward for successfully carrying out an assignment, the head of the Jia family gave Ciou Tong to JIA Lian to be his concubine. Shi-Fong hated JIA Lian for favoring Erjie and ignoring her. She used Ciou Tong to stir up Erjie's insecure feelings, whereupon Erjie killed herself by swallowing gold. WANG Shi-Fong's scheme was at last successful.
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Pre-talk
\n\n2024/4/27(Sat)14:00 Opera house 2nd Floor
\n\n2024/4/28(Sun)14:00 Opera house 2nd Floor
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Creative and Production Team
\n\nPerformers|WEI Hai-min, WANG Hai-ling, HUANG Yu-lin, TSOU Tzu-ai, HUANG Shih-ya
\n\nProducer|ZHANG Yu-hua
\n\nArtistic Director|WANG An-chi
\n\nScript|CHEN Xi-ting
\n\nDebut Rehearsal|LI Hsiao-ping
\n\nDrama Director|WEI Hai-min
\n\nDirector|PENG Chun-kang
\n\nComposer|GU Yong-xiang
\n\nVocal Composer|LI Chao
\n\nStage Designer|FANG Guo-yan
\n\nCostume Designer|TSAI Yu-fen
\n\nLighting Designer|REN Huai-min
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Team Introduction
\n\nGuoGuang Opera Company is one of the most inventive traditional operas troupes in Taiwan. Since its establishment in 1995, GuoGuang has devoted itself to infusing a modern consciousness in Jingju (Peking Opera) and Kunqu Opera. "Modernization" and "literarization" are two principles that serve as guidelines for the creation of new operas. In addition to many traditional Jingju and Kunqu operas, the representative works of GuoGuang Opera Company include many newly created operas, all of which have won acclaim in cultural circles.
\n\nIn recent years, GuoGuang Opera Company has spared no effort in cultivating young talent. It has also undertaken innovative collaborations with troupes from different countries and with different aesthetic principles, including The Dream of the Embroidered Robe, a collaboration with the Yokohama Noh Theater, and Phaedra, a collaboration with Singapore's Siong Leng Musical Association. Through efforts such as these, GuoGuang aspires to give shape to a distinctively Taiwanese school of Jingju and Kunqu Operas, a school based on new aesthetic ideals.
\n\nGuoGuang Opera Company has been invited to perform in many countries from around the world, including the Avignon Festival in France, Chekhov International Theatre Festival in Russia, Prague Spring Festival, Shanghai China International Arts Festival, Esplanade Theatre- Huayi Chinese Festival of Arts in Singapore, New Vision Arts Festival in Hong Kong.
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Partner: Kaohsiung Spring Arts Festival
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\n\t\t\t\n\n\t\t\t 舞台燈光設計|李智偉 \n\n\t\t\t1977年生於香港。以舞臺/燈光設計的身份活躍於香港舞蹈界別。職業初期有幸進入城市當代舞蹈團技術部工作,在那段日子遇到了不少對日後影響深遠人和事。現在處於被動但集中的創作階段,希望在這個大時代中能保持頭腦清醒,堅持做以後自己會記得的作品。 \n\n\t\t\t\n\t\t\t | \n\t\t
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\n\t\t\t \n\n\t\t\t 音樂設計|王榆鈞 \n\n\t\t\t現為音樂藝術家、電影配樂、劇場音樂及歌者,橫跨音樂、電影、劇場及表演等領域。近年關注實驗聲響與文學而延展的「實驗詩性」、對話影像所擴延出的「多維聲像」空間、音樂聲響與歷史人文的「複聲關係」,及採集環境與人聲融合的「共振聲響」。 \n\n\t\t\t已出版音樂作品有《凹》EP、《沙灘上的腳印》概念專輯、王榆鈞與時間樂隊《頹圮花園》、王榆鈞與時間樂隊《原始的嚮往》專輯、《不朽的青春》北師美術館同名展覽音樂專輯等。《等待自己成為自己》沙灘上的腳印獲第三屆金音獎最佳民謠單曲獎。創立王榆鈞與時間樂隊,分別以《頹圮花園》獲第五屆金音獎最佳民謠專輯獎、《原始的嚮往》獲第十屆金音獎最佳民謠專輯獎。近期展覽作品有《池上——薪傳》(池上穀倉藝術館,2023)、2023馬祖國際藝術島《生紅過夏》(馬祖,2023)、《無法離開的人》(北師美術館,2023)、2023綠島人權藝術季《傾聽裂隙的迴聲》(綠島人權館,2023)、 《潛存說》(TAO ART SPACE,2021)等。 \n\n\t\t\t\n\t\t\t | \n\t\t
\n'},{reference:[],type:"content",name:"臺灣舞者",content:'\n
\n\t\t\t\n\n\t\t\t 余彥芳 \n\n\t\t\t2011年作品《邊界之二境》,獲得紐約舞評家Apollinaire Scherr 讚譽為“最令人眼睛為之一亮”以及舞評家Tom Phillips“這樣含蓄迷人的說故事方法,是不會在當今流行文化被看見的”。 \n\n\t\t\t獨立編舞家、即興表演者、舞者及舞蹈教師。臺北藝術大學舞蹈系、美國俄亥俄州立大學表演藝術碩士。曾任美國 比比 •米勒舞團團員、德國卡賽爾劇院客席舞者。余彥芳作品曾發表於美國紐約城市中心(New York City Center)、辣媽媽舞蹈節(LaMaMa Moves Dance Festival)、長島大學肯布劇院(Long Island University, Kumble Theater, NY)、貝茲舞蹈節(Bates Dance Festival, Maine)、美國舞蹈節(American Dance Festival)、紐約日本交流協會(Japan Society, NY)以及臺北新舞臺、兩廳院實驗劇場、臺北藝穗節。羅曼菲獎助金(2010/2011)、菁霖文化藝術基金會(2010/2011/2013)、維也納舞蹈節舞蹈網路獎助金(danceWEB Scholarship) 獲獎人。 \n\n\t\t\t\n\t\t\t | \n\t\t
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\n\t\t\t\n\n\t\t\t 梁俊文 \n\n\t\t\t梁俊文。劇場自由工作者。 2013-2019先後受訓於臺北小劇場學校舞蹈班、玉泉走路小隊,曾演出柳春春劇社定目劇《美麗2019》。參與周書毅與鄭志忠作品《阿忠與我》排練助理。身體的研究興趣在於行為與動作的轉化,近期合作編導、藝術家:姚立群、李奧森、江源祥。現牯嶺街小劇場文化報編輯。 \n\n\t\t\t\n\t\t\t | \n\t\t
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\n\t\t\t\n\n\t\t\t 楊雅鈞 \n\n\t\t\t臺南安平人,自由藝術工作者,2022-2024波麗露在高雄 排練指導。 \n\n\t\t\t近年以身體表演創作的合作包括:廣藝劇場NO.6《與清醒夢》跨界劇場、顧鈞豪策劃《福爾摩沙的呢喃2.0 Formosa Whispering 2.0》音樂影像製作、羽日映像X無年無限共製短片作品《Tunnel》、《因為相愛所以無限JUBY CHIU 2021 S/S 跨界時裝展演》、純屬虛構製作社《再製寫身》計畫。 \n\n\t\t\t重新定位中,舞蹈與表演是人生在漂泊裡的浮木,在航行的路上又遇見各種藝術形式的表達,持續以身體記錄下,內外在環境相應的訊息,期待著與未知的交織和共鳴。 \n\n\t\t\t\n\t\t\t | \n\t\t
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\n\t\t\t\n\n\t\t\t 鄭志忠 \n\n\t\t\t1973年罹患小兒麻痹,現任柳春春劇社編導。曾演出法國盲點劇團(Theatre du Point Aveugle)《1949 if 6 was 9》及《敲天堂之門》(Knock on Heaven's Door)、莎士比亞的妹妹們的劇團《30P:不好讀》、創作社劇團《瘋狂場景》、河床劇團《彩虹工廠》等。編導作品有柳春春劇社《光明之路三部曲之序曲-變態》、《春天》、《美麗》、《無言劇》、《純色》等。 \n\n\t\t\t\n\n\t\t\t \n\t\t\t | \n\t\t
\n'},{reference:[],type:"content",name:"新加坡舞者",content:'\n
\n\t\t\t\n\n\t\t\t 洪國峰 \n\n\t\t\t洪國峰擔任 Sigma Contemporary Dance (Sigma) 和新加坡管理大學現代舞社團Indancity 的藝術總監。⾃ Sigma 成⽴以來,他為該團創作了許多作品,為 Sigma 在本地舞蹈界確⽴了獨特的身份。他通過當代舞蹈表現⽣活所激發的靈感,這也讓他創作出超越傳統舞臺的創新作品。值得⼀提的是,他的作品包括在濱海灣公園的戶外演出 Dock 65,以及備受好評的線上作品Survei:ance,該作品完全在Zoom上構思和執⾏,並通過Facebook Live進⾏了直播。 \n\n\t\t\t他所編創的作品曾在本地著名藝術節中展示,如新加坡M1觸·當代舞蹈節和新大藝術節,也在國際舞蹈節上表演,包括詩巫國際舞蹈節、Dance Circus 和馬來西亞華穗藝術節。《海峽時報》和《Arts Equator》等媒體曾形容他的作品為“引⼈⼊勝”、“身臨其境”和“巧妙”。2019年,他與長期合作夥伴蔡卓恩合作,創作了⼀⽀雙⼈舞,在新加坡首演,並受邀到⾹港、澳門和印度尼⻄亞的藝術節。 \n\n\t\t\t洪國峰通過國內外的舞蹈課和⼤師班與公眾積極分享⾃⼰不斷發展的舞蹈實踐。他也時常受邀為眾多本地學院創作作品。近期他發起了⼀個名為“Unsound Bodies”的集體,致⼒於探索跨多藝術領域的創新合作。 \n\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t\n\n\t\t\t 黃祖祐 \n\n\t\t\t黃祖祐於13歲開始習舞,接觸各種舞蹈風格如華族舞、現代舞以及芭蕾。他於2010年獲取拉薩爾藝術學院的舞蹈系專業文憑,2011年參與由新加坡藝術理事會以及新典舞蹈團主辦的Sprouts,並獲取最佳舞蹈員獎項。之後他到臺灣國立臺北藝術大學深造,於2017年獲得榮譽學士學位,回國後加入人•舞團 並與國際編舞家合作,包括金在德、魯迪˙柯爾、朱莉亞˙羅伯特、Dimo Kirilov 和Jos Baker。 \n\n\t\t\t\n\t\t\t | \n\t\t
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\n\t\t\t\n\n\t\t\t 董家威 \n\n\t\t\t家威的藝術探索圍繞劇場、身體和文字。 \n\n\t\t\t作品有濱海藝術中心"舞蹈焦點"系列節目由坎多克舞團(英國)呈獻的《A Space for Everybody》(2023)、晝夜璀璨藝術節2023 呈獻展能有道劇團and RJ Thomson《Glimpse》、972 最愛頻道《最愛秀》(2022)、人•舞團《盤》(2021)、2021年觸•當代舞蹈節黃昏之舞節目當中由人•舞團二團呈獻的《平行線》以及Artswok Collaborative《What If》。 \n\n\t\t\t家威畢業自國立臺北藝術大學藝術碩士學位(劇本創作)和新加坡國立大學學士學位(漢學)。 他也在多所學院和機構從事華文、戲劇和創意寫作的活動。 \n\n\t\t\t\n\t\t\t | \n\t\t
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\n\t\t\t\n\n\t\t\t 蔡卓恩 \n\n\t\t\t蔡卓恩是新加坡獨立舞蹈團體Sigma Contemporary Dance 的創團成員之⼀。她曾合作的物件包括本地藝術家洪國峰、曾家愛、傅明文,以及國際藝術家如 Jessica Christina(印尼) 和 Yeri Anarika(柏林/墨⻄哥)。 \n\n\t\t\t她近期的共創作品 Honey Bee And The Dandelion 於2019年新加坡M1觸·當代舞蹈節公開舞臺、2020年澳門當代舞展及交流平臺以及香港比舞等平臺上演。 \n\n\t\t\t\n\t\t\t | \n\t\t
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\n\t\t\t\n\n\t\t\t 蔣佩杉 \n\n\t\t\t佩杉是一位舞蹈藝術家和編舞家。她在新加坡國家藝術理事會的支持下,獲得獎學金到倫敦當代舞蹈學院學習當代舞,並取得了碩士學位。 \n\n\t\t\t她的創作改編自親身經歷,通過對肢體語言的探索,游走于現實與想像,置於主觀真實和創意表現之間。她曾受委約為新典現代舞蹈團、舞 · 微風蕩漾、人•舞團 二團、RAW Moves、Dance In Situ、新加坡管理大學、新加坡國立大學和拉薩爾藝術學院創作作品。她的作品曾在濱海藝術中心舞蹈節和華藝節、M1觸 · 當代舞蹈節、英國、 香港等地呈現。 \n\n\t\t\t\n\t\t\t | \n\t\t
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演出中將使用多種語言進行,無字幕。
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\n',benefits:'\n\t\t\t ※本作品演出時間原60分鐘調整為90分鐘,無中場休息。 \n\n\t\t\t※本舞作預計於19:15起,於觀眾席、舞台上將有部分舞者陸續出現,進行前導肢體呈現。 \n\t\t\t | \n\t\t
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人類為了生存,是如何讓自己強大?
\n\n為了自由,又將作出什麼犧牲?
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生命為何移動,又為何棲居於此?
\n\n為何飄蕩,且落地生根?
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我從哪裡來,為何在此舞蹈?
\n\n哪裡將會是我未來的希望?
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我們生長在亞洲的某個島嶼與陸地之間
\n\n在膚色與語言的差異之間流動著
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編舞家將探索舞者與土地之間的關係,透過語言與身體挖掘其中的故事。每一個人選擇起舞的地方,那足以讓身體釋放生命力量的地方,究竟在哪裡?又為何是這裡?
\n\n每個人的身體都是一部土地與人類的時間史,記錄著生命每一步的選擇。你住在哪裡?又從何而來?在這時代下移動與遷徙,我們演化成了什麼樣的人?
