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管風琴家|劉信宏
\n\n美國華盛頓大學音樂博士。現為台南神學院專任教授,兼任教於國立臺北藝術大學、臺南應用科技大學。2015-2016年間獲邀至加拿大英屬哥倫比亞大學、溫哥華神學院擔任訪問學者,現為美國管風琴家協會會員與臺灣管風琴家協會理事長。
\n\n曾擔任行政院公共建設審查委員會委員、臺北國家音樂廳管風琴親子音樂會顧問與高雄衛武營國家藝術文化中心籌備處管風琴委員會召集人。協助修建臺南奇美博物館的管風琴、2015年國家音樂廳管風琴,並建構臺灣最大的大稻埕教會管風琴、屏東演藝廳管風琴,與目前亞洲最大、全世界最先進的「衛武營國家藝術文化中心 - 音樂廳管風琴」。
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管風琴家|Sean Jackson (9、12月場客席管風琴家)
\n\n國際上出色的獨奏家和伴奏家,演出遍及英國、愛爾蘭、德國、臺灣、中國大陸、加拿大、美國及加勒比海。於倫敦皇家音樂學院學習取得學士學位後,進入茱莉亞音樂學院完成了碩士和博士學位。在學期間獲獎無數,包括倫敦皇家音樂學院 Parratt、Walford Davies 和 Geoffrey Tankard 管風琴獎、Douglas Whittaker Chamber Music 獎;以及茱莉亞音樂學院 A.H. Kuhn 紀念獎學金、1999 年 William Schumann 獎和 C.V. Starr 茱莉亞音樂學院博士獎學金。自2004 年以來,在美國東北部的一些教堂擔任管風琴師及音樂總監,其中包括斯坦威奇公理會教堂。目前已錄製多張獨奏及合作專輯。
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管風琴家|陳相瑜(12月場客席管風琴家)
\n\n管風琴家、鋼琴家兼大鍵琴演奏家,國家表演藝術中心「樂壇新秀」及「中興文藝獎」音樂類得主。
\n\n國立臺北藝術大學畢業,主修鋼琴,副修大鍵琴;美國西北大學管風琴演奏暨鋼琴演奏碩士。
\n\n曾與國家交響樂團、長榮交響樂團、台北愛樂管弦樂團、中國貴陽交響樂團、台北市民交響樂團等合作,擔任管風琴獨奏,也曾參與總統府音樂會、臺北藝術大學音樂廳及屏東演藝廳開幕系列音樂會、鼓浪嶼音樂節閉幕音樂會演出。除了獨奏、室內樂外,也經常受邀參與各大樂團、合唱團演出。
\n\n現任教於東吳大學音樂系,演出教學之餘,常受邀撰寫音樂相關文章,文字作品發表於部落格《陳相瑜的音樂世界》。
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主持人|朱郁柔 Abby CHU
\n\nOrgelkids Taiwan 音樂總監;曾經擔任多場屏東演藝廳管風琴推廣音樂會主持人、屏東演藝廳管風琴工作坊講師、屏東藝遊影音「9分鐘認識音樂界的重量級樂器-管風琴」主講人、屏東演藝廳兒童管風琴夏令營音樂總監、衛武營「玩樂管風琴」管風琴工作坊講師、衛武營管風琴校園推廣計畫講師、國藝會「音樂飄鄉」組裝Orgelkids 小管風琴工作坊講師。
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\n'},{reference:[],type:"content",name:"管風琴介紹",content:'
管風琴是世界上最古老的樂器之一,歷史可以追溯至西元前三世紀的古希臘。由於演奏效果莊嚴宏偉,與教堂迴聲搭配更顯氣勢,加上有多變的音色選擇,從中世紀開始,管風琴成為宗教音樂中相當重要的存在,也讓後世作曲家為管風琴創作大量作品。
\n\n隨著傳教士的腳步,管風琴走出歐洲,在全球的教堂內出現,像是在臺灣就有三十幾台位於教會內的管風琴。而在西方古典音樂成為主流演出的當代,建造音樂廳等表演場館時,管風琴亦成為標準配備,讓更多觀眾能夠有機會聽到此項雄偉樂器的壯觀聲響。
\n\n因此,衛武營在規劃時,就決定要在音樂廳內建置管風琴,委託德國波昂百年管風琴製造商克萊斯(Johannes Klais Orgelbau)量身打造,歷經三年多時間完成,共有9085支音管與127支音栓,為目前亞洲最大的音樂廳演奏用管風琴,也是目前全世界音樂廳內唯一可以同時邀請3位管風琴家登台演奏的音樂廳。與葡萄園式觀眾席融為一體的外觀設計,更是讓來訪的世界級管風琴家們驚艷不已!
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\n\t\t\t 7/13(四)14:30-15:30 | \n\t\t|
\n\t\t\t 「把拔馬麻,最上面的那個又大又亮、還有好多根柱子是什麼啊?」「喔,那個叫做管風琴啊~」「那~管風琴又是什麼東西呢?」「這個……」不知道該如何和孩子解釋管風琴嗎?交給最受小朋友喜歡的花露露來幫忙吧! ►節目詳情 \n\t\t\t | \n\t\t|
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\n\t\t\t 8/2(三)14:30-15:30 \n\n\t\t\t【永恆的愛-巴洛克協奏曲】 \n\n\t\t\t※舞台零距離體驗場 \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 在七夕情人節的浪漫氣氛中,管風琴家劉信宏規劃演出兩首音樂史上最著名的《婚禮進行曲》──華格納與孟德爾頌筆下的動聽旋律,將以管風琴獨奏呈現,讓人彷彿置身教堂、為新人線上祝福!透過兩首名曲,觀眾同時可以感受比起管弦樂團版本,管風琴演奏絲毫不遜色。為了更加印證此點,劉信宏將進一步演出兩首改編自韋瓦第樂團協奏曲的作品:巴赫《D小調協奏曲》及約翰.華爾特《B小調協奏曲》,充分展現管風琴的音色多變性。同時佐以巴赫《耶稣,世人仰望的喜悦》與米特爾《F大調幻想曲》兩首動聽小品,展開溫馨幸福的序幕! \n\n\t\t\t\n\n\t\t\t 華格納:結婚進行曲 ,選自《羅恩格林》 \n\n\t\t\t巴赫:《耶穌,世人仰望的喜悅》,作品147 \n\n\t\t\t孟德爾頌:結婚進行曲,選自《仲夏夜之夢》,作品61 \n\n\t\t\t約翰・華爾特:b小調協奏曲,作品133(改編自韋瓦第e小調協奏曲,RV275) \n\n\t\t\t米特爾:給管風琴的F大調幻想曲 \n\n\t\t\t巴赫:d小調協奏曲,作品596 (改編自韋瓦第d小調協奏曲,作品3,第11號,RV565) \n\t\t\t | \n\t\t|
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\n\t\t\t 9/27(三)14:30-15:30 \n\n\t\t\t【管風琴唱世界民謠】 ※客席演奏家:Sean JACKSON \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 大家已經相當熟悉聽到管風琴演出聖歌或詩篇,如果管風琴彈出的是眾人耳熟能詳、傳頌不已的民謠,又會是怎樣的風味呢?本場次劉信宏將以陳泗治的《台灣素描》彈出管風琴音中的寶島風景,並且邀請出生於加勒比海的尚傑生,改編他心中的經典臺灣旋律;另外,劉信宏更融合臺語歌謠《孤戀花》與世界名曲《小白花》,展現音樂超越國籍的無遠弗屆;尚傑生則會帶來充滿熱帶風情的故鄉旋律,搭配上本次的「自由移動場」設計,觀眾不妨在音樂廳的不同角落,感受來自世界的風,在音樂廳內的不停流轉! \n\n\t\t\t\n\n\t\t\t 尚傑生改編:巴多斯民謠交響曲 陳泗治:《台灣素描》選取,劉信宏改編給管風琴 尚傑生改編:三首臺灣名謠 劉信宏改編:真善美小白花、臺灣孤戀花 \n\n\t\t\t帕爾迪尼:《奇異恩典觸技曲》 \n\t\t\t | \n\t\t|
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\n\t\t\t 10/18(三)14:30-15:30 \n\n\t\t\t【Knock!Knock!不給音樂就搗蛋】 \n\n\t\t\t※舞台零距離體驗場 \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 管風琴的多變性究竟多高呢?在傳統的宗教意象之外,管風琴於當代影視作品的形象,似乎更常帶來「群魔亂舞」的驚悚效果:畢竟以一人之力就能展現出碩大的壓制音響,不是神力便是怪力!本場次結合萬聖節,精選神祕詭譎效果的管風琴曲目:已然成為「吸血鬼」的代名詞的巴赫d 小調觸技曲與賦格,以及展現獨特音色與旋律的當代爵士散拍作品,加上德布西《月光》的夜色沉思後,又以蘇莎《永恆的星條旗》展開盛大遊行!觀眾也可以在「舞台零距離體驗場」的設計中,到琴座正下方感受強烈震撼力。 \n\n\t\t\t\n\n\t\t\t 玻耶爾曼:《哥德組曲》 巴赫:d 小調觸技曲與賦格,BWV 565 玻爾康:〈快來傳道,穩當根基自由幻想曲〉選自《散拍,福音音樂前奏曲》 \n\n\t\t\t德布西:〈月光〉,選自《貝加馬斯克組曲》作品 L75 – 第三首 \n\n\t\t\t蘇沙:《永恆的星條旗》 \n\t\t\t | \n\t\t|
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\n\t\t\t 11/22(三)14:30-15:30 \n\n\t\t\t【管風琴大戰交響樂】 \n\n\t\t\t※自由移動體驗場 \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 雙手雙腳加上數百根音管,管風琴能展現的音色與音量變化,足以媲美百人交響樂團!本場次管風琴家劉信宏將化身一人指揮兼樂手,展現管風琴以一擋百的壯闊氣勢!法國作曲家邦內給音樂會的變奏曲,以及同樣來自法國的維多所寫的「交響曲」,其實都是單純為管風琴獨奏寫的曲目,光從曲名就能感受到作曲家認為「管風琴=樂團」的基本定調;而大眾熟悉的影視作品:約翰.威廉斯《星際大戰》〈帝國進行曲〉,以及漢斯.季默為《星際效應》創作的配樂,則是展現出管風琴足以與無邊宇宙的對應功力,在本場次的「自由移動場」設計下,觀眾可以用不同角度聆賞管風琴的壯闊浩瀚。 \n\n\t\t\t\n\n\t\t\t 邦內:給音樂會的變奏曲,作品一 \n\n\t\t\t漢斯‧季默:電影《星際效應》配樂組曲 \n\n\t\t\t約翰‧威廉斯:〈帝國進行曲〉電影《星際大戰》主題曲 \n\n\t\t\t莫利克奈:《新天堂樂園》 電影主題曲 \n\n\t\t\t馬斯卡尼:歌劇《鄉村騎士》間奏曲 \n\n\t\t\t維多:第三樂章〈如歌的行板〉,選自第四號管風琴交響曲 \n\n\t\t\t維多:〈終曲〉,選自第六號管風琴交響曲 \n\t\t\t | \n\t\t|
主辦單位保留本活動變更權利。
\n\t本活動之費用將列入衛武營會員卡消費點數累積。
\n\t舞台零距離體驗場:開放舞台區、合唱席F1-F7排自由入座。
\n\t自由移動體驗場:開放1F 1-12排、A1-A6排、2F B1-B8排 一般席自由入座。
\n\t衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n參與2023年定時導覽「廳院導覽」、主題導覽「廳院自由探索」至三樓服務中心臨櫃購買2023【探索管風琴音樂】演出,即享購票8折優惠(各項優惠折扣方案僅能擇一使用),不限購買張數。
\n\t衛武營卡友:9折
\n\t團票:8折(30人以上)
\n\t敬老票、身障及陪同:5折
\n\t更多優惠方案詳見售票頁面。
\n\t走進衛武營音樂廳,除了驚嘆葡萄園式觀眾席與極佳音響效果外,位於最頂層的管風琴,也是眾人矚目的焦點。若是您曾經好奇,這台亞洲最大的音樂廳管風琴,究竟能展現什麼樣的百變樣貌,「探索管風琴音樂」系列活動,將是得到解答的大好機會!
\n活動透過搭配其他樂器以及加入燈光效果等特殊聆賞規劃,加上平易近人的專業解說,展現管風琴的萬千變換與可親可愛。
\n活動特別安排「舞台零距離體驗場」將舞台區轉變為觀眾席區,讓您近距離一睹管風琴風采;「自由移動體驗場」在曲目間安排換位橋段,透過體驗不同的欣賞演出視角,做為您日後蒞臨音樂廳欣賞演出的座位參考。
\n每月一小時,相約「探索管風琴音樂」,揭開管風琴的神祕面紗,拉近管風琴與我們的距離!
\n 2023下半年活動場次表
\n\t\t\t 12/13(三)14:30-15:30 \n\n\t\t\t【管風琴聖誕饗宴】 \n\n\t\t\t※客席演奏家:Sean JACKSON、陳相瑜 \n\n\t\t\t\n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 歲末將至,本場次將由三位管風琴家:劉信宏、尚傑生與陳相瑜一同登台,聯手帶來最應景佳節氣息的「管風琴聖誕饗宴」!除了精選從孟德爾頌、柴科夫斯基到美國黑人靈歌等歷史上極具聖誕氣息的曲目外,本場最特別的,是三位音樂家將使出渾身解數,不但要打開音樂廳3樓兩側的所有管風琴,同時連線一樓與三樓的琴座演奏外,更會在不同曲目中加入鋼琴與移動式管風琴,展現出不同鍵盤樂器交融的特殊效果,把衛武營管風琴的效能發揮到淋漓盡致,並為今年畫下精采熱鬧的休止符! \n\n\t\t\t\n\n\t\t\t 維耶爾恩:《西敏寺的鐘聲》,作品54 第六號 \n\n\t\t\t《法國聖誕鐘聲變奏曲》傑瑞. 威斯頓庫勒改編 \n\n\t\t\t孟德爾頌‧巴妥爾迪:《聖誕歌謠-齊來敬拜》,珍妮.戴梅西 改編 \n\n\t\t\t美國黑人靈歌《去山頂傳揚》,艾略特. 理查德改編 \n\n\t\t\t柴科夫斯基:〈糖梅仙子之舞〉選自《胡桃鉗組曲》 \n\n\t\t\t美國黑人靈歌《祂雙手掌握全世界》,喬爾.雷尼改編 \n\n\t\t\t杜普雷:《齊來敬拜》變奏曲 \n\n\t\t\t阿道夫.亞當:《聖善夜》 \n\n\t\t\t魏多:觸技曲,f小調第五號管風琴交響曲,作品42/1 \n\t\t\t | \n\t\t|
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好書推薦
\n\n《打開管風琴的祕密》
\n\n由來自德國的繪本作者西妮雅.博尼希編寫繪製,衛武營取得授權後和時報出版合作在臺發行繁體中文版。以淺顯易懂的文字和充滿童趣插圖,講解樂器之王管風琴的組成構造、發聲原理,以及衛武營音樂廳中全亞洲最大管風琴,如何由德國波昂的百年管風琴製造廠Johannes Klais Orgelbau, 歷經三年多時間設計製造,並橫跨9,500多公里搬運來到高雄衛武營組裝完工的巨大挑戰 。
\n►購買連結
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藝文支持
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文化部校外文化體驗
\n\n本活動與文化部、各地方的藝文場館及周邊場域串聯,提供文化體驗內容,共同合作推動學校帶領學生走出校園,走進戲劇院、音樂廳、演藝廳、美術館、博物館、歷史現場及績優社區營造點等文化場域,培養高中職、國中小之學子對文化藝術的興趣和感知,培育藝文欣賞人口,建立文化自信。
\n\n歡迎各縣市高中職、國中小詢問所屬縣市或有意前往縣市的文化局(處)諮詢窗口,報名參與。
\n\n►活動詳情
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Artists Introduction",content:'
Pipe Organist|LIU Hsin-hung
\n\nDr. LIU holds a Doctor of Musical Arts degree from the University of Washington and is currently a professor at Tainan Theological College and Seminary and an adjunct professor at Taipei National University of the Arts and Tainan University of Technology. LIU is a member of the American Guild of Organists (AGO) and serves as the chair of the AGO's Taiwan Chapter.
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Guest Organist|Sean JACKSON (Sep, Dec)
\n\nAn outstanding soloist and accompanist on the international stage, JACKSON has performed in the many countries worldwide. Since 2004, he has served as the organist and music director of music at churchs in Northeastern USA. To date, he has recorded numerous solo and collaborative albums.
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Guest Organist|CHEN Hsiang-yu (Dec)
\n\nOrganist, pianist, and harpsichordist; recipient of the NTCH Prominent Young Musician and Chunghsing Arts Award for music. Currently teaching at Soochow University Department of Music, CHEN is often invited to write music-related articles, and her written works are published on her blog Chen Hsiang-yu's Music World.
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Host|Abby CHU
\n\nAbby CHU is Orgelkids Taiwan music director. She has served as a host of Educational Lecture Recitals for Organ, lecturer of the Organ Workshop in Pingtung Performing Arts Center and Weiwuying, speaker of Pingtung Performing Arts' Film A 9 minutes introduction to the King of Musical Instruments- Organ, the music director of Orgelkids Taiwan Summer Music Camp, and the lecturer of Developing STEM Approaches for Understanding Organ Project in Schools.
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\n'},{reference:[],type:"content",name:"The pipe organ",content:"
The pipe organ is one of the world's oldest instruments, dating back to as early as the 3 rd century BC in Greece. Since it has a majestic, dignified sound, which is even more pronounced by the echo in large churches, along with its variance in timbre, it became an important presence in Christianity beginning in the Middle Ages, in turn prompting the composition of a great number of pieces over time.
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As missionaries brought their faith out of Europe, the organ followed to churches all over the world—over 30 can be found in Taiwanese churches. Now that Western classical music is a popular genre, almost all concert halls are built with an organ, allowing people all over to hear the grandeur of this fascinating instrument.
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Similarly, an organ was also put into the plans for Weiwuying.Century-old German organ manufacturer Johannes Klais Orgelbau built the instrument, which has 9,085 pipes and 127 stops, over a period of a bit more than three years. It is both the largest organ in Asia and the only concert hall organ in the world with the capacity to be played by three organists at the same time.Being perfectly blended into the vineyard seating as the cherry on top, it never fails to stun world-class organists from around the globe!
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\n"},{reference:[],type:"content",name:"Past sessions",content:'
Discount
\n\nBesides the breathtaking vineyard-style seating and outstanding acoustics at the Weiwuying Concert Hall, the pipe organ, located on the top floor, is another major highlight. If you're wondering what this largest organ in Asia can do, our Explore the Pipe Organ series of events is just what you're looking for!
\n\nPerformances will be enhanced with other instruments, special lighting effects, and informative explanations, which will make the organ's diversity and charm more accessible and understandable to the audience.
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In addition, the programs boast two unique features: The first is that they will be Close-up Shows—the stage will be transformed into a seating area to give the audience an even closer experience with the organ. The second is the Musical Chairs aspect: members of the audience will be permitted to get up and move to other seats between pieces of music to try out different perspectives and get an idea of which seats they would like to reserve for future performances.
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So for an hour each month, come to our Explore the Pipe Organ events to see all the secrets behind this fascinating instrument!