\n\n《我所起舞的地方》希望透過身體與生命的移動想像未來,窺探這座城市的過去,那些已經不在的,被選擇改變的,以及自己決定走的路。試問自己為何跳舞?文化與民族在當代社會中該如何去感受又如何被觀看。
\n\n臺灣和新加坡都是一個多元族群尋找文化共融的島嶼,生活在亞洲太平洋海域的一座小島上,有許多內外之間的流動,需要學習的一直都是包容的精神。周書毅想透過這份包容性去看兩地華人社會,探究不同種族與華人文化之間的關係。
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演前導聆
\n\n2024/5/3(五)19:00 戲劇院二樓大廳
\n\n2024/5/4(六)19:00 戲劇院二樓大廳
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文章閱讀
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演出暨製作團隊
\n\n編舞|周書毅
\n\n舞台燈光設計|李智偉
\n\n音樂設計|王榆鈞
\n\n舞台監督|吳詩寧
\n\n臺灣舞者|余彥芳、梁俊文、楊雅鈞、鄭志忠
\n\n新加坡舞者|洪國峰、黃祖祐、董家威、蔡卓恩、蔣佩杉
\n\n主視覺攝影|陳長志、Ms Bernie Photography
\n\n主視覺平面設計|陳文德
\n\n預告片影像導演及演出紀錄|駱思維
\n\n動態及平面攝影|Jootz
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共製單位|新加坡濱海藝術中心
\n\n特別感謝|
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合作夥伴:高雄春天藝術節
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巡演場次
\n\n新加坡濱海藝術中心小劇場
\n\n2/23(五)20:00
\n\n2/24(六)20:00
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在地藝文支持夥伴
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\n\n\n\t\t\t\n\n\t\t\t Choreographer|CHOU Shu-yi \n\n\t\t\tChou Shu-yi has been an Artist-in Residence at National Kaohsiung Center for the Arts (Weiwuying) since 2020. Chou is also the curator of Taiwan Dance Platform, a programme based in southern Taiwan, which aims to serve as a point of connection for contemporary dance in Asia. Using dance as a language to communicate with the world, Chou focuses on the relationships between humans and society. In his creations, he harnesses the power of cross-disciplinary collaborations to express the public nature of arts. \n\n\t\t\tBetween 2022 and 2024, he also initiated the Bolero in Kaohsiung project, bringing dance performances out of the theatre setting and into the community, and at the same time, nurturing the next generation of dancers in Taiwan. \n\n\t\t\t\n\t\t\t | \n\t\t
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\n\t\t\t\n\n\t\t\t Stage & Lighting Designer|LEE Chi-wai \n\n\t\t\tLee Chi-wai worked at City Contemporary Dance Company's Technical Department. His design works include NeverNeverLand by Ong Yong Lock x Chou Shu-yi, ON VIEW: HONG KONG – Freespace at Taikoo Place by WKCD X Sue Healey, PROJECT AFTER 6: Cube Culture presented by Taikoo Place x Hong Kong Youth Arts Foundation, Galatea X by Justyne Li and Wong Tan-ki (Neo Dance HK), Dan's Exhibitionist (2011) by Daniel Yeung, Dancing Blue by Mui Cheuk-yin and Lee Chun-chow, 10 Nights Wanderings by Ong Yong Lock (Unlock Dancing Plaza), Stick by Sang Jijia (Guangdong Modern Dance Company), SoLow by Lai Tak-wai and After the Deluge by media artist Kingsley Ng. Lee was one of the recipients of the City Contemporary Dance Laureate in 2016. \n\n\t\t\t\n\t\t\t | \n\t\t
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\n\t\t\t\n\n\t\t\t Music Designer|WANG Yu-jun \n\n\t\t\tAs a sound artist, film score composer, theater composer, and singer-songwriter, Wang's current works encompass various disciplines, including music, film, theater, and performance. Her recent focuses are among the "experimental poetic" extended from experimental sound and literature; the "multi-dimensional audio-visual" space expanded through dialogic images; the "polyphonic relationship" between music, sound, history and humanities, as well as the "resonant soundscapes" that collects the fusion of environment and vocal sounds. \n\n\t\t\tPublished works include the EP "Concave," conceptual album "The tracks on the Beach," Yujun Wang & TIMEs "Abandoned Garden," Yujun Wang & TIMEs' album "The Initial Longing," and the same name album for the exhibition "The Everlasting Bloom" at the Museum of National Taipei University of Education, etc. The song "Wait to be Yourself" from "The tracks on the Beach" won the Best Folk Single Award at the 3rd Golden Indie Music Awards. Founded the band Yujun Wang & TIMEs, and received the Best Folk Album Awards at the 5th Golden Indie Music Awards for "Abandoned Garden" and at the 10th Golden Indie Music Awards for "The Initial Longing." \n\n\t\t\tExhibitions: Ruby Red after Summer at Matsu Biennial 2023; The Man Who Couldn't Leave at Museum of National Taipei University of Education, 2023; Listening to the Overtones of Fissures at Green Island Human Rights Art Festival, 2023; Sub-existence at Tao Art Space, 2021. \n\n\t\t\t\n\n\t\t\t \n\n\t\t\t \n\n\t\t\t \n\t\t\t | \n\t\t
\n'},{reference:[],type:"content",name:"Dancers (Taiwan)",content:'
\n\n
\n\n\n\t\t\t\n\n\t\t\t YU Yen-fang \n\n\t\t\tYu Yen-Fang is an independent choreographer, performer, improviser, and dance instructor. She holds a BFA from Taipei National University of the Arts and an MFA in Choreography from The Ohio State University. Since 2001, Yu has performed professionally with dance companies and individual dance artists in Taiwan, the U.S. and Germany, amongst them most noticeably Bebe Miller Company (U.S.), Staatstheater Kassel (Germany). \n\n\t\t\tAs a choreographer, Yu's work is presented at the City Center in New York City, the LaMama Dance Festival, Kumble Theatre of Long Island University, Bates Dance Festival, American Dance Festival, Japan Society NY, as well as the experimental theater of the National Theater of Taiwan, major theaters in Taiwan and Taipei Fringe Festival. Yu has received grants from Lo Man-Fei Dance Foundation (2010/2011), and ChinLin Foundation for Culture and Art. (2010/2011/2013), and the danceWEB scholarship program of the Impulstanz- Vienna Internatioal Dance Festival (Vienna, Austria). In 2011, Yu returned to her home country to continue her exploration as a dance professional. \n\n\t\t\t\n\t\t\t | \n\t\t
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\n\t\t\t\n\n\t\t\t LIANG Chun-wen \n\n\t\t\tLiang Chun-wen. Freelancer. Trained in Taipei Little Theatre School and Yuquan walking squat from 2013-2019. Worked as an actor in Oz Theatre Company's The Beautiful. Been a rehearsal assistant with Chou Shu-yi and Cheng Chih-chung in The Center. Interested in transformation between movement and performance art. Recently collaborated with Yao Lee-chun, Val Lee (Ghost Mountain Ghost Shovel) and Chiang Yuan-hsiang. Worked as a newsletter editor at Taipei Guling Street Avantgarde Theatre since 2022. \n\n\t\t\t\n\t\t\t | \n\t\t
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\n\t\t\t\n\n\t\t\t YANG Ya-chun \n\n\t\t\tYang Ya-chun is a freelance dancer based in Tainan. Her most recent project is the Rehearsal Assistant for the project Bolero in Kaohsiung from 2022-2024 in National Kaohsiung Center for the Arts Weiwuying. Her other projects include A Lucid Dream Performance, a multi-disciplinary theatre by Quanta Arts Theatre No. 6, Formosa Whispering 2.0, a music video production by Ku Chun-Hau, Tunnel, a short dance film co-produced by SSUNRISE STUDIO and JUBY CHIU STUDIO, a cross-disciplinary fashion showcase by JUBY CHIU STUDIO, as well as Reenactment in the Found Footage by Almost Fiction Production. \n\n\t\t\t\n\n\t\t\t Ya-chun is currently redefining herself as a dancer and performer, the roles akin to a driftwood on a journey that encounters various forms of artistic expression. It is a continuous process of using the body to record the corresponding messages between the inner and outer environments, anticipating the interactions and resonances with the uncertainty of the future. \n\n\t\t\t\n\t\t\t | \n\t\t
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\n\t\t\t\n\n\t\t\t CHENG Chih-chung \n\n\t\t\tBorn in 1969, Cheng Chih-chung was diagnosed with poliomyelitis in 1973. He is currently the resident playwright and director of Oz Theatre Company. He performed in many important productions, including 1949 if 6 was 9 and Knock on Heaven's Door by Théâtre du Point Aveugle, 30 People: No Reading by Shakespeare's Wild Sisters Group and Rainbow Factory by the Riverbed Theatre. The works he wrote and directed for the Oz Theatre Company include Spring-First Episode of Road to Brightness Trilogy and A Wordless Drama 2012. \n\n\t\t\t\n\n\t\t\t \n\t\t\t | \n\t\t
\n'},{reference:[],type:"content",name:"Dancers (Singapore)",content:'
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\n\n\n\t\t\t\n\n\t\t\t HONG Guofeng \n\n\t\t\tHong Guofeng serves as the Artistic Director of Sigma Contemporary Dance and SMU Indancity. He has contributed to the extensive body of work for Sigma Contemporary Dance since its inception, establishing Sigma's distinct identity in the local dance scene. His novel approach to choreography has driven him to create innovative pieces that extend beyond conventional stages. Notably, his portfolio includes site-specific performances Dock 65 within the Esplanade Park, as well as a well-received online production titled Survei:ance, fully conceived and executed on Zoom, and subsequently streamed via Facebook Live. \n\n\t\t\tHis choreographic creations have been featured in prominent local arts festivals, such as the M1 CONTACT – Contemporary Dance Festival and the SMU Arts Festival, as well as international dance festivals, including the Sibu International Dance Festival, Dance Circus, and the Blossom Arts Festival. Sources like The Straits Times and Arts Equator, have described his works as "compelling," "immersive," and "clever." In 2019, he collaborated with long-time partner Chua Chiok Woon to produce a duet that premiered in Singapore, and invited to perform in arts festivals in Hong Kong, Macau and Indonesia. \n\n\t\t\tHong Guofeng actively shares his ongoing movement practice with young adults and working professionals through workshops and masterclasses, both domestically and abroad and has been invited to create works for many local institutions. Most recently, he spearheaded a collective Unsound Bodies, dedicated to exploring innovative collaborations across multidisciplinary elements. \n\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t\n\n\t\t\t NG Zu Yo \n\n\t\t\tZu You started dance at the age of 13, gaining exposure to various genres of dance such as Chinese dance, contemporary dance and ballet. To further pursue his passion, he enrolled in LASALLE College of Arts, graduating with a Diploma in Dance in 2010. He performed in the 2011 edition of Sprouts, organised by the National Art Council and Frontier Danceland, and received the Best Dancer award. \n\n\t\t\t\n\n\t\t\t Zu You went on to complete his Bachelor of Arts in Dance at Taipei University of Arts. Upon graduation in 2017, he was a dance artist with T.H.E Dance Company till 2022, working with international choreographers including Kim Jae Duk, Rudi Cole and Julia Robert Pares (HUMANHOOD), Dimo Kirilov, and Jos Baker. \n\n\t\t\t\n\t\t\t | \n\t\t
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\n\t\t\t\n\n\t\t\t Tung Ka Wai \n\n\t\t\tKa Wai's artistic interest lies in theatre, body and text. \n\n\t\t\tSelected works include A Space for Everybody by Candoco Dance Company (da:ns focus 2023, Esplanade), Glimpse by Access Path Productions and RJ Thomson (Light to Night Festival 2023), Love Talk Show by Love 97.2 (2022), Pán by T.H.E Dance Company (2021), Dance at Dusk: Parallel by T.H.E Second Company (2021) and What If by Artswok Collaborative (2020). \n\n\t\t\tKa Wai graduated with a Master of Fine Arts (Playwriting) from Taipei National University of the Arts and a Bachelor of Arts with Honours (Chinese Studies) from National University of Singapore. He also teaches Chinese, drama and creative writing at various schools and institutions. \n\n\t\t\t\n\t\t\t | \n\t\t
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\n\t\t\t\n\n\t\t\t CHUA Chiok Woon \n\n\t\t\tChiok Woon is one of the founding members and a performing dance artist with Sigma Contemporary Dance, an independent dance collective based in Singapore. She has worked closely with local artists such as Hong Guofeng, Christina Chan, and Marcus Foo, as well as international artists like Jessica Christina (Indonesia) and Yeri Anarika (Berlin/Mexico). \n\n\t\t\t\n\n\t\t\t Her collaborative project, Honey Bee And The Dandelion, was performed both locally and internationally, including at M1 CONTACT Contemporary Dance Festival 2019 – Open Stage 2019, CDE Springboard in Macau, and the Hong Kong Dance Exchange in 2020. \n\n\t\t\t\n\n\t\t\t Aside from her performances and creative work, Chiok Woon shares her dance knowledge and practice with individuals of all ages as a freelance dance educator. She is also involved in co-producing and running programs at Sigma Collective Space, a space she co-founded. This space supports independent artists in their artistic exploration and development and offers classes and workshops to the public for a deeper connection with dance. \n\n\t\t\t\n\t\t\t | \n\t\t
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\n\t\t\t\n\n\t\t\t CHIEW Peishan \n\n\t\t\tPeishan is a dance artist and choreographer. She graduated with a Master of Arts in Contemporary Dance from London Contemporary Dance School, with the support of National Arts Council Arts Scholarship (Overseas). \n\n\t\t\t\n\n\t\t\t Peishan draws from her lived experiences to craft autobiographical fiction. Engaging the body as the central medium, her works explore the connections and tensions between reality and imagination, and situates itself in the in-between of subjective truth and inventive representation. She received commissions to created for Frontier Danceland, Re: Dance Theatre, T.H.E Second Company, RAW Moves, Dance in Situ, as well as Singapore Management University, National University of Singapore and LASALLE College of the Arts, University of the Arts Singapore. Her works have been presented in Esplanade's da:ns Festival and Huayi - Chinese Festival of the Arts, and M1 CONTACT Contemporary Dance Festival in Singapore, as well as in the United Kingdom and Hong Kong. \n\n\t\t\t\n\t\t\t | \n\t\t
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\n'}],onShelf:!0,sliders:[{type:"image",key:"d92e43b93dcf22b830021965f6bd4bd6",title:"周書毅《我所起舞的地方》"}],related:[],title:"CHOU Shu-yi - Dance a Dance From My Yellow Skin",cover:"ead1d9dc007175e0195894fbf2b72354",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
►[House Program] CHOU Shu-yi - Dance a Dance From My Yellow Skin
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How do humans empower themselves for survival?
\n\nAnd what do they sacrifice for freedom?
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Why do lives shift, and why do they settle down here?
\n\nWhy drift, and why take roots?
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Where do I come from, and why do I dance here?
\n\nWhere will be the hopes of my future?
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We are born and raised somewhere between an island and a land in Asia
\n\nWe move along the differences between colours and languages
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Acclaimed Taiwanese choreographer Chou Shu-yi and a regional team of artists from Singapore, Taiwan and Hong Kong, embark on a journey to find out why we dance, in an exploration of Asian Chinese identity through time, discovering the different places from which dancers emerge.
\n\nWhere did we live? Where did we come from? All our bodies carry timestamps of history and humankind, records of the choices we make at every stage of our lives. Moving from dwelling to dwelling, humankind evolved as we made colossal movements and migrations through the eras.
\n\nIn Dance a Dance from My Yellow Skin, Chou invites you to imagine our futures through the movements of our bodies and our lives. Chou delves into the relationships between dancers and the lands they come from to find out where they began dancing—why this place, and where exactly is it?
\n\nTaiwan and Singapore and—islands teeming with people of a variety of races, melting pots of diverse cultures. The openness of both countries has encouraged the endless flow of exchanges with the world outside, and it is this open-mindedness that Chou wields in Dance a Dance from My Yellow Skin.
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Pre-talk
\n\n2024/5/3(Fri)19:00 Playhouse 2F Lobby
\n\n2024/5/4(Sat)19:00 Playhouse 2F Lobby
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Creative and Production Team
\n\nChoroegrapher|CHOU Shu-yi
\n\nStage & Lighting Designer|LEE Chi-wai
\n\nMusic Designer|WANG Yu-jun
\n\nStage Manager|Shining GOH
\n\nDancers (Taiwan)|YU Yen-fang, LIANG Chun-wen, YANG Ya-chun, CHENG Chih-chung
\n\nDancers (Singapore)|HONG Guo-feng, NG Zu-you, TUNG Ka-wai, CHUA Chiok-woon, CHIEW Pei-shan
\n\nVisual Photographer|CHEN Chang-chih, Ms Bernie Photography
\n\nGraphic Designer|Winder CHEN
\n\nDirector & Cinematographer|LUO Shih-wei
\n\nPhotographer|Jootz
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Coproduction|Esplanade - Theatres on the Bay
\n\nSpecial Thanks|
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Partner: Kaohsiung Spring Arts Festival
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Tour
\n\nEsplanade Theatre Studio
\n\n2/23(Fri)20:00
\n\n2/24(Sat)20:00
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Cultural Development Partner
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衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:'►【電子節目單】 海德堡舞蹈劇場×舞蹈空間舞團《火鳥.春之祭》
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報評
\n\n「伊凡‧沛瑞茲冒了極有意義的風險,『出色掌握』到對於經典的新詮釋,遊走於『走向疏離、暴力或精神深淵的臨界點』。
\n\n「在《火鳥》中,使用『巧妙的當代編舞手法』。主要角色駱宜蔚,在具有『強烈個性』的群體中,呈現『絕佳表現力』。第二部分中段,蘇冠穎的表演,是『力量與脆弱的混合體,帶著感人的衝突』。作品中顯示,『即使是舞蹈結構中的最小變化,沛瑞茲都能掌控得宜』。」 Nora Abdel Rahman, Mannheimer Morgen, 2022年3月7日
\n\n「編舞成功地捕捉到角色之間『快速的情緒變化』...像孩子們經常在玩遊戲般,不消多久就想自立新規則,並想排除那些不想或不能遵守這些規則的人,『排他』可能突然就這樣發生了。編舞者具有想像力的嬉遊,是視覺的亮點,『色彩豐富的多樣性服裝』讓整晚更具特色。』」
\n\nIsabelle von Neumann-Coset, Rhein-NecI‹ar-Zeitung, 2022年3月7日
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©海德堡舞蹈劇場提供,Susanne Reichardt攝影
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一位少女在眾人圍繞眾目睽睽下,狂舞致死,這是《春之祭》的最後一幕。
\n\n《春之祭》的誕生充滿戲劇性,由風格多變的史特拉汶斯基作曲,離經叛道的尼金斯基編舞,1913年由俄羅斯芭蕾舞團在巴黎演出,開演前,觀眾引頸期盼的芭蕾舞劇,未料卻出現一群穿著傳統服飾的舞者屈膝跺腳,聽到的也不是預期中的優美旋律,演出還沒結束,觀眾便憤而離席。
\n\n然而這支作品,無論樂舞,皆成為後來各個樂團與編舞家爭相詮釋的經典之作。編舞家如瑪莎葛蘭姆、碧娜.鮑許、韋恩.麥奎格、林懷民和黎海寧等,都推出了屬於自己的《春之祭》。
\n\n今年5月於衛武營歌劇院演出的《火鳥.春之祭》,由41歲的西班牙編舞家也是海德堡舞蹈劇場藝術總監的伊凡.沛瑞茲編創,他巧妙的將史特拉汶斯基另一部創作《火鳥》串接在一起。
\n\n《火鳥》比《春之祭》提早3年誕生,是堪稱「正常」的芭蕾舞劇,角色設定上也有清楚的善與惡,火鳥是善,魔王是惡,還有王子公主的幸福浪漫情節,而音樂編排因為有強烈的個人風格與突破之處,使史特拉汶斯基開始被眾人注意。
\n\n《火鳥.春之祭》2022年在德國海德堡首演,由海德堡舞蹈劇場演出,其中兩位重要的獨舞者過去皆任職於舞蹈空間舞團的駱宜蔚和蘇冠穎,他們分別擔任火鳥和獻祭者角色,今年演出,為海德堡舞蹈劇場和舞蹈空間聯手演出,是22人的大編制,由衛武營國家藝術文化中心藝術總監簡文彬指揮,長榮交響樂團現場演出,氣勢磅礡可以想見。
\n\n編舞家伊凡.沛瑞茲曾為荷蘭舞蹈劇場一團及二團舞者,2011年在荷蘭科索劇院支持下展開編舞生涯,2015年與舞蹈空間合作《迴》,在兩廳院「舞蹈秋天」發表;2018年再次合作,於兩廳院TIFA發表《Becoming》後,獲邀擔任德國海德堡舞蹈劇場藝術總監。
\n\n海德堡舞蹈劇場為海德堡劇院及交響樂團於2018年成立的專屬常設舞團,除了演出藝術總監的作品,也常與海德堡愛樂管弦樂團及客席編舞家合作。邁入35週年的舞蹈空間,為臺灣當代舞蹈指標團隊,由國家文藝獎得主平珩創立,至今與超過56位的國內外編舞家合作,全球展演近千場,2008年起著重發展國際共製,屢創佳績。臺、德兩團此次合作,精彩可期,不容錯過。 (文/劉竹晴)
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海德堡首演:2022年3月5日
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演前導聆
\n\n5/4(六)、5/5(日)14:00 歌劇院二樓大廳
\n\n講者|平珩
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演後座談
\n\n5/4(六) 演出結束後於歌劇院觀眾席
\n\n與談人|平珩、簡文彬、伊凡.沛瑞茲
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演出曲目
\n\n史特拉汶斯基:《火鳥》組曲 (1919年版本)
\n\n史特拉汶斯基:《春之祭》
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文章閱讀
\n\n►Call cue青少年《火鳥.春之祭》:誰當主key?《火鳥.春之際》強強聯手,音樂與舞蹈相伴相爭!
\n\n►二十一世紀的我們,夠勇敢嗎? 為叛逆而生的《火鳥.春之祭》—平珩X謝杰廷 教你怎麼看經典舞作 講座側記
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周邊活動
\n\n3/23 (六) 11:00
\n\n►為叛逆而生的《火鳥.春之祭》—平珩X謝杰廷 教你怎麼看經典舞作
\n\n4/28 (日) 11:00、4/28 (日) 14:00
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演出暨製作團隊
\n\n編舞.導演|伊凡.沛瑞茲
\n\n音樂|史特拉汶斯基
\n\n指揮|簡文彬
\n\n音樂指導|伊利亞斯.格蘭迪
\n\n服裝設計|索菲.鄧納斯
\n\n服裝顧問|林璟如
\n\n服裝製作|黃宇聰
\n\n舞台|皮爾.魯道夫
\n\n燈光原創|塔妮亞.魯爾
\n\n燈光|黃申全
\n\n編舞助理|荷黑.索勒.巴斯蒂達
\n\n排練指導|陳凱怡
\n\n排練助理|駱宜蔚、蘇冠穎
\n\n舞蹈構作|馬可斯.馬里斯
\n\n藝術統合|雷南.馬丁斯
\n\n製作團隊|平珩、葉瓊斐、黃申全
\n\n巡迴經理|阿德里安.卡司德洛
\n\n音樂演奏|長榮交響樂團
\n\n舞蹈演出|海德堡舞蹈劇場、舞蹈空間舞蹈團
\n\n舞者名單|
\n\n海德堡舞蹈劇場:伊內絲.貝爾達.納切爾、塔米利斯.卡瓦略、約赫姆.埃爾德肯、馬可.加爾韋斯、駱宜蔚、安德莉亞.穆埃拉.布蘭科、露西亞.尼托.維拉、蘇冠穎、馬提亞斯.泰森、阿德里安.烏蘇萊、茱莉亞.柯薩爾卡
\n\n舞蹈空間舞團:黃彥傑、張代欣、陳姵琪、劉彥佩、林思綺、蔡貽亘、葉晉誠、張琪武、楊敏瑄、吳冠儀、羅廷瑋
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主辦單位|衛武營國家藝術文化中心
\n\n演出單位|海德堡舞蹈劇場、舞蹈空間舞團、長榮交響樂團
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《火鳥》獲Schott Music GmbH & Co. KG.授權演出;《春之祭》獲Boosey & Hawkes Music Publishers Limited授權演出。
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藝術家介紹
\n\n編舞家|伊凡.沛瑞茲(Iván PÉREZ)
\n\n1983年出生於西班牙,曾為荷蘭舞蹈劇場一團及二團舞者;2011年在荷蘭科索劇院支持下展開編舞生涯,受邀為荷蘭舞蹈劇場、西班牙國家舞蹈團、莫斯科芭蕾舞團、英國的芭蕾男孩、古巴國立芭蕾舞團以及臺灣舞蹈空間舞蹈團等團編舞。沛瑞茲於2015年受邀參與兩廳院主辦的「舞蹈秋天」,與臺灣編舞家楊銘隆共同發表以作曲家譚盾音樂為題的作品《迴》,並於荷蘭海牙等四城市巡演,受到全體觀眾起立鼓掌肯定。
\n\n2016年夏天創立INNE舞團,為波蘭山羊之歌劇場創作《Island》展開國際製作;在歐洲Pivot Dance計劃及Pina Bausch Fellowship支持下於2017-2018年創作《Becoming》;2018年4月受巴黎歌劇院邀約,與知名編舞家James TIERRÉE、侯非胥.謝克特和克莉絲朵.派特同台呈現新作;同年9月起擔任德國海德堡劇場藝術總監,持續發表新作。
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指揮|簡文彬
\n\n衛武營國家藝術文化中心藝術總監。簡文彬1967年生,國立藝專(今國立臺灣藝術大學)鍵盤組畢業,維也納音樂暨表演藝術大學指揮碩士學位。1996年起擔任德國萊茵歌劇院(Deutsche Oper am Rhein)駐院指揮長達22年;1998-2004年為日本太平洋音樂節(Pacific Music Festival)駐節指揮;2001-2007年為國家交響樂團(NSO)音樂總監,在其任內推動「定期音樂會系列」、國人作品委託創作及錄製、「歌劇系列」等創舉,並在2006年樂團20週年時推出華語地區首次自製之華格納《尼貝龍指環》四部曲;2014-2016擔任國立臺灣交響樂團藝術顧問,並於2014年9月獲頒第18屆國家文藝獎。
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海德堡舞蹈劇場
\n\n為海德堡劇院及交響樂團於2018年成立之專屬常設舞團,其高品質製作及當代美學深獲觀眾及舞評肯定。演出作品包含藝術總監沛瑞茲的《The Inhabitants》、《Impression》、《Becoming》、《Exhausting Space》、《Dimension》、《Avatars and Antiheroes》、 《Oscillation》 及在城堡音樂節發表的《Waiting for the Barbarians》等。並常與海德堡愛樂管弦樂團及客席編舞家合作,包含比利時編舞家 Astrid BOONS與臺灣編舞家駱宜蔚分別為《Momentum》創作,與旅德日本多媒體藝術家瀬山葉子製作《Reality and the Cosmos》;與巴西編舞家Renan MARTINS合作《No Tears Left to Cry》。2022年沛瑞茲的《Island》,由海德堡劇院合唱團現演唱Jean-Claude ACQUAVUVA與 Maciej RYCHŁY創作曲目。
\n\n2023年海德堡舞蹈劇場參與策展「海德堡國際舞蹈雙年展」,邀請舞蹈空間演出《異托邦喧嘩.沉默不再》,並舉辦講座介紹臺灣舞蹈現況。該團舞者來自比利時、巴西、丹麥、法國、西班牙、臺灣和烏克蘭等國,是一個包容性極高,善於營造藝術家之間對話與交流的舞團。
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舞蹈空間舞團
\n\n臺灣當代舞蹈創新指標團隊,由第三屆國家文藝獎舞蹈類得主平珩於1989年創立,至今已與56位編舞家、172位音樂、服裝、燈光及舞臺藝術家,共同創作90個作品,並至臺灣各地及深入歐亞美加40個城市巡演,全球展演近千場。2008年起著重國際共製合創,與荷蘭、瑞典、西班牙等地舞團及劇場聯合共製,深獲亞洲及歐美舞蹈界專業肯定及讚許,在海內外創造出獨特並總能引人注目的舞蹈個性。2019年以「關照表演藝術深度與廣度的全面視角,已創造出獨特且不可或缺的文化價值」獲臺北文化獎肯定。
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長榮交響樂團
\n\n長榮交響樂團隸屬於財團法人張榮發基金會,是一個「年輕有活力、團結有紀律、專業有特色」的樂團,是全臺目前唯一、也是國際間少數由民間法人機構經營的職業交響樂團,其成立宗旨為提供一個優質的表演舞台,全方位培養屬於臺灣的音樂人才,期以向下扎根的方式耕耘出具有臺灣特色的音樂園地,既關懷本土也放眼世界。
\n\n2001年張榮發基金會邀集多位華人音樂家及國際知名的藝術顧問,合力促成20人編制的長榮樂團,並於2002年擴編為71人的長榮交響樂團。葛諾.舒馬富斯(Prof. Gernot SCHMALFUSS)先生為現任音樂總監暨首席指揮。
\n\n長榮交響樂團是國際間少數曾分別與世界三大男高音帕華洛帝(Luciano PAVAROTTI)、卡瑞拉斯(Jose CARRERAS)、多明哥(Placido DONMINGO)合作之樂團。曾分別於2005及2006年入圍臺灣第16、17屆金曲獎「最佳古典音樂專輯」及「最佳演奏獎」。
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©海德堡舞蹈劇場提供,Susanne Reichardt攝影
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在地藝文支持夥伴
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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\n',team:""},english:{onShelfRange:{start:1700535600,end:4856255999},tabs:[],onShelf:!0,sliders:[{type:"image",key:"958a405af21b5519a6138092b36fffbb",title:"舞蹈空間35周年鉅獻《火鳥.春之祭》"}],related:[],title:"DTH & DFT& CHIEN Wen-pin & ESO - Firebird & Rite of Spring ",cover:"a3bd50589e9ab28766293479b6160295",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
►[ House Program ] Dance Theatre Heidelberg & Dance Forum Taipei :Firebird & Rite of Spring
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Over a century ago, the world witnessed the premieres of two ground-breaking works of dance: The Firebird (1910, choreographed by Michel FOKINE) and The Rite of Spring (1913, choreographed by Vaslav NIJINSKY ). Both pieces generated significant buzz in the world of art and culture upon their premieres held in Paris with both music by Igor STRAVINSKY.
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Capturing the essence of ballet tradition, the story depicted in The Firebird unfolds in a mythical and exotic atmosphere, with the namesake character emerging as the focal point. In The Rite of Spring, meanwhile, we see a tight-knit community and its decision to make one of its members the sacrificial victim, a heart-breaking story that clearly reverberates a sense of alienation.
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In his project, the artistic director of Dance Theatre Heidelberg (DTH), Iván PÉREZ, attempted to combine the two influential narratives with Firebird & Rite of Spring. By teaming up with Elias GRANDY (General Music Director of Philharmonic Orchestra Heidelberg), he explores the consequences of a foreign element entering existing social dynamics, something that once framed the premise of The Rite of Spring but now introducing a different layer to the already powerful pieces.
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The production will be performed live with Evergreen Symphony Orchestra, conducted by the renowned conductor CHINE Wen-pin. It is a celebration of the 35th anniversary of Dance Forum Taipei which PÉREZ has collaborated with twice before, and will be performed with dancers from two companies, DTH and DFT.
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Premiere: March 5, 2022, Heidelberg
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Pre-talk
\n\n5/4(Sat)14:00 Opera House 2F
\n\n5/5(Sun)14:00 Opera House 2F
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Post-talk
\n\n5/4(Sat) After performance at Opera House
\n\nSpeaker: PING Heng, CHIEN Wen-pin, Iván PÉREZ
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Program
\n\nI. STRAVINSKY: Firebird suite (1919 version)
\n\nI. STRAVINSKY: The Rite of Spring
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Creative and Production Team
\n\nChoreography and Direction|Iván PÉREZ
\n\nMusic|Igor STRAVINSKY
\n\nConductor|CHIEN Wen-pin
\n\nMusical Direction|Elias GRANDY
\n\nCostume Designer|Sofie DURNEZ
\n\nCostume Consultant|LIN Ching-ju
\n\nCostumes Maker|HUANG Yu-Cong
\n\nStage|Peer RUDOLPH
\n\nOriginal Lighting Designer|Tanja RÜHL
\n\nLighting Designer|Channel HUANG
\n\nChoreographic Assistance|Jorge Soler BASTIDA
\n\nRehearsal Director|CHEN Kai-yi
\n\nRehearsal Assistants|LO Yi-wei, SU Kuan-ying
\n\nDramaturgy|Marcos MARIZ
\n\nArtistic Collaborator|Renan MARTINS
\n\nProduction Team|PING Heng, YEH Chiung-fei, Channel HUANG
\n\nTour Management|Adrián CASTELLÓ
\n\nMusicians|Evergreen Symphony Orchestra
\n\nDancers|
\n\nDance Theater Heidelberg: Inés Belda NÁCHER, Thamiris CARVALHO, Jochem EERDEKENS, Marc GALVEZ, LO Yi-wei, Andrea Muelas BLANCO, Lucía Nieto VERA, Kuan-Ying SU, Mathias THEISEN, Adrien URSULET, Julia KOSAŁKA
\n\nDance Forum Taipei: HUANG Yen-chieh, CHANG Tai-hsin, CHEN Pei-chi, LIU Yen-pei, LIN Si-qi , TSAI I-hsuan, CHANG Chi-wu, YANG Min-hsuan, WU Kuan-i, YEN Chia-cheng, LO Ting-wei
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The performance of The Firebird is given by permission of Schott Music GmbH & Co. KG.
\n\nThe performance of The Rite of Spring is given by permission of Boosey & Hawkes Music Publishers Limited.
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©海德堡舞蹈劇場提供,Susanne Reichardt攝影
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Cultural Development Partner
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\n',team:""},createdAt:1698214389,updatedAt:1714636447,updatedBy:"林蔚行",host:!0},{_id:"6568841fc83cd00008bfa248",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1712383200,discrete:[{time:1712383200},{time:1712469600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,1e3,1500,2e3],link:"https://www.opentix.life/event/1720274001578299393"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"338ce387b6afb2964a6c6429637ca1b6",title:"《小王子-奇幻旅程》"}],related:[],title:"《小王子-奇幻旅程》",cover:"db2e310d3193467b5493419fe30f8939",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
小王子經歷的一切,就像我們的一生,一生中會遇到的人,會面對的複雜關係,會被困住的每一個情節,以及我們最後到底要留下什麼、忘記什麼、放掉什麼、帶走什麼......
\n\n這是一個充滿寂寞的故事,一段穿越了幾萬光年的相遇故事…有許多地圖上找不到的地方,有許多大過我們想像的一切…撒哈拉沙漠,一個孤獨的飛行員,遇上一位來自 B612 號星球的孤獨小王子,最簡單的人、最簡單的心,卻經歷了最精采豐富的冒險…小王子經歷的一切,就像我們的一生,一生中會遇到的人,會面對的複雜關係,會被困住的每一個情節,以及我們最後到底要留下什麼、忘記什麼、放掉什麼、帶走什麼......
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演出暨製作團隊
\n\n出品監製|張秉中
\n\n導演·編劇|洪曉芬
\n\n製作人|俞樂
\n\n製作執行|管庭幼、徐銘偉
\n\n化妝服裝|彭文怡、蔡秉儒
\n\n燈光音響|顏士成、郭倍辰
\n\n後台經理|廖芳苡、何美雯
\n\n舞台經理|彭詩玫
\n\n行政經理|黃旋音
\n\n前後台工作人員|陳俊儒、林紋琪、廖敏琪、吳心媛、盧玉慈
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"338ce387b6afb2964a6c6429637ca1b6",title:"《小王子-奇幻旅程》"}],related:[],title:"The Little Prince - Extra Chapter ",cover:"db2e310d3193467b5493419fe30f8939",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
Everything the little prince experienced is like our life, the people we will meet in our life, the complex relationships we will face, every plot we will be trapped in, and what we will leave behind, forget, and let go and what to take away...
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This is a story full of loneliness, a story of an encounter that spans tens of thousands of light years... There are many places that cannot be found on the map, and many are bigger than anything we can imagine... The Sahara Desert, a lonely pilot, met a The lonely little prince from planet B612, the simplest person with the simplest heart, has experienced the most exciting and rich adventures... Everything the little prince has experienced is just like our life, the people we will meet in our life, and the people we will face. The complex relationship, every plot we will be trapped in, and what we will leave behind, forget, let go, and take away in the end...
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Creative and Production Team
\n\nPresented by|Daniel Chang
\n\nDirected & Screenplay by|Emily Hung
\n\nProduced by|Fion Yu
\n\nProduction Assistant|Tanya Kuan, Marcus Hsu
\n\nCostume&Makeup|Monica Peng, Rainbow Tsai
\n\nSound Lighting &Camera|Tom Yen, Brian Kuo
\n\nBackstage Manager|Kerry Liao, Tina Ho
\n\nStage Manager|Mei Peng
\n\nAdministration Manager|Michelle Huang
\n\nAdministration Staff|Jane Lin, Tina Ho, Lisa Liao, Cindy Wu, Sandy Lu
\n\n\n',team:""},createdAt:1701348383,updatedAt:1712043328,updatedBy:"林蔚行",host:!1},{_id:"65717c32c976c700078c4a10",catalogs:["5aec418cb01ea6000520f635","64812f1feb9a240007c8c8c7"],dateTime:{first:1712989800,discrete:[{time:1712989800},{time:1713007800},{time:1713076200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3,1200,1500,1800],link:"https://www.opentix.life/event/1661262453754609665"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"29f3d9c2ad5f78d9e8ae9f764d3fdaf0",title:"《包黑子壞壞》"}],related:[],title:"《包黑子壞壞》",cover:"c0db06eaf7cad193a22c0a0deead80df",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
東街有冤情?西街要陳情!《包黑子壞壞》大堂等你。
\n\n開封府破案天團,明查暗訪,懲惡揚善:
\n\n公孫策獻計,南俠展昭炫技,包拯小家子氣?
\n\n張龍、趙虎、王朝、馬漢心情不美麗?!
\n\n百姓攔轎、冤魂託夢,這回不只外國人跨海提告,連外星人都找上門!
\n\n來人啊!順轎~
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《包黑子壞壞》以喜劇詮釋〈烏盆記〉、〈狸貓換太子〉、〈紫河車〉等家喻戶曉奇案。
\n\n親情緊密的,歡迎闔家觀賞;友情深厚的,三五好友約起來;
\n\n戀情順利的,情人雅座買起來。戀情不順利的…更要來大笑一場!
\n\n滿滿的100分鐘,將你的喜、怒、哀、懼、愛、惡、欲緊緊的跟我們ㄍㄡˊ在一起!
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「開封有個包青天,鐵面無私辨忠奸」膾炙人口的連續劇主題曲,是不是也想跟著唱?
\n\n瓦舍取得授權,馮杯杯三度詮釋這首經典歌曲,只有在《包黑子壞壞》演出現場聽得到喔!
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演出暨製作團隊
\n\n導演|馮翊綱
\n\n編劇|馮翊綱
\n\n演員|馮翊綱、時一修、韋以丞、御天十兵衛、巫明如
\n\n燈光設計|李佩璇
\n\n舞台設計|謝均安
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"29f3d9c2ad5f78d9e8ae9f764d3fdaf0",title:"《包黑子壞壞》"}],related:[],title:"Dear Governor Bao",cover:"c0db06eaf7cad193a22c0a0deead80df",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
The protagonist of "Dear Governor Bao" is a renowned official in the Northern Song dynasty characterized by impartiality and integrity.Governor Bao trialed quite a number of cold cases that attracted much attention from people for many generations. His stories have also been transcribed into traditional Chinese operas and TV series. This drama depicts his well-known and fair trials in "The Case of the Black Basin," "Racoon For A Prince," and also the "The Chalk Circle," which will be presented in the form of humorous crosstalk. No one can afford to miss the unpredictable ending of the story!