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\n Programs
\n\t\t\t 8/2(Wed)14:30-15:30 \n\n\t\t\tEternal Love - Baroque Concertos (Close-up Show) \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t For the romantic atmosphere of Chinese Valentine's Day, August's event will showcase solo organ performances of two of history's most well-known songs, WAGNER's "Bridal Chorus" from Lohengrin and MENDELSSOHN's "Wedding Procession" from A Midsummer Night's Dream—you might just think you should be throwing rice and crying! The show will produce a different, but by no means inferior, feel compared with the commonly heard orchestra versions. \n\n\t\t\tTo emphasize this distinction, BACH's Concerto in d minor and WALTHER's Concerto in b minor (adaptations of concertos by VIVALDI) will fully express the diversity of the organ's timbre. In addition, BACH's "Jesu, Joy of Man's Desiring" and MÜTHEL's Fantasie in F Major for Organ will add to the warmth and joy of the program. \n\t\t\t | \n\t\t|
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\n\t\t\t 9/27(Wed)14:30-15:30 \n\n\t\t\tEchoing Folk Songs from Around the World (Musical Chairs) \n\n\t\t\tOrganist|Sean JACKSON \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t Most people are accustomed to pipe organs performing hymns or psalms. But what would it be like if the pipe organ played well-known and enduring folk songs? In this performance, LIU Hsin-hung will play Taiwan Sketches by CHEN Si-chih on the pipe organ, presenting the island's landscapes. LIU also invites Caribbean organist and pianist, Sean JACKSON, to adapt classic Taiwanese melodies dear to him. Furthermore, LIU blends the Taiwanese ballad "Lonely Flower" with the world-famous "Edelweiss" demonstrating how music transcends boundaries. JACKSON will also bring melodies filled with tropical charm. Combined with the ’musical chair’ series where audience are invited to choose or change seats, they can experience music from across the globe all within the concert hall! \n\t\t\t | \n\t\t|
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\n\t\t\t 10/18(Wed)14:30-15:30 \n\n\t\t\tKnock! Knock! Music or Trick! (Close-up Show) \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t How versatile is a pipe organ? Beyond religious imagery, the pipe organ in contemporary film and television tends to bring about a thrilling and devious effect. After all, a person with the ability to produce a massive and overpowering sound, is either an act of divinity or monstrosity. This Halloween-themed performance selects organ pieces with mysterious and eerie qualities: BACH's Toccata and Fugue in d minor, already synonymous with "vampires," unique contemporary jazz syncopated pieces, and the pensive Clair de Lune by DEBUSSY, SOUSA's grand The Stars and Stripes Forever. Audience can also feel the intense impact of the instrument whilst seating directly under the organ in this "close-up show" concert. \n\t\t\t | \n\t\t|
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\n\t\t\t 11/22(Wed)14:30-15:30 \n\n\t\t\tThe Pipe Organ Battles the Symphony (Musical Chairs) \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t With the use of both hands and feet of the musican, together with hundreds of pipes, the pipe organ can be an equal match to a modern full-size symphony orchestra! In this performance, pipe organist LIU Hsin-hung will act as a conductor and an orchestra all by himself to demostrate the granduer of this instrument!! Variations de Concert by French composer Joseph BONNET and the symphonies of French composer Charles-Marie WIDOR are written solely for solo organ. From the title alone, you can detect how the composers equate the pipe organ with the orchestra. The popular film scores such as John WILLIAMS' "Imperial March" from Star Wars and Hans ZIMMER's score for Interstellar, demonstrate the organ's ability to correspond to the boundless universe. In this 'musical chair' series, audience are invited to change or choose seats, giving them an opportunity to appreciate to appreciate the grandeur of the pipe organ from various angles. \n\t\t\t | \n\t\t|
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\n\t\t\t 12/13(Wed)14:30-15:30 \n\n\t\t\tChristmas Feast of Joy \n\n\t\t\tOrganist|Sean JACKSON, CHEN Hsiang-yu \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t At the end of 2023, three organists: LIU Hsin-hung, Sean JACKSON, and CHEN Hsiang-yu, will jointly present “Resounding Joy: The Pipe Organ Christmas Extravaganza,” which includes a selection of Christmas-themed pieces across history, including works from HANDEL, TCHAIKOVSKY, and American Negro Spirituals. They will pull out all their stops and fully utilizing all the organs, including one on stage, two on the third floor, a concert piano and a positive organ. This program will showcase the special blend of different keyboard instruments and demonstrate the full potential of Weiwuying's pipe organ, drawing a lively and exciting conclusion for the year! \n\t\t\t | \n\t\t|
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影片來源:YouTube(老王樂隊)
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早上睡不太著,七、八點就醒來了,站起身來走到書桌旁,映入眼簾的是黃色的房子與天空中早起的鳥兒。生活的規律總讓人麻痺,但在那些脫離常軌的時候,我們會看見不一樣的光景,然後紛雜的思緒翻起心底的餘波。就這樣看著窗外呆坐,好似過了千年。
\n\n老王樂隊2023年冬,新作巡迴最終篇,用音樂道盡生活中的關係與離別。
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演出暨製作團隊
\n\n老王樂隊
\n\n主唱|張立長
\n\n吉他手|童偉碩
\n\n大提琴|邵佳瑩
\n\n鼓手|馮會元
\n\n貝斯手|廖潔民
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周邊活動
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團隊介紹
\n\n2015年冬,於臺北成立。起初為了參加校園比賽而生,獲得北醫金弦獎第二名後便進入無限期休團。2016年末,以主唱立長、鼓手會元、吉他手偉碩為核心重組,繼續現身於校園比賽;此後依序在淡江金韶獎與貝斯手潔民、政大金旋獎與大提琴手昱萱合作。後因另有生涯規劃,昱萱於首張EP《吾十有五而志於學》發行前離團,大提琴手由佳瑩接任後,便成為老王樂隊今日的編制。2017年秋,老王樂隊以新臺灣後民謠的曲風,於9月28日發行第一張EP《吾十有五而志於學》,歌曲在YouTube上創造每首皆破百萬點擊;其中〈我還年輕 我還年輕〉至今已累積破3500萬次點擊。並於2019年走進中國、新加坡及馬來西亞等地,創近萬人次到場觀眾數字。2023年推出沈澱三年之作《黃色的房子映照清晨的天空》,也隨即展開亞洲巡迴,期待走訪更多城市,展現老王樂隊全新面貌!
\n\n如同音樂特色,老王樂隊在歌唱一個世代的光怪陸離時,不忘用幽默反諷的語詞及旋律,以沙啞略帶厭世的嗓音,低沉迴盪不絕的大提琴,重複洗腦的旋律,詼諧地唱著屬於這世代的歌。做著令人印象深刻的音樂,說故事一般道盡世間甘苦。
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Available starting 5/22(Mon)12:00 !
\n\t© YouTube(老王樂隊)
\n\n\n\n
\n\n
Struggling with insomnia, I found myself wide awake at 7 in the morning. I walked past my desk and leaned towards the window. There before me was a breathtaking sight: a yellow house standing against a mesmerizing pink-blue sky, with early birds soaring in a graceful dance. The routine of everyday life can leave us feeling numb. But there are times when we escape its hold, we see a different world unfold. A rush of thoughts stirred up deep-seated emotions.
\n\nSitting here, staring out the window, time seems to stretch on endlessly, as if a thousand years had passed in a mere moment.
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We are excited to announce that Your Woman Sleep With Others 2023 EP release tour is on the go. Hope to see you soon!
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Creative and Production Team
\n\nVocalist|Joshua CHANG
\n\nGuitar Player|TUNG Wei-shuo
\n\nCellist|SHAO Chia-ying
\n\nDrummer|FENG Hui-yuan
\n\nBassist|LIAO Chieh-min
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Team Introduction
\n\nFirst founded in Taipei in the winter of 2015 for a school-wide competition, Your Woman Sleep with Others went into indefinite hiatus after winning second place at the Golden Melody Awards of Taipei Medical University. At the end of 2016, lead singer Joshua, drummer Hui-yuan, and guitarist Wei-shuo regrouped to continue participating in school-wide competitions. They then subsequently collaborated with bassist Chieh-min at the Golden Melody Award of Tamkang University and cellist Yu-hsuan at the Golden Melody Award of National Chengchi University. Due to other career plans, Yu-hsuan left before their first EP Stolen Childhood was released with cellist Chia-ying taking over to form their current lineup. In autumn 2017, they released their first EP Stolen Childhood on September 28th which incorporates styles of Taiwanese folksongs from the post-martial law period. Each of their songs on YouTube has surpassed one million views, among which Teens Edge has amassed over 35 million views. They toured Mainland China, Singapore, and Malaysia for up to 10 thousand audiences.
\n\nSimilar to their musical style, the band sings of the bizarre of their generation with cynicism in their hoarse voice, ironic humor in lyrics and melodies, low and resonant cello sounds, as well as catchy tunes to make music that leaves a deep impression and narrates the joys and sorrows of life.
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衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
獲得2019韓國全州音樂節優勝節目
\n\n入選首爾藝術文化基金會「2019年第一藝術支持」
\n\n入選2019年韓國藝術平台藝術節
\n\n入選2019年愛丁堡國際藝穗節韓國季集會
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由三位演奏傳統樂器的韓國音樂家所組成的韓國吉普賽-桑加魯樂團,他們對於「傳統」與「傳統音樂」之形式與種類產生興趣,進而發現了普遍認知的「傳統」往往並非真正的傳統,而屬於傳統之外的範疇卻是某些群體的傳統,進而不斷推敲思索,卻仍未獲得解答。桑加魯樂團受到保羅・科爾賀撰寫的著作《朝聖》啟發,為了尋找答案,並擺脫現實束縛與親身體會「傳統」的意義,他們於2018年帶著牙箏、杖鼓與吉他等樂器,踏上了西班牙聖地牙哥朝聖之路。2019年,桑加魯樂團將這趟尋求答案的朝聖之旅以及一路上創作、演奏的音樂拍攝成紀錄片,記錄他們實際走訪朝聖之路的過程,樂曲間穿插動畫及真人影像與旁白呈現。
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演後座談
\n\n2023/12/2(六) 演出結束後於表演廳
\n\n與談人|權孝昶、南成勳、趙聖潤、周以謙
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演出曲目
\n\n《踏地神》
\n\n《慶北搖擺》
\n\n《驚慌愛麗絲》
\n\n《藍調牙箏》
\n\n《地球》
\n\n《桑加魯民謠》
\n\n《首爾》
\n\n《三個玩家》
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周邊活動
\n\n11/11 (六) 14:00
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演出暨製作團隊
\n\n杖鼓、小金(小鑼)|權孝昶
\n\n牙箏|南成勳
\n\n吉他、貝斯|趙聖潤
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團隊介紹
\n\n桑加魯樂團
\n\n成立於2014年,團名取自韓文裡的兩個名詞結合,一為 Sangja,意為「箱子」,可裝載很多東西,保有一定的框架卻不會改變形體,代表三位演奏家有著傳統音樂的底蘊與背景;二為 Jaru,意為「袋子」,隨著裝進去的東西而改變形狀,意旨創作元素。兩個字結合在一起代表在不變的傳統形體中加入創意的音樂。
\n\n這個由三位才華洋溢的演奏家所組成的樂團,擅長在韓國傳統音樂的基礎上,加上東、西方音樂的元素加以創作,作品充滿力量與活力,並帶有獨特的曲風。由於喜愛接觸與學習不同種類的音樂,作品中可發現許多東、西方元素,卻又不失韓國傳統音樂的風格。桑加魯樂團又自稱為「韓國吉普賽人」,我們像吉普賽人一樣,在生活中漫遊許多地方,進而學習每個地區的文化,卻保有自己的風格重新詮釋與創作,以自己的顏色添加創意元素。
\n\n桑加魯樂團對於音樂充滿活力與熱情,勇於不斷嘗試新的可能性,2019年獲選為韓國全州音樂節優勝節目並於2020年3月發行第一張唱片桑加魯民謠(Sangjaru-Taryeong)。
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※Discounts are not applicable for tickets tier at NT$300 and lower.
\n\t\n\n
Sangjaru is composed of a trio of Korean musicians who play traditional instruments. After developing an interest in the various forms and types of Korean traditions and traditional music, they discovered that what is universally regarded as "traditional" is in many cases not actually genuine tradition at all. They also found that there are categories that fall outside what is considered to be tradition which are actually the traditions of specific communities. The three pondered constantly on this issue, but came to no resolution. They then read Paulo COEHLO's The Pilgrimage, which proved to be a revelation for the members. In 2018, they followed in COELHO's footsteps and walked the Camino de Santiago, Spain's pilgrimage trail, to seek answers.
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In 2019, the group produced a documentary based on their pilgrimage and included all the music created and performed along the way. The documentary performance records their actual journey along the Camino de Santiago, and is interspersed with animation, live-action images, and narration.
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Post-Talk
\n\n2023/12/2(Sat) After the performance at Recital Hall
\n\nSpeaker: Hyochang KWON, Seonghun NAM, Sungyoon CHO, CHOU Yi-chien
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Program
\n\nJisin RV
\n\nGyeongbuk Swing
\n\nAlice in Panic
\n\nAjaeng in Blues
\n\nThe Earth
\n\nSangjaru Taryeong
\n\nSeoul
\n\nThree Players
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Creative and Production Team
\n\nJanggu, Kkwaenggari|Hyochang KWON
\n\nAjaeng|Seonghun NAM
\n\nGuitars, Bass|Sungyoon CHO
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Team Introduction
\n\nSangjaru
\n\nSangjaru has been agonizing over the forms and categories of traditional and traditional music ever since its foundation in 2014. Over time, however, the extremely subjective nature of the word "traditional" continued to reveal only vague boundaries, which eventually led to confusion, repeating the unrighteous agony. In order to solve this problem, Sangjaru was on the pilgrimage path to Santiago, which is called the path of enlightenment, and creates new music based on the agony of thinking on the road and creates a "Camino de Sangjaru."
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歡迎來到雪花王國
\n\n衛武營冬日獻禮-雪花片片飛舞,邀您走進胡桃鉗奇想世界
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由柴科夫斯基經典芭蕾舞劇《胡桃鉗》出發,舞蹈家葉名樺以創新語彙詮譯古典,指揮家張尹芳聯手南熠樂集現場演奏,芭蕾與音樂交織匯聚,打造屬於這世代的胡桃鉗故事。
\n\n葉名樺擅長以身體與感官,表現人與時空的邂逅;本劇她將以現代敘事手法,引領觀眾穿梭真實世界與《胡桃鉗》故事。芭蕾小女孩的聖誕節、立體書中與胡桃鉗王子相遇、鼠王攻擊與戰鬥後,前往繽紛雪花王國;奇幻夢境場景下,同時說著真實世界的困難與美好。遇見胡桃鉗的女孩 首部曲,將帶領大人回歸童心、也給小孩無限想像的奇幻旅程。
\n\n由在地樂團南熠樂集組織16人編制的室內樂,與芭蕾舞者相匯聚交鋒,為一場音樂與芭蕾的雙重極致饗宴。
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故事大綱
\n\n故事主角小女孩個性孤僻卻有著敏銳感知,在學校總和同學們格格不入;一天,她翻開一本立體書後,歷經了白日夢般的冒險,遇見了胡桃鉗與糖梅仙子,這趟奇幻旅程中,三人一同面對恐懼、擁抱希望。
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關於《遇見胡桃鉗的女孩》
\n\n「真實世界的困難和美好都在夢境中如鏡面反射般出現。有的更美好、卻也有更邪惡的,一切都成了故事裡的角色和情節。成長之路就像《胡桃鉗》的故事,由「勇氣」和「幻想」組成,過程中的人事物都讓長大的旅途中增添了不同色彩。
\n\n透過童話故事的陪伴,神奇魔幻的力量也會轉到現實中,陪我們一步步學習繼續往前。在充滿幻想的冬季,我們都是遇見胡桃鉗的女孩,讓故事帶給我們無限的勇氣。」 ——葉名樺
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關於柴科夫斯基與莫里斯·珀蒂帕的《胡桃鉗》
\n\n1891年柴科夫斯基以霍夫曼《胡桃鉗與鼠王》的故事寫下了《胡桃鉗》芭蕾舞劇的音樂,而編舞家莫里斯·珀蒂帕所編創的舞劇成為了現代廣為人知的版本,溫馨且富童趣。
\n\n《胡桃鉗》的故事發生在希望充滿的聖誕節,女主角克拉拉(Clara)收到了一份非常喜愛的禮物-胡桃鉗娃娃;在大家都入睡之後的夜晚,胡桃鉗變成了王子,與克拉拉經歷了與老鼠軍團的打鬥、擊退鼠王,並在雪之國、糖梅國經歷奇幻旅程…,在盛宴與歡樂中,克拉拉也逐漸醒來,原來,是一場夢。
\n\n《胡桃鉗》故事陪伴了人們200多年,真摯情感敲盪童心且蘊含神秘色彩,猶如一把金鑰,打開了人們無遠弗屆的想像世界。
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演前導聆
\n\n12/23(六)19:00-19:20 音樂廳三樓大廳
\n\n12/24(日)14:00-14:20 音樂廳三樓大廳
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曲目資訊
\n\nP. TCHAIKOVSKY: The Nutcracker, Ballet in two acts, Op.71 (arr. Ronald Kornfeil)
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Act I
\n\n1. Overture
\n\n2. Scene 1 - The Christmas Tree
\n\n3. Scene 2 - March
\n\n4. Scene 4 - Dance Scene & Arrival Of Drosselmeyer
\n\n5. Scene 5 - Scene & Grandfather's Dance
\n\n6. Scene 6 - The Magic Spell Begins
\n\n7. Scene 7 - The Battle Between The Nutcracker & The Mouse King
\n\n8. Scene 8 - Scene In The Pine Forest(Journey Through The Snow)
\n\n9. Scene 9 - Waltz of The Snowflakes
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Act II
\n\n10. Scene 11 - Clara & The Prince
\n\n11. Scene 12 - Divertissement, Chocolate - Spanish Dance
\n\n12. Scene 12 - Divertissement, Coffee - Arabian Dance
\n\n13. Scene 12 - Divertissement, Tea - Chinese Dance
\n\n14. Scene 12 - Divertissement, Trepak
\n\n15. Scene 14 - Pas de Deux - Dance of The Prince & the Sugar-Plum Fairy
\n\n16. Scene 14 - Variation I- Tarantella
\n\n17. Scene 14 - Variation II - Dance Of The Sugar-Plum Fairy
\n\n18. Scene 15 - Final Waltz & Apotheosis
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周邊活動
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延伸閱讀
\n\n►衛武營Call Cue 青少年_音樂芭蕾劇場:遇見胡桃鉗的女孩 首部曲.pdf
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文章閱讀
\n►衛武營首部音樂芭蕾劇場!張尹芳X葉名樺打造現代版胡桃鉗(
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演出暨製作團隊
\n\n製作顧問|周書毅
\n\n編舞、編劇|葉名樺
\n\n藝術顧問、服裝製作顧問|林璟如
\n\n指揮|張尹芳
\n\n舞台設計|周志瑋
\n\n燈光設計|郭建豪
\n\n服裝設計製作|顏良夙(服裝製作指導)、楊愷霖(助教)、曾宇瑄、王宥証、吳凱欣、劉必勝、王若華、吳紀睿、林柏泰、張綺文、陳宥妊、謝亮瑜
\n\n樂團|南熠樂集
\n\n排練助理|黃璟熙
\n\n舞者|王筠晴、何語婕、林翊綺、林榆芝、邱柏盛、唐婉瑜、郭蓉安、蔡宜岑、鄭紫彤、賴明玥、薛人愷、蘇子婷(依姓氏筆劃排序)
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樂手
\n\n第一小提琴|陳名涵
\n\n第二小提琴|孫夢檠
\n\n中提琴|林喚玲
\n\n大提琴|黃品潔
\n\n低音提琴|潘詠霈
\n\n雙簧管|鍾筱萱
\n\n長笛|洪萃嶷
\n\n單簧管|王冠傑
\n\n單簧管、低音單簧管|羅至原
\n\n低音管|歐易欣
\n\n法國號|溫郁盈
\n\n小號|劉郁君
\n\n長號|高崇文
\n\n豎琴|管伊文
\n\n打擊|葉家安
\n\n打擊|吳國瑄
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服裝由衛武營國家藝術文化中心與國立臺北藝術大學劇場設計學系合作之「芭蕾舞衣設計與製作計畫」設計製作。
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團隊介紹
\n\n製作顧問|周書毅
\n\n從身體出發,用舞蹈作為與世界溝通的語言,關注人與社會環境之間的關係。在過往的創作及行動中,善用跨界力量的特性,強烈表現在藝術公共性上的著墨。編創聚焦叩問生命的價值,反映個人或群體在不同社會脈絡下的狀態,提出「屬於亞洲的身體語彙」,並以劇場、非傳統劇場、舞蹈錄像等形式呈現,持續以移地移居創作的方式遊走各地。自2020年起受邀擔任衛武營駐地藝術家,移居南方,並被聘為2022年暨2024年臺灣舞蹈平台策展人。
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編舞、編劇|葉名樺
\n\n臺灣編舞家及舞者,1983年出生於高雄,畢業於臺北藝術大學舞蹈學院。創作以身體、感官詮釋來思考時間與空間,並以多媒材、跨領域的演出實踐回應敘事與事件。2019-2020年受邀衛武營國家藝術文化中心「四國駐地交流計畫」發表實驗型公共場域創作。2020年受臺北市立美術館委託製作《牆後的院宅》,並獲得第19屆台新藝術獎年度大獎肯定。2022年衛武營「臺灣舞蹈平台」創作開幕演出《跳芭蕾》。
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藝術顧問、服裝製作顧問|林璟如
\n\n臺灣資深劇場服裝設計,三十多年來合作對象遍及國內外各知名團體,參與演出設計作品多達三百餘齣,橫跨現代戲劇、傳統戲曲、歌劇、舞蹈、偶劇、兒童劇、跨界展演等,展現高度創意,近年致力於技術劇場新生代人才培訓工作,並積極講學分享創作生命經驗。1992年獲傅爾伯萊特獎學金及文化藝術基金會補助,赴紐約遊學一年,參與紐約市立芭蕾舞團及紐約市立歌劇院五十週年演出之服裝工作。2006年獲頒第十屆國家文藝獎。
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指揮|張尹芳
\n\n以細膩、層次豐富的指揮風格受到國內外樂壇的喜愛。2006至2022年於NSO國家交響樂團先後擔任助理指揮及駐團指揮,期間曾與金曲流行樂團蘇打綠、與國際樂壇知名組合「音樂駭客Igudesman & Joo」多次合作,並分別與張艾嘉、王耀慶攜手製作演出《仲夏夜之夢》、《皮爾金》等。近年受臺中國家歌劇院之邀,指揮NSO歌劇音樂會《風流寡婦》、音樂劇場《複眼人》,以及改編暨指揮室內樂版歌劇《唐懷瑟》,均深獲各界好評。近年合作包括日本金澤管絃樂團、香港城市室樂團、臺北市立國樂團、國立臺灣交響樂團、高雄市立交響樂團,並受邀參與總統府音樂會、臺南國際藝術節及日本金澤音樂祭演出。
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舞台設計|周志瑋
\n\n中山大學劇場藝術系研究所展演設計組碩士畢業,專攻舞台設計、佈景製作、舞台技術。曾任樹德科技大學表演藝術系專任講師、台北希爾特舞台設計製作公司佈景製作技術指導,專業劇場幕後設計與技術工作者,2002年開始投入劇場工作,至今參與超過300多場演出幕後技術與設計統籌。舞台設計包括九歌兒童劇團《幸福小王子》、人體肢體劇場《陪你一起老》、樹德科技大學表演藝術系學製《洛基恐怖秀》與《荒島奇姬》、高雄春天藝術節青春樂舞《普欽奈拉》、《飛向世界的台灣囝仔》、許程崴製作舞團《桑步》等。
\n\n舞台技術指導作品包含2008年明華園《蓬萊大仙》新加坡巡演、莎妹劇團《小夜曲》與《SMAP X SMAP》、臺灣國樂團《凍水牡丹-風華再現》、南熠樂集《工業城市》、衛武營自製節目《相思唱歌仔》、《跳舞阿嬤》、Taiwan NOW台日合作《阿婆蘭》、奔放樂集《碧廬冤孽》等。
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燈光設計|郭建豪
\n\n現任衛武營國家藝術文化中心燈光技術組長,國立臺灣藝術大學戲劇學系研究所畢業。曾服務於國家兩廳院演出技術部,負責 TIFA 燈光技術指導與自製節目燈光設計,近期燈光設計作品有兩廳院 《夏日爵士音樂派對》、《歌劇工作坊─ 頑童與魔法、睡美人、糖果屋、灰姑娘變奏曲》; TEDxTaipei 《The Future is now》;高雄春天藝術節《茶花女》、《少年靈界偵察組》;2017-2022 總統府音樂會《最南方‧ 思 想起》、《吾鄉風光》、《晨曦‧高雄》、《北回曙光》、《風湧新竹》;衛武營輕歌劇《憨第德》、《被遺忘的瑪麗亞》;國家交響樂團 《風流寡婦》、《蝴蝶夫人》、《音樂的魔法共遊》。高雄雄厲害系列《魂顛記-台灣在地魔幻事件》。歌劇作品《茶花女》及舞蹈作品《Identity》分別入選 2017 及 2022 世界劇場設計展(World Stage Design,WSD)燈光設計專業組。
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南熠樂集
\n\n南熠樂集成立於2010年,致力於異業合作、跨領域劇場、音樂教育劇場演出,並且提供學校、企業以及各式活動的專場節目規劃演出。南熠樂集以西方古典室內樂為表演基礎,在各式議題中尋找素材,並關注於本土文化,讓西方音樂以全新姿態呈現在觀眾面前。目前專注於音樂劇場形式開發、社區藝術發展及藝術推廣教育,也發表全新國人作曲家創作作品,以跨領域合作呈現,2017年起與融聲創意技術合作,嘗試將科技互動技術應用於表演當中。持續發表全新製作節目。2018年起於鳳山發起跨蝦米藝術節,提供跨領域藝術家合作及創作平台,同時推動地方藝術、文化平權發展。
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獨家贊助
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\n',team:""},english:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e9bb1264268cb97e90d84e2c2823e7b4",title:"The Ballet Concert - Into the Fantasy of Nutcracker I"}],related:[],title:"The Ballet Concert - Into the Fantasy of Nutcracker I",cover:"93d58c5e0554d40a7b72c9cd6476d03e",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
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Welcome to the Snowflake Kingdom
\n\nWeiwuying's Winter Gift - Snowflakes take flight, inviting you to enter the magical world of The Nutcracker.
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Adapted from TCHAIKOVSKY's classic ballet The Nutcracker, renowned dancer YEH Ming-hwa, conductor CHANG Yin-fang, and Nan Yi Ensemble Studio collaborate to present a contemporary rendition of the Nutcracker story for this generation. YEH, a masterful interpreter of the encounters between people and time-space through physicality and the senses, employs contemporary narrative techniques to guide the audience through reality and the story of The Nutcracker: Christmas celebrations, meeting the Nutcracker Prince, battling the Mouse King, and the vibrant Snowflake Kingdom. The fantastical scenes mirror the harshness and beauty of reality. This magical journey will transport adults back to their childhood and ignite boundless imagination in children. The performance showcases a chamber orchestra of 16 musicians who join Taiwan's elite dancers for a captivating feast of music and ballet.
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Synopsis
\n\nThe protagonist, a quiet yet keenly perceptive girl, consistently feels out of place among her peers at school. One day, while flipping through a pop-up book, she embarks on a dream-like adventure, encountering the Nutcracker and the Sugar Plum Fairy. Throughout this enchanting journey, the trio confront their fears and embrace hope together.
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About Into the Fantasy of Nutcracker
\n\n"The complexities and beauty of reality are mirrored in the dream world. Some aspects appear more beautiful, while others take on a darker tone; everything transforms into characters and plotlines within the story. Growing up is akin to The Nutcracker, imbued with "courage" and "fantasy," with people and events along the way adding diverse hues to the journey. Through the companionship of fairy tales, the magic seeps into reality, supporting us step by step as we continue to grow and learn. In wondrous winter, we all embody the spirit of the girl who meets the Nutcracker, allowing the story to infuse us with limitless courage."——YEH Ming-hwa
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About TCHAIKOVSKY and PETIPA's The Nutcracker
\n\nIn 1891, TCHAIKOVSKY composed the music for the ballet "The Nutcracker" based on HOFFMANN's The Nutcracker and the Mouse King. The ballet choreographed by PETIPA evolved into the widely known modern version, exuding warmth and childlike wonder. The story of The Nutcracker unfolds during the hope-filled Christmas season when the protagonist, Clara, receives a Nutcracker as a gift. Once everyone has fallen asleep, the Nutcracker transforms into a prince, and he embarks on a fantastical journey with Clara. Together, they battle the Mouse Army, defeat the Mouse King, and explore the enchanting realms of the Snow and Sugar Plum Kingdoms. Amid the feasts and celebrations, Clara gradually awakens to find it was all a dream. For over two centuries, the story of The Nutcracker has captivated people with its sincerity and mystical allure, serving as a key that unlocks the boundless world of imagination.
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Pre-talk
\n\n12/23(Sat)19:00-19:20 Concert Hall 3F Lobby
\n\n12/24(Sun)14:00-14:20 Concert Hall 3F Lobby
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Program
\n\nP. TCHAIKOVSKY: The Nutcracker, Ballet in two acts, Op.71 (arr. Ronald Kornfeil)
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Act I
\n\n1. Overture
\n\n2. Scene 1 - The Christmas Tree
\n\n3. Scene 2 - March
\n\n4. Scene 4 - Dance Scene & Arrival Of Drosselmeyer
\n\n5. Scene 5 - Scene & Grandfather's Dance
\n\n6. Scene 6 - The Magic Spell Begins
\n\n7. Scene 7 - The Battle Between The Nutcracker & The Mouse King
\n\n8. Scene 8 - Scene In The Pine Forest(Journey Through The Snow)
\n\n9. Scene 9 - Waltz of The Snowflakes
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Act II
\n\n10. Scene 11 - Clara & The Prince
\n\n11. Scene 12 - Divertissement, Chocolate - Spanish Dance
\n\n12. Scene 12 - Divertissement, Coffee - Arabian Dance
\n\n13. Scene 12 - Divertissement, Tea - Chinese Dance
\n\n14. Scene 12 - Divertissement, Trepak
\n\n15. Scene 14 - Pas de Deux - Dance of The Prince & the Sugar-Plum Fairy
\n\n16. Scene 14 - Variation I- Tarantella
\n\n17. Scene 14 - Variation II - Dance Of The Sugar-Plum Fairy
\n\n18. Scene 15 - Final Waltz & Apotheosis
\n\n\n\n
Creative and Production Team
\n\nProduction Consultant|CHOU Shu-yi
\n\nChoreographer & Playwright|YEH Ming-hwa
\n\nArtistic Consultant & Costume Consultant|LIN Ching-ju
\n\nConductor|CHANG Yin-fang
\n\nStage Designer|CHOU Chih-wei
\n\nLighting Designer|KUO Chien-hao
\n\nCostumes|YEN Liang-su(Supervisor), YANG Kai-lin(Assistant), TSENG Yu-hsuan, Wang You-zheng, NG Hoi-yan, Liu Bi-sheng, WANG Jo-hua, WU Chi-jui, LIN Po-tai, CHANG Chi-wen, CHEN Yu-jen, HSIEH Lian-yu
\n\nEnsemble|Nan Yi Ensemble Studio
\n\nRehearsal Assistant|WONG King-hei
\n\nDancer|WANG Yun-ching, HO Yu-chieh, LIN Yi-chi, LIN Yu-jhih, CHIU Po-sheng, TANG Wan-yu, KUO Jung-an, TSAI Yi-tsen, CHENG Tzu-tung, LAI Ming-yueh, SHIUE Ren-kai, SU Tzu-ting
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Musicians
\n\nViolin I|CHEN Ming-han
\n\nViolin II|SUN Meng-ching
\n\nViola|LIN Huan-ling
\n\nCello|HUANG Ping-chieh
\n\nDouble Bass|PAN Yung-pei
\n\nOboe|CHUNG Hsiao-hsuan
\n\nFlute|HUNG Tsui-yi
\n\nClarinet|WANG Kuan-chieh
\n\nClarinet / Bass Clarinet|LUO Zhi-yuan
\n\nBassoon|OU Yi-hsin
\n\nHorn|WEN Yu-ying
\n\nTrumpet|LIU Yu-chun
\n\nTrombone|KAO Tsung-wen
\n\nHarp|KUANG Yi-wen
\n\nPercussion|YEH Chia-an
\n\nPercussion|WU Kuo-hsuan
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Costumes are co-produced through the Project of Ballet Costume Design and Produce, by the collaboration between National Kaohsiung Center for the Arts (Weiwuying) and Dept. of Theatrical Design & Technology, TNUA.
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Teams Introduction
\n\nProduction Consultant|CHOU Shu-yi
\n\nFrom a corporeal perspective, CHOU Shu-yi uses dance as a language to communicate with the world and attentively observes the relationship between people and social environments. In his past creations and actions, he maximized the uniqueness of interdisciplinary thinking, which was well reflected in his depictions of the publicness of the arts. His creation focuses on a strong inquiry into the value of life, expresses different statuses of an individual or a crowd within different social contexts, provides a "corporeal lexicon peculiar to Asia," and manifests itself in the forms of theater, non-conventional theater, and dance video art. He continues to travel around different places through artist residencies. Invited to be Weiwuying Artist-in-Residence since 2020, he has been appointed as the curator of Taiwan Dance Platform for 2022 and 2024.
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Choreographer & Playwright|YEH Ming-hwa
\n\nBorn in Kaohsiung, Taiwan, Ming-hwa received her BFA in Dance from Taipei National University of Arts in 2006. Ming-hwa maps the dimensions of time and space through the body and senses. In 2019-2020 she was invited in Museum of Human Emotions Project, presented by Centro per la Scena Contemporanea, Bassano del Grappa (IT), La Briqueterie CDCN, Val-de Marne (FR), Saison Foundation (JP), and National Kaohsiung Center for the Arts (Weiwuying) (TW) performed in public space. The House Behind the Wall was commissioned by Taipei Fine Arts Museum, Taiwan at Wang Da Hong House Theatre in 2020 and won the Grand Prize of 19th Taishin Arts Award in 2021. Dancing Ballet, in collaboration with Kaohsiung City Ballet, commissioned the creation of Taiwan Dance Platform, National Kaohsiung Center for the Arts (Weiwuying) in 2022.
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Artistic Consultant & Costume Consultant|LIN Ching-ju
\n\nAs a renowned senior costume designer in Taiwan, Ching-ju Lin has worked in theatre for more than forty years. The over three hundred productions she has participated in show a great diversity ranging from modern theatre, traditional theatre, opera, dance theatre, puppet theatre, children's theatre, and interdisciplinary collaboration, in which she amazes us with her impressive creativity. Her recent devotion includes training a younger generation of theatre technicians, while she also spends a great amount of time sharing her experiences of art and theatre.
\n\nIn 1992, Sponsored by Fulbright Scholarship and Cultural and Arts Foundation, Lin studied and traveled in New York that year, while during the trip she also worked in the costume department in productions of New York City Ballet as well as the 50th anniversary production of New York City Opera. She was the recipient of the 10th National Cultural and Arts Award in 2006.
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Conductor|CHANG Yin-fan
\n\nCHANG Yin-fang was assistant conductor and resident conductor of the Taiwan Philharmonic (NSO) from 2006 to 2022. She is good at various cross-industry collaborations, all of which are well received. In addition, CHANG is actively involved in the publication of contemporary Asian music works. In 2018, she was invited to conduct the opening concert of the Asia-Pacific Music Festival and premiered the works of several composers. Her recent appearances include conducting new productions, such as The Man with the Compound Eyes and Tannhäuser (chamber version). In recent years, CHANG has been invited to cooperate with Orchestra Ensemble Kanazawa, City Chamber Orchestra of Hong Kong , Taipei Chinese Orchestra, Taiwan Philharmonic (NSO), Tainan Symphony Orchestra and Kaohsiung Symphony Orchestra.
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Stage Designer|CHOU Chih-wei
\n\nGraduated from National Sun Yat-sen University Master of Art in Department of Theater Arts, specializing in stage design, set production, and stage technology. Used to be a full-time lecturer in the Shu-Te University Department of Performing Art, set production technical director of Taipei Theater Stage Design and Production Company, and a professional theater design and technical worker. Began to work in 2002 and has participated in more than 300 performances in technology and design coordination.
\n\nStage design includes SONG SONG SONG Children's & Puppet Theater Le Petit Prince, SOMATIC THAETER COMPANY Stay with You, Shu-Te University Department of Performing Art production The Rocky Horror Picture Show, ANATAHAN, 2018KSAF Pulcinella, 2019KSAF Atlantis, HSU CHEN WEI DANCE COMPANY Sunboom.
\n\nTechnical director includes 2008 MING HWA YUAN ARTS & CULTURAL GROUP Penglai Daxian, Shakespeare's Wild Sisters Group Serenade, SMAP X SMAP, National Chinese Orchestra Taiwan Frozen Peony, Nan-Yi Musical Theater Industrial City, WEI WU YING production In Love with Gezaixi, Dancing Granny, Taiwan NOW Taiwanese Opera Aphrodite, BenFeng Music Productions The Turn of The Screw.
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Lighting Designer|KUO Chien-hao
\n\nKUO Chien-hao discovered his first lighting design at the National Taiwan University of Arts where he graduated in drama, and later received his MFA degree. He holds over 20 years' experience as a professional lighting technician and designer. His lighting design works include Summer Jazz, Opera-Studio series for NTCH, TEDx Taipei, Kaohsiung Spring Arts Festival -Verdi's La Traviata, The Hero Academy I & III, 2017-2021 Concert of the Presidential Office, Weiwuying opening season - Bernstein's Candide, and National Symphony Orchestra Opera Concert - Lehar's Die lustige Witwe, Puccini's Madama Butterfly. KUO's work "La traviata" and dance production "Identity" were selected for 2017 and 2022 World Stage Design, Professional designers-Lighting design category. He is now the head of the lighting team in National Kaohsiung Center for the Arts (Weiwuying).
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Nan Yi Ensemble Studio
\n\nNan Yi Ensemble Studio was founded in 2010, dedicated to interdisciplinary collaboration, music education performances, and providing tailored shows for schools, businesses, and various events. The ensemble is based on Western classical chamber music, seeking inspiration from various topics and paying attention to local culture, presenting Western music in a new form to the audience. Currently, the team focuses on developing music theater forms, community art development, and promoting art education. They also release new works by Taiwanese composers through interdisciplinary collaboration. Since 2017, they have collaborated with Zone Sound Creative Technology to explore the application of interactive technology in performances, and continue to release new productions. In 2018, they initiated the Fengshan Art Festival, providing a platform for interdisciplinary artists to collaborate and create, while promoting local art and cultural equity development.
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Sponsor
\n\n\n\n
\n',team:""},createdAt:1684376170,updatedAt:1701243562,updatedBy:"林蔚行",host:!0},{_id:"646595d465a7e80007bdee54",catalogs:["5aec45edb01ea6000520f655","5c1f073a5a5bea0006f3eb11","6007fc45ba34870007c22b8b"],dateTime:{first:1688554800,discrete:[{time:1688554800},{time:1690974e3},{time:1693998e3},{time:1696417200},{time:1698836400},{time:1701860400}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"藝術家介紹",content:'
\n\n
楊雅鈞
\n\n臺南安平人,自由藝術工作者。
\n\n2022波麗露在高雄 排練指導。
\n\n近年以身體表演創作的合作 –
\n\n廣藝劇場NO.6《與清醒夢》跨界劇場、顧鈞豪策劃《福爾摩沙的呢喃2.0 Formosa Whispering 2.0》音樂影像製作、羽日映像X無年無限共製 短片作品 《TUNNEL》、《因為相愛所以無限JUBY CHIU 2021 S/S 跨界時裝展演》、純屬虛構製作社《再製寫身》計劃。
\n\n\n\n
陳品霓
\n\n陳品霓出生於1998年來自嘉義,畢業於樹德科技大學流行設計系,2014年接觸了嘻哈文化街舞灌溉了身體的基礎,2022 衛武營國家藝術文化中心《波麗露在高雄》獨立舞者,開啟身體看見不同舞蹈的可能性,也擔任台北時裝周 Let go : FW22 projectbyh 舞者。內惟藝術中心邀約演出 《行走之間》擔任編舞者,高雄流行音樂中心影像港榮獲評審團大獎、人氣獎。
\n\n\n\n
林蔓葶
\n\n來自高雄,現為自由舞者。曾參與2022波麗路在高雄,2022 台北時裝周<Let go> 舞者。在當代舞中,持續找尋身體的更多發展,並同時在流行舞蹈中進修。主要風格為Jazz funk及高跟鞋。
\n\n\n\n
葉名樺
\n\n畢業於國立臺北藝術大學舞蹈學院,為臺灣知名舞蹈家。作品包含《一個的人美術館—寂靜敲門》、《編舞家葉名樺以—真實人體回應山姆‧詹克斯》、王大閎建築劇場X葉名樺《牆後的院宅》、《SHE》系列、《波光閃閃的房間》、《跳芭蕾》、《進入誰天堂》等。曾以《牆後的院宅》獲第19屆台新藝術獎「年度大獎」。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"44c1693eab51f175ae1bc45d33110f12",title:"2023【武營來跳舞】7-12月"}],related:[],title:"2023【武營來跳舞】7-12月",cover:"74ec7cea59782c0752befbbe4dde5f8a",site:{isOther:!0,site:"",other:"衛武營"},cautions:'
\n\n
大眾參與,與眾不同的舞蹈初體驗
\n\n跳舞是什麼?
\n\n《武營來跳舞》能滿足您對舞蹈的好奇,一起探索跳舞的樂趣!
\n\n為使愛跳舞、想嘗試跳舞的您有更多機會親近舞蹈,《武營來跳舞》在每個月的第一個星期三的晚上,與您相約在衛武營榕樹廣場西側平台。
\n\n透過不同舞團與藝術家帶領,認識舞蹈的基礎語言,探索舞動的美好,找尋你與他身體之間的共振。
\n\n邀請您報名參與,盡情享受舞蹈及活動空間,感受舞動的自由吧!
\n\n\n\n
下半年活動場次表
\n\n時間 | \n\t\t\t誰來跳舞 | \n\t\t\t跳什麼舞 | \n\t\t\t報名網址 | \n\t\t
---|---|---|---|
7/5(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:楊雅鈞 \n\t\t\t助教:楊以灣、吳兆容 | \n\t\t\t《擁抱身體,沈浸在美好的時光裡》 | \n\t\t\t立即報名 | \n\t\t
8/2(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:陳品霓 \n\t\t\t助教:李鈺婕、吳凱文 | \n\t\t\t《嘻哈星期三Having fun!》 | \n\t\t|
9/6(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:林蔓葶 \n\t\t\t助教:王雨婕 、朱浩沂 | \n\t\t\t《穿上你的高跟鞋》 | \n\t\t|
10/4(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:葉名樺 | \n\t\t\t由你跳浪漫芭蕾《仙女》 | \n\t\t\t立即報名 | \n\t\t
11/1(三) \n\t\t\t19:00-20:30 | \n\t\t\t由你跳古典芭蕾《胡桃鉗》 | \n\t\t||
12/6(三) \n\t\t\t19:00-20:30 | \n\t\t\t由你跳新古典芭蕾美學《小夜曲》 | \n\t\t
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課程簡介
\n\n7-9月「打開舞蹈的想像」
\n\n由衛武營駐地藝術家周書毅所發起的舞蹈演出計畫「波麗露在高雄」去年在高雄各地區起舞28場,今年我們繼續將沿山起舞。出發前,衛武營將邀請《1875拉威爾與波麗露》的排練指導楊雅鈞以及兩位舞者陳品霓、林蔓葶,來與我們分享他們的舞蹈訓練,從現代舞到街舞的練習,最後將請你一起在波麗露的樂曲中起舞。
\n\n\n\n
7/5(三) 《擁抱身體,沈浸在美好的時光裡》
\n\n與自己最親密的時刻,是當你可以觸碰到自己的身體,感受與呼吸並行 ,依著自己的步調,將身體逐漸地開展,與外面的世界產生聯繫, 身體,是生命旅程中的一條連通道,La Vie en rose~
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8/2(三) 《嘻哈星期三Having fun!》
\n\n街舞不再受限於年紀,喚醒身體聽見音樂而律動的本能,由嘻哈音樂帶動身體拆解進入最純粹最直接的身體感受,開啟一人在家享受音樂而舞蹈,一群人在相同節奏找到相同語言而同樂!