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Creative and Production Team
\n\nDirector|FENG Yi-gang
\n\nPlaywright|FENG Yi-gang
\n\nPerformer|FENG Yi-gang, Hugh SHIH, Ethan WEI, PAN Yu-tien, WU Ming-ju
\n\nLighting Design|LI Pei-syuan
\n\nStage and Costume Design|SIE Jyun-an
\n\n\n\n
\n',team:""},createdAt:1701936178,updatedAt:1706085555,updatedBy:"林蔚行",host:!1},{_id:"657667194800f50008193371",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1712403e3,discrete:[{time:1712403e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1800,2400,3e3],link:"https://www.opentix.life/event/1728092421469937664"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b44a36ae0ad4e51f90f2f41c20b03222",title:"《反璞歸真-白建宇演奏莫札特》"}],related:[],title:"《反璞歸真-白建宇演奏莫札特》",cover:"aa118a75b3a3efdc2ddad9195a1f62d1",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
白建宇10歲與韓國國家交響樂團合作演出葛利格的鋼琴協奏曲,15歲前往茱麗亞音樂學院,師從Rosina Lhevinne,並在倫敦拜師Ilona Kabos,同時白建宇還在義大利學習,師從於Guido Agosti和Willhelm Kempff。白建宇的國際演奏生涯始於紐約林肯中心,他演奏拉威爾鋼琴作品全集大受歡迎。之後也在卡內基大廳演出。白建宇曾獲得數個國際鋼琴大賽的首獎,其中最著名的是1969年布梭尼國際鋼琴大賽首獎。
\n\n\n\n
演出曲目
\n\n莫札特:d小調幻想曲,K. 397
\n\n莫札特:D大調輪旋曲,K. 485
\n\n莫札特:F大調第二號鋼琴奏鳴曲,K. 280
\n\n莫札特:給小型機械風琴的F大調行板圓舞曲,K. 616
\n\n莫札特:b小調慢板,K. 540
\n\n莫札特:G大調小吉格舞曲,K. 574
\n\n莫札特:c小調幻想曲,K. 475
\n\n莫札特:C大調前奏曲與賦格,K. 394
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|白建宇
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b44a36ae0ad4e51f90f2f41c20b03222",title:"《反璞歸真-白建宇演奏莫札特》"}],related:[],title:"Kun-Woo Paik with W. A. Mozart",cover:"aa118a75b3a3efdc2ddad9195a1f62d1",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Kun Woo Paik was born in Seoul. He gave his first concert, aged 10, with the Korean National Orchestra, playing Edvard Grieg's Piano Concerto. In the following years he performed many important works in Korea, including several premieres such as Mussorgsky's Pictures at an Exhibition. Later he studied in New York, London, and in Italy with Rosina Lhevinne, Ilona Kabos, Guido Agosti and Wilhelm Kempff. Kun Woo Paik is also a laureate of the Naumburg and Busoni International Piano Competitions.
\n\n\n\n
Program
\n\nW. A. Mozart: Fantasia in d minor, K. 397
\n\nW. A. Mozart: Rondo in D Major, K. 485
\n\nW. A. Mozart: Piano Sonata No. 2 in F Major, K. 280
\n\nW. A. Mozart: Andante Für Eine Walze In Eine Kleine Orgel in F Major, K. 616
\n\nW. A. Mozart: Adagio in b minor, K. 540
\n\nW. A. Mozart: Eine Kleine Gigue in G Major, K. 574
\n\nW. A. Mozart: Fantasia in c minor, K. 475
\n\nW. A. Mozart: Prelude and Fugue in C Major, K. 394
\n\n\n\n
Creative and Production Team
\n\nPiano|Kun-Woo Paik
\n\n\n\n
\n',team:""},createdAt:1702258457,updatedAt:1709283797,updatedBy:"林蔚行",host:!1},{_id:"657ff0c85b32610007bbd3ad",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1714131e3,discrete:[{time:1714131e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3,1200],link:"https://www.opentix.life/event/1722085706438504449"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a71f7e775eb55b206243409d1e82d56c",title:"《盧德格爾·盧曼管風琴音樂會》"}],related:[],title:"《璀璨浪漫德意志》盧德格爾·盧曼管風琴音樂會",cover:"b1eade78126861f4b315fe6492cb781d",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
被譽為管風琴界泰斗的盧德格爾·盧曼教授,於2022年11月首度來臺演出;2024強勢回歸,並增加衛武營巡演,為臺灣的觀眾再獻上高水準的管風琴音樂會!盧曼教授將同時展現衛武營音樂廳中「主管風琴」、「回聲管風琴」、與「舞台移動琴座」的三個演奏台,最大化呈現管風琴多元音響可能性,打開臺灣觀眾對於管風琴音樂的新視野,聆賞巴赫與德國浪漫時期的不朽作品!
\n\n\n\n
演出曲目
\n\n1. Johann Sebastian Bach Präludium und Fuge G-Dur BWV 541
\n\n1685-1750 《G大調前奏曲與賦格》作品編號541
\n\n2. Triosonate c-Moll BWV 526 (Vivace – Largo – Allegro)
\n\n《c小調三重奏鳴曲》作品編號526
\n\n\n\n
3. Robert Schumann Fugen über BACH op. 60:
\n\n1810-1856 舒曼四首《以B-A-C-H為題的賦格》作品編號60
\n\nnr. 2 Lebhaft
\n\nnr. 3 Mit sanften Stimmen
\n\nnr. 5 Lebhaft
\n\nnr. 6 Mäßig, nach und nach schneller
\n\n\n\n
4. Richard Wagner Pilgerchor (aus dem „Tannhäuser“)
\n\n1813-1883 organ version by Franz Liszt
\n\n李斯特改編自華格納歌劇唐懷瑟中的《朝聖者之歌》合唱曲
\n\n5. Franz Liszt Fantasie und Fuge über den Choral
\n\n1811-1886 "Ad nos, ad salutarem undam"
\n\n李斯特聖詠《Ad nos, ad salutarem undam》幻想曲與賦格
\n\n(聖詠曲調:來吧,向著希望的源泉)
\n\n\n\n
演出暨製作團隊
\n\n製作人|蔡純慧
\n\n管風琴|盧德格爾·盧曼
\n\n行政總監|周奕伶
\n\n燈光技術|李明杰
\n\n影音後製|邱新添
\n\n指導單位|文化部
\n\n主辦單位|財團法人陳郭淑真發展音樂教育紀念基金會
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a71f7e775eb55b206243409d1e82d56c",title:"《盧德格爾·盧曼管風琴音樂會》"}],related:[],title:"《Pearls from Romantic Germany and Father Bach》Ludger Lohmann Organ Concert ",cover:"b1eade78126861f4b315fe6492cb781d",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Renowned as a titan in the organ world, Professor Ludger Lohmann made his debut performance in Taiwan in November 2022. He will make a strong comeback in 2024, including a concert at the Weiwuying National Kaohsiung Center for the Arts, presenting extraordinary organ concerts to Taiwanese audiences once again. Professor Ludger Lohmann will showcase three organs in the Weiwuying Concert Hall: the Baroque-style organ, the Mechanical console of the main organ, and the Electric console on the stage. This will maximize the possibilities of organ music and offer audiences a new perspective to appreciate the magnificent works of Bach and the German Romantic period.
\n\n\n\n
Program
\n\n1. Johann Sebastian Bach Präludium und Fuge G-Dur BWV 541
\n\n2. Triosonate c-Moll BWV 526 (Vivace – Largo – Allegro)
\n\n\n\n
3. Robert Schumann Fugen über BACH op. 60:
\n\nnr. 2 Lebhaft
\n\nnr. 3 Mit sanften Stimmen
\n\nnr. 5 Lebhaft
\n\nnr. 6 Mäßig, nach und nach schneller
\n\n\n\n
4. Richard Wagner Pilgerchor (aus dem „Tannhäuser“)
\n\n1813-1883 organ version by Franz Liszt
\n\n5. Franz Liszt Fantasie und Fuge über den Choral
\n\n1811-1886 "Ad nos, ad salutarem undam"
\n\n\n\n
Creative and Production Team
\n\nProducer|Chwen-Huei Tsai
\n\nOrgan|Ludger Lohmann
\n\nOrganization|Susan K. Chen Memorial Foundation for Music Education
\n\n\n\n
\n',team:""},createdAt:1702883528,updatedAt:1705456261,updatedBy:"林蔚行",host:!1},{_id:"6583eebd5b32610007bece16",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1712403e3,discrete:[{time:1712403e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://www.opentix.life/event/1710204764479336448"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2b6161b39a50c1cbb106d8a8c9d36bdb",title:"《2024王昱翔薩克斯風獨奏會-法國作品集 I》"}],related:[],title:"「節目異動」《2024王昱翔薩克斯風獨奏會-法國作品集 I》",cover:"630d986d5847c317966e5cb380b68c8a",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂2024年4月6日(六) 19:30於衛武營表演廳演出之《2024王昱翔薩克斯風獨奏會-法國作品集 I》,演出者異動。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
留法薩克斯風演奏家王昱翔及旅法歸國鋼琴家陳維志將為觀眾帶來一場精彩絕倫 的法式薩克斯風作品與室內樂音樂會。
\n\n於2020年舉辦於臺中歌劇院的王昱翔薩克 斯風劇場式獨奏會-世界巡禮,以薩克斯風演出了許多具有濃厚民族色彩的曲目, 其中包含臺灣、日本、俄羅斯、阿根廷、 西班牙、 法國、羅馬尼亞...等國。節 目中以影像投放及語音導聆,引領觀眾深入了解作曲家、曲目背景,並帶領聽眾 跟隨優美的樂音,猶如親自環遊世界一般。 此次音樂會將以法國『自文藝復興時期至當代』各時期代表性作曲家的曲目為主題。
\n\n由文藝復興與巴洛克時期的Marin Marais到印象樂派代表作曲家Claude Debussy直至法國當代作曲家Luis Naón與Vincent David跨時代的法國薩克斯風代 表作,彷彿進入每個時代作曲家的寫作背景與環境。 本次音樂會將以獨奏與室內樂的交織,特邀請留法長笛家陳筠雲及旅法薩克斯風 演奏家吳宇正,一同演出法式室內樂曲目,目的使古典音樂不因曲高和寡而再流 失觀眾。
\n\n不失專業的準則下,希冀使古典音樂以平易近人 及新穎的呈現方式推廣 至臺灣群眾,推翻大眾對古典音樂無趣、沈悶的刻板印象。 此外,期許古典音樂 能夠更加深耕在臺灣藝文產業,成為人人樂意同享的珍貴文化。
\n\n\n\n
演出曲目
\n\n馬蘭.馬雷:西班牙舞曲
\n\n克勞德.德布西:狂想曲
\n\n費爾納德.德爾庫克:升C小調奏鳴曲
\n\n皮耶爾.桑康:輓歌 迴旋曲
\n\n雅克.伊貝爾:室內小協奏曲
\n\n馬克.艾玹:柔聲曲與舞曲
\n\n尚.丹尼.米夏:五種型態的愛
\n\n路易斯·納昂:前往”進行中
\n\n紀堯姆.康奈松:電音遊行
\n\n文森.大衛:幻象
\n\n\n\n
演出暨製作團隊
\n\n薩克斯風|王昱翔
\n\n鋼琴|陳維志
\n\n長笛協演|陳雲筠
\n\n薩克斯風協演|黃秉宏
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2b6161b39a50c1cbb106d8a8c9d36bdb",title:"《2024王昱翔薩克斯風獨奏會-法國作品集 I》"}],related:[],title:"(Program changed) 2024 Yu-Shiang WANG Recital",cover:"630d986d5847c317966e5cb380b68c8a",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been changed. For more information, please contact +886-975137568. | \n\t\t
\n\n
Saxophonist Yu-Shiang WANG and Pianist Wei-Chih CHEN will present a concert of French saxophone works and chamber music.
\n\nThe theme of the concert will be the repertoire of representative French composers from the Renaissance to the contemporary.
\n\nThis concert will be a combination of solo and chamber music, and the Flutist Yun-yun Chen and the Saxophonist Ethan Wu will be invited to perform the French chamber music repertoire.
\n\n\n\n
Program
\n\nMarin Marais: Les Folies d'Espagne
\n\nClaude Debussy: Rhapsodie pour Saxophone Alto et Piano
\n\nFernande Decruck: Sonate pour Saxophone Alto et Piano
\n\nPierre Sancan: Lamento et Rondo
\n\nJacques Ibert: Concertino da Camera pour Saxophone Alto
\n\nMarc Eychenne: Cantilene et Danse
\n\nJean-Denis Michat: 5 visions amoureuses
\n\nLuis Naon: Yendo
\n\nGuillaume Connesson: Techno Parade
\n\nVincent David: Mirages pour Saxophone Soprano et Piano
\n\n\n\n
Creative and Production Team
\n\nSaxophone|Yu-Shiang WANG
\n\nPiano|Wei-Chih CHEN
\n\nFlute|Yun-Yun CHEN
\n\nSaxophone|Ping-Hung HUANG
\n\n\n\n
\n',team:""},createdAt:1703145149,updatedAt:1709863836,updatedBy:"林蔚行",host:!1},{_id:"658eabf24c8cf700073a1d30",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1712489400,discrete:[{time:1712489400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800],link:"https://www.opentix.life/event/1739167434443198464"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9f2bc20b04192816246e622e28b8a448",title:"2024 曾加宜大提琴獨奏會《璀璨法蘭斯》 "}],related:[],title:"2024 曾加宜大提琴獨奏會《璀璨法蘭斯》 ",cover:"62ef80bb13c071593b40e657f5178714",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
旅美、法長達十二年之久的大提家演奏家曾加宜博士,同時擁有法國巴黎師範音樂院最高演奏家文憑,美國耶魯大學音樂系大提琴演奏碩士、美國馬里蘭大學大提琴演奏博士文憑,是國內少有如此完整資歷的大提琴演奏家。2024年的這場音樂饗宴,將帶來極具代表性之法國音樂家的作品,呈現專屬於法國音樂藝術之美。在聖桑的夢幻、德布西的絢麗及法蘭克的溫暖,透過音符的律動來觸動我們的心靈,相信這場音樂的饗宴必能帶給觀眾們心靈無比的享受。
\n\n\n\n
演出曲目
\n\n德布西:D小調奏鳴曲
\n\n莫瑞:佛利亞變奏曲
\n\n佛瑞:悲歌
\n\n法蘭克:A大調大提琴奏鳴曲
\n\n聖桑: 羅曼史
\n\n\n\n
演出暨製作團隊
\n\n大提琴|曾加宜
\n\n鋼琴|潘祖欣
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9f2bc20b04192816246e622e28b8a448",title:"2024 曾加宜大提琴獨奏會《璀璨法蘭斯》 "}],related:[],title:"2024 Chia-Yi TSENG Cello Recital",cover:"8a65d304557a312db9adb84734eebbde",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
With her distinct experiences from Paris and America,cellist Chia-Yi Tseng and pianist Tsu-Hsin Pan invite you to enjoy a wonderful night of French famous works.
\n\n\n\n
Program
\n\nC. Debussy: Cello Sonata in D Minor
\n\nM. Marais: La Folia
\n\nG.Fauré: Elégie in C Minor, Op. 24
\n\nC.Franck:Cello Sonata in A Major
\n\nC. Saint-Saëns: Romance
\n\n\n\n
Creative and Production Team
\n\nCellist|Chia-Yi TSENG
\n\nPianist|Tsu-Hsin Pan
\n\n\n\n
\n',team:""},createdAt:1703848946,updatedAt:1704356639,updatedBy:"林蔚行",host:!1},{_id:"6593db0ab87b000007c988c7",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1712143800,discrete:[{time:1712143800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3],link:"https://www.opentix.life/event/1734865406756499457"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ee95d9e626d57688b2bf11b2cf17a251",title:"《台中市民管樂團春季音樂會-電影經典:嚮往的樂章》"}],related:[],title:"《台中市民管樂團春季音樂會-電影經典:嚮往的樂章》",cover:"f75bc940398a83bce3a9a1a86014cee3",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
時隔三年,我們將帶著愉悅的心情再次回到衛武營的舞台,或許上次音樂會的美好聲響還在耳邊環繞,這一次我們又將帶來更多精彩的電影配樂。這次的音樂會精心挑選了《復仇者聯盟》、《魔戒》、《鐵達尼號》、《海上鋼琴師》等經典電影配樂,用管樂團的編制來一起演奏那些讓人印象深刻的聲響效果,重溫那些經久不衰的電影留存在我們心中的畫面。音樂就是這麼神奇,總能將我們一次又一次的帶回第一次聽到這個音樂的場景。期待著與您重逢,一起體會音樂為我們帶來的無數感動。
\n\n\n\n
演出暨製作團隊
\n\n樂團指揮|郭聯昌 范楷西
\n\n藝術總監|魏鴻達
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ee95d9e626d57688b2bf11b2cf17a251",title:"《台中市民管樂團春季音樂會-電影經典:嚮往的樂章》"}],related:[],title:"2024Taichung Civic Concert Band Spring Concert",cover:"f75bc940398a83bce3a9a1a86014cee3",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
After a lapse of three years, we will return to the stage of Wei Wuying with joy in our hearts. Perhaps the beautiful sounds of the last concert are still echoing in our ears, this time, we will bring even more exciting film scores. The concert has carefully selected classic film soundtrack from movies such as 'The Avengers,' 'The Lord of the Rings,' 'Titanic,' 'The Piano,' and more. Using the arrangement of the wind band, we will perform together those impressive sound effects that linger in our memories. Music has this magical power, always bringing us back to the scene of the first time we heard this music. Looking forward to reuniting with you and experiencing the countless emotions that music brings us together.
\n\n\n\n
Creative and Production Team
\n\nConductor|Kuo Lian-Chang, Fan Kai-Hsi
\n\nArtistic Director|Wei Hung-Ta
\n\n\n\n
\n\n
\n',team:""},createdAt:1704188682,updatedAt:1705456253,updatedBy:"林蔚行",host:!1},{_id:"659521816ab6c50007132690",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1714545e3,discrete:[{time:1714545e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3,1200,1500,1800,2200],link:"https://www.opentix.life/event/1734154561013526528"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"062cce9e2400a1579e7c643f5f522755",title:"狂美《卡通動畫跨世代》交響音樂會"}],related:[],title:"狂美《卡通動畫跨世代》交響音樂會",cover:"ee7864b9b15ee487de2550dab3a6fe89",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
孩提時期,我們從動畫作品裡認識多彩世界。長大成熟後,從動畫裡找到共鳴和新意。狂美精選22部話題最高動畫作品,從70年代的機器人主題來到80年的七龍珠、灌籃高手、神奇寶貝,和近代的鬼滅之刃、進擊的巨人…等,聯手最強創意「嚎哮排演」的喜劇表演,復刻經典名場面!暨去年口碑爆棚後再推出2.0版,等你一起聲聲入魂、秒秒沸騰!