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9/6(三) 《穿上你的高跟鞋》
\n\n踩上高跟鞋,感受不一樣的姿態,找到屬於自己的舞動。課程中會帶領大家找到高跟鞋的重心,感受腳掌的力量,踩出新的舞步。高跟鞋不是模特兒的專屬,每一個人都可以從高跟鞋中找到自己那自信的步伐。
\n\n(備註:自備跟鞋,課程前面暖身可穿著舒適的布鞋。任何有跟的鞋子都適合,盡量是包鞋,涼鞋厚底鞋不適合。)
\n\n\n\n
10-12月
\n\n我們很常聽到「古典芭蕾」這一詞,有時又聽說「浪漫芭蕾」,或是「現代芭蕾」?到底區別為何?芭蕾舞的流派和風格變化隨著時間和地理而發展。芭蕾誕生於「義大利」,興盛於「法國」,而將芭蕾藝術推向鼎盛繁榮時刻的是「俄羅斯」。我將用三個不同時期的芭蕾舞劇中小品帶大家體驗芭蕾的經典與流變。
\n\n\n\n
10/4(三) 由你跳浪漫芭蕾《仙女》
\n\n浪漫芭蕾題材大多圍繞在「人與超自然事物」,例如精靈、幽靈、仙女等。並且通常具有更柔和的美感。舞劇都以帶有神秘力量的女角色為主線,奴役了凡人的心靈和感官。《仙女》La Sylphide首演於1832年,是芭蕾歷史最重要的芭蕾舞劇之一。
\n\n\n\n
11/1(三) 由你跳古典芭蕾《胡桃鉗》
\n\n三大古典芭蕾舞劇中的《胡桃鉗》是柴可夫斯基和馬蒂斯佩蒂帕的經典之一。聖誕季節最經典的芭蕾舞劇《胡桃鉗》人人喜愛的胡桃鉗組曲中,長笛吹出的飛舞般尖銳的旋律中國舞曲《茶之舞》,給人印象極為深刻。
\n\n\n\n
12/6(三) 由你跳新古典芭蕾美學《小夜曲》
\n\n喬治·巴蘭欽是新古典芭蕾美學的芭蕾代表。 沒有華麗的服裝和道具,注意力轉移到在舞者身上。 穿著簡單的緊身衣來突出動作。 他不相信音樂應該對應浪漫的故事,但動作必須與音樂直接相關。著名的《小夜曲》是舞蹈史上的一個里程碑。
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Artists Introduction",content:'
\n\n
YANG Ya-chun
\n\nYANG Ya-chun is a freelance artist hailing from Anping, Tainan who was the rehearsal director for the 2022 Bolero in Kaohsiung. In recent years, she has collaborated on various body performance projects. These include Quanta Theater NO.6 crossover with A Lucid Dream Performance, the music video production of Formosa Whispering 2.0 curated by GU Jun-hao, the short film TUNNEL by SSUNRISEstudio and oneyearnoyear, the JUBY CHIU 2021 S/S INFINITE crossover fashion show, and the Reenactment in the found footage project by Almost fiction production.
\n\n\n\n
CHEN Pin-ni
\n\nCHEN Pin-ni, a '98er from Chiayi, graduated from the Department of Fashion Design at Shu-Te University. First exposed to hip-hop culture in 2014, she immersed herself in street dances, which later became the cornerstone of her performances. As a solo dancer, she explored her body’s capabilities for other dance types in the 2022 Bolero in Kaohsiung at the National Kaohsiung Center for the Arts (Weiwuying). She was invited to perform at the Let go: FW22 projectbyh during Taipei Fashion Week and choreographed At Walk for Neiwei Arts Center. She then won the Grand Jury Prize and Popularity Award for the Image Harbor contest hosted by Kaohsiung Music Center.
\n\n\n\n
LIN Man-ting
\n\nAs a freelance dancer from Kaohsiung, LIN Man-ting participated in Bolero in Kaohsiung for Weiwuying and Let go for Taipei Fashion Week in 2022. She continues to refine her contemporary dance performances while learning more popular dances, focusing mainly on jazz funk, and stiletto.
\n\n\n\n
YEH Ming-hwa
\n\nGraduated from School of Dance of Taipei National University of Arts, YEH is a renowned Taiwanese dancer. Her works include The Serene Gallery Performance X Exhibition, Choreographer Ming-Hwa Yeh Responds to Sam Jinks with Her Body, Wang Da Hong House Theatre X Ming-Hwa Yeh The House Behind the Wall, the SHE series, A Room by the Sea, and Paradise, Who?. She was awarded the Grand Prize at the 19th Taishin Arts Award for The House Behind the Wall.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"44c1693eab51f175ae1bc45d33110f12",title:"2023【武營來跳舞】7-12月"}],related:[],title:"2023 Weiwuying 365+ DANCE July-December",cover:"74ec7cea59782c0752befbbe4dde5f8a",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:"",benefits:"",description:" ",introduction:'\n\n
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Sessions
\n\nDate | \n\t\t\tCourse | \n\t\t\tRegistration Link | \n\t\t
---|---|---|
7/5(Wed) \n\t\t\t19:00-20:30 | \n\t\t\t\n\t\t\t Embrace Your Body and Soak in the Good Times \n\t\t\t | \n\t\t\tRegistration | \n\t\t
8/2(Wed) \n\t\t\t19:00-20:30 | \n\t\t\tHip-Hop Wednesday , Having fun! | \n\t\t|
9/6(Wed) \n\t\t\t19:00-20:30 | \n\t\t\tKick Up Your Heels | \n\t\t|
10/4(Wed) \n\t\t\t19:00-20:30 | \n\t\t\tYour Turn to Dance the Romantic Ballet La Sylphide | \n\t\t\tRegistration | \n\t\t
11/1(Wed) \n\t\t\t19:00-20:30 | \n\t\t\tYour Turn to Dance the Classical Ballet The Nutcracker | \n\t\t|
12/6(Wed) \n\t\t\t19:00-20:30 | \n\t\t\t\n\t\t\t Your Turn to Dance the Neo-Classical Ballet Serenade \n\t\t\t | \n\t\t
\n\n
Introduction
\n\nJuly to September
\n\nBolero in Kaohsiung project in 2022, initiated by Weiwuying Artist-In-Residence-CHOU Shu-yi, featured 28 dance performances in various local areas. This year, we are scaling new mountain heights with YANG Ya-chun, who served as the rehearsal assistant for the 1875 Ravel and Bolero, as well as dancers CHEN Pin-ni and LIN Man-ting, who will be sharing their expertise in modern and hip-hop dances. We invite you to dance along with us to Bolero music.
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7/5(Wed) Embrace Your Body and Soak in the Good Times
\n\nThe most intimate moment with yourself is when you can touch your own body, feel and breathe side by side, and gradually develop your body at your own pace to connect with the outside world.
\n\nLa Vie en rose~
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8/2(Wed) Hip-Hop Wednesday , Having fun!
\n\nStreet dance is no longer limited by age, awakening the body's instinct to hear the music and rhythm, driven by hip-hop music to dismantle the body into the purest and most direct physical sensations, inspired for one person to enjoy music and dance at home, and a group of people to find the same language in the same rhythm and have fun together!
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9/6(Wed) Kick Up Your Heels
\n\nStep on the heels, feel the different posture, and find your own dance. The course will lead you to find the center of gravity of high heels, feel the power of your feet, and step on new dance steps. High heels are not exclusive to models, everyone can find their own confident steps from high heels.
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October to December
\n\nWe often hear of ballet as "classical", "romantic", or even "contemporary", but how do they differ? The truth is various schools and styles of ballet developed over time and in diverse geographical locations. Originating in Italy, ballet gained popularity in France and flourished in Russia. Below are ballet shorts from 3 distinctive periods to introduce classic works and changes in the history of ballet.
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10/4(Wed) Your Turn to Dance the Romantic Ballet La Sylphide
\n\nBallet themes generally encompass humans and the supernatural with gentle aesthetics including elves, spirits, and fairies. The protagonists are usually women with mysterious power who enslave the souls and senses of common people. Premiering in 1832, La Sylphide marks one of the major cornerstones of ballet history.
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11/1(Wed) Your Turn to Dance the Classical Ballet The Nutcracker
\n\nThe Nutcracker, one of 3 classical ballets, was a masterpiece by TCHAIKOVSKY and Marius PETIPA. In this iconic Christmas suite, high-pitched swirling flute from the Chinese Tea Dance leave a strong impression on listeners.
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12/6(Wed) Your Turn to Dance the Neo-Classical Ballet Serenade
\n\nGeorge BALANCHINE is a symbol of neo-classical ballet aesthetics. Without fancy costumes and props, the audience's focus is solely on the dancer. Sporting a simple bodysuit, he draws attention to his movements, which he believes have to directly connect to the music instead of the romantic atmosphere of the story. His famous Serenade is a milestone in the history of dance.
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出發 vs. 轉乘 vs. 抵達。
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機遇 vs. 選擇 vs. 命運。
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靜止 vs. 加速。
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反射 vs. 透明。
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熟悉 vs. 陌生。
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私人 vs. 公共。
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受限 vs. 跨越。
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明亮的頭燈 vs. 漆黑的隧道。
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過去 vs. 未來...
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我們對火車的着迷既是一種懷舊情懷—另一個時代,另一片土地的夢想,也是一種象徵:生命就是沿著這條彎彎曲曲的軌道前進,穿越山谷和平原。我們坐在火車上,目光緊盯著窗外,看著自己的眼睛映照在不斷變換的風景上。淚別、期盼重逢,在車廂內偶然相遇,一群素昧平生的陌生人卻有著一個共通點:我們都要去某個地方。我們離開的原因也許不同,但我們相聚在兩段人生之間懸置的瞬間,告別一個生命,準備邁向另一個。
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衛武營會員綁定OPENTIX
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\n\n優惠方案
\n\n團票優惠
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驚險的特技……融合了生猛美感和對人體的頌揚,讓人驚嘆不已。——美國《拳擊百老匯》
\n\n整部作品令人難以置信。《魔幻列車》不僅將馬戲藝術作為一種奇觀,還將其作為沈浸式敘事的工具。戲劇性特技表演的出其不意,讓整個演出感覺像是魔法。《魔幻列車》的製作要素完美融合,成就一場具規模的驚奇演出。這場演出的美感和創意使其成為所有觀眾都必看的節目。——美國《哈佛深紅報》
\n\n影片來源:YouTube(Les 7 doigts de la main)
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創團至今21年,常駐蒙特婁的加拿大七手指特技劇場(Les 7 Doigts)標榜「以超凡的技巧,說平凡的故事」。英國《衛報》曾如此評論道:若將太陽劇團比做好萊塢動作大片,加拿大七手指特技劇場則是獨立電影。他們以戲劇性取代絢麗的大場面,為高超的馬戲技術注入細膩的情感。《魔幻列車》以鐵路為主題,呈現生命中的各式悲歡離合,以及鐵路與生命經驗的緊密交織。開場時,表演者們坐在椅子上,同步呼吸。突然之間,彷彿軌道轉轍器被開啟,節奏開始錯落。漸漸地,眾人的呼吸營造出猶如火車加速運轉的聲響,一場奇想之旅就此揭序。看似平凡無奇的日常情景,經過加拿大七手指特技劇場巧手一碰,成為奇想無限的多重宇宙。
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本作品綜合劇場、舞蹈、音樂、投影等元素,結合精練的調度雕塑出獨樹一格的馬戲美學。雖然涵蓋多種馬戲元素,不僅不流於炫技,反倒體現其欲探索的微妙人際平衡。看看月台上、隧道中、車廂內、鐵軌間的風景,欣賞呼拉圈、高空綢吊、雜耍、柔身術、高空鞦韆頂、鋼管、俄羅斯搖籃等馬戲項目。搭上《魔幻列車》,旅途即是目的地。
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演前導聆
\n\n12/15(五)19:00 歌劇院二樓大廳
\n\n12/16(六)14:00 歌劇院二樓大廳
\n\n12/17(日)14:00 歌劇院二樓大廳
\n\n主講:方意如
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文章閱讀
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延伸閱讀
\n\n►衛武營Call Cue 青少年_加拿大七手指特技劇場《魔幻列車》
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周邊活動
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演出暨製作團隊
\n\n導演、編劇、編舞|夏娜.卡蘿爾
\n\n演出者|德澤维多.格里洛.愛德華多、伊加拉莫.馬可、奧羅茲科.阿曼達芮妮、尼瓦.内拉馬利特、里維拉勞格魯德.聖地亞哥、德薩林 賴特.凱薩 羅西娜艾琳娜、特倫布萊 布沙爾.梅里亞德、貝茲.埃里克惠特克、喬亞.路易
\n\n舞台佈景|安娜.卡佩魯托
\n\n音樂總監|科林.加涅
\n\n影片設計|強尼.蘭傑
\n\n燈光設計|艾瑞克.尚普
\n\n燈光技師|福伊.洛立安
\n\n服裝設計|卡蜜兒.提博-貝達爾
\n\n文本|夏娜.卡蘿爾、康納.懷爾德
\n\n巡演經理|比隆.紀堯姆
\n\n專案經理|莎賓娜.吉爾伯特
\n\n技術總監|西蒙.拉尚斯、赫昂.路易
\n\n技術統籌|貝爾齊爾.奧黛麗
\n\n視聽人員|阿姆施塔特.邁克爾
\n\n索具設計|史蒂芬.伯榭、尼可拉.勒米厄
\n\n裝置操作員|茹安諾.馬克思
\n\n音樂、歌詞、聲音設計與編排|科林.加涅
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團隊介紹
\n\n加拿大七手指特技劇場
\n\n加拿大七手指特技劇場是一個獨一無二的藝術團隊。2002年,七位創辦人著手重新定義馬戲表演,將壯闊的視覺奇觀去蕪存菁。
\n\n這個當代團體透過挑戰極限的特技,以及讚頌生命的劇場性格,展現七手指獨有的風格。自從成立以來,該團隊從自己的經典劇目巡迴,發展出了形式多樣的戲劇體驗,如親密的獨角戲、大型場館演出、百老匯音樂劇、聯手國際知名藝術家和團體、設計與導演、特別企劃、奧林匹克典禮、電視轉播節目、時尚、藝術和音樂活動、沉浸式體驗等等。每一個項目都帶著七手指鮮明的風格。
\n\n為了拓展其創作版圖,七手指持續雜揉不同風格和探索新敘事型態。著迷於人生百態的七手指,藉由表演來慶祝我們共有的世界、時代和人性。他們的演出足跡遍及全球,無論走到哪都能讓觀眾為之起立喝彩。
\n\n2018年,加拿大七手指特技劇場在蒙特婁市中心劇院區開設他們專屬的創作暨製作中心,將團隊的所有活動、工作部門和夢想集中在一個屋簷下。
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了解更多
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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Departure vs. transit vs. arrival.
\n\nChance vs. choice vs. destiny.
\n\nStillness vs. acceleration.
\n\nReflection vs. transparency.
\n\nFamiliar vs. foreign.
\n\nPrivate vs. public.
\n\nConfinement vs. border-crossing.
\n\nBright headlights vs. tunnel-darkness.
\n\nPast vs. future…
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Our fascination with trains is both a nostalgic one—dreams of another era, another land—and a symbolic one: life happens along this track of sorts, twisting and turning through valleys and plains. We speed through lands all the while staring out the window, at the reflection of our very own eyes superimposed upon the shifting landscape. Tearful goodbyes, anticipatory reunions. Fateful encounters inside the cabin. A community of strangers with one thing in common: we all have somewhere to go. Our reasons for leaving may differ but we are joined in a moment of suspended limbo between two lives, as we say goodbye to one and prepare for another.
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Performances of death defying feats … mixed with a raw beauty and a celebration of the human body that was breathtaking.——Boxing Over Broadway, USA
\n\nThe entire production is incredible. Passagers uses circus art as not just a spectacle, but a tool for immersive storytelling. The unexpectedness of these dramatic stunts makes the show truly feel like magic. In Passagers every element of production came together to create a show that creates wonder of the same magnitude. The beauty and ingenuity of this show make it a must-see for all audiences. ——The Harvard Crimson, USA
\n\n© YouTube(Les 7 doigts de la main)
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Over the past 21 years, Les 7 Doigts, a Montreal-based circus company, has been "tell[ing] human stories with superhuman skills," opting for theatricality over flamboyance and imbuing their superb circus craft with sentiment. The Guardian once made a cinematic analogy: if Cirque du Soleil is the action-packed blockbuster, Les 7 Doigts is the indie film. Using the railway as its theme, Passagers presents farewells, new beginnings and reminiscences, and the intertwining of the railroad and the human experience. In the opening scene, the performers are seated, breathing in sync. Suddenly, as if the tracks diverged, the rhythm began to stagger. Gradually, the overlapping breaths transform into the sound of a moving train. Thus, a wondrous journey begins. Seemingly ordinary scenes become a multiverse of infinite wonders with the magic touch of Les 7 Doigts.
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Passagers blends theater, dance, music, and projection into a unique circus aesthetic. It is not a mere demonstration of technical prowess but the exploration of the delicate balance of interpersonal relations. You will discover sceneries on the platforms, in the tunnel, inside the cabin, and between the tracks, and enjoy an abundance of circus acts, including hula hoops, aerial silk, juggling, contortion, hand-to-trap, the Chinese pole, and the Russian cradle. On board Passagers, the journey is the destination.
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Pre-talk
\n\n12/15 Fri. 19:00 Opera House 2F
\n\n12/16 Sat. 14:00 Opera House 2F
\n\n12/17 Sun. 14:00 Opera House 2F
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Creative and Production Team
\n\nDirector, Writer and Choreographer|Shana CARROLL
\n\nPerformers|
\n\nEduardo DE AZEVEDO GRILLO, Marco INGARAMO, Amanda renee OROZCO, Nella maarit NIVA, Santiago RIVERA LAUGERUD, Kaisha Rosina Elena DESSALINES WRIGHT, Méliejade TREMBLAY-BOUCHARD, Eric Whitaker BATES, Louis JOYAL
\n\nScenography|Ana CAPPELLUTO
\n\nMusical Director|Colin GAGNÉ
\n\nVideo Designer|Johnny RANGER
\n\nLighting Designer|Éric CHAMPOUX
\n\nLighting Technician|Lorianne FOISY
\n\nCostume Designer|Camille THIBAULT-BÉDARD
\n\nTexts|Shana CARROLL, Conor WILD
\n\nTour Director|Guillaume BIRON
\n\nProject Manager|Sabrina GILBERT
\n\nTechnical Director|Simon CARRIÈRE LEGRIS, Michel BISSON, Louis HÉON
\n\nTechnical Coordinator|Audrey BELZILE
\n\nAudiovisual technician|Michael AMSTADT
\n\nCreation Rigger|Stéphane BEAUCHET, Nicolas LEMIEUX
\n\nRigger|Max JOUANNEAU
\n\nMusic, Lyrics, Sound Designer and Arrangements|Colin GAGNÉ
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Team Introduction
\n\nLes 7 Doigts
\n\nLes 7 Doigts is an arts collective unlike any other. In 2002, the 7 founders set out to redefine circus by stripping down the spectacle to its thrilling essence.
\n\nThe contemporary company tells stories using death-defying acrobatics with a life-affirming theatricality that is unique to Les 7 Doigts. Since its inception, the company has expanded from its own signature touring shows to creating theatrical experiences as diverse as the very artistic directors themselves: original productions varying from intimate one-man shows to large-scale arena performances, Broadway musicals, artistic collaborations with renowned international artists and companies, production design and direction, special events, Olympic ceremonies, televised performances, fashion, art and music events, immersive experiences and much more.
\n\nEvery one of these projects carries Les 7 Doigts' unequivocal mark. The company has consistently spread its horizons by mixing genres and exploring new ways to tell stories. Fascinated by the human condition, Les 7 Doigts create performances that celebrate our world, our time and our humanity. Their shows tour the globe and bring audiences to their feet wherever they go.
\n\nIn 2018, Les 7 Doigts opened their very own Centre of Creation and Production. Situated in the heart of Montreal's downtown theater district, the new centre houses all of the company's activities, departments and dreams under one roof.