\n\n\n\n
演出曲目
\n\n【2.0升級版-新曲入荷】
\n\n遊戲王 - 熱き決闘者たち(光宗信吉 曲 / 任沛晨 編)
\n\n七龍珠GT - DANDAN心魅かれてく(織田哲郎 曲 / 任沛晨 編)
\n\n魔動王 - 光の戦士たち|武川行秀 曲 / 任沛晨 編
\n\n魔神英雄傳 - STEP|立花瞳 曲 / 任沛晨 編
\n\n超魔神英雄傳 - ひとつのハートで|立花瞳 曲 / 任沛晨 編
\n\n絕對無敵 - ドリーム‧シフト|和泉一弥 曲 / 任沛晨 編
\n\n元氣小子 - 元気爆発ガンバルガー|和泉一弥 曲 / 任沛晨 編
\n\n真珠美人魚 - 太陽の楽園~Promised Land~|大内哲也 曲 / 任沛晨 編
\n\n\n\n
【1.0升級版-神曲再現】
\n\n進擊的巨人 - 紅蓮の弓矢|Revo 曲 / 金山徹 編
\n\n鬼滅之刃 - 紅蓮華|草野華余子 曲 / 三浦秀秋 編
\n\n鬼滅之刃 - From The Edge|梶浦由記 曲 / 三浦秀秋 編
\n\n鬼滅之刃 - 竈門炭治郎のうた|椎名豪 曲 / 三浦秀秋 編
\n\n鬼滅之刃 - 炎|梶浦由記 曲 / 三浦秀秋 編
\n\n精靈寶可夢 - めざせポケモンマスター|たなかひろかず 曲 / 細木原豪紀 編
\n\n航海王 - ウィーアー!|田中公平 曲 / 任沛晨 編
\n\n名偵探柯南 - 名探偵コナンメイン‧テーマ|大野克夫 曲 / 宮川成治 編
\n\n火影忍者 - ブルーバード|水野良樹 曲 / 本澤なおゆき 編
\n\n數碼寶貝 - Butter-Fly|千綿偉功 曲 / 三國浩平 編
\n\n庫洛魔法使 - プラチナ|菅野洋子 曲 / 今村愛紀 編
\n\n犬夜叉 - 吹奏楽のための犬夜叉|和田薫 曲
\n\n小魔女DoReMi - おジャ魔女カーニバル|池毅 曲 / 三國浩平 編
\n\n櫻桃小丸子 - おどるポンポコリン|織田哲郎 曲 / 任沛晨 編
\n\n哆啦A夢 - ドラえもんのうた|菊池俊輔 曲 / 任沛晨 編
\n\n忍者亂太郎 - 勇気100%|馬飼野康二 曲 / 任沛晨 編
\n\n海螺小姐 - サザエさんオープニング|筒美京平 曲 / 任沛晨 編
\n\n海螺小姐 - タラのテーマ|越部信義 曲 / 任沛晨 編
\n\n\n\n
演出暨製作團隊
\n\n製作人|劉可婕(狂美交響管樂團 總監)
\n\n監製、指揮|謝韋民(狂美交響管樂團 團長)
\n\n特邀演出|嚎哮排演 - 黃建豪、蕭東意(最火喜劇組合)
\n\n演出團隊|狂美交響管樂團
\n\n技術統籌|范植鈞
\n\n視覺設計|趙寳婷
\n\n文案企劃|劉可婕
\n\n燈光工程|榮陽藝術有限公司
\n\n音響工程|翰星藝聲光有限公司
\n\n行銷協力|獨秀文化有限公司
\n\n影音記錄|奧美視有限公司
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"062cce9e2400a1579e7c643f5f522755",title:"狂美《卡通動畫跨世代》交響音樂會"}],related:[],title:"Symphonmic Concert: Cartoons Across the Generations",cover:"ee7864b9b15ee487de2550dab3a6fe89",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
When we were children, we learned about the colorful world from animation works. As I grow up and mature, I find resonance and new ideas from animation. Conbello Symphonic Band selects multiple high topicality animation works, from the 70's to modern, performing with the most creative group HaoxHsiao Troupe, acting muti-faceted drama and comedy jokes, re-engraved classic pictures and plots, allowing you to meet all imagination possibilities at once.
\n\nLast year, this program exploded by word of mouth, so we launched version 2.0 this year. It'll makes you powerful and emotional. Hoping you can join us relive the smiles and the touches.
\n\n\n\n
Program
\n\n\n\n
Creative and Production Team
\n\nProducer|LIU Ke-Chieh
\n\nExecutive Producer, Conductor|HSIEH Wei-Min
\n\nGuest Performer|HaoxHsiao Troupe (HUANG Chien-Hao, HSIAO Tung-Yi)
\n\nPerformer|Con Bello Symphonic Band
\n\nTechnical Director|FAN Chih-Chun
\n\nVisual Desinger|CHAO Pao-Ting
\n\nCopywriter|LIU Ke-Chieh
\n\nLight Execution|Straw Star Art Co., Ltd.
\n\nSound Execution|Hanxingyi Sound & Light Co., Ltd.
\n\nMarketing|DO SHOW Cultural Co., Ltd.
\n\nVideo record|Ao Mei Shih Co., Ltd.
\n\n\n\n
\n',team:""},createdAt:1704272257,updatedAt:1714491504,updatedBy:"林蔚行",host:!1},{_id:"659611ebc947fb00079fdfdb",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1712143800,discrete:[{time:1712143800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400],link:"https://www.opentix.life/event/1739565657258283009"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e8bec557a6ce67ef15f05b348dee6c08",title:"《法蘭西斯與法蘭茲》2024 連唐興鋼琴獨奏會"}],related:[],title:"《法蘭西斯與法蘭茲》2024 連唐興鋼琴獨奏會",cover:"4550bf1237be2a30f937a9845fe8100a",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
連唐興將帶領觀眾深入李斯特音樂的精髓,展現作品背後深層的意義,專注呈現李斯特的「12首超技練習曲」,這些曲目不僅技巧高超,更是李斯特音樂理念的典範。
\n\n對連唐興而言,「B小調奏鳴曲」不僅是音樂作品,更是李斯特深度思考的結晶。他投入大量時間深入探索每一個音符,力求最真實地傳達作品的內涵。他認為,演奏李斯特的作品不僅僅是音符呈現,更是對內在結構和情感的深度挖掘。期待觀眾透過音樂會深刻理解李斯特音樂的美妙之處。
\n\n\n\n
演出曲目
\n\n法蘭茲.李斯特:12 首超技練習曲,作品139
\n\n法蘭茲.李斯特:b 小調鋼琴奏鳴曲,作品178
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|連唐興
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e8bec557a6ce67ef15f05b348dee6c08",title:"《法蘭西斯與法蘭茲》2024 連唐興鋼琴獨奏會"}],related:[],title:"2024 Lian Tangxing Piano Solo Concert《Francis and Franz》",cover:"4550bf1237be2a30f937a9845fe8100a",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Francis Lien will lead the audience deep into the essence of Liszt's music, showcasing the profound meaning behind the works, and focusing on presenting Liszt's "12 Transcendental Etudes". These pieces not only demonstrate exceptional technique but also serve as paradigms of Liszt's musical philosophy.
\n\nFor Francis Lien, the "B Minor Sonata" is not just a musical composition but rather the culmination of Liszt's profound contemplation. He devotes extensive time delving into every note, striving to convey the true essence of the work. He believes that performing Liszt's pieces involves not only presenting the notes but also delving deeply into their internal structure and emotions. He anticipates that the audience will deeply understand the beauty of Liszt's music through the concert."
\n\n\n\n
Program
\n\nF. LISZT: 12 Transcendental Etudes S.139
\n\nF. LISZT: Piano Sonata in b minor S.178
\n\n\n\n
Creative and Production Team
\n\nPiano|Francis Lien
\n\n\n\n
\n\n
\n',team:""},createdAt:1704333803,updatedAt:1704444500,updatedBy:"林蔚行",host:!1},{_id:"65962056c947fb00079fe2d1",catalogs:["5aec4184b01ea6000520f633","5aec418cb01ea6000520f635","64812f1feb9a240007c8c8c7"],dateTime:{first:1712370600,discrete:[{time:1712370600},{time:1712386800},{time:1712473200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,900,1200,1600,2e3,2500,3e3],link:"https://tixfun.com/UTK0201_?PRODUCT_ID=Q01B14VX"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"58560ab789569d21297d26742b81124b",title:"AM創意2024《Musical TARU!恐龍復活了!》音樂劇"}],related:[],title:"AM創意2024《Musical TARU!恐龍復活了!》音樂劇",cover:"9e219a7f2cc68b9fb176e2292a6caca3",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
《Musical TARU !恐龍復活了!》音樂劇,曾榮獲韓國最佳家庭音樂劇大賞,由AM創意製作,獨家引進巨型恐龍化石偶(最高3米,最長6米),耗資千萬、華麗聲光舞台效果,亞洲巡迴演出已累積逾30萬人次觀眾欣賞,是近年最具娛樂性的中文音樂劇!
\n\n\n\n
【故事簡介】
\n\n娜莉和朋友們相約到自然科學博物館參觀。想不到,在月全蝕的夜晚,館內所有的展覽品都復活了!笨賊趁著黑夜偷走了小霸王龍TARU的化石,讓霸王龍媽媽TIRA生氣大暴走,這場騷動該如何平息呢?
\n\n\n\n
演出暨製作團隊
\n\n製作人|林奕君
\n\n監製|賴建沅
\n\n導演|吳維緯
\n\n音樂總監|卓士堯
\n\n舞台設計|謝均安
\n\n舞蹈設計|達姆拉.楚優吉
\n\n燈光設計|江佶洋
\n\n執行燈光設計|陳以欣
\n\n服裝設計|陳明澤
\n\n影像設計|羅士翔
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"58560ab789569d21297d26742b81124b",title:"AM創意2024《Musical TARU!恐龍復活了!》音樂劇"}],related:[],title:"Musical TARU !",cover:"9e219a7f2cc68b9fb176e2292a6caca3",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Musical TARU, produced by AMcreative is a localised adaptation from the 'No. 1 Family Musical' in Korea. AMcreative specially invited Korean puppet masters that once made puppets for The Lion King to design the puppets for Taiwanese production. The giant dinosaur fossil puppets, which is up to 3 meters tall and 6 meters long, will "come back to life" on stage. The Asian tour has attracted more than 300,000 viewers, making it the most entertaining Chinese musical in recent years.
\n\n\n\n
Story introduction
\n\nNa-Li and her friends visited the Natural History Museum. Unexpectedly, on the night of the total lunar eclipse, all the exhibits in the museum came back to life! Stupid thieves stole the fossil of little Tyrannosaurus Rex TARU in the dark and made the mother Tyrannosaurus TILA angry and violent. How should this uproar be resolved?
\n\n\n\n
Creative and Production Team
\n\nPresenter|AMcreative
\n\nProducer|Vanessa LIN
\n\nExecutive Producer|Winston LAI
\n\nDirector|WU Wei-wei
\n\nMusic Director|ZHUO Shi-yao
\n\nSet Designer|XIE Jun-an
\n\nChoreographer|DA MU LA・CHU YOU JI
\n\nLighting Designer|JIANG Ji-yang
\n\nLighting master|CHEN Yi-xin
\n\nCostume Designer|CHEN Ming-ze
\n\nProjection Designer|LUO Shi-xiang
\n\n\n\n
\n',team:""},createdAt:1704337494,updatedAt:1710486094,updatedBy:"林蔚行",host:!1},{_id:"65a0ec818e4a250007f0e164",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1714217400,discrete:[{time:1714217400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,800,1200,1500,2e3,2500],link:"https://www.opentix.life/event/1740574017916735489"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"24bd89a0e0d7bb148220542f4d2a2351",title:"KSAF《浮士德狂響》"}],related:[],title:"KSAF《浮士德狂響》",cover:"315846f69e376eb479283fff6fc7d317",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
2021年,帕格尼尼國際小提琴大賽冠軍朱塞佩·吉博尼(Giuseppe Gibboni)首度踏上臺灣音樂舞台,為樂迷奉上難得的音樂盛宴。吉博尼以絕妙技藝和深情演奏,贏得評審和觀眾青睞,除了首獎外更斬獲了觀眾選擇獎,及隨想曲和協奏曲最佳詮釋獎。此次勝利不僅光耀他的音樂生涯,留下時隔75年再度有義大利小提琴家獲得首獎殊榮的紀錄,也深深留下對全世界樂迷難忘的印象。
\n演出焦點之一為吉博尼首度演繹帕格尼尼的第二號小提琴協奏曲。這部充滿挑戰性的經典作品,融合技巧與深情,吉博尼以獨特風格詮釋,引領聽眾進入音樂的奇幻境界。
\n音樂會下半場由指揮家吳曜宇帶領高雄市交響樂團演繹李斯特的浮士德交響曲。這部作品以文學經典《浮士德》為靈感,通過音樂描繪人生的複雜旅程。吳曜宇的精湛指揮與樂團完美呈現這部交響曲的宏偉與深刻。
\n為了豐富演出,特別邀請臺灣新銳男高音林義偉及微行星男聲合唱團參與。林義偉動人歌聲與合唱團的和諧共振,為整場演出注入豐富音樂元素。
\n這場音樂會不僅是吉博尼在臺灣的初演,更是古典與浪漫音樂的絕妙交融。帕格尼尼的小提琴協奏曲與李斯特的交響曲在此夜交相輝映,為觀眾帶來充滿深度和豐富情感的音樂旅程。整場音樂會以多樣性和卓越表現,成為音樂愛好者難以忘懷的一刻,吉博尼也在台留下永恆的音樂足跡。
\n\n
演出曲目
\n\n帕格尼尼:B小調第二號小提琴協奏曲, 作品7
\n\n李斯特:《浮士德》交響曲
\n\n\n\n
演出暨製作團隊
\n\n指揮|吳曜宇
\n\n小提琴|朱塞佩·吉博尼
\n\n男高音|林義偉
\n\n合唱|微行星男聲合唱團
\n\n高雄市交響樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"24bd89a0e0d7bb148220542f4d2a2351",title:"KSAF《浮士德狂響》"}],related:[],title:"《Faust's Wild Resonance》Giuseppe Gibboni & KSO",cover:"315846f69e376eb479283fff6fc7d317",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
In 2021, the champion of the Paganini International Violin Competition, Giuseppe Gibboni, graced the music stage in Taiwan for the first time, offering a rare musical feast to enthusiasts. Gibboni's exquisite skills and heartfelt performances captured both judges and audience, earning him accolades such as the Jury Prize, Audience Choice Award, and Best Interpretation Awards for Fantasia and Concerto. This triumph not only illuminated his musical journey but also left an indelible impression on Taiwan's music enthusiasts.
\nA highlight of the performance was Gibboni's debut rendition of Paganini's Violin Concerto No. 2. This challenging masterpiece, blending technical prowess with emotional depth, was interpreted uniquely by Gibboni, guiding the audience into a fantastical realm of music.
\nThe second half of the concert featured conductor Yao-Yu Wu leading the Kaohsiung Symphony Orchestra in Liszt's Faust Symphony. Inspired by the literary classic "Faust," this symphony vividly portrayed the complexities of human life. Wu's masterful conducting, coupled with the orchestra's flawless execution, presented the grandeur and profundity of the symphony.
\nTo enrich the performance, renowned Taiwanese tenor Lin Yi-Wei and the Planetesimal Male Choir were invited. Lin's melodious voice and the choir's harmonious resonance added diverse musical elements to the overall presentation.
\nThis concert marked not only Gibboni's debut in Taiwan but also a harmonious fusion of classical and romantic music. The interplay between Paganini's violin concerto and Liszt's symphony created a musical journey filled with depth and rich emotions. The entire concert, with its diversity and exceptional performances, became an unforgettable moment for music lovers, leaving behind a timeless musical legacy for Gibboni in Taiwan.
\n\n
Program
\n\nNiccolò Paganini: Violin Concerto No. 2 in B Minor, Op. 7, "La campanella"
\n\nFranz Liszt: A Faust Symphony in three character pictures, S.108
\n\n\n\n
Creative and Production Team
\n\nConductor|Yao-yu WU
\n\nViolin|Giuseppe Gibboni
\n\nTenor|Yi-wei LIN
\n\nChoir|Planetesimal male choir
\n\nKaohsiung Symphony Orchestra
\n\n\n',team:""},createdAt:1705045121,updatedAt:1706776810,updatedBy:"林蔚行",host:!1},{_id:"65a5f2d6d26a1b00087d3a88",catalogs:["5aec418cb01ea6000520f635","64812f1feb9a240007c8c8c7"],dateTime:{first:1713612600,discrete:[{time:1713612600},{time:1713681e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1600,2e3,2500,3e3,3500],link:"https://www.opentix.life/event/1742817202267250688"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"58af26bfcbee973c72c49a664c7500fa",title:"《瘋狂電視台》封箱巡迴"},{type:"image",key:"d9f1cc1f9cd9fec46ae8bd9d1bf13b88",title:"《瘋狂電視台》封箱巡迴"},{type:"image",key:"b5df32688701750e35d011f40db5f7bb",title:"《瘋狂電視台》封箱巡迴"}],related:[],title:"《瘋狂電視台》封箱巡迴",cover:"4d72c7ec7f2c411ce3c23e2d36c9f9a8",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
經典節目笑斷理智、爆笑時事全新收錄。(平均)3分鐘一大笑,5分鐘一爆笑,180分鐘讓你飆出眼淚、笑出腹肌。
\n電視台要關台啦!封箱巡演把握今年,由唐從聖、康茵茵、吳世偉、黃逸豪、呂紹齊領銜主演!
\n發現自己許久沒有暢快大笑一場?「瘋狂電視台」各種瘋狂節目,滿足您渴望快樂的需求。
\n劇中用相聲來報眾家新聞,拳拳到肉的政論摔角秀,還有意想不到的各種無聊至極的助眠節目伴您度過漫長的夜晚!
\n此外,還有現場同樂的類戲劇演出,邀您一起來陪瘋!
\n\n
演出暨製作團隊
\n\n主演|唐從聖、吳世偉、康茵茵、黃逸豪、呂紹齊
\n\n監製|王偉忠
\n\n編導|謝念祖
\n\n舞台設計|黎仕祺
\n\n服裝設計|林恆正
\n\n燈光設計|高一華
\n\n音樂設計|張策、莫迪
\n\n影像設計|范宜善
\n\n〈首演版設計團隊〉
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"58af26bfcbee973c72c49a664c7500fa",title:"《瘋狂電視台》封箱巡迴"},{type:"image",key:"2835de33926f815df459be6fbecc9317",title:"《瘋狂電視台》封箱巡迴"},{type:"image",key:"ea0688d86de1cfff64a472fe082f7fc2",title:"《瘋狂電視台》封箱巡迴"}],related:[],title:"CrazyTV Election",cover:"4d72c7ec7f2c411ce3c23e2d36c9f9a8",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
The most hilarious "Crazy TV" created by Allupeople theatre is here again! starring by Action Tang Congsheng, Yinyin Kang ,Shiwei Wu, Yihao Huang, and Champion Lu! Find yourself not having a laugh in a long time? "Crazy TV" has various crazy programs to satisfy your desire for happiness.A variety of unexpected and extremely boring sleep programs will accompany you through the long night! In addition, there are also live theater-like performances with live entertainment. You are invited to join in the fun!
\n\n\n\n
Creative and Production Team
\n\nStarring|TANG Cong-Sheng, WU Shi-Wei, KANG Yin-Yin, HUANG I-Hao, LU Shao-Chi
\n\nProducer|WANG Wei-Chung
\n\nDirector|HSIEH Nien-Tsu
\n\nSet designer|LI Shih-Chi
\n\nCostume designer|LIN Heng-Cheng
\n\nLighting designer|KAO Yi-Hua
\n\nMusic designer|CHANG Tse,Mo Ti
\n\nImage designer|FAN I-Shan
\n\n\n',team:""},createdAt:1705374422,updatedAt:1708061715,updatedBy:"林蔚行",host:!1},{_id:"65a62ac7d26a1b00087d4332",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1711971e3,discrete:[{time:1711971e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[1200,1600,2e3,2400,2800,3200,3800],link:"https://kham.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=P0DRBU48"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"28cb852b981b75899b5099bb207901c9",title:"《好萊塢風笛大師 艾瑞克.瑞格勒音樂會》"}],related:[],title:"《好萊塢風笛大師 艾瑞克.瑞格勒音樂會》",cover:"0d2424c06cf6b4076efdbb1b04eef9aa",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
好萊塢電影御用樂手—艾瑞克.瑞格勒傳奇的50年風笛生涯,被譽為當代紀錄最豐富的風笛手,他參與演奏的電影、影集配樂具有極高的知名度,包含:當紅影集《魔戒:力量之戒》中的插曲,經典電影《阿凡達》、《致命突擊隊》、《非法正義》、《最後一擊》中的配樂,其中最具辨識度的是他在奧斯卡獲獎電影《鐵達尼號》中的動人獨奏,打破影史上最暢銷的配樂紀錄,感動了全球無數觀眾。
\n\n\n\n
演出曲目
\n\n1. 電影《阿凡達》原聲帶
\n-暗夜之光
\n-成為真正的納美人
2. 電影《鐵達尼號》原聲帶
\n大海的詠嘆
\n\n
演出暨製作團隊
\n\n風笛|艾瑞克.瑞格勒
\n\n小提琴、中提琴|莉莉.哈尼柏格
\n\n小提琴、中提琴|勞倫.艾斯特維茲
\n\n吉他、小提琴、大提琴|康納.萬斯
\n\n豎琴|許淑婷
\n\n鋼琴、鍵盤|萊恩.懷曼
\n\n打擊|詹姆斯.吉澤
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"28cb852b981b75899b5099bb207901c9",title:"《好萊塢風笛大師 艾瑞克.瑞格勒音樂會》"}],related:[],title:"Eric Rigler's CELTIC HOLLYWOOD",cover:"0d2424c06cf6b4076efdbb1b04eef9aa",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Eric Rigler is a well known piper who has performed for numerous Hollywood films and pop stars. He has been described as the most recorded piper of all time. Rigler is constantly in demand in studios, providing the sonorities of the uilleann pipes, the Great Highland bagpipe and the low whistle to film, television and recording audiences around the world.
\n\n\n\n
Program
\n\nSoundtracks from Braveheart (1995), Titanic (1997) and Avatar (2009).
\n\n\n\n
Creative and Production Team
\n\nPipe|Eric RIGLER
\n\nViolin & Viola|Lily HONIGBERG
\n\nViolin & Viola|Laurann ESTEVEZ
\n\nGuitar & Violin & Cello|Connor VANCE
\n\nHarp|SU-TING, HSU
\n\nPiano & Keyboards|Ryan WHYMAN
\n\nPercussion|James YOSHIZAWA
\n\n\n\n
\n',team:""},createdAt:1705388743,updatedAt:1708504769,updatedBy:"林蔚行",host:!1},{_id:"65a63754d26a1b00087d4524",catalogs:["5aec4184b01ea6000520f633","5f6f57d6e0fdee000b536ba9"],dateTime:{first:1712471400,discrete:[{time:1712471400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[650,950,1250,1550,1850],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=P0DPI70E"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b7115d2148ff5e0a580a9ebfc9c4d5bc",title:"音樂的繪本動物樂團《一童搖擺》"}],related:[],title:"音樂的繪本動物樂團《一童搖擺》",cover:"5b6c6122947c6c1021a75a3628cc129e",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
日本長紅十餘年的親子音樂會龍頭【音樂的繪本 動物樂團】,2013年來臺巡演開始,累計入場人次超過9萬人、超過80場音樂會,觀眾滿意度更是達到百分百!
\n\n\n\n
演出曲目
\n\n喔!蘇珊娜 / 作曲:佛斯特
\n\n十個小印地安人 / 英國童謠,編曲:石川亮太
\n\n大鳥好幫手畫畫曲 / 作曲:高橋宏樹
\n\n曼波五號 / 作曲:普拉多
\n\n製鞋人之舞 / 丹麥民謠 編曲:山口尚人
\n\n※主辦單位保留節目異動之權利
\n\n\n\n
演出暨製作團隊
\n\n樂團|音樂的繪本 動物樂團
\n\n舞台監督|沈子傑
\n\n藝術總監|大塚治之
\n\n編劇|石本彩子
\n\n主持人|李靜怡
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b7115d2148ff5e0a580a9ebfc9c4d5bc",title:"音樂的繪本動物樂團《一童搖擺》"}],related:[],title:"Zoorasianbrass 2024 Spring tour",cover:"5b6c6122947c6c1021a75a3628cc129e",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Back in 2000, the founder was invited to perform at Yokohama Zoological Gardens "ZOORASIA". He invited the musicians dressed up in sharp tuxedos and established the first animal brass quintet "Zoorasianbrass" !
\n\n\n\n
Program
\n\nOh! Susanna / Comp:Foster
\n\nTen little Indian boys / British Air Arr:Ryota Ishikawa
\n\nHataraku-Torisan Drawing song / Comp:Hiroki Takahashi
\n\nMambo No.5 / Comp:Dámaso Pérez Prado
\n\nShoemaker Dance Danish Air comp:Hisato Yamaguchi
\n\n\n\n
Creative and Production Team
\n\nPerformer|Zoorasainbrass
\n\nStage manager|Tzu Chieh SHEN
\n\nArt director|Otsuka Harayuki
\n\nScenarist-director|Ayako Ishimoto
\n\nMC|Ching-Yi LEE
\n\n\n\n
\n',team:""},createdAt:1705391956,updatedAt:1705474713,updatedBy:"林蔚行",host:!1},{_id:"65af25bed4395d00080f9143",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1713682800,discrete:[{time:1713682800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[550,800],link:"https://bit.ly/3SvFhWw"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8f67703e1700872e4cd9a7273ca46eed",title:"《這不是 音樂 會》向雷內.馬格利特René Magritte致敬"}],related:[],title:"《這不是 音樂 會》向雷內.馬格利特René Magritte致敬",cover:"0a1669a0229e141f1d9d9b7b258f430c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
比利時超現實主義畫家雷內.馬格利特(René Magritte)用色與構圖帶著哲學興味,畫作中運用許多引人審思的符號語言,變形與錯落的圖像佈局,充滿空間的節奏感。因此,韋瓦笛室內樂團從畫作中擷取共鳴,挑選長笛、大提琴、鋼琴三重奏作品來回應畫作。
\n\n稱自己為哲學家的馬格利特曾說「眼睛看見的不一定是真實。」在《形象的叛逆》畫上大大的煙斗,並寫下「這不是一個煙斗」,因為畫作上的煙斗只是繪畫,而不是能使用的真正煙斗,藉此向自己及觀眾進行思辨提問。音樂家亦以此概念向馬格利特致敬,挑選長笛、大提琴、鋼琴三重奏作品來回應畫作中變形與錯落的佈局及節奏感。試圖從繪畫中建構聽覺的結構、從音樂中形塑視覺的斷面。
\n\n\n\n
演出曲目
\n\n高貝爾《三幅水彩畫》
\n\n胡麥爾《「美麗的敏卡」主題之慢板、變奏和輪旋曲,作品編號78》
\n\n古森斯《五個假期印記,作品編號7》
\n\n馬替奴《給長笛、大提琴和鋼琴的三重奏,作品編號300》
\n\n\n\n
演出暨製作團隊
\n\n長笛|孫莉
\n\n大提琴|曾加宜
\n\n鋼琴|陳芝羽
\n\n影像設計|簡瑋麒
\n\n音場設計|維光音樂有限公司
\n\n製作人|黃珮婕 大聲藝術有限公司
\n\n製作單位|韋瓦笛室內樂團
\n\n指導贊助單位|高雄市政府文化局、台南市政府文化局
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8f67703e1700872e4cd9a7273ca46eed",title:"《這不是 音樂 會》向雷內.馬格利特René Magritte致敬"}],related:[],title:"This is not a concert - Homage to René Magritte",cover:"0a1669a0229e141f1d9d9b7b258f430c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
René Magritte, the Belgian surrealist artist, integrated philosophical depth into his art through color, composition, and symbolic language. His works feature distorted images and spatial rhythm. Inspired by his art, the Viva Flauti! chamber ensemble curated flute, cello, and piano that resonate with Magritte's themes.
\n\nIn "The Treachery of Images," Magritte painted a large pipe with the words "This is not a pipe" to challenge the idea that what we see might not be the reality. The musicians honored Magritte's idea by picking piano trio pieces that echoed the funky layouts and rhythms in his art. We endeavored to translate the structure of paintings into musical sounds and let the vibes of music shape visual impressions.
\n\n\n\n
Program
\n\nPhilippe Gaubert: Trois Aquarelles
\n\nJohann Nepomuk Hummel: Adagio, Variations and Rondo on "Schöne Minka", Op. 78
\n\nEugene Goossens: 5 Impressions of a Holiday, Op. 7
\n\nBohuslav Martinu: Trio for Flute, Cello and Piano, H. 300
\n\n\n\n
Creative and Production Team
\n\nFlute|SUN Li
\n\nCello|TSENG Chia-Yi
\n\nPiano|CHEN Chih-Yu
\n\nProjection Design|CHIEN Wei-Chi
\n\nAudio System Design|W.G. Studio
\n\nProducer|HUANG Pei-jie Taiwan Musicians & Artists Promotion
\n\nProduction Team|Viva Flauti!
\n\nSponsor|Bureau of Cultural Affairs, Kaohsiung City Government, Cultural Affairs Bureau, Tainan City Government
\n\n\n',team:""},createdAt:1705977278,updatedAt:1708061698,updatedBy:"林蔚行",host:!1},{_id:"65af3232d26a1b000881b027",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1712921400,discrete:[{time:1712921400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1e3],link:"https://www.opentix.life/event/1732208862963007488"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"939a77738c4ce3cc74765314bace7dbb",title:"《摩斯密碼》"}],related:[],title:"《摩斯密碼》",cover:"a4fb4a6715772fca126555ba7461d1b3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
陳孟亨博士和潘默士博士都是新竹清華大學的教授,他們從2020年開始合作。在這場音樂會中,他們將演奏巴洛克、古典和當代的作品。許多作品為了木笛與手風琴的二重奏重新編排:維瓦爾第、海頓、莫札特、欣德米特。而德國作曲家 C. J. Keller為二重奏創作了《小組曲》,W. Kellner也為二重奏創作了新作:摩斯電碼。有趣的是,木笛和手風琴都是需要空氣才能發聲的樂器,從這個角度來看,它們非常相似,因此也多了許多互動的可能性。您將在新的維度中欣賞不同時期的廣泛音樂。
\n\n\n\n
演出曲目
\n\n韋瓦第《長笛協奏曲"金翅雀"》
\n\n保羅欣德米特,三重奏,"Abendkonzert",《Plöner Musiktag》第5號
\n\n約瑟夫·海頓 弗洛特努爾音樂
\n\nC.J.凱勒 小組曲
\n\n沃爾夫岡·阿瑪迪斯·莫扎特 A大調, KV12
\n\nW·凱爾納·莫爾斯…
\n\n\n\n
演出暨製作團隊
\n\n木笛|陳孟亨
\n\n手風琴|潘默士
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"939a77738c4ce3cc74765314bace7dbb",title:"《摩斯密碼》"}],related:[],title:"Morse Code",cover:"a4fb4a6715772fca126555ba7461d1b3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Dr. Mengheng Chen and Dr. Primoz Parovel are both professors at Tsinghua University in Hsinchu. They collaborate since 2020 together. For this concert they've chosen a program consisting of baroque, classic and contemporary compositions, works of Vivaldi, Haydn, Mozart, Hindemith, Keller and Kellner.Many compositions have been rearranged for this duo: Vivaldi, Haydn, Mozart, Hindemith. The German composers C. J. Keller wrote Petite suite originally for this duo and so it is also the composition of W. Kellner: Morse … new composed.In the Flute concerto by Vivaldi, Meng-Heng Chen will demonstrate her brilliant skills on recorder. P. Hindemith composed his "Ploen Music Day" for the music festival in the "State Educational Institute" in Plön on June 20, 1932. Joseph Haydn composed special music for musical clocks. In the clocks were small mechanical organs. You will listen to 8 different short compositions arranged for recorder and accordion. After the break there will be the first original composition by C. J. Keller 'Petite Suite: on the program. The piece consist of 6 short movements in traditional style, like: Prelude, Valse , Sarabande, Gigue and Postludium. Mozart wrote his Sonata in A-major, KV12 at only 8 years. Both artists found the piece very interesting to present it on their instruments to the audience. The last piece on the program will be 'Morse…" by W. Kellner. The piece uses a morse code performed on instruments with a special message: "Help the People. War is not a Language." Regarding what is happening in the current world it is a very relevant message. Both artists are masters of their instruments. Recorder and accordion are the instruments, which need air to start sounding. From this point of view they are very similar and offer many possibilities of interaction. You will enjoy a wide range of music through different periods of time in a new dimension.
\n\n\n\n
Program
\n\nA. VivaldiFlute Concerto No. 3 in D major, RV 428 "Il Cardellino – The Goldfinch" 9'00
\n(1678-1741 I. Allegro, II. Cantabile, III. Allegro
P. HindemithTrio, "Abendkonzert", No. 5 from „Plöner Musiktag"
\n\nJ. HaydnFlötenuhr Musik (1772/1793)
\n\nC. J. KellerPetite Suite
\n\nW. A. MozartSonata in A major, KV12
\n\nW. KellnerMorse…
\n\n\n\n
Creative and Production Team
\n\nRecorder|Meng-Heng CHEN
\n\nAccordion|Primoz Parovel
\n\n\n\n
\n',team:""},createdAt:1705980466,updatedAt:1707958628,updatedBy:"林蔚行",host:!1},{_id:"65b20e87d4395d00080ffd3a",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1714822200,discrete:[{time:1714822200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1100,1200,1800,2400,3600],link:"https://www.opentix.life/event/1747229291141013505"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"04812882597639bfcba4298f2f93d5db",title:"《烈焰輝煌.韓德爾》"}],related:[],title:"《烈焰輝煌.韓德爾》",cover:"4e3ef10c28ad8c85bcfb161f0a7be8fd",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
微光古樂集與義大利韓德爾協會 Associazione Hendel的跨國製作。
\n由義大利文化部支持2022-2024 的亞洲古樂巡會計劃,旨在支持義大利與臺灣本地年輕藝術家職業的國際化。
\n此次演出將由義大利韓德爾協會總監-荷蘭海牙皇家音樂院大鍵琴教授- Fabio Bonizzonni率領旗下 La Risonanza古樂團與微光古樂集的跨國製作與合作,帶來歐洲古樂演出最受歡迎的韓德爾清唱劇曲目,重現18世紀威尼斯與倫敦巴洛克歌劇院與炫技歌手 (Virtuosi) 的輝煌年代。
\n\n
演出曲目
\n\n喬治・菲德利克・韓德爾:第一號大協奏曲
\n\n格奧爾格・菲利浦・泰勒曼:e小調木笛與長笛雙協奏曲
\n\n約翰・塞巴斯提安・巴赫:D小調雙小提琴協奏曲
\n\n安東尼奧・韋瓦第:《夜晚》g小調巴洛克長笛協奏曲
\n\n喬治・菲德利克・韓德爾:《大膽狂妄的愛情》清唱劇
\n\n\n\n
演出暨製作團隊
\n\n抒情女高音|黃莉錦
\n\n巴洛克小提琴|寺神戶亮
\n\n巴洛克小提琴|大下詩央
\n\n巴洛克小提琴|陳逸群
\n\n巴洛克小提琴|安庭儀
\n\n巴洛克小提琴|加布里埃爾·切爾維亞
\n\n巴洛克中提琴|趙怡雯
\n\n巴洛克中提琴|彭幼昀
\n\n巴洛克大提琴|黃允亮
\n\n巴洛克低音提琴|楊竣元
\n\n古長笛|馬鈺
\n\n木笛|梁益彰
\n\n木笛與巴洛克雙簧管|朱塞佩・法爾奇利亞
\n\n巴洛克雙簧管|張端庭
\n\n巴洛克低音管|蔣皓任
\n\n大鍵琴|法比歐・波尼佐尼
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"04812882597639bfcba4298f2f93d5db",title:"《烈焰輝煌.韓德爾》"}],related:[],title:"Furioso Händel",cover:"4e3ef10c28ad8c85bcfb161f0a7be8fd",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
A transnational production of Gleam Ensemble and Associazione Hendel.
\nThe Asian Ancient Music Tour Program, supported by the Italian Ministry of Culture, aims to support international exchanges between young artists from Italy and Taiwan.This cooperation will be led by Fabio Bonizzonni, director of the Italian Handel Association. bringing the most popular early music program in Europe, Handel's oratorio repertoire and virtuosi in Venice and London in the 18th century.