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More
\n\n►2023 Weiwuying Circus Platform
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圓劇團 《交陪曲》
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圓劇團
\n\n所有的創作行動與觀點皆連結所依附的土地和文化,尋求民間技藝與當代馬戲的實踐與探索,讓創作自然地呈現出有機的人性與溫度。藉由民間技藝與馬戲的演出分享,與觀眾彼此連結及對話,以真實又詩意的感受,產生對社會的哲思。
\n\n重要作品:《手路》、《狂想‧洪通》、《悲傷ㄟ曼波》、《噶哈巫!斷語?》、《如果你還在》。作品曾入圍「台新藝術獎」、「松菸Lab新主藝」、「臺灣當代文化實驗場CREATORS進駐創作」、「雲門羅曼菲獎助金」、「雲門創計畫」、「2018-2021文化部扶植青年藝術計畫」、「文化部媒合演藝團隊進駐計畫-總爺藝文中心、蕭壟文化園區」等。
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林正宗
\n\n苗栗通霄人,臺灣藝術大學戲劇學系碩士班畢業,當代馬戲表演與創作者、藝術教學。透過傳統藝術、身體、物件操控與空間的互動,持續進行「臺味馬戲」的探索與創作;在表演藝術教學方面,發展獨特的生活節氣與在地元素的藝術課程,並於新竹道禾實驗學校、臺北青禾華德福、LIFT台北法國學校兼任藝術教師。
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虎劇團《打鐵人們》
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虎劇團
\n\n創立於2007年,由一群熱愛溜溜球與扯鈴的非科班年輕人所組成,自成軍以來,劇團的成員們獲獎無數,目標是將與眾不同的溜溜球與扯鈴表演帶給各地的觀眾。
\n\n無論是從街頭或從劇場的角度來看,溜溜球及扯鈴皆非最主流的表演藝術。雖然扯鈴因為被列為體育項目而較為大眾所知,但劇團仍期許能持續製作展演節目,讓此民俗技藝跨界結合科技,並透過表演藝術的推廣,引領風潮。
\n\n不單只是比拚技巧,也呈現劇場美學,虎劇團繼續用不同的詮釋手法來挑戰傳統框架,型塑新風格,使雜技也能夠像舞蹈一樣敘說故事,演繹出有別於以往的創作模式,為街頭技藝建立新指標。
\n\n虎劇團從街頭表演藝術邁向國際舞台,藉由跳脫刻板印象與傳統窠臼,打造出嶄新創意,為臺灣保留本土文化並賦予其豐盈年輕的新生命。
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陳御弼
\n\n高雄人,英國 University of Essex MFA Theatre Directing 碩士、國立臺灣藝術大學戲劇研究所碩士。
\n\n劇場工作者,身份橫跨編劇、導演、表演,也從事戲劇教學、劇場翻譯及策展等工作,與各類型團隊和創作者多有合作及交流。作品橫跨音樂、舞蹈、戲劇、馬戲各領域,並曾赴北京、澳門等地演出。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"a6f7990c1b9311df84507a9cc0944bc6",title:"【2023衛武營馬戲平台】圓劇團 《交陪曲》+虎劇團《打鐵人們》"}],related:[],title:"【2023衛武營馬戲平台】圓劇團 《交陪曲》+虎劇團《打鐵人們》",cover:"f27acb3887e60391f8de3b36befbb354",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:'圓劇團 《交陪曲》
\n\n\n\n
這是一曲充滿臺味陣頭和馬戲的交陪饗宴,從土地的節慶生活中,迸發出純樸又具野性的風土篇章,讓我們在馬戲裡聽見與看見傳統的近未來交陪曲。
\n\n在節慶的酬神儀典與歡樂氣氛裡,民間藝術就是在地的馬戲樂章,演繹出生活文化的面貌,猶如是一朵朵在土地裡綻放出的野性花朵,無論過去、現在或未來,一直根植在生活、土地與民眾的想像連結中。表演內容結合當代馬戲、民間陣頭技藝、雜耍物件及民間音樂,演出濃厚地展現民俗陣頭的趣味性與熱鬧性,以此連結起每個人對土地與藝術的深刻靈魂,展現生活文化的動人故事。
\n\n\n\n
演出暨製作團隊
\n\n導演|林正宗
\n\n音樂設計|劉子齊
\n\n燈光設計|張景翔
\n\n舞台監督|張世諭
\n\n演出者|李俊陽、陳萱丞、徐岳緯、崔哲仁、李承漢
\n\n\n\n\n\n
虎劇團《打鐵人們》
\n\n給我一個軸承,我將轉動世界
\n\n曾獲2013年-2015年「WYYC世界盃溜溜球大賽」表演組創意金獎的虎劇團,團員由一群熱愛溜溜球與扯鈴的非傳統科班生所組成,自成軍以來,成員們屢獲大獎。本次將帶來新作《打鐵人們》,透過溜溜球及扯鈴轉動,再現工業化生產線於舞台上,呈現產業中千錘百鍊的職人精神,打造出一門華麗的視覺工藝。
\n\n世界微觀,生活中充斥著工業的製造與成品;微觀世界,工業中的核心製品之一是軸承。
\n\n從大到小、樣式多端的軸承具備特有屬性—「旋轉」,既能連動無數機關,亦轉動萬物運行。小小鋼鐵構件,創造了無限次元的道具模型,也牽引著溜溜球和扯鈴產生各種動作,透過表演者們目眩神迷的技巧,激發觀眾的想像力,建構出無限可能。在街頭,我們利用聽覺來帶動肢體構成表演;在劇場,我們透過肢體律動來創造聲音,藉由看得到的律動,帶出一場音符節奏饗宴。
\n\n\n\n
演出暨製作團隊
\n\n製作人|林興昱
\n\n執行製作|袁梅芬
\n\n導演|陳御弼
\n\n舞監|李忠貞
\n\n肢體指導|陳楷云
\n\n燈光設計|蘇峻白
\n\n裝置設計|戴瑞賢
\n\n音樂設計|卓士堯
\n\n舞台設計|周志瑋
\n\n造型設計|黃稚揚
\n\n創作協力|黃祺芳
\n\n導演助理|侯又加
\n\n造型設計助理|胡汶寧
\n\n製作助理|黃若茵
\n\n舞台設計助理|吳重諒
\n\n演出者|譚天、張子威、楊仁志、鄭湧蒼、蔡政龍、蘇冠宇
\n\n\n\n
本作品受衛武營高雄雄厲害演出創意計畫挹注
\n\n\n\n\n\n
演前導聆
\n\n2023/12/16(六)19:00 戲劇院二樓大廳
\n\n2023/12/17(日)14:00 戲劇院二樓大廳
\n\n主講:林正宗 圓劇團團長/導演、林興昱 虎劇團團長
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了解更多
\n\n\n\n\n\n
藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1686110400,end:4841827199},tabs:[{reference:[],type:"content",name:"Teams Introduction",content:'
Thunar Circus - Let's Kau-puê
\n\n\n\n
Thunar Circus
\n\nThunar Circus practices and explores folk acrobatics and contemporary circus. All of the company's creative actions and perspectives are connected to the land and culture where it is rooted, allowing the works to naturally express humanity and warmth. Our performances of folk acrobatics and contemporary circus speak to and connect with our audience, sparking reflections on modern society through genuine and poetic feelings.
\n\nImportant representative works: Main Agile, Hung Tung's Fantasy, and Melancholic Mambo.
\n\n\n\n
LIN Cheng-Tsung
\n\nLIN was born in Tongxiao, Miaoli. With a master's degree in Drama from National Taiwan University of Arts, he is a contemporary circus performer/artist as well as an art educator. He currently focuses on the production of contemporary circus performance. Combining traditional arts and the interaction between human body, objects and physical space, LIN continues to explore "Taiwanese circus." When teaching performing arts, he has developed unique art programs which combine solar terms and local elements. He is currently an art teacher at Natural Way Elementary School in Hsinchu and Qinghe Waldorf Institute in Taipei.
\n\n\n\n
W.H.O. Theatre - Phah-thih People Party
\n\n\n\n
W.H.O. Theatre
\n\nW.H.O. Theatre was founded in 2007 by a group of performers who are non-professionally trained but passionate for diabolos and yo-yos. Since its inception, the Theatre has garnered numerous awards and strives to bring unique diabolos and yo-yos performances to audiences worldwide. Despite being considered a sport in some circles, Diabolo is not a mainstream art form. However, by promoting the combination of technology and these skills through performing arts, the theatre hopes to set trends and establish itself as a producer of innovative shows. Rather than focusing solely on technical skills, the theatre uses unconventional interpretation methods to challenge traditional frameworks and to create a new style that showcases the aesthetics of theater. By telling stories with the same level of expressiveness as dance, the theatre aims to provide new benchmarks for street performers.
\n\nStarting from street performances, W.H.O. Theatre has made its way to international stages, breaking free from traditional and stereotypical frameworks to create novel ideas that infuse local culture with youthful vitality.
\n\n\n\n
CHEN Yu-pi
\n\nA Kaohsiung native.
\n\nHolds a Master of Arts in Theatre Directing from the University of Essex in England and a graduate degree in Drama from National Taiwan University of Arts.
\n\nHe is a theater practitioner whose work spans multiple areas, including scriptwriting, directing, acting, drama teaching, theatre translation, and curation. He has collaborated with various teams and artists across music, dance, drama, and circus and has performed in Beijing, Macau, and other places.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"a6f7990c1b9311df84507a9cc0944bc6",title:"【2023衛武營馬戲平台】圓劇團 《交陪曲》+虎劇團《打鐵人們》"}],related:[],title:"【2023 Weiwuying Circus Platform】Thunar Circus - Let's Kau-puê & W.H.O. Theatre - Phah-thih People Party",cover:"f27acb3887e60391f8de3b36befbb354",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
Thunar Circus - Let's Kau-puê
\n\n\n\n
Celebrating the festivity of the land, this dynamic fusion of Taiwanese folk parade and circus showcases a vibrant feast teeming with rustic and unbridled flavors of local culture. Through the spectacle of the circus, the audience is allowed to hear and see a performance conveying a traditional form of mingling and bonding known as kau-puê.
\n\nFolk arts that bond and bring joy to people in festive celebrations are themselves the circus of the land, illustrating pictures of life and culture. They are the wildflowers that spring from the earth and root deeply in the lives, land and imaginations of the communities unfettered by time. This performance blends contemporary circus, traditional folk art of religious parade, juggling, and folk music, brimming with the excitement and action of folk parade. The show establishes a profound connection between individuals, the land, and the arts, and recounts the moving stories of life and culture.
\n\n\n\n
\n\n
Creative and Production Team
\n\nDirector|LIN Cheng-tsung
\n\nMusic Designer|LIU Tzu-chi
\n\nLighting Designer|CHANG Ching-hsiang
\n\nStage Manager|CHANG Shih-yu
\n\nPerformers|LI Jiun-yang, CHEN Hsuan-cheng, HSU Yue-wei, James Neil TROY, LI Cheng-han
\n\n\n\n\n\n
W.H.O. Theatre - Phah-thih People Party
\n\nW.H.O. Theatre, consecutively awarded the "Creativity Award" of Artistic Performance division of World Yo-Yo Contest from 2013-2015, was founded by a group of performers who are non-professionally trained but passionate for diabolos and yo-yos. Since its inception, the Theatre has garnered numerous awards. In this new work, performers use the spinning motions of diabolos and yo-yos to recreate the industrial production line on stage. This aims to showcase the artisan spirit honed in the industry, and to forge a magnificent visual art.
\n\nThe world at a microscopic level is filled with industrial manufacturing and finished products. In this micro world, one of the core products in the industry is bearings.
\n\nIn various shapes and sizes, bearings possess a unique attribute of "spin", connecting countless mechanical components and driving the rotation of all things. Furthermore, bearing, a small steel component that creates endless dimensional models of props, is the foundation of all movements of diabolos and yo-yos that inspire limitless imagination through the dazzling skills of the performers. In street performances, we use hearing sense to stimulate movement, while in theaters, we create sound through physical rhythms. Through the visible movements derived from diabolos and yo-yos, we connect with the manufacturing process of industrial products.
\n\n\n\n
Creative and Production Team
\n\nProducer|Moyo LIN
\n\nExecutive Producer|YUAN Mei-fen
\n\nDirector|CHEN Yu-pi
\n\nStage Manager|LI Zhong-zhen
\n\nMovement Coach|CHEN Kai-yun
\n\nLighting Designer|SU Jun-bai
\n\nDevice Designer|Darry DAI
\n\nMusic & Sound Designer|JUO Shih-yao
\n\nStage Designer|CHOU Chih-wei
\n\nCostume Designer|Cutting HUANG
\n\nAssociate Creator|HUANG Qi-fang
\n\nAssistant to Director|HOU You-jia
\n\nAssistant to Costume Designer|HU Wen-ning
\n\nAssistant to Production|HUANG Juo-yin
\n\nAssistant to Stage Designer|WU Chung-luang
\n\nPerformers|TAN Tien, CHENG Tzu-wei, YANG Ren-chih, CHENG Yung-tsang, TSAI Jheng-long, SU Guan-yu
\n\n\n\n
Creation research supported by National Kaohsiung Center for the Arts (Weiwuying)
\n\n\n\n\n\n
Pre-talk
\n\n2023/12/16(Sat)19:00 Playhouse 2F
\n\n2023/12/17(Sun)14:00 Playhouse 2F
\n\n\n\n
More
\n\n►2023 Weiwuying Circus Platform
\n\n\n',team:""},createdAt:1685430928,updatedAt:1700558746,updatedBy:"林蔚行",host:!0},{_id:"6476fb5558ebc5000995ee45",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1702103400,discrete:[{time:1702103400},{time:1702189800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1e3,1200,1600,2e3,2500,3e3],link:"https://www.opentix.life/event/1661267253078573057"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"789faf7b2f707f84e48d9f8746b0b698",title:"優人神鼓35週年—經典《墨具五色》2.0"}],related:[],title:"優人神鼓35週年—經典《墨具五色》2.0",cover:"289b75bdf533e6a7fa1960f37e167c31",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
2023優人神鼓35週年,秉持「道藝合一」理念,傳承古文化「人的力量」。經過35年時間的淬鍊,優人再度回到原點,以身體之磨練,再探東方身體觀!
\n\n老子言:「吾所以有大患者,為吾有身,及吾無身,又有何患?」
\n\n\n\n
《墨具五色》2.0以老莊課題的角度,切入我們每一個人的生命叩問,藉由六個故事篇章,思考「道」之為何?心物整體亦或二元對立?並將加入亞洲太極好手共同深入身體探源,從形、意、心、氣的脈絡,一探老子從有身到無身之身體實踐。
\n\n\n\n
本次作品呈現的不僅僅是 創辧人劉若瑀、藝術總監黃誌群與老莊的對話,也是每一位演出者與當代環境危機的對話,在一連串叩問中傳遞優人的劇場美學,表達優人35年來的傳承及蛻變。
\n\n\n\n
演出曲目
\n\n恍兮惚兮
\n\n大鵬展翅
\n\n庖丁解牛
\n\n鼓盆而歌
\n\n莊周夢蝶
\n\n道隱無名
\n\n\n\n
演出暨製作團隊
\n\n藝術總監|黃誌群
\n\n導演|劉若瑀
\n\n燈光設計|林克華
\n\n影像設計|王奕盛
\n\n服裝設計|UUIN
\n\n笛|吳宗憲
\n\n潑彩藝術家|柯淑玲
\n\n書法題字|董陽孜
\n\n指導單位|文化部
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"789faf7b2f707f84e48d9f8746b0b698",title:"優人神鼓35週年—經典《墨具五色》2.0"}],related:[],title:"U-Theatre Group - Dào V. 2.0",cover:"289b75bdf533e6a7fa1960f37e167c31",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
While facing the post-epidemic era, the potential threat of AI development, the ecological crisis caused by climate change, and the external environment of various challenges, what is the strength and value of human beings?
\n\nLiu Ruo-yu and Huang Chi-chun invite you to have a talk with Lao Zhuang.
\n\nYear 2023 is the 35th anniversary of U-THEATRE, adhering to the concept of "integration of path/method and art", inheriting the ancient culture of "human power". After 35 years of tempering, U-THEATRE has returned to the original point, using the training of the body to explore the oriental body concept again!
\n\n\n\n
Program
\n\nGreat form has no shape
\n\nWings are all around the sky
\n\nCook was cutting up a bullock
\n\nDrum and sing
\n\nChuang Chou, dreamed I was a butterfly
\n\nTao is hidden and nameless
\n\n\n\n
Creative and Production Team
\n\nArtistic Director|HUANG Chih-chun
\n\nDirector|LIU Ruo-yu
\n\nLighting Design|LIN Keh-hua
\n\nVideo Designer|Ethan WANG
\n\nCostume Design|UUIN
\n\nChinese Flute|WU Tsong-shian
\n\nSplash Color Artist|KE Shu-ling
\n\nCalligraphy|TONG Yang-tze
\n\nAdvisor|Ministry of Culture
\n\n\n\n
\n',team:""},createdAt:1685519189,updatedAt:1686800030,updatedBy:"林蔚行",host:!1},{_id:"64a4da3be2e7f80007318fd4",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1701586800,discrete:[{time:1701586800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1800,2400,3e3],link:"https://www.opentix.life/event/1670454871586254849"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"027e013d7e62a641feffd8636b8688cf",title:"《丹奈爾四重奏×柴可夫斯基弦樂四重奏全集》"}],related:[],title:"《丹奈爾四重奏×柴可夫斯基弦樂四重奏全集》",cover:"ab4038c3b05188f95468db08d3b04a18",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
自1991年成立以來,丹奈爾四重奏持續活躍於國際音樂舞台上,經常受邀至各地演出重要音樂會,亦灌錄、發行多張具開創性、獲獎無數的CD。他們以大膽、濃厚的風格詮釋海頓、貝多芬、舒伯特、蕭士塔高維契、魏因貝格等人之弦樂四重奏作品為名,以生動及具新意的視角詮釋傳統弦樂四重奏曲目,贏得大眾及媒體的讚譽。他們2005年起受邀擔任曼徹斯特大學駐校音樂家,對於提攜年輕音樂家,尤其是弦樂四重奏組合有著使命感,積極參與教學以及大師班等活動。
\n\n\n\n
演出曲目
\n\n柴可夫斯基:D大調第一號弦樂四重奏,作品11
\n\n柴可夫斯基:F大調第二號弦樂四重奏,作品22
\n\n柴可夫斯基:降e小調第三號弦樂四重奏,作品30
\n\n\n\n
演出暨製作團隊
\n\n丹奈爾四重奏
\n\n小提琴|丹奈爾
\n\n小提琴|米勒
\n\n中提琴|波格達那
\n\n大提琴|馬克維契
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"027e013d7e62a641feffd8636b8688cf",title:"《丹奈爾四重奏×柴可夫斯基弦樂四重奏全集》"}],related:[],title:"Quatuor Danel vs. Tchaikovsky's String Quartets",cover:"ab4038c3b05188f95468db08d3b04a18",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Quatuor Danel is famous for their bold, concentrated interpretations of the string quartet cycles of Haydn, Beethoven, Schubert, Shostakovich, and Weinberg. Their lively and fresh vision on the traditional quartet repertoire has delivered them subsequent praise from public and press. The other part of their force lies in the collaboration with major contemporary composers such as Wolfgang Rihm, Helmut Lachenmann, Sofia Gubaidulina, Pascal Dusapin, Jörg Widmann and Bruno Mantovani. Russian composers have a special place in the Quatuor Danel's repertoire. In summer 2018 the complete Tchaikovsky quartets and Sextet 'Souvenir the Florence' was released with CPO and more recently the Hartmann Concerto for Clarinet and Quartet with the OPRL. The Danel is in residence in the Wigmore Hall for two seasons from 2023.
\n\n\n\n
Program
\n\nP. I. Tchaikovsky: String Quartet No. 1 in D Major Op. 11
\n\nP. I. Tchaikovsky: String Quartet No. 2 in F Major, Op. 22
\n\nP. I. Tchaikovsky: String Quartet No. 3 e-flat minor, Op. 30
\n\n\n\n
Creative and Production Team
\n\nQuatuor Danel
\n\nViolin|Marc Danel
\n\nViolin|Gilles Millet
\n\nViola|Vlad Bogdanas
\n\nCello|Yovan Markovitch
\n\n\n\n
\n',team:""},createdAt:1688525371,updatedAt:1688971661,updatedBy:"林蔚行",host:!1},{_id:"64a65f4209bc260007f21b9a",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1701257400,discrete:[{time:1701257400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1800,2400],link:"https://www.opentix.life/event/1673249191554760705"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2ea1d31452cbb19bea43f6a2f6acf693",title:"《奧地利鋼琴詩人-費爾納首度來臺鋼琴獨奏會》"}],related:[],title:"《奧地利鋼琴詩人-費爾納首度來臺鋼琴獨奏會》",cover:"7abdc13113cd86741524d30c59f228a1",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
費爾納演奏的莫札特是如此高雅而泰然自若,在藝術造詣上無懈可擊,如同我們被引人入勝的小說給深深吸引,以致於忘了閱讀本身。——《泰晤士報》
\n\n\n\n
奧地利鋼琴家費爾納在維也納求學時,向Helene Sedo-Stadler學習鋼琴,私下則與布蘭德爾、邁森伯格、Claus-Christian Schuster等人學習鋼琴。1993年奪得瑞士哈絲姬兒國際鋼琴大賽首獎之後,費爾納開始演奏生涯;2008-2010年間,費爾納在紐約、華盛頓、東京、倫敦、巴黎與維也納等地巡迴演出貝多芬的32首鋼琴奏鳴曲,大獲好評。自從2013年起,費爾納在蘇黎世高等藝術學校擔任教職。
\n\n\n\n
演出曲目
\n\n舒伯特:四首即興曲,D.935
\n\n第一號f小調,中庸的快板
\n\n第二號降A大調,稍快板
\n\n荀白克:六首鋼琴小品,作品19
\n\n舒伯特:四首即興曲,D.935
\n\n第三號降B大調,主題,行板,變奏曲式一至五
\n\n第四號f小調,詼諧的快板
\n\n莫札特:c小調幻想曲,K. 475
\n\n貝多芬:C 大調第 21 號鋼琴奏鳴曲《華德斯坦》,作品 53
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|費爾納
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2ea1d31452cbb19bea43f6a2f6acf693",title:"《奧地利鋼琴詩人-費爾納首度來臺鋼琴獨奏會》"}],related:[],title:"Till Fellner Debut Recital in Taiwan",cover:"7abdc13113cd86741524d30c59f228a1",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
"Scrupulous musicianship and an intelligence that palpably searches in all directions for stimulus." — The London Sunday Times
\n\n"Till Fellner is turning out to be one of the great musical chameleons." — Allan Kozinn, The New York Times
\n\nTill Fellner's international career began in 1993 with the 1st prize at the renowned Concours Clara Haskil in Vevey (Switzerland). Since then, he has been a sought-after guest at the major orchestras and the major music centres of Europe, the USA and Japan, as well as at numerous festivals.
\n\n\n\n
Till Fellner's international career began in 1993 with the 1st prize at the renowned Concours Clara Haskil in Vevey (Switzerland). Since then, he has been a sought-after guest at the major orchestras and the major music centres of Europe, the USA and Japan, as well as at numerous festivals. Over the past few years, he has dedicated himself to two milestones of the piano repertoire: The Well-Tempered Clavier of Johann Sebastian Bach and the 32 piano sonatas of Ludwig van Beethoven. He performed the Beethoven cycle from 2008 to 2010 in New York, Washington, Tokyo, London, Paris, and Vienna.
\n\n\n\n
Program
\n\nF. Schubert: 4 Impromptus, D.935
\n\nNo. 1 in f minor - Allegro Moderato
\n\nNo. 2 in A-flat major - Allegretto
\n\nArnold Schoenberg: 6 Little Piano Pieces, Op. 19
\n\nF. Schubert: 4 Impromptus, D.935
\n\nNo. 3 in B-flat major - Thema. Andante - Var. I – V
\n\nNo. 4 in f minor - Allegretto scherzando
\n\nW. A. Mozart: Fantasia in c minor, K. 475
\n\nL. v. Beethoven: Piano Sonata No. 21 in C Major “Waldstein”, Op. 53
\n\n\n\n
Creative and Production Team
\n\nPiano|Till Fellner
\n\n\n\n
\n',team:""},createdAt:1688624962,updatedAt:1688973122,updatedBy:"林蔚行",host:!1},{_id:"64b49d1ff21b460008256a60",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1701084600,discrete:[{time:1701084600},{time:1701171e3},{time:1705127400},{time:1705213800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3,1200,1400,1600,1800],link:"https://www.opentix.life/event/1669279993392955393"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ae5688f5266251968ced400601fd702b",title:"駿動畫配樂》交響音樂會 -2023 四度巡迴"}],related:[],title:"狂美《宮崎駿動畫配樂》交響音樂會 -2023 四度巡迴",cover:"981fbb07186dd9f7641607bed03f614c",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
「第一次的音樂會就獻給狂美,起初因為主題而感興趣,但因為這場音樂會給我了滿滿感動,眼眶都會泛淚,很謝謝狂美帶給我溫暖。我會因為今天的演奏完全變成狂美的粉絲,你們超棒。」—— 觀眾江小姐(職業:國小老師)
\n\n「導聆人對樂曲的介紹和聲響的解說都讓整場表演更加完整,並且喚起自身的回憶,更能引發聽者的共鳴。真的謝謝狂美樂團帶來如此精彩的音樂,原本處於低潮的我還想放棄來聽。幸好沒有,因為你們的音樂讓我沈浸到另一個世界,徹底的忘卻了煩惱與低潮的情緒,真真實實的撫慰了我的心靈。真的很謝謝你們,之後劇場再相見!」—— 觀眾陳先生(職業:科技業)
\n\n\n\n
宮崎駿的動畫一直伴隨著大家成長,在精彩動畫背後,一首首時而浪漫、時而溫馨、時而詼諧、時而壯闊的配樂,賦予動畫更多色彩與風味。而這些扣人心弦的樂音,即是出自於知名配樂大師-久石讓之手。這場音樂會,「狂美」從日本原裝進口精選的編曲版本,渴望精采呈現宮崎駿與久石讓歷年合作的經典動畫,並由與我們一起成長的電影明星-楊小黎導聆本場節目。在優美樂音中,期待與您重溫初次接觸宮崎駿動畫時的興奮與感動。
\n\n\n\n
演出曲目
\n\n久石讓:交響組曲《風之谷》|森田一浩編曲
\n\n久石讓:《天空之城》集錦|真島俊夫編曲
\n\n久石讓:《紅豬》|森田一浩編曲
\n\n久石讓:《魔法公主》精選|森田一浩編曲
\n\n久石讓:《霍爾的移動城堡》交響幻想曲|後藤洋編曲
\n\n久石讓:《魔女宅急便》集錦|天野正道編曲
\n\n久石讓:《神隱少女》|森田一浩編曲
\n\n久石讓:《龍貓》|後藤洋編曲
\n\n\n\n
演出暨製作團隊
\n\n製 作 人|劉可婕 (狂美交響管樂團 樂團總監)
\n\n監 製|謝韋民 (狂美交響管樂團 團長)
\n\n指 揮|
\n謝韋民(場次:2023/11/27、2023/11/28、2024/1/14)
\n巫竑毅(場次:2024/1/13)
導 聆|楊小黎 (電視金鐘女配角)
\n\n演出樂團|狂美交響管樂團
\n\n特邀嘉賓|將公告於本團臉書粉專,敬請期待!
\n\n視覺設計|呂純婷
\n文字撰稿|劉可婕
行銷協力|獨秀文化有限公司
\n\n音響執行|翰星藝聲光有限公司
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ae5688f5266251968ced400601fd702b",title:"狂美《宮崎駿動畫"}],related:[],title:"Symphonic Concert: Music from the Films of Hayao Miyazaki",cover:"981fbb07186dd9f7641607bed03f614c",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Hayao Miyazaki's animations have always been with everyone's growth. Behind the wonderful animations,there are some songs that are sometimes romantic, ometimes warm, sometimes humorous, and sometimes magnificent soundtracks, which give the animation more color and flavor. For this concert, the Orchestra specially imported selected arrangements from Japan, eager to present the classic animation of Hayao Miyazaki and Joe Hisaishi's collaboration, and hosted by the movie star Yang Shaoli who grew up with us.With beautiful music, I look forward to relive the excitement and touch of your first contact with Hayao Miyazaki animation.
\n\n\n\n
Program
\n\nJoe Hisaishi:Symphonic Suite "Nausicaä of the Valley of the Wind"|Arr. by Kazuhiro Morita
\n\nJoe Hisaishi:Highlights from "Castle in the Sky"|Arr. by Toshio Mashima
\n\nJoe Hisaishi:Porco Rosso|Arr. by Kazuhiro Morita
\n\nJoe Hisaishi:Selections from "Princess Mononoke"|Arr. by Kazuhiro Morita
\n\nJoe Hisaishi:Howl's Moving Castle: Symphonic Fantasy for Band|Arr. by Yo Goto
\n\nJoe Hisaishi:Highlights from "Kiki's Delivery Service"|Arr. by Amano Masamich
\n\nJoe Hisaishi:Spirited Away|Arr. by Kazuhiro Morita
\n\nJoe Hisaishi:My Neighbor Totoro|Arr. by Yo Goto
\n\n\n\n
Creative and Production Team
\n\nProducer|LIU Ke-chieh
\n\nDirector|HSIEH Wei-min
\n\nConductor|HSIEH Wei-min (2023/11/27、2023/11/28、2024/1/14)、WU Hung-I (2024/1/13)
\n\nHost|YANG Shiau-li
\n\nPerformer|Con Bello Symphonic Band
\n\nGraphic Designer|LU Chun-ting
\n\nCopywriter|LIU Ke-Chieh
\n\nMarketing|DO SHOW Cultural Co., Ltd.
\n\nSound Execution|Hanxingyi Sound & Light Co., Ltd.
\n\n\n\n
\n\n
\n',team:""},createdAt:1689558303,updatedAt:1698405928,updatedBy:"林蔚行",host:!1},{_id:"64b5fd489ef3550007c708e4",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1701516600,discrete:[{time:1701516600}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a088a7b24fa7f1a4925b3ca3f8c4f010",title:"《惟一最愛是你》"}],related:[],title:"「節目取消」《惟一最愛是你》",cover:"6b4572fdff152cddbfa727a818cbc35f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2023年12月2日(六)19:30於衛武營音樂廳演出之《惟一最愛是你》因故取消,造成不便,敬請見諒。 \n\n\t\t\t※退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
水流之音聖樂團以百餘人交響合唱團的編制來傳達這樣救恩的訊息,願所有參與音樂會的人都來享受這次豐盛的宴席,讓您靈魂體有最滿足的享受。我們也安排5首大合唱曲目與來賓們一同唱和,讓您也為神獻唱出讚美的歌聲。一同迎接2024這嶄新有盼望的一年。
\n\n\n\n
演出曲目
\n\n惟一最愛是你
\n\n遇見你們
\n\n這一生最美的祝福
\n\n恩典之路
\n\n我知誰掌管明天
\n\n得勝得勝,阿利路亞
\n\n揀選
\n\n奇異恩典
\n\n\n\n
演出暨製作團隊
\n\n演出團體|水流之音聖樂團
\n\n指揮|張佳韻
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a088a7b24fa7f1a4925b3ca3f8c4f010",title:"《惟一最愛是你》"}],related:[],title:"(Program cancelled) You are the One I Love Most",cover:"6b4572fdff152cddbfa727a818cbc35f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The program has been cancelled. For more information, please contact +886-2-2655-0066. | \n\t\t
\n\n
Sound of Living Stream Orchestra is composed by hundreds of people that convey the salvation message to everyone, and hope everyone enjoy this feast and the soul feel satisfied. We also arrange five songs to invite you to chorus with us to sing the beautiful melody for Gods. Let's greet the 2024 as a year of new hope.
\n\n\n\n
Program
\n\nYou are the One I Love Most
\n\nMeeting You
\n\nThe Most Beautiful Blessing in Life
\n\nThe Path Of Grace
\n\nI Know Who Holds Tomorrow
\n\nVictory! Victory! Hallelujah!
\n\nChoice
\n\nAmazing Grace
\n\n\n\n
Creative and Production Team
\n\nGroup|Sound of Living Stream Orchestra
\n\nConductor|Amy Chang
\n\n\n\n
\n',team:""},createdAt:1689648456,updatedAt:1697794022,updatedBy:"林蔚行",host:!1},{_id:"64b75792c65b300007abd501",catalogs:["5aec418cb01ea6000520f635","5aec4184b01ea6000520f633"],dateTime:{first:1702035e3,discrete:[{time:1702035e3},{time:1702121400},{time:1702189800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,700,1200,1500,1800,2e3,2600],link:"https://www.opentix.life/event/1663452492087873537"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e1a82a507fd159642a4a142aef1fd459",title:"《台北大空襲》音樂劇"}],related:[],title:"《台北大空襲》音樂劇",cover:"7666daf728145438eb74048cbb6e9821",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
臺灣原創暢銷百萬桌遊feat. 求生意志最強的音樂劇製作團隊
\n\n1945年5月31日,台北大空襲中,城市陷入火海。
\n\n2017年迷走工作坊開發的《台北大空襲》桌遊,在嘖嘖募資超過600萬,廣受好評!隨後推出《高雄大空襲》、《天火基隆》進階版
\n\n2023年同名PC遊戲《台北大空襲》上線,3D美術再現日治時期臺北,重現空襲體驗,直面戰爭殘酷。
\n\n本次三點水製藝文化與迷走工作坊攜手打造《台北大空襲》音樂劇,結合桌遊與電玩概念以2.5次元形式呈現角色和故事情節,帶給觀眾身歷其境感受!
\n\n\n\n
演出暨製作團隊
\n\n導演|高天恒
\n\n編劇|張元
\n\n音樂|康和祥
\n\n編舞|林聖倫(小馬)
\n\n授權單位|迷走工作坊 Mizo Games
\n\n主辦單位|三點水製藝文化有限公司
\n\n贊助單位|財團法人國家文化藝術基金會
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e1a82a507fd159642a4a142aef1fd459",title:"《台北大空襲》音樂劇"}],related:[],title:"Raid on Taihoku the Musical",cover:"7666daf728145438eb74048cbb6e9821",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
3Aqua Production Co., Ltd. collaborates with Mizo Games to create the musical "Raid on Taihoku." Combining board game and video game concepts, this innovative production presents characters and storylines in a captivating 2.5-dimensional format on stage, offering audiences a unique and immersive experience.
\n\n\n\n
Creative and Production Team
\n\nDirector|Tien Heng Kao
\n\nPlaywright|Yuan Chang
\n\nCompose|Robert Kang
\n\nChoreographer|Benson Lin
\n\nLicense|Mizo Games
\n\nOrganizer|3Aqua Production Co., Ltd.
\n\nSponsor|National Culture and Arts Foundation
\n\n\n\n
\n',team:""},createdAt:1689737106,updatedAt:1700476784,updatedBy:"林蔚行",host:!1},{_id:"64c0934282449b0007903f9c",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1702726200,discrete:[{time:1702726200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,700,900,1200,1600,2e3],link:"https://www.opentix.life/event/1676927991191367681"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4d15bf80c08c51daf780b10c574681cd",title:"《D聲迴盪》樫本大進與高市交"}],related:[],title:"《D聲迴盪》樫本大進與高市交",cover:"ee7af5cbc328de440f12262c26c3b092",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
王般的相遇D謎 永恆的苦甜瞬間
\n\n從小被譽為音樂神童的樫本大進,是多項國際音樂大賽的首獎得主,包括:1993年的曼紐因國際青少年小提琴大賽、1994年的科隆國際小提琴大賽、1996年的克萊斯勒國際小提琴大賽、1996年隆.提博國際大賽。他曾以最年輕學生的身份進入茱莉亞音樂學院預備學校,師事小提琴教母迪蕾(Dorothy Delay)。11歲樫本大進前往德國於呂北克音樂學院跟隨布朗(Zakhar Bron)學琴,1999年至2004年間在弗萊堡國立音樂學院跟隨前柏林愛樂管弦樂團首席庫斯摩爾(Rainer Kussmaul)學琴。
\n\n樫本大進於 Sony Classical 發行了一張奏鳴曲專輯,並與鄭明勳以及德勒斯登國立歌劇院管弦樂團發行了一張布拉姆斯協奏曲的專輯。2009 年起,樫本大進成為柏林愛樂管弦樂團的第一小提琴首席。
\n\n「D聲迴盪」音樂會是樫本大進首次與高雄市交響樂團合作演出,上半場將演出貝多芬唯一一首小提琴協奏曲《貝多芬:D大調小提琴協奏曲,作品61號》,由於這首協奏曲規模龐大、旋律優美典雅,更被譽為古典音樂界四大小提琴協奏曲之一,作為小提協奏曲3D,在音樂史上留下其不可或缺的重要性。
\n\n下半場則由高市交帶來德弗札克第七號交響曲,這首作品從首演後就獲得巨大的成功,被譽為與舒伯特第九號交響曲「偉大」以及布拉姆斯四首交響曲有著相同地位的作品,更是除了他最著名的第九號「新世界」外,最傑出的創作。
\n\n另一受矚目焦點,這場音樂會指揮是旅歐台灣指揮家鮑恆毅領軍高雄市交響樂團演出,青年指揮家鮑恆毅屢獲各項國際指揮大獎,其中,2019年獲波蘭Towards Polyphony國際合唱指揮大賽首獎及三大特別獎,為該賽事29年中唯一亞裔冠軍、臺灣第一位國際合唱指揮大賽首獎得主。雖常客居旅外但深愛台灣的鮑恆毅出身澎湖,自小接觸合唱音樂、主修雙簧管,於台北教育大學音樂系聲樂組時期開始學習合唱與管弦樂指揮,後於奧地利國立維也納音樂暨表演藝術大學管絃樂指揮、合唱指揮雙碩士。現任NSO國家交響樂團指揮助理、巴雀青少年絃樂團指揮的鮑恆毅還曾獲得斯洛維尼亞合唱指揮大賽亞軍、羅馬尼亞布加勒斯特交響樂團指揮大賽特別獎等;鮑恆毅與樫本大進二位傑出音樂家,將和高市交一起激撞出無法設限的火花。
\n\n\n\n
演出曲目
\n\n貝多芬:D大調小提琴協奏曲,作品61號
\n\n德弗札克:D小調第七號交響曲,作品70號
\n\n\n\n
演出暨製作團隊
\n\n指揮|鮑恆毅
\n\n小提琴|樫本大進
\n\n高雄市交響樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4d15bf80c08c51daf780b10c574681cd",title:"《D聲迴盪》樫本大進與高市交"}],related:[],title:"《RESONATE IN D》Daishin Kashimoto & KSO",cover:"ee7af5cbc328de440f12262c26c3b092",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Daishin Kashimoto collaborated with the Kaohsiung Symphony Orchestra for the first time, playing Beethoven's only Violin Concerto in the first half. Due to its grand scale and beautiful melody, Beethoven violin concerto in D major is also known as one of "The Greatest Four Violin Concertos" in the classical music world and has left an indispensable place in the history of music. In the second half, the KSO will perform Dvořák Symphony No.7 in D minor. Dvořák’s command of orchestration and of classical form completes the case for this work's very high position in the symphonic realm. Composed on a commission from the London Philharmonic Society, the work indeed makes a stir, from its ominous opening on through the rhapsodic contrasts of its four movements.
\n\n\n\n
Program
\n\nBeethoven: Violin concerto in D Major, Op. 61
\n\nDvořák: Symphony No.7 in d minor, Op.70
\n\n\n\n
Creative and Production Team
\n\nConductor|PAO Heng-yi
\n\nViolin|Daishin Kashimoto
\n\nKaohsiung Symphony Orchestra
\n\n\n\n
\n',team:""},createdAt:1690342210,updatedAt:1692158600,updatedBy:"林蔚行",host:!1},{_id:"64d2046db304460008c566e0",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1702639800,discrete:[{time:1702639800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1679401489001340929"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"857d6416e81049aa89258a386bf130a7",title:"《凝聚Ⅳ - 極地之光弦樂團》"}],related:[],title:"《凝聚Ⅳ - 極地之光弦樂團》",cover:"fc7a08701cb20151c8cc1c926ac3c34c",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
極地之光管弦樂團音樂總監暨指揮劉孟灝特別安排極地之光弦樂團在2023年一同演出英國作曲家霍爾斯特以英國民謠為基礎並融入民族情感的《聖保羅組曲》、德國作曲家孟德爾頌於13歲時,以古典風格所譜寫的《第8號弦樂交響曲》與擁有豐沛情感的俄國作曲家柴可夫斯基《C大調弦樂小夜曲》,透過這三首不同風格的樂曲,凝聚包羅萬象的聲響風景。
\n\n\n\n
演出曲目
\n\n霍爾斯特:《聖保羅組曲》,作品29之2
\n\n孟德爾頌:第八號D大調交響曲,作品18(給弦樂團)
\n\n柴可夫斯基:C大調弦樂小夜曲
\n\n\n\n
演出暨製作團隊
\n\n指揮|劉孟灝
\n\n樂團|極地之光弦樂團
\n\n導聆|陳希茹
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"857d6416e81049aa89258a386bf130a7",title:"《凝聚Ⅳ - 極地之光弦樂團》"}],related:[],title:"Apex String Orchestra Concert",cover:"fc7a08701cb20151c8cc1c926ac3c34c",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
The Apex String Orchestra will perform Holst's "St. Paul's Suite", Mendelssohn's "Sinfonia No. 8 in D Major", and Tchaikovsky's "Serenade for String Orchestra in C Major", using classic string orchestra repertoire to condense musical thoughts Interweave rich and mellow music colors.
\n\n\n\n
Program
\n\nGustav Holst: St. Paul's Suite, Op.29, No.2
\n\nFelix Mendelssohn: Sinfonia No. 8 in D Major, MWV 18 (For String Orchestra)
\n\nPyotr Tchaikovsky: Serenade for String Orchestra in C Major, Op.48
\n\n\n\n
Creative and Production Team
\n\nConductor|MengHau Liu
\n\nApex String Orchestra
\n\nGuider|HsiJu Chen
\n\n\n\n
\n',team:""},createdAt:1691485293,updatedAt:1691544104,updatedBy:"林蔚行",host:!1},{_id:"64dad5b2905e970007a0f503",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1702035e3,discrete:[{time:1702035e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1688551525674688512"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"089a1ae707c2e1cc6fec82f83ac02ec1",title:"《比鄰星與西班牙臘腸》當代木管室內樂音樂會"}],related:[],title:"「節目異動」《比鄰星與西班牙臘腸》當代木管室內樂音樂會",cover:"e78e8659a743f4e3ac8a86ba16eff9c3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂10月4日(三)19:30於衛武營表演廳演出《比鄰星與西班牙臘腸》當代木管室內樂音樂會,因小犬颱風影響,故延期至12月8日(五)19:30於原場地演出,造成不便,敬請見諒。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
本場音樂會《比鄰星與西班牙臘腸》標題引用自時事2022年法國替代能源和原子能委員會主任克萊恩(Étienne Klein)7月31日在推特PO出1張「恆星」照片,並聲稱是該照片是由韋伯太空望遠鏡所拍攝的恆星比鄰星,吸引了許多網友按讚轉推,沒想到他卻主動承認該照片是一片「西班牙臘腸」的特寫照,讓許多網友覺得被騙了而感到憤怒,以這樣的觀點為出發點去探索當代音樂的樣貌,觀察音樂與自我的關係。
\n\n\n\n
演出曲目
\n\n布萊恩.芬尼豪:《三聲部無名曲》給短笛、雙簧管及單簧管
\n\n馬爾康.阿諾:《嬉遊曲》給長笛、雙簧管及單簧管,作品號37
\n\n劉韋志:委託創作(世界首演)
\n\n張譽馨:委託創作(世界首演)
\n\n克勞斯-史蒂芬.曼考夫:《木管三重奏》給中音長笛/低音長笛、柔音/英國管及巴塞管/低音單簧管
\n\n盧恰諾.貝里奧:《序列十七》給長笛、雙簧管與單簧管
\n\n\n\n
演出暨製作團隊
\n\n豎笛|王冠傑
\n\n長笛|吳正宇
\n\n雙簧管|鍾筱萱
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"089a1ae707c2e1cc6fec82f83ac02ec1",title:"《比鄰星與西班牙臘腸》當代木管室內樂音樂會"}],related:[],title:"(Program changed) Chorizo Centauri?",cover:"e78e8659a743f4e3ac8a86ba16eff9c3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been changed. For more information, please contact +886-927-159-218. | \n\t\t
\n\n
In his retraction, Klein said that he did this as a satirical way to inspire broader, healthier skepticism over the validity of astronomical images before accepting them as fact.And this incident becomes the concept of the concert. What would be considered moderne music?In the upcoming concert, a contemporary music of woodwinds, features Time Art Studio musicians playing exciting new and classic pieces by a wide range of contemporary and 20th-century composers.And they goes even further to improvise between Berio's three Sequenzas for flute, oboe and clarinet solos…..and the music itself become a new Sequenza XVII!