\n\n
Creative and Production Team
\n\nLyric soprano|HUANG Li-Chin
\n\nBaroque Violin|Ryo Terakado
\n\nBaroque Violin|Shio Ohshita
\n\nBaroque Violin|CHEN I-Chun
\n\nBaroque Violin|Angel AN
\n\nBaroque Violin|Gabriele Cervia
\n\nBaroque Viola|CHAO Yi-Wen
\n\nBaroque Viola|PENG Yu-Yun
\n\nBaroque Cello|Viktor, HUANG
\n\nDouble Bass|YANG Chun-Yuan
\n\nTraverso|MA Yu
\n\nRecorder|LIANG Yi-Chang
\n\nRecorder and Baroque Oboe|Giuseppe Falciglia
\n\nBaroque Oboe|CHANG Duan-Ting
\n\nBaroque Bassoon|Martin, CHIANG
\n\nHarpsichord|Fabio Bonizzonni
\n\n\n',team:""},createdAt:1706167943,updatedAt:1707958637,updatedBy:"林蔚行",host:!1},{_id:"65b22ceed26a1b000883b659",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1712230200,discrete:[{time:1712230200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=P0EA5PV0"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d1bcf1f43d211834e56988f9bfc21d03",title:"《畫說人生-布拉姆斯三首奏鳴曲:2024姜宜君中提琴獨奏會》"}],related:[],title:"《畫說人生-布拉姆斯三首奏鳴曲:2024姜宜君中提琴獨奏會》",cover:"d74e3e1bad12ad97add25fd5fc725d9d",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
奇美藝術獎得主中提琴姜宜君博士與鋼琴徐又新博士,演出布拉姆斯原版及改編版分別寫給小提琴(作品78)、中提琴(作品120-2)、大提琴(作品38)各一首奏鳴曲,是極為挑戰性的曲目,也為國內少見的曲目安排。特邀新銳留歐藝術家廖宜常創作三幅油畫,嘗試加入繪畫之現代演繹觀點,提供舞台大螢幕沉浸式觀賞體驗,與音樂一同畫說布拉姆斯的人生,帶給觀眾整場布拉姆斯最深情內斂的音樂絮語。
\n\n\n\n
演出曲目
\n\n布拉姆斯: G大調第一號小提琴奏鳴曲作品78, 改編給中提琴與鋼琴
\n\n布拉姆斯: E小調第一號大提琴奏鳴曲, 作品38, 改編給中提琴與鋼琴
\n\n布拉姆斯: 降E大調第二號中提琴奏鳴曲, 作品120之2
\n\n\n\n
演出暨製作團隊
\n\n中提琴|姜宜君
\n\n鋼琴|徐又新
\n\n畫作委託創作|廖宜常
\n\n主辦|南台灣室內樂協會團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d1bcf1f43d211834e56988f9bfc21d03",title:"《畫說人生-布拉姆斯三首奏鳴曲:2024姜宜君中提琴獨奏會》"}],related:[],title:"Brahms Three Sonatas : 2024 I-Chun Chiang's Viola Recital",cover:"d74e3e1bad12ad97add25fd5fc725d9d",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Chimei Arts Award winner Violist I-Chun Chiang and Pianist Yu-Hsin Hsu will perform three sonatas by Brahms. With artist Alex Yi-Chang Liao's three commissioned paintings, the concert will provide an immersive viewing and listening experience.
\n\n\n\n
Program
\n\nJohannes Brahms: Violin Sonata in G Major, op.78, Transcribed for viola and piano by Thomas Riebl
\n\nJohannes Brahms: Cello Sonata in E Minor, op.38, Transcribed for viola and piano by Milton Katims
\n\nJohannes Brahms: Viola Sonata in E-flat major, op.120 no.2
\n\n\n\n
Creative and Production Team
\n\nViola|I-Chun CHIANG
\n\nPiano|Yu-Hsin HSU
\n\nArtist|Alex Yi-Chang LIAO
\n\nOrganizer|Southern Taiwan Chamber Music Society
\n\n\n\n
\n',team:""},createdAt:1706175726,updatedAt:1709011858,updatedBy:"林蔚行",host:!1},{_id:"65bb6a916156aa000777b132",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1714896e3,discrete:[{time:1714896e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800],link:"https://www.opentix.life/event/1747171696178925569"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3fc65d02144549f502646cbb8ec55c3f",title:"《高雄市管樂團2024扎根音樂會》"}],related:[],title:"《彼得與狼》高雄市管樂團扎根音樂會",cover:"7421d61b2fa482ce13c658f06bf81d0d",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※2024年5月5日(日)16:00於衛武營音樂廳演出之《彼得與狼》高雄市管樂團扎根音樂會,部分曲目異動。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
音樂奇幻冒險故事即將展開!帶領小朋友進入一場充滿驚奇與歡樂的音樂之旅!
\n
\n普羅高菲夫《彼得與狼》,以不同的樂器描繪出彼得和小夥伴們的冒險故事,從大野狼法國號雄厚的聲音到小鳥明亮的長笛聲,透過不同樂器的聲音及音色,每一位故事中的角色栩栩如生,讓小朋友深深感受到音樂的魔力。
\n
\n此外,還將帶來其他有趣好玩的曲目,由高雄市管樂團的小號演奏家|樂詠晨及潘絃聆帶來莫拉萊斯的雙小號協奏曲,與小朋友一同探索小號聲音的奧秘,同時,我們帶來周宣宏老師為兒童量身訂做的管樂曲《神奇的鏡子》,透過音樂啟發孩子們的好奇心,讓他們進一步探索世界,埋下音樂的種子。
\n\n
演出曲目
\n\n周宣宏:給兒童的管樂曲-神奇的鏡子
\n\n埃理克‧莫拉萊斯:雙小號協奏曲第三樂章
\n\n普羅高菲夫:彼得與狼
\n\n\n\n
演出暨製作團隊
\n\n指揮|王戰
\n\n小號二重奏/樂詠晨、潘絃聆
\n\n演出|高雄市管樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3fc65d02144549f502646cbb8ec55c3f",title:"《高雄市管樂團2024扎根音樂會》"}],related:[],title:"Peter and the Wolf-Concert for Kids",cover:"7421d61b2fa482ce13c658f06bf81d0d",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The program has been changed. For more information, please contact +886-2-3393-9888. | \n\t\t
\n\n
A musical fantasy adventure is about to embark. KCWO's Concert for Kids will bring you a musical journey filled with wonder and joy.
\n\n\n\n
Prokofiev's "Peter and the Wolf" portrays the adventure of Peter and his friends with various instruments. The diverse timbres of different instruments bring each character to life.
\n\n\n\n
Furthermore, this concert will feature other interesting works, including the piece that we specially crafted for children, "Mirror". Through music, we want to inspire children's curiosity and encourage them to explore the world.
\n\n\n\n
Program
\n\nHsuan-Hung Chou: A Wind Orchestra Pieces for Kids-Mirror
\n\nErik Morales: Concerto for Two Trumpets Mvt. III
\n\nProkofiev: Peter and the Wolf
\n\n\n\n
Creative and Production Team
\n\nConductor|WANG Chan
\n\nTrumpet Solo|YUEH Yung-Chen, PAN Hsien-Ling
\n\nPerformance|Kaohsiung City Wind Orchestra
\n\n\n\n
\n',team:""},createdAt:1706781329,updatedAt:1711593895,updatedBy:"林蔚行",host:!0},{_id:"65c175096156aa00077a2e63",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1714285800,discrete:[{time:1714285800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1200,1600,2e3],link:"https://www.opentix.life/event/1752596330759073793"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3f3e89c0402cdb6b65fa6b9975c2f711",title:"巴洛克獨奏家樂團《聲動韋瓦第》"}],related:[],title:"巴洛克獨奏家樂團《聲動韋瓦第》",cover:"90b5194095e8346d412b2d70438344a4",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
音樂會曲目將以巴洛克獨奏家樂團 2024 年四月出版的《聲動韋瓦第》(Vivo Vivaldi)專輯曲目為主軸,以韋瓦第多主奏的協奏曲為音樂會內容,音樂家們在六首協奏曲中,除挑戰詮釋的可能性,並充分炫技,相互協奏也相互競奏,音樂會特別邀請長笛家鐘可欣共襄盛舉,相信能給聽眾帶來最大聽覺與視覺享受,並重申韋瓦第在協奏曲發展史上的重要地位。
\n\n\n\n
演出曲目
\n\n韋瓦第:A大調小提琴與大提琴協奏曲,作品五四六
\n\n韋瓦第:A小調雙小提琴協奏曲,作品五二二
\n\n韋瓦第:第三號第十一首D小調大協奏曲,作品五六五
\n\n韋瓦第:F大調三小提琴協奏曲,作品五五一
\n\n韋瓦第:B小調四小提琴協奏曲,作品五八〇
\n\n韋瓦第:D大調長笛與小提琴雙協奏曲,作品五一二
\n\n\n\n
演出暨製作團隊
\n\n特邀長笛家|鐘可欣
\n\n巴洛克獨奏家樂團
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3f3e89c0402cdb6b65fa6b9975c2f711",title:"巴洛克獨奏家樂團《聲動韋瓦第》"}],related:[],title:"VIVO VIVALDI",cover:"90b5194095e8346d412b2d70438344a4",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The concert repertoire is based on the "Vivo Vivaldi" album which will be released by Baroque Camerata in April 2024, The Program will include concerto of Vivaldi's works from double, triple, to quadruple concertos. In this concert, in addition to challenging the possibilities of interpretation but also fully showing off skills of the musicians. This time Baroque Camerata Honorably invites flutist Kaye Chung to participate in the grand event. These will bring the greatest auditory and visual enjoyment to the audience, and reconfirms Vivaldi's important position in the history of concerto development.
\n\n\n\n
Program
\n\nA. Vivaldi:Concerto for Violin, Cello in A Major, RV546, "La Serenissima"
\n\nA. Vivaldi:Concerto for 2 Violins in A Minor, RV522
\n\nA. Vivaldi:Concerto for 2 Violins & Cello, RV565
\n\nA. Vivaldi:Concerto for 3 Violins, RV551
\n\nA. Vivaldi:Concerto for 4 Violins in B Minor, RV580
\n\nA. Vivaldi:Concerto for Flute and Violin in D Major, RV512
\n\n\n\n
Creative and Production Team
\n\nSolo Flute | Kaye Chung
\n\nBaroque Camerata
\n\n\n\n
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龍潭愛樂管弦樂團以提升藝術品牌強化演奏水準為目標,2023、2024年更榮獲國藝會Taiwan Top演藝團隊殊榮。有這樣一個故事,從開始到現在,用音樂連綿書寫了50年!沈新欽博士正是臺灣合唱界最具代表性的指揮之一,他五十年指揮生涯中,精研宗教及古典合唱曲目,擅長指揮少見的黑人靈歌及爵士歌曲,涉獵廣泛的曲目與豐富的音樂性,吸引莘莘學子認識並喜愛合唱音樂,在臺灣逾半世紀的傳唱,桃李不言,下自成蹊。龍潭愛樂很榮幸能與指揮沈博士合作,集結金穗、新笙、沈新欽美聲團、台中國際、府聲、心聲共6個合唱團,於今年推出「隨新所樂」合唱慶典-半世紀的合唱迴響,以精緻人聲協奏壯麗的管弦樂團,音色由純粹原聲到共融交響,曲風從莊嚴穩重的古典到輕盈躍動的迪士尼,帶來豐盛多彩、令人耳目一新的音樂體驗。
\n\n\n\n
演出曲目
\n\n莫滕·勞里森:《偉大的奧秘》
\n\n馬克·A·米勒:《我相信》
\n\n娜塔莉·斯利思:《早晨的喜悅》
\n\n法蘭西斯·普朗克:《榮耀頌》
\n\n約翰·盧特:《感受聖靈》
\n\n陳永淘:《風平浪靜》
\n\n麥克·哈夫:《迪士尼絢彩》
\n\n\n\n
演出暨製作團隊
\n\n音樂總監|沈新欽
\n\n指揮|沈新欽
\n\n女高音|林芳瑜
\n\n次女高音|翁若珮
\n\n製作|龍潭愛樂管弦樂團、金穗合唱團、新笙合唱團、台中沈新欽美聲團、台中國際合唱團、台南府聲合唱團、心聲合唱團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5232a4081e967d5166049e8c2d55a152",title:"《「隨新所樂」 沈新欽博士50周年音樂會》"}],related:[],title:"Music of the heart",cover:"401c925cc3aba0a53a1bfc5a69433e64",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Long Tan Philharmonic Orchestra, achieved the prestigious Taiwan Top Performing Arts Troupe award this year.
\n\nDr. Shen Hsin-chin is one of the most representative conductors in Taiwan's choral scene. Over his five-decade conducting career, he has delved into religious and classical choral repertoire and excelled in conducting rare genres like African American spirituals and jazz. Long Tan Philharmonic is honored to collaborate with Dr. Shen, bringing together six choirs – Chinsui Choir, Vox Nova Singers Hsinchu , Vox Nova TCC, ICTC International Choir of Taichung City, Vox Nova Tainan Singers, Vox Nova Singers Kaohsiung– for the 2024 project "Music of the heart – Music Ripples for Half a Century"
\n\n\n\n
Program
\n\nMorten Lauridsen: O Magnum Mysterium
\n\nMark A. Miller: I Believe
\n\nNatalie Sleeth: Joy in the Morning
\n\nFrancis Poulenc: Gloria
\n\nJohn Rutter: Feel the Spirit
\n\nChen Yong-Tao: Calm Wind, Tranquil Waves
\n\nMac Huff: Disney Dazzle
\n\n\n\n
Creative and Production Team
\n\nMusic Director|Victor SHEN
\n\nConductor|Victor SHEN
\n\nSoprano|Fang-Yu LIN
\n\nMezzo-Soprano|Jo-Pei WENG
\n\nPresented and performed by|Long Tan Philharmonic Orchestra, Chinsui Choir, Vox Nova SingersHsinchu, Vox Nova TCC, ICTC International Choir of Taichung City, Vox Nova Tainan Singers, Vox Nova Singers Kaohsiung
\n\n\n\n
\n',team:""},createdAt:1708331026,updatedAt:1709283789,updatedBy:"林蔚行",host:!1},{_id:"65e13ccebf52760007384508",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1714735800,discrete:[{time:1714735800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300],link:"https://www.opentix.life/event/1752964301086228481"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"49908c4b56430c17da45ee2530978e1c",title:"台南樂集淬鍊系列-《芳華》方永華琵琶獨奏會"}],related:[],title:"台南樂集淬鍊系列-《芳華》方永華琵琶獨奏會",cover:"e820ec509723d7e601c8cb4f669b0723",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
芳華泛指美好的歲月年華,在南藝七年的時光,從青澀到穩重、從稚嫩到成熟,這些年的滋養不僅賦予演奏者豐富的閱歷也領略學習道路上的酸甜苦辣,這七年成長中所經歷的坎坷和順境將成為其在未來人生道路上繼續勇往前行之最重要的養分。
\n\n由台南樂集主辦之【芳華】2024方永華琵琶獨奏會,此場曲目中,以刁鵬老師《大正紅居酒屋》,以傳統音樂為基底演奏詮釋日本和風風格,將琵琶語法與日式搖滾元素融合,希望表達出歌舞熱鬧的場景,並捕捉人生的情感百態;古曲《霸王卸甲》表題材關於楚漢戰爭中項羽大敗的悲壯結局;潘家琳老師《舞台焦慮》"le Trac"是劇場界常用的一個法文名詞,意指表演者臨上場前的舞台焦慮症狀。本曲運用琵琶傳統的左右手演奏技法,試圖呈現緊張、顫抖、恐懼不安、心悸、呼吸不順等焦慮症狀。張朝老師《天地歌》以兩部傳奇愛情故事而作,「美」與「愛」的精神與情懷呼喚了人與自然、人與人之間的和諧共存與純真情感。湯良興老師《弦子韻》樂曲上借鑑了京韻大鼓大三弦演奏技法,同時大量運用了琵琶傳統技法,使樂曲更具有濃郁的地方音樂特徵。另外特邀青年作曲家為此場音樂會,全新創作一首當代琵琶作品《芳華》,作曲家將以演奏者從成長過程中所經歷的各種心境作為主題來延伸發展,運用速度變化、和聲色彩、轉調⋯來詮釋。
\n\n\n\n
演出曲目
\n\n刁鵬:《大正紅居酒屋》
\n\n古曲《霸王卸甲》(林石城演奏譜)
\n\n潘家琳:《舞台焦慮》
\n\n張朝:《天地歌》
\n\n湯良興:《弦子韻》
\n\n吳家榆:《芳華》(委託創作、世界首演)
\n\n\n\n
演出暨製作團隊
\n\n藝術指導|杜潔明
\n\n琵琶|方永華
\n\n鋼琴合作|林雨樓
\n\n流行樂合作|牛楷、吳柄錠、廖本陽
\n\n台南樂集
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"49908c4b56430c17da45ee2530978e1c",title:"台南樂集淬鍊系列-《芳華》方永華琵琶獨奏會"}],related:[],title:"Fang Yung Hua Pipa Recital",cover:"e820ec509723d7e601c8cb4f669b0723",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Fang Yunghua is currently a senior in the Department of Chinese Music at the National Tainan University of the Arts. She has experienced results in large-scale competitions and won numerous awards. She is about to hold a graduation concert in Weiwuying.
\n\n\n\n
Program
\n\nYouth
\n\nDazheng Red Izakaya
\n\nThe Conqueror Unarms
\n\nXianziyun
\n\nle trac
\n\nSong of the Heaven and Earth
\n\n\n\n
Creative and Production Team
\n\nCommissioned Creation|WU jia-yu
\n\nPerformer(s):
\n\nPipa|FANG Yung-hua
\n\nPiano|LIN yu-lou
\n\nGuitar|WU Bing-ding
\n\nBass|NEW Kai
\n\nDrums|LIAO Ben-yang
\n\nTainan Chinese Orchestra
\n\n\n\n
\n\n
\n',team:""},createdAt:1709259982,updatedAt:1710466015,updatedBy:"林蔚行",host:!1},{_id:"65eaceaa69b9960008c17abc",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1713094200,discrete:[{time:1713094200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[1400,2e3,2400,3e3,3400],link:"https://www.opentix.life/event/1759458988460130305"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c87ca733c4622d98adba826a72707184",title:"動漫鋼琴第一人-Animenz《A叔鋼琴演奏會 高雄場》"}],related:[],title:"動漫鋼琴第一人-Animenz《A叔鋼琴演奏會 高雄場》",cover:"7005464c3e05a3040286a2f7872d64f0",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
享譽全球的鋼琴家 - Animenz,在睽違已久的回歸後,將再次來到臺灣,他將古典音樂與動漫旋律進行巧妙融合。憑藉其華麗精湛的技巧和對編曲完美無瑕追求,跳脫既定印象,成為了一位獨樹一幟的鋼琴家。
\n\n在音樂上,作為全球頂尖的動漫鋼琴編曲家,其YouTube頻道展示的總觀看次數超過5億。他最受歡迎的編曲作品“unravel”單獨就擁有令人印象深刻的9500萬觀看次數,使這位動漫鋼琴家成為全球各地音樂會上的炙手可熱表演者。從北京到東京,倫敦到台北,全球的粉絲都熱切期待再次現場見證這位跨類型音樂藝術家的表演。自2020年以來,Animenz是施坦威藝術家。
\n\n\n\n
演出曲目
\n\nGurenge, Demon Slayer
\n\nIdol, Oshi no Ko
\n\nSakayume, Jujutsu Kaisen
\n\nBios, Guilty Crown
\n\nAvid, Eighty Six
\n\nAttack on Titan OP/ED Medley, Attack on Titan
\n\nAnimenz Special Medley
\n\n(This game, My Dearest, Snow halation, Hikaru Nara, unravel, COLORS)
\n\nand more….
\n\n\n\n
演出暨製作團隊
\n\n演出者|Animenz 郭邁克
\n\n製作團隊|好滿意⾳樂有限公司
\n\n鋼琴|郭邁克
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c87ca733c4622d98adba826a72707184",title:"動漫鋼琴第一人-Animenz《A叔鋼琴演奏會 高雄場》"}],related:[],title:"Animenz Live Asia Tour 2024 - Kaohsiung",cover:"7005464c3e05a3040286a2f7872d64f0",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
World-renowned pianist Animenz, after a long-awaited return, is once again coming to Taiwan, masterfully blending classical music with anime tunes. With his extravagant and exquisite technique and a relentless pursuit of perfection in arrangement, he has already earned recognition, breaking free from traditional definitions to become a uniquely distinguished pianist.
\n\nMusically, he has established himself as the foremost global anime piano arranger, with his YouTube channel showcasing over 500 million total views. His most popular arrangement "unravel" alone boasts an impressive 95 million views, making this anime pianist a sought-after performer for concerts around the world. From Beijing to Tokyo, London to Taipei, fans globally are eager to witness the performance of this cross-genre musical artist live once again. Animenz is a Steinway Artist since 2020.
\n\n\n\n
Program
\n\nGurenge, Demon Slayer
\n\nIdol, Oshi no Ko
\n\nSakayume, Jujutsu Kaisen
\n\nBios, Guilty Crown
\n\nAvid, Eighty Six
\n\nAttack on Titan OP/ED Medley, Attack on Titan
\n\nAnimenz Special Medley
\n\n(This game, My Dearest, Snow halation, Hikaru Nara, unravel, COLORS)
\n\nand more….
\n\n\n\n
Creative and Production Team
\n\nPerformer|Animenz
\n\nProduction|Harmonie Music Pty Ltd
\n\nPiano|Animenz
\n\n\n',team:""},createdAt:1709887146,updatedAt:1710229065,updatedBy:"林蔚行",host:!1},{_id:"65f161b546290e00098c1eb9",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1712748600,discrete:[{time:1712748600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1766046097708343297"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7f2fdf6db7b24838aa47506d05092319",title:"KSAF《高市交小樂集》奏響現代室內樂經典"}],related:[],title:"KSAF《高市交小樂集》奏響現代室內樂經典",cover:"b7b96485fd832235ada0c9246cd4fe34",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
交響樂團可不一定要是百人的龐大編制,小巧精緻也很迷人!這次高雄市交響樂團再次以室內樂的編制與大家見面,安排了從歐洲到美洲、20世紀到當代經典之作跨時代相會,由副首席葉翹任帶領絃樂團,以及管樂各聲部首席所帶領的木管、銅管重奏,邀您共賞室內樂之美 。
\n\n\n\n
演出曲目
\n\n巴伯:夏樂,作品第31號
\n\n米堯:《國王的煙囪》
\n\n馬爾科姆·阿諾:銅管五重奏,作品第73號
\n\n安里克.克里斯波:第一號美國組曲
\n\n艾爾加:序奏與快板,作品第47號
\n\n荀白克 : 昇華之夜,作品第4號
\n\n\n\n
演出暨製作團隊
\n\n高雄市交響樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7f2fdf6db7b24838aa47506d05092319",title:"KSAF《高市交小樂集》奏響現代室內樂經典"}],related:[],title:"KSO chamber concert",cover:"b7b96485fd832235ada0c9246cd4fe34",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The Kaohsiung Symphony Orchestra once again presents a fresh perspective with the 'Kaohsiung Symphony Chamber Concert,' demonstrating that a symphony orchestra doesn't necessarily require a large ensemble; small and exquisite can be equally enchanting! This time, we will showcase a chamber music ensemble at the Weiwuying Concert Hall, featuring a diverse selection of timeless masterpieces spanning from Europe to America, covering works from the 20th century to the contemporary era. Led by Associate Concertmaster Concertmaster YEH Chiau-ren, the string ensemble will be complemented by woodwind and brass ensembles, each led by the principal players, offering you the opportunity to appreciate the beauty of chamber music across different epochs.
\n\n\n\n
Program
\n\nSamuel Barber : Summer Music, Op.31
\n\nDarius Milhaud : La Cheminee Du Roi Rene
\n\nMalcolm Arnold : Brass Quintet No. 1, Op. 73
\n\nEnrique Crespo:Suite Americana No.1
\n\nEdward Elgar : Introduction and Allegro for strings, Op.47
\n\nArnold Schoenberg : Transfigured Night, Op.4
\n\n\n\n
Creative and Production Team
\n\nKaohsiung Symphony Orchestra
\n\n\n\n
\n\n
\n\n
\n\n
\n',team:""},createdAt:1710318005,updatedAt:1712041582,updatedBy:"林蔚行",host:!1},{_id:"65f7b8595151a50007668e65",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1714649400,discrete:[{time:1714649400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://www.opentix.life/event/1764942115150233601"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"43965004b953472fa9c4f71ace97251a",title:"《我的天兒啊-動物聲友會2》"}],related:[],title:"《我的天兒啊-動物聲友會2》",cover:"b260ce96fb51be5978a61a7cb0c77817",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
本次演出為《我的天兒啊_動物聲友會》系列二,演出團隊為天生音籟兒童合唱團中的藍鵲團、黃鵲團及紅鵲團,團員之年齡層涵蓋幼稚園中班至國小六年級。曲目多選自與大自然、動物相關的歌曲,描述大自然中有趣的情境,樂曲活潑生動,悠揚的歌聲展現出該年齡層的天真與歡樂。
\n\n\n\n
演出曲目
\n\n群巴拉
\n\n七公尺的雪
\n\n笑翠鳥
\n\n西北雨直直落
\n\n農家樂
\n\n綠色的風兒
\n\n天黑黑
\n\n癩蛤蟆與小青蛙
\n\n我想要翱翔
\n\n掠毛蟹
\n\n小花貓
\n\n數字歌
\n\n貓仔
\n\n我是一隻小貓
\n\n鷂婆
\n\n快樂天堂
\n\n\n\n
演出暨製作團隊
\n\n藝術總監|陳安瑜
\n\n音樂總監|周奕伶
\n\n合唱指揮|王晶晴、程佳櫻、周奕伶
\n\n合唱指導|陳妤潔、王芸榕
\n\n鋼琴合作|林亭君、余青黛
\n\n中提琴|林楷訓
\n\n打擊|劉緯
\n\n合唱演出|天生音籟兒童合唱團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"43965004b953472fa9c4f71ace97251a",title:"《我的天兒啊-動物聲友會2》"}],related:[],title:"Natus Cantorum Junior Concert",cover:"b260ce96fb51be5978a61a7cb0c77817",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The performance team is the Natus Cantorum Junior. The repertoire is mostly selected from songs related to nature and animals, describing interesting situations in nature. The music is lively and vivid, and the melodious singing shows the innocence and joy of this age group.
\n\n\n\n
Program
\n\nchumbara
\n\nSeven feet of snow
\n\nKookaburra
\n\nIt rains in the northwest
\n\nFarmhouse
\n\nGreen Wind
\n\nDark Sky
\n\nToad and little frog
\n\nI want to soar
\n\nCatch hairy crabs
\n\nKitten
\n\nDigital song
\n\nCats
\n\nI am a kitten
\n\nEagle
\n\nHappy Heaven
\n\n\n\n
Creative and Production Team
\n\nArtistic Director|An-Yu CHEN
\n\nMusic Director|I-Ling CHOU
\n\nConductors|Jing-Cing WANG, Jia-Ying CHEN, I-Ling CHOU
\n\nChorus Director|Jung-Rung WANG, Yu-Jie CHEN
\n\nPiano|Ting-Chun LIN, Cing-Dai YU
\n\nViola|Kai-Syun LIN
\n\nPercussion|Wei-Liu
\n\nChoir|Natus Cantorum Junior
\n\n\n\n
\n',team:""},createdAt:1710733401,updatedAt:1711100950,updatedBy:"林蔚行",host:!1},{_id:"660293285151a500076b6501",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1714735800,discrete:[{time:1714735800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200],link:"https://www.opentix.life/event/1770384722985435137"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ff0c425a6b2ffa8e41d2aca393293171",title:"《奇幻‧浪漫─臺師大音樂系交響樂團 2024春季公演》"}],related:[],title:"「節目異動」《奇幻‧浪漫─臺師大音樂系交響樂團 2024春季公演》",cover:"92518448d052a0aaaccc86ff6ea27907",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※本節目部分曲目異動。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
台師大交響樂團每學期皆舉辦定期公演,演出內容豐富多元,樂曲包含古典音樂經典到當代新銳作品,除了展示教學成果,也致力於豐富國內音樂文化的內涵,將多元風格的音樂藝術在國家級音樂展演殿堂呈現,啟發聽眾對音樂的探索與喜愛,每次演出都獲得廣大迴響。此次演出由挪威籍客座教授Sigmund Thorp擔任指揮。上半場帶來威爾第歌劇《茶花女》前奏曲,以及本系耿立教授演唱節選自威爾第歌劇《茶花女》及《西西里晚禱》的詠嘆調,其後安排本系歐陽伶宜教授演出聖桑斯A小調第一號大提琴協奏曲。下半場則帶來李姆斯基-柯薩科夫《天方夜譚》交響組曲,精彩可期。
\n\n\n\n
演出曲目
\n\n1. 威爾第:歌劇《茶花女》前奏曲
\n\n2. 威爾第:〈再見,往日美麗的夢〉選自歌劇《茶花女》
\n\n聖桑斯:A小調第一號大提琴協奏曲,作品33
\n\n李姆斯基-柯薩科夫:《天方夜譚》交響組曲,作品35
\n\n\n\n
演出暨製作團隊
\n\n指揮|Sigmund Thorp
\n\n大提琴|歐陽伶宜
\n\n女高音|耿立
\n\n國立臺灣師範大學音樂學系交響樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ff0c425a6b2ffa8e41d2aca393293171",title:"《奇幻‧浪漫─臺師大音樂系交響樂團 2024春季公演》"}],related:[],title:"(Program changed) Spring Concert 2024 of the National Taiwan Normal University Department of Music Symphony Orchestra",cover:"92518448d052a0aaaccc86ff6ea27907",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The program has been changed. For more information, please contact +886-2-7749-3002. | \n\t\t
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The symphony orchestra holds regular concerts every semester, featuring a diverse repertoire that spans from classical music classics to contemporary avant-garde works. In addition to showcasing academic achievements, the orchestra is dedicated to enriching the cultural content of domestic music, presenting a variety of musical styles in national-level concert halls. The goal is to inspire the audience's exploration and love for music. Each performance receives widespread acclaim. The upcoming concert will be conducted by guest professor Sigmund Thorp from Norway. The first half will begin with the prelude from Verdi's opera "La Traviata," and Professor Keng Li will sing selected arias from Verdi's operas "La Traviata" and "Sicilian Vespers." It will be followed by Saint-Saëns' Cello Concerto No. 1 in A minor performed by Professor Ouyang Lingyi. The second half will present Rimsky-Korsakov's "Scheherazade" symphonic suite.
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Program
\n\nG. Verdi : Prelude to La traviata
\n\nG. Verdi: 'Addio del passato' from La traviata
\n\nC. Saint-Saëns: Cello Concerto No. 1 in A minor, Op. 33
\n\nN. Rimsky-Korsakov: Symphonic Suite Scheherazade, Op. 35
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Creative and Production Team
\n\nConductor|Sigmund Thorp
\n\nCellist|Ouyang Lingyi
\n\nSoprano|Keng Li
\n\nNational Taiwan Normal University Department of Music Symphony Orchestra
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十年前,大提琴家曾史妃、單簧管演奏家楊蕙棋、鋼琴家鄭怡君舉辦了第一場三重奏音樂會,絕佳的默契及佳評如潮,讓首次合作的三位音樂家決定每年定期舉辦音樂會。
\n\n菁英室內樂集的每場演出有如戲劇般高潮疊起,由三位默契十足的音樂家演出,挑選木管、弦樂及鋼琴的經典樂曲,用最嚴格的標準來演奏每場音樂會,每年皆挑選鮮少在臺灣演出或是首演的曲目,讓觀眾永遠對他們的音樂會總有很深的期待。
\n\n本場音樂會精選作曲家布拉姆斯、穆欽斯基及葛令卡之作品,浪漫溫情的音樂旋律,層次感豐富的和聲,作曲家精湛的演奏技巧,將帶領聽眾進入作曲家的故事,忘情享受一場令人驚豔的三重奏盛宴。
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演出曲目
\n\n布拉姆斯:為單簧管、大提琴與鋼琴的三重奏,作品114
\n\n穆欽斯基:為單簧管、大提琴與鋼琴的幻想三重奏,作品26
\n\n葛令卡:為單簧管、大提琴與鋼琴的d小調「悲愴」三重奏
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演出暨製作團隊
\n\n大提琴|曾史妃
\n\n單簧管|楊蕙祺
\n\n鋼琴|鄭怡君
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Ten years ago, cellist TSENG Shi-fei, clarinetist YANG Hwei-chi and pianist CHENG Yi-chun held the first trio concert. The excellent acquaintance and the good reviews made the three musicians who cooperate for the first time decide to hold regular concerts every year. This time, the three musicians carefully selected trio to perform in Taiwan, which I believe will bring the audience an unforgettable night.
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Program
\n\nJ. Brahms: Trio in a minor for Clarinet, Cello and Piano, Op. 114
\n\nR. Muczynski: Fantasy Trio for Clarinet, Cello and Piano, Op. 26
\n\nM. I. Glinka: Trio Pathétique in d minor for Clarinet, Cello and Piano
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Creative and Production Team
\n\nClarinet|YANG Hwei-chi
\n\nCello|TSENG Shi-fei
\n\nPiano|CHENG Yi-chun
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國立中山大學音樂學系教師音樂會演出成員為本系教授群、優秀在學生及畢業校友,為臺灣音樂界之菁英,並具有豐富之演出經驗與創作成果。本場演出曲目包含鋼琴、聲樂、弦樂、管樂、擊樂等,藉由精湛的演奏技巧,讓愛好音樂的觀眾對本系有更進一步的認識,促進大眾對古典音樂欣賞之素養,並提升社會文化涵養。
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演出曲目
\n\n菲利普.于雷爾:時間差異
\n\n克勞德.德布西:牧神的午後前奏曲
\n\n路德維希.范.貝多芬:〈讓我們手牽手〉變奏曲,WoO 28,為兩支雙簧管與英國管
\n\n李思嫺:世界旅行詩
\n\n蕭頌:給鋼琴與小提琴與弦樂四重奏的D大調協奏曲,作品二十一,第二樂章,西西里舞曲
\n\n拉威爾:庫普蘭之墓(黎高冬舞曲)
\n\n莫里斯.拉威爾:F大調弦樂四重奏,第一、二、四樂章
\n\n莫里斯.拉威爾:圓舞曲,為雙鋼琴
\n\n貝多伊齊.史麥塔納:E小調單樂章奏鳴曲,為雙鋼琴八手聯彈
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演出暨製作團隊
\n\n鋼 琴|林雅叙、李美文、顏竹君、連振宇、呂佳能、蔡倍萱
\n\n小提琴|陳鈺雯、林子平、李沛軒、黃詩雅、夏榕
\n\n中提琴|王苡程、黃文翔
\n\n大提琴|黃譯漫、許佳盈
\n\n雙簧管|張瑞芝、何定蕊
\n\n英國管|邱詩群
\n\n女高音|黃子珊
\n\n男高音|林健吉
\n\n擊 樂|鄭雅心、謝秉諭、周芷琳、王郡佑、陳品伃、陳亭彣
\n\n作 曲|李思嫺
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The Music Department of the Sun Yat-sen University presents its annual faculty concert. Programs feature chamber music including piano, vocal, string, wind, and percussion, works by S.H. Lee, Ludwig van Beethoven, Maurice Ravel, Bedřich Smetana.
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Program
\n\nPhilippe Hurel - Écart en temps
\n\nClaude Debussy- Prélude à l'Après-midi d'un faune
\n\nLudwig van Beethoven: Variations on 'Là ci darem la mano' for 2 Oboes and English Horn, WoO 28
\n\nAmédée-Ernest Chausson: Concerto for Piano, Violin and String Quartet in D Major, Op. 21, Mov. II, Sicilienne
\n\nJoseph Maurice Ravel: Le Tombeau de Couperin(Rigaudon)/ Arr. Jacques Gandard
\n\nMaurice Ravel: String Quartet in F Major, Mov I II IV.
\n\nMaurice Ravel: La Valse for Two Pianos
\n\nBedřich Smetana: E Minor Sonata in One Movement for Two Pianos Eight Hands
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Creative and Production Team
\n\nPiano|Yea-Shiuh LIN, Mei-Wen LEE, Chu-Chun YEN, Chen-Yu LIEN, Chia-Neng LU, Pei-Hsuan TSAI
\n\nViolin|Yu-Wen CHEN, Tzu-Ping LIN, Pei- Xuan LI, Shih-Ya HUANG, Jung HSIA
\n\nViola|Yi-Cheng WANG, Wen-Hsiang HUANG
\n\nCello|Yi-Man HUANG, Jia-Ying SHIU
\n\nOboe|Jui-Chi CHANG, Ding-Ruei HE
\n\nEnglish Horn|Shih-Chun CHIU
\n\nSoprano|Tzu-Shan HUANG
\n\nTenor|Chien-Chi LIN
\n\nPercussion|Yah-sin ZHENG, Bing-Yu HSIEH, Chou-Chih LIN, Jing-You WANG, Pin-Yu CHEN, Ting-Wen ChHEN
\n\nComposer|Szu-Hsien LEE
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