\n\n\n\n
Program
\n\nBrian Ferneyhough: In Nomine a 3 for piccolo, oboe and clarinet
\n\nMalcolm Arnold: Divertimento For Wind Trio Op.37
\n\nCommissioned work, world premiere Liu, Wei-chih
\n\nCommissioned work, world premiere Chang, Yu-Hsin
\n\nClaus-Steffens Mahnkopf: Bläsertrio for Alto flute (Bass flute), Oboe d'amore (Englisch Horn) and Basset thorn (Bass clarinet)
\n\nLucieno Belio: Sequensa XVII for flute, oboe and clarinet
\n\n\n\n
Creative and Production Team
\n\nClarinet|Kuan-Chieh WANG
\n\nFlute|Chen-Yu WU
\n\nOboe|Hsiao-Hsuan CHUNG
\n\n\n\n
\n',team:""},createdAt:1692063154,updatedAt:1696388311,updatedBy:"林蔚行",host:!1},{_id:"64db296e905e970007a101d3",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1701862200,discrete:[{time:1701862200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3,1500],link:"https://www.opentix.life/event/1686733324825436160"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"10edfdb5350835c4f0cb202e555b5f2c",title:"《NTSO巴赫B小調彌撒》"}],related:[],title:"《NTSO巴赫B小調彌撒》",cover:"550649c9320c8ef42c90a42b45ed8f8f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
巴赫的《B小調彌撒》是基督教聖樂屬於「聖母峰等級」的高峰──人人都知道這部作品,但是有機會在音樂廳親炙欣賞的人並不多。巴赫以一位信奉新教的作曲家,把舊教習用的拉丁經文寫成彌撒曲,此舉就已讓人側目。而巴赫把《垂憐經》、《榮耀頌》、《信經》、《聖哉經》、《降福經》與《羔羊經》六段經文寫成將近三十首樂曲,完整演出需時兩小時,足以撐起整場音樂會,這等手筆在宗教音樂中也不常見。而巴赫安排了獨唱曲、重唱、合唱(四部到六部)、雙合唱團各種組合來處理不同段落的經文,在宏偉中見細膩,一般的合唱團與樂團也不敢輕易嘗試。
\n「沒有三兩三,不敢上梁山」。《B小調彌撒》也是樂團與合唱團的「梁山」之一,考驗合唱團的綜合能力:對拉丁文、歐洲文化涵養的掌握能力,聲音的質地與默契,在面對《B小調彌撒》是無所遁形的。
\n這對樂團也是考驗,相對清爽的織度意味著各個樂器有更多獨奏、重奏的機會,拿捏油膩與單調之間那條很微妙的界線,尤其又是在音響效果傑出、座位數不多的霧峰演奏廳演出。天、地、人三個因素的交會,造就了這場令人期待又難得一聞的音樂會。(撰文/吳家恆)
\n\n
演出曲目
\n\n巴赫:B小調彌撒
\n\n\n\n
演出暨製作團隊
\n\n指揮|弗利德‧貝爾紐斯
\n\n女高音|林慈音
\n\n女低音|鄭海芸
\n\n男高音|林義偉
\n\n男低音|葉展毓
\n\n合唱指導|古育仲、謝斯韻
\n\n合唱團|台北愛樂室內合唱團
\n\n樂團|國立臺灣交響樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"10edfdb5350835c4f0cb202e555b5f2c",title:"《NTSO巴赫B小調彌撒》"}],related:[],title:"NTSO Bach Mass in B minor",cover:"550649c9320c8ef42c90a42b45ed8f8f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Bach's Mass in B minor is considered the holy grail in Christian sacred music - everyone knows about this piece yet very few have the opportunity to enjoy it in a concert hall. The fact that Bach, a composer of Lutheran faith, wrote a Mass already raised a few eyebrows. The composer created nearly 30 pieces of music for the Ordinary of the Mass (Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei), and to present the different parts, he employed different combinations: solos, ensembles, choruses (four to six voices), and double choirs. The result is an intricate and majestic composition that requires two hours to fully perform, a scale which is uncommon even for religious music. Bach's Mass in B minor alone is enough for one concert, yet choirs and orchestras are often hesitant to perform this piece.
\nThere is this old saying, "don't go up the mountain if you are not fully prepared" and Mass in B Minor is indeed a demanding mountain for the orchestra and choir to conquer as musicians cannot hide anything when performing the Mass. The composition tests multiple skills of the choir: they need to master Latin and have background knowledge on European culture, and the voice quality should fit harmoniously during the presentation.
\nIt is a trial for the orchestra as well. The simple and clean composition means more solo or ensemble parts for different instruments. Since the concert is held in the NTSO Concert Hall, which has outstanding acoustics and limited seating, the musicians must master the delicate balance between being excessive and boring. The perfect timing of the heaven, earth, and people has brought forth this exciting concert, don't miss this golden opportunity!
\n\n
Program
\n\nJ. S. Bach: Mass in B minor, BWV 232
\n\n\n\n
Creative and Production Team
\n\nConductor|Frieder Bernius
\n\nSoprano|Grace LIN
\n\nAlto|Hai-Yun CHENG
\n\nTenor|Yi-Wei LIN
\n\nBass|Chan-Yu YEH
\n\nChorus Master|Yu-Chung John KU, Szu-Yun Swing HSIEH
\n\nTaipei Philharmonic Chamber Choir
\n\n\n\n
\n\n
\n',team:""},createdAt:1692084590,updatedAt:1692611753,updatedBy:"林蔚行",host:!1},{_id:"64dc85b21771c4000af0e2c3",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1702189800,discrete:[{time:1702189800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1200,1600,2e3],link:"https://www.opentix.life/event/1669271887008555009"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8ad7b8a121c3a564bdff9e17b74cece1",title:"《狂熱大協奏》"}],related:[],title:"《狂熱大協奏》",cover:"39a3c764e8156c75dc89ea1662d11a2c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
大協奏曲(Concerto grosso)為巴洛克時期常見曲種,以器樂群與樂團合奏兩組輪流交替出現,相互對比。本場音樂會特別挑選各時期擅長於大協奏曲創作的幾位作曲家,包括柯賴里(A.Corelli)、韋瓦第(A. Vivaldi)、阿爾弗瑞德.舒尼特克(Alfred Schnittke)。
\n\n同時本場演出將首演由巴洛克獨奏家樂團委託臺灣青年作曲家陳以軒創作給琵琶、小提琴、大鍵琴之大協奏曲《季遇》。仿照巴洛克時期大協奏曲式,由琵琶、小提琴及大鍵琴為獨奏與弦樂團相互對話,以「季節相遇」為發想,將「協奏樂團」作為表現季節變化無常的形象,「獨奏群」則為不同季節的影響下所自然誕生的生態圈,兩者間互動時而平衡、時而衝突,將大協奏曲中的獨有架構體現出自然環境與生物個體的交錯關係。並以胎兒的「心跳」動機貫穿全曲,描繪出季節之下所孕育出不同樣態的生命。別於以往以視覺體會季節在色彩間的變化,《季遇》以「心跳」作為聆聽線索,透過「聽覺」引導聽眾感受出季節的節奏感與動態感。
\n\n巴洛克獨奏家樂團的團員們都是在臺灣音樂界的一時之選,每位團員都是自成一格的獨奏家。此次多首大協奏曲演出,看器樂群與樂團在舞臺上相互競技演奏,展現爭奇鬥豔又合作無間的精彩,並首次與國樂器合作,期待擦出不一樣的火花,並帶給樂迷全新感受!。
\n\n\n\n
演出曲目
\n\n柯賴里:第六號第四首大協奏曲
\n\n韋瓦第:第三號第十一首D小調大協奏曲,作品五六五
\n\n阿爾弗瑞德.舒尼特克:第一號大協奏曲
\n\n陳以軒:《季遇》大協奏曲
\n\n\n\n
演出暨製作團隊
\n\n委託創作|陳以軒
\n\n特邀琵琶|趙怡然
\n\n巴洛克獨奏家樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8ad7b8a121c3a564bdff9e17b74cece1",title:"《狂熱大協奏》"}],related:[],title:"Concerto Grosso",cover:"39a3c764e8156c75dc89ea1662d11a2c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Concerto Grosso is a typical type of instrumental ensemble in the Baroque period. This time, the four grand concertos allow the members to compete with each other, showing the wonderful and seamless cooperation and harmony on the stage.
\n\nIn addition to the two works of Corelli and Vivaldi, the representative composers of the Baroque period, the selection of repertoire specially selects the "Concerto Grosso No. 1" commissioned by Gidon Cremer and Tatiana Grindenko in 1976.The most distinctive repertoire of this concert is "Hearing Seasons" for Concerto Grosso commissioned by the Baroque Camerata and Taiwan's emerging composer Chen Yi-Hsien, with pipa, violin and piano as solo groups, and string orchestra as ensemble group.
\n\n\n\n
Program
\n\nA. Corelli:Concerto grosso, Op. 6, No. 4
\n\nA. Vivaldi:Concerto grosso in D Minor, Op. 3, No. 11, RV565
\n\nAlfred Schinttke:Concerto grosso, No. 1
\nI. Preludio:Andante
\nII. Toccta
\nV. Rondo:Agitato
\nVI. Postludio:Andante-Allegro-Andante
\n\n
Creative and Production Team
\n\nComposer|Chen Yi-Hsien
\n\nSolo Pipa|Chao I-jan
\n\nBaroque Camerata
\n\n\n\n
\n',team:""},createdAt:1692173746,updatedAt:1695347991,updatedBy:"林蔚行",host:!1},{_id:"64ef5d78b40f7e0007ebb303",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1703763e3,discrete:[{time:1703763e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1e3],link:"https://www.opentix.life/event/1692100469264744449"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"718669735026551076a07c882eda9507",title:"《巴哈遇上皮耶佐拉》"}],related:[],title:"《巴哈遇上皮耶佐拉》",cover:"88210c5e5b7d4198cc875d78da2d10c6",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
三位知名國際藝術家:沃夫岡·溫德(長笛)、莊雅雯(鋼琴)和潘默士(手風琴)合作多年,一起到世界各地演出。這次,三位表演者將在臺灣,用各自的樂器演奏皮耶佐拉和巴哈的名曲精選。節目內容包含了《皮耶佐拉:三重奏的四個季節》,還有巴哈其他著名的二重奏作品,以及沃爾夫岡·溫德爾改編的一首長笛獨奏作品。
\n\n\n\n
演出曲目
\n\nPiazzolla春
\n\nJ.S. Bach G小調長笛奏鳴曲, 作品BWV 1020
\n\nPiazzolla 聖母頌
\n\n自由探戈
\n\n夏
\n\n秋
\n\nJ.S. Bach古鍵琴協奏曲第三集,BWV1061第一樂章
\n\nPiazzolla鯊魚
\n\nWolfgang Wendel編 巴哈風格的皮耶佐拉
\n\nPiazzolla冬
\n\n\n\n
演出暨製作團隊
\n\n長笛|沃夫岡·溫德
\n\n鋼琴|莊雅雯
\n\n手風琴|潘默士
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"718669735026551076a07c882eda9507",title:"《巴哈遇上皮耶佐拉》"}],related:[],title:"Bach meets Piazzolla",cover:"88210c5e5b7d4198cc875d78da2d10c6",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Wolfgang Wendel born in 1962 in Germany, describes himself as a flutist, who lives for music. During his lifetime he performed in various countries all over the world Germany, Australia, Costa Rica, Chile, Taiwan, Austria, Switzerland, Russia, Ukraine and U.S. His compositions for flute have been published by Verlag Neue Musik Berlin.Yawen Chuang is an assistant professor at Soochow University and Huafan University. She started to play piano at the age of 5. Her concerts led her to many countries: Taiwan, Germany, Switzerland, the Netherlands, Belgium, Chile and other countries. She is silver medal winner of the 1978 Elizabeth International Competition.Primoz Parovel was born in 1975. He is the Winner of the 12th "Arrasate Hiria" International Accordion Competition in Arrasate (Spain) 2004 and 3rd Prize Winner of the 36th International Accordion Competition in Klingenthal (Germany) in 1999. He is working in Tsinghua University. He has performed across Europe, Kanada and in many countries in Asia.Three artists collaborate since longer time together. For this concert they have chosen famous pieces from J. S. Bach and A. Piazzolla. The frame of the concert program consist of the Piazzolla: Four Seasons for trio. Performing this piece with flute, accordion and piano gives it authentic sound, close to Piazzolla's Tango quintet. Accordion sounds like bandoneon and creates expressive style of Argentinian tango music.The Spring from Four Seasons is followed by J.S. Bach: Sonata for Flute and Accordion, g-minor, BWV 1020. Accordion belongs to free reeds music instruments family and is closely related to organ. The combination of flute and accordion is very interesting, sounding like flute and small organs, creating quite interesting baroque feeling. The concert continues with A. Piazolla's Tanti Anni Prima. This is the soundtrack written by Piazzolla for the movie "Enrico IV" (Enrico IV) shot by Italian director Marco Bellocchio in 1984, performed by flute and piano. Libertango is one of the most performed pieces by A. Piazzolla. It is the perfect example of the Tango nuevo style. It is also the piece which was arranged for many different instruments. In the concert you will listen to accordion – piano version. In the second part of the program, you will listen to J.S. Bach Concerto for two harpsichords, BWV1061. Bach was a great virtuoso of the harpsichord. Primoz Parovel and Yawen Chuang will demonstrate the technical possibilities of the accordion and piano. The following piece Escualo by Piazzolla means in translation - shark. Piazzolla loved to go fishing sharks. The piece is full of virtuosic rhythmic elements. It's expressive character made it a challenging piece loved by many performers. After Escualo, Wolfgang Wendel will introduce himself as a composer. Bachianas Piazzollas is composed in the style of Bach for solo flute. Inspired by the Brazilian composer Villa-Lobos's work "Bachianas brasileiras". Wendel tried to collage the music fragments of Bach and Piazzolla to present Piazzolla's contribution to Bach.
\n\n\n\n
Program
\n\nA. Piazzolla: Four Seasons "Spring"
\nJ.S. Bach: Sonata for Flute and Accordion, g-minor, BWV 1020
\nI. Allegro
\nII. Adagio
\nIII. Allegro
A. Piazzolla:Tanti Anni Prima
\n\nA. Piazzolla:Libertango
\n\nA. Piazzolla: Four Seasons "Summer"
\n\nA. Piazzolla: Four Seasons "Autumn"
\n\nJ.S. Bach Concerto for two harpsichords, BWV1061: movement I
\n\nA. Piazzolla:Escualo
\n\nJ.S. Bach /A. Piazzolla "Bachianas Piazzollas" - Collage for flute solo (Arrangement: Wolfgang Wendel)
\n\nA. Piazzolla: Four Seasons "Winter"
\n\n\n\n
Creative and Production Team
\n\nFlute|Wolfgang Wendel
\n\nPiano|Yawen Chuang
\n\nAccordion|Primoz Parovel
\n\n\n\n
\n',team:""},createdAt:1693408632,updatedAt:1697099556,updatedBy:"林蔚行",host:!1},{_id:"64efd6f3b40f7e0007ec89ca",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1701430200,discrete:[{time:1701430200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,700,900,1200,1600,2e3],link:"https://www.opentix.life/event/1693516535431204864"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f60148178d55d8b2401fc177dddf415f",title:"《冷冽之焰》吳曜宇、陳毓襄與高雄市交響樂團"}],related:[],title:"《冷冽之焰》吳曜宇、陳毓襄與高雄市交響樂團",cover:"c4c727f05368a4a317229260bc310c48",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
貝桑頌國際大賽首獎指揮吳曜宇,擅長以細膩清晰的技巧演繹經典,帶出精湛詮釋,此次將首度指揮高雄市交響樂團。鋼琴家陳毓襄擁有超人琴藝及天才般的音樂詮釋力,曾勇奪「波哥雷里奇國際鋼琴大賽」桂冠殊榮,自此活躍於國際舞台迄今不懈。本場演出將以林姆斯基-高沙可夫的《俄羅斯復活節日序曲》火熱開場,接續普羅高菲夫的《C大調第三號鋼琴協奏曲》展現鋼琴家指力萬鈞的深厚內功,壓軸呈現拉赫曼尼諾夫的《E小調第二號交響曲》,帶領樂迷感受冷暖悲喜間的變化張力。
\n\n\n\n
演出曲目
\n\n林姆斯基-高沙可夫:俄羅斯復活節日序曲,作品36
\n\n普羅高菲夫:C大調第三號鋼琴協奏曲,作品26
\n\n拉赫曼尼諾夫:E小調第二號交響曲,作品27
\n\n\n\n
演出暨製作團隊
\n\n指揮|吳曜宇
\n\n鋼琴獨奏|陳毓襄
\n\n高雄市交響樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f60148178d55d8b2401fc177dddf415f",title:"《冷冽之焰》吳曜宇、陳毓襄與高雄市交響樂團"}],related:[],title:"Yao-yu WU & Gwhyneth CHEN & KSO",cover:"c4c727f05368a4a317229260bc310c48",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Taiwanese conductor Yao-yu WU is regarded as the most promising conductor in the young generation. WU's gifted talent has been appraised by numerous awards, including Besancon International Conducting Competition as well as Hong Kong International Conducting Competition. To our excitement, we also invite the reputable pianist Gwhyneth CHEN who has earned recognition from the legendary pianist Ivo Pogorelich for her talent as she is "too good to be true."
\nIn this much anticipated concert, we will be presenting Rimsky-Korsakov, Prokofiev, and Rachmaninoff - three Russian composers from different times, heralding and presenting well into the music of the 20th century.
\n\n
Program
\n\nN.Rimsky-Korsakov: Russian Easter Festival Overture, Op. 36
\n\nS.Prokofiev: Piano Concerto No. 3 in C Major, Op. 26
\n\nS.Rachmaninoff: Symphony No.2 in E Minor, Op. 27
\n\n\n\n
Creative and Production Team
\n\nConductor|Yao-yu WU
\n\nPiano|Gwhyneth CHEN
\n\nKaohsiung Symphony Orchestra
\n\n\n\n
\n',team:""},createdAt:1693439731,updatedAt:1697449438,updatedBy:"林蔚行",host:!1},{_id:"64f5ebd2d9b1410008f565ee",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1701775800,discrete:[{time:1701775800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=P09FYR4S"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7049647f336d0f115dab61c612ecd7c2",title:"《2023黃詩雅小提琴獨奏會-至真盡美的剎那》"}],related:[],title:"《2023黃詩雅小提琴獨奏會-至真盡美的剎那》",cover:"84d9ef6c4fa752ddce04b35b03a7dd0e",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
本場音樂會將帶領大家一起欣賞巴洛克、古典及浪漫時期的音樂。上半場將帶來義大利作曲家韋拉奇尼及塔替尼的經典曲目,而下半場則為法國作曲家佛瑞耳熟能詳的曲目。將由青年小提琴家黃詩雅及知名鋼琴家朱泳達,為大家帶來浪漫的音樂饗宴。
\n\n\n\n
演出曲目
\n\n韋拉奇尼:第八號E小調小提琴奏鳴曲,作品二
\n\n塔替尼:G小調小提琴奏鳴曲(魔鬼的顫音)
\n\n佛瑞:夢後,作品七之一(小提琴與鋼琴)
\n\n佛瑞:第一號A大調小提琴奏鳴曲,作品十三
\n\n\n\n
演出暨製作團隊
\n\n小提琴|黃詩雅
\n\n鋼琴|朱泳達
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7049647f336d0f115dab61c612ecd7c2",title:"《2023黃詩雅小提琴獨奏會-至真盡美的剎那》"}],related:[],title:"2023 Shih-Ya Huang Violin Recital",cover:"84d9ef6c4fa752ddce04b35b03a7dd0e",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
This concert will lead everyone to appreciate the music from the Baroque, Classical and Romantic period. Veracini, Tartini, and Faure famous piece will be performed by young violinist, Shih-Ya HUANG, and renowned pianist, Yung-Ta CHU.
\n\n\n\n
Program
\n\nF. M. Veracini: Violin Sonata No. 8 in E minor, Op. 2
\n\nG. Tartini: Violin Sonata in G minor "Devil's Trill Sonata"
\n\nG. Faure: Apres un reve, Op. 7-1 (Violin and Piano)
\n\nG. Faure: Violin Sonata No. 1 in A Major, Op. 13
\n\n\n\n
Creative and Production Team
\n\nViolin|Shih-Ya HUANG
\n\nPiano|Yung-Ta CHU
\n\n\n',team:""},createdAt:1693838290,updatedAt:1693957542,updatedBy:"林蔚行",host:!1},{_id:"64f5ef20d9b1410008f5668c",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1703849400,discrete:[{time:1703849400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=P09EYJCU"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8df17c8d4605e3350f9d289a2cafc73d",title:"《南台灣室內樂協會2023音樂節-布拉姆斯室內樂經典(一)》"}],related:[],title:"「節目異動」《南台灣室內樂協會2023音樂節-布拉姆斯室內樂經典(一)》",cover:"3aed5c08778f4934ede4c648944be196",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※2023年12月29日(五) 19:30於衛武營表演廳演出之《南台灣室內樂協會2023音樂節-布拉姆斯室內樂經典(一)》演出人員異動,原演出人員黃冠蓁將異動為蔡伯寅。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2023年11月30日(四)止完成辦理全額退票,退票方式請詳年代售票。 \n\t\t\t | \n\t\t
\n\n
三場音樂會,由倒敘手法始; 由晚期絢麗光彩弦樂五重奏與精確洗練的豎笛三重奏,與青年時期有著克拉拉主題的第三號鋼琴四重奏《維特》開場。接著豪邁激情的《F小調奏鳴曲》雙鋼琴版本,與明亮歡快的海頓主題與變奏。終場,以克拉拉之名的第三號鋼琴三重奏,與秋天般清新又憂愁的豎笛五重奏;最後,回到最初年少輕狂時期熱烈的第一首弦樂六重奏作品18。期許三天的音樂盛會,帶給國人難忘的心靈洗禮,也持續激勵南部音樂的蓬勃生機。
\n\n\n\n
演出曲目
\n\na小調單簧管三重奏,作品114
\n\nc小調第三號鋼琴四重奏,作品60
\n\nG大調第二號弦樂五重奏,作品111
\n\n\n\n
演出暨製作團隊
\n\n製作團隊|南台灣室內樂協會
\n\n演出者
\n\n鋼琴|黃瓊儀,孫建如
\n\n小提琴|李宜錦,張群,梁艷
\n\n中提琴|蔡伯寅,蔡弦修
\n\n大提琴|歐陽伶宜,侯柔安,梁辰
\n\n單簧管|陳怡君
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8df17c8d4605e3350f9d289a2cafc73d",title:"《南台灣室內樂協會2023音樂節-布拉姆斯室內樂經典(一)》"}],related:[],title:"(Program changed) STCMS Brahms Chamber Music Extravaganza",cover:"3aed5c08778f4934ede4c648944be196",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been changed. For more information, please contact +886-7-2256360. | \n\t\t
\n\n
Three concerts intertwined in retrospect; commencing with the succinct yet precise Clarinet Trio, the brooding "Werther" Piano Quartet containing the "Clara" motive, and the radiating brilliance of the 2nd String Quintet. It is then followed by the youthful and heroic Sonata in F minor for 2 pianos, and contrasted by the bright and cheerful Variations on a theme by Haydn. The culmination includes his last Piano Trio in C minor, the Clarinet Quintet, a farewell to his chamber compositions and a return to his youthful 1st String Sextet, his first attempt to chamber composition with only strings. These 3-day concert event aspire to bring a memorable and meaningful experience for both performers and listeners, invigorating the vitality of music-making in Southern Taiwan.
\n\n\n\n
Program
\n\nTrio for Clarinet, Cello & Piano in A minor, Op. 114
\n\nPiano Quartet in C minor, Op. 60
\n\nString Quintet in G major, Op. 111
\n\n\n\n
Creative and Production Team
\n\nProduction Team|Southern Taiwan Chamber Music Society
\n\nPerformer
\n\nPiano|Joannie HUANG, SUN Jen-Ru
\n\nViolin|LI I-Ching, CHANG Chun, LIANG Yan
\n\nViola|TSAI Hsien-Hsiu
\n\nCello|OU-YANG Ling-Yi, HOU Jou-An, Allen LIANG
\n\nClarinet|CHEN I-Chun
\n\n\n\n
\n',team:""},createdAt:1693839136,updatedAt:1701237996,updatedBy:"林蔚行",host:!1},{_id:"64f5f227d9b1410008f56716",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1703935800,discrete:[{time:1703935800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=P09EYJDF"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8df17c8d4605e3350f9d289a2cafc73d",title:"《南台灣室內樂協會2023音樂節-布拉姆斯室內樂經典(二)》"}],related:[],title:"「節目異動」《南台灣室內樂協會2023音樂節-布拉姆斯室內樂經典(二)》",cover:"3aed5c08778f4934ede4c648944be196",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※2023年12月30日(六) 19:30於衛武營表演廳演出之《南台灣室內樂協會2023音樂節-布拉姆斯室內樂經典(二)》,因考量演奏曲目完整性,故本節目演出內容有所異動。造成不便,敬請見諒。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2023年11月30日(四)止完成辦理全額退票,退票方式請詳年代售票。 \n\t\t\t | \n\t\t
\n\n
三場音樂會,由倒敘手法始; 由晚期絢麗光彩弦樂五重奏與精確洗練的豎笛三重奏,與青年時期有著克拉拉主題的第三號鋼琴四重奏《維特》開場。接著豪邁激情的《F小調奏鳴曲》雙鋼琴版本,與明亮歡快的海頓主題與變奏。終場,以克拉拉之名的第三號鋼琴三重奏,與秋天般清新又憂愁的豎笛五重奏;最後,回到最初年少輕狂時期熱烈的第一首弦樂六重奏作品18。期許三天的音樂盛會,帶給國人難忘的心靈洗禮,也持續激勵南部音樂的蓬勃生機。
\n\n\n\n
演出曲目
\n\nF小調雙鋼琴奏鳴曲,作品34b
\n\n海頓主題變奏曲,作品56b
\n\n圓舞曲《愛之歌》,作品52a
\n\n\n\n
演出暨製作團隊
\n\n製作團隊|南台灣室內樂協會
\n\n演出者
\n\n鋼琴|陳宜蓁,徐又新,陳芝羽,高韻堯
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8df17c8d4605e3350f9d289a2cafc73d",title:"《南台灣室內樂協會2023音樂節-布拉姆斯室內樂經典(二)》"}],related:[],title:"(Program changed)STCMS Brahms Chamber Music Extravaganza",cover:"3aed5c08778f4934ede4c648944be196",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been changed. For more information, please contact +886-7-2256360. | \n\t\t
\n\n
Three concerts intertwined in retrospect; commencing with the succinct yet precise Clarinet Trio, the brooding "Werther" Piano Quartet containing the "Clara" motive, and the radiating brilliance of the 2nd String Quintet. It is then followed by the youthful and heroic Sonata in F minor for 2 pianos, and contrasted by the bright and cheerful Variations on a theme by Haydn. The culmination includes his last Piano Trio in C minor, the Clarinet Quintet, a farewell to his chamber compositions and a return to his youthful 1st String Sextet, his first attempt to chamber composition with only strings. These 3-day concert event aspire to bring a memorable and meaningful experience for both performers and listeners, invigorating the vitality of music-making in Southern Taiwan.
\n\n\n\n
Program
\n\nSonata for Two Pianos in F minor, Op. 34b
\n\nVariations on a Theme by Haydn, Op. 56b
\n\nExcerpts from Liebeslieder Walzer, Op. 52/a
\n\n\n\n
Creative and Production Team
\n\nProduction Team|Southern Taiwan Chamber Music Society
\n\nPerformer
\n\nPiano|CHEN I-Chen, HSU Yu-Hsin, CHEN Chih-Yu, KAO Yun-Yao
\n\n\n\n
\n',team:""},createdAt:1693839911,updatedAt:1700474945,updatedBy:"林蔚行",host:!1},{_id:"64f5f595d9b1410008f567a8",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1704006e3,discrete:[{time:1704006e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=P09EYJDM"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d07351fe9e89e1555eda87339a298e9f",title:"《南台灣室內樂協會2023音樂節-布拉姆斯室內樂經典(三) 》"}],related:[],title:"《南台灣室內樂協會2023音樂節-布拉姆斯室內樂經典(三) 》",cover:"3aed5c08778f4934ede4c648944be196",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
三場音樂會,由晚期絢麗光彩的第二號G大調弦樂五重奏與精確洗練的豎笛三重奏,青年時期的第三號C小調鋼琴四重奏開場;接著豪邁激情的《F小調奏鳴曲》雙鋼琴版本,與明亮歡快的海頓主題與變奏。終場,以克拉拉之名的第三號C小調鋼琴三重奏,與遲暮之年那秋清意愁的豎笛五重奏。最後,回到作曲生涯的開始,年少輕狂時熱烈的第一號降B大調弦樂六重奏為這三天的音樂盛會寫下句點。期許為國人帶來難忘的心靈洗禮,也持續激勵南部古典音樂的蓬勃生機。
\n\n\n\n
演出曲目
\n\nc小調第三號鋼琴三重奏,作品101
\n\nb小調單簧管五重奏,作品115
\n\n降B大調第一號弦樂六重奏,作品18
\n\n\n\n
演出暨製作團隊
\n\n製作團隊|南台灣室內樂協會
\n\n演出者
\n\n鋼琴|吳亞欣
\n\n小提琴|薛志璋,陳鈺雯,范翔硯,梁艷
\n\n中提琴|蔡弦修,姜宜君,林捷伃
\n\n大提琴|高炳坤,陳昱翰,梁辰
\n\n單簧管|劉凱妮
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d07351fe9e89e1555eda87339a298e9f",title:"《南台灣室內樂協會2023音樂節-布拉姆斯室內樂經典(三) 》"}],related:[],title:"STCMS Brahms Chamber Music Extravaganza",cover:"3aed5c08778f4934ede4c648944be196",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Three concerts intertwined in retrospect; commencing with the succinct yet precise Clarinet Trio, the brooding "Werther" Piano Quartet containing the "Clara" motive, and the radiating brilliance of the 2nd String Quintet. It is then followed by the youthful and heroic Sonata in F minor for 2 pianos, and contrasted by the bright and cheerful Variations on a theme by Haydn. The culmination includes his last Piano Trio in C minor, the Clarinet Quintet, a farewell to his chamber compositions and a return to his youthful 1st String Sextet, his first attempt to chamber composition with only strings. These 3-day concert event aspire to bring a memorable and meaningful experience for both performers and listeners, invigorating the vitality of music-making in Southern Taiwan.
\n\n\n\n
Program
\n\nPiano Trio No. 3 in C minor, Op. 101
\n\nClarinet Quintet in B minor, Op. 115
\n\nString Sextet No. 1 in B flat major, Op. 18
\n\n\n\n
Creative and Production Team
\n\nProduction Team|Southern Taiwan Chamber Music Society
\n\nPerformer
\n\nPiano|WU Ya-Hsin
\n\nViolin|HSUEH Chih-Chang, CHEN Yu-Wen, FAN Hsiang-Yen, LIANG Yan
\n\nViola|TSAI Hsien-Hsiu, CHIANG I-Chun, LIN Chieh-Yu
\n\nCello|Victor COO, CHEN Yu-Han, Allen LIANG
\n\nClarinet|LIU Kai-Ni
\n\n\n\n
\n',team:""},createdAt:1693840789,updatedAt:1694422722,updatedBy:"林蔚行",host:!1},{_id:"64f6f0c0d9b1410008f65593",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1702292400,discrete:[{time:1702292400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,800,1200,1500,2e3],link:"https://www.opentix.life/event/1696084292079976449"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"116fe1dcf0fcca9a13090f2fb92d0d96",title:"韓德爾《彌賽亞》"}],related:[],title:"韓德爾《彌賽亞》",cover:"9afa5383327ed860bd620cdc49dd563c",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
《彌賽亞Messiah,HWV 56》,是德國著名音樂家韓德爾創作的大型神劇,是其最有名的作品之一,同時也是巴洛克時期的代表作。
\n\n當中多首合唱曲均深入民心,如《因有一嬰孩為我們而生》、《哈利路亞》、《被宰殺的羔羊是配得權柄》和《阿門》等,至今仍被世界各地合唱團和詩班所演唱。
\n\n韓德爾(1685-1759)被譽為巴洛克時期最偉大的作曲家之一,創作作品類型有歌劇、神劇、頌歌及管風琴協奏曲。韓德爾是一位多產的作曲家,一生創作了約46齣歌劇及36齣神劇,除了《彌賽亞》,其作品《水上音樂》和《皇家煙火》也至今仍然廣為人知。
\n\n韓德爾出生於羅馬帝國,後來定居並入籍英國。初到英國時,深受女王寵愛,在宮廷里供職,創作了大量的宮廷音樂和義大利式歌劇。但這樣的「貴族音樂」不受下層民眾的歡迎,用義大利語演唱的歌詞、令人感到乏味的故事情節限制了普通民眾對音樂的理解。1729年世界上第一部音樂劇《乞丐的歌劇》在倫敦上演,深受廣大民眾的歡迎,這對以韓德爾為代表的「貴族音樂」創作團體提出了挑戰。此後他經營的歌劇院也倒閉了。這些打擊對韓德爾無疑是巨大的。
\n\n1735年7月,韓德爾收到了好友寄來的三部神劇劇本——《掃羅》、《彌賽亞》和《伯薩撒王》。在韓德爾悉心研究這些劇本,並深深為之感動的同時,心靈也再次接受了宗教的淨化。韓德爾開始創作《彌賽亞》。傳說他僅用24天的時間便完成了《彌賽亞》的創作。宏大的作品中融入了作曲家成熟的宗教虔誠。
\n\n《彌賽亞》於1742年4月13日在愛爾蘭首府都柏林首演。海報上寫著:「為了支持一些困苦的囚犯,以及梅爾舍醫院而演出」。《彌賽亞》的演出獲得了成功,韓德爾再次回到了英國人的目光之中。
\n\n1743年,《彌賽亞》在倫敦上演時,英王喬治二世親臨劇院。當聽到第二部分終曲《哈利路亞》時,國王按捺不住內心的激動,站立起來聽完了全曲,稱之為「天國的國歌」,其他人也跟著一同站立。現今音樂會演奏此曲時全體觀眾均會起立聆聽,成為一個非常特別的慣例。
\n\n《彌賽亞》首演時有18人唱詩班,使用了33件樂器;莫扎特於1789年曾重新配器,將樂隊編制擴充至古典時期的規模,亦加入了一些樂器,所需要的人數因而有所增加,同年的倫敦演出有275位人聲和248件樂器的記錄;1859年倫敦舉行韓德爾逝世100週年紀念會時,合唱團人數高達2765人,樂器460件;1869年美國波士頓「和平日節慶」演出時,更創下了一萬人合唱《哈利路亞》、500件樂器伴奏的記錄。
\n\n「彌賽亞」意即「救世主」,其歌詞選自《聖經》新約與舊約的經文,敘述了耶穌的降生、受死及復活。因此較常被安排於聖誕節或復活節期間獻唱整套或個別曲目。
\n\n全曲分三部分:
\n\n第一部分:耶穌降臨的預言和他的誕生(21曲)
\n\n第二部分:救贖的信息和耶穌為全人類的犧牲(23曲)
\n\n第三部分:耶穌的復活和最終的審判(13曲)
\n\n韓德爾的音樂以旋律的簡樸流暢、氣勢的雄偉、音響的明亮以及對人物、情節生動的描繪而著稱。他使詠嘆調的性格更多樣化,使宣敘調的音調更旋律化,並加強了序曲、間奏曲、器樂伴奏的標題性和造型性。對合唱的運用方面,他不拘泥於複調音樂,而廣泛地運用主調音樂,使兩者有機地揉和在一起,大大提高了合唱在神劇中的地位。
\n\n《彌賽亞》是台北YMCA聖樂合唱團每年必唱的曲目,而今年已是第77年了期間無間斷過;今年第一次與陽光台北室內樂團南下高雄與高雄市漢聲合唱團、台灣老店男聲合唱團四團合作在衛武營演出,氣勢之磅薄可想而知;期盼在聖誕節前夕能將這美好的曲目與耶穌的愛與救贖分享給所有的愛樂者。
\n\n\n\n
演出暨製作團隊
\n\n音樂總監|孫愛光
\n\n女高音|林慈音
\n\n次女高音|鄭海芸
\n\n男高音|李文智
\n\n男中音|林中光
\n\n演出單位
\n台北YMCA聖樂合唱團
\n高雄市漢聲合唱團
\n台灣老店男聲合唱團
\n陽光台北室內樂團
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"116fe1dcf0fcca9a13090f2fb92d0d96",title:"韓德爾《彌賽亞》"}],related:[],title:"Handel's Messiah",cover:"9afa5383327ed860bd620cdc49dd563c",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
It is a tribute to the lifetime of "Christ the Savior". The composer adapted the simplest way of music to express a serious message about Jesus and deliver the good tiding of salvation to mankind all over the world.The lyrics are all based on the Bible material, and Isaiah is in the majority. The story begins from the prophets of the birth of Jesus, through passion and death, resurrection, redemption and glory, a complete presentation of Jesus' life.The biblical prophecy of "his coming into the world", "suffering and death", "resurrection, redemption, glory", The end of the re-emergence of glory gives us a clear picture of the consistency of the whole work. The last piece uses the only word "A-men", linking the Bible and Handel's message about the Messiah, all dedicated to God with "Honestly Wish". This masterpiece composed by Handel with elegant, dignified and moving words, presented the sublime, grandeur and gentleness, makes the work full of sunshine, vitality, elegance, majesty and magnificence, especially the rhythms of the16th note beating and the counterpoints of fugues , always make the fans feel really excited.
\n\n\n\n
Creative and Production Team
\n\nMusic Director|Aikuang SUN
\n\nSoprano|Grace LIN
\n\nMezzo-Soprano|Hai-Yun, CHENG
\n\nTenor|Peter LEE
\n\nBaritone|ChungKuang Dennis LIN
\n\nPerformance groups
\nTaipei YMCA Oratorio Choir
\nKaohsiung Han Seng Chorus
\nTaiwan Lau-Tiam Glee Club
\nSun Taipei Philharmonic
\n\n
\n',team:""},createdAt:1693905088,updatedAt:1695347984,updatedBy:"林蔚行",host:!1},{_id:"64f81779b40f7e0007f031c0",catalogs:["5aec418cb01ea6000520f635","64812f1feb9a240007c8c8c7"],dateTime:{first:1701430200,discrete:[{time:1701430200},{time:1701498600},{time:1701516600},{time:1701585e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1e3,1500,2e3,2500,3e3,3500,5e3],link:"https://www.opentix.life/event/1618540555471704066"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ffeb989169b2510b7ed6ec9902023c78",title:"《人間條件八 - 凡人歌》"}],related:[],title:"《人間條件八 - 凡人歌》",cover:"f905a31b708d454b89b0803ef4d5bb32",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
吳念真導演全新作品
\n\n《人間條件八-凡人歌》
\n\n\n\n
凡人皆有苦,無非貪、嗔、痴。
\n\n明燦,68歲,從國營事業單位退休幾年了,孫子都已上國中了。
\n\n一直以來他跟家裡所有成員的溝通狀態並不是很好,基本上都保持著一種「禮貌對待」的平和狀態,但其實暗潮洶湧。
\n\n之前期待的「退休生活」經過一段時間的消磨之後,日子變得單調且重複,他一直覺得自己是一個不被尊重、不被需要甚至不被聆聽的人。
\n\n不知道從什麼時候開始,他會固定去買彩券,好像隱約有一種想像:只要手裡握有一份資產,他就會被尊重、被需要且被聆聽。
\n\n有一天,他發現自己是當期彩券的第一獎中獎者,獎額11億。
\n\n他在家裡的身份、地位好像真的改變了。但一個從谷底爬上來的人真的就被尊重、被需要且被聆聽了嗎?
\n\n\n\n
【人間條件系列-各界好評】
\n\n「所有人間條件故事中的主角都是凡人,其中的遺憾、挫折、衝突或傲慢等,都是我們每個人一生中經常經歷或觀察到的遭遇,但每一個人的生命故事都是非凡的。」——創意顧問 吳靜吉 博士
\n\n「這明明是一個虛構的故事,我卻看到淚流不止…彷彿看到了我的媽媽、我的姨婆、我的阿嬤、還有許許多多有著奇怪執著的各個長輩親友…有著人性的弱點也有人性的光輝。有時令人憤怒,更多時候令人疼惜…。」——導演 蔡銀娟
\n\n「國民戲劇需要製作,菁英創作也需要保育。我們需不需像綠光這樣的劇團製作這一的國民戲劇?當然需要。 誰能掌握永遠的真情人間? 吳念真」——劇評人、臺大戲劇系講師 傅裕惠
\n\n「如果,你在世俗無奈的人間一直感觸到下一代的心靈己逐漸離遠流去......那麼,找一個你最想親近卻又不親的人!一起去看吳念真導演的舞台劇吧!」——紀錄片導演 吳乙峰
\n\n\n\n
演出暨製作團隊
\n\n導演、編劇|吳念真
\n\n執行導演|吳定謙
\n\n製作|綠光創藝股份有限公司
\n\n演員|王琄、陳希聖、楊大正、林雨宣、青蛙
\n\n燈光設計|李俊餘
\n\n舞台設計|曾蘇銘
\n\n音樂設計|聶琳
\n\n服裝設計|陳玟良
\n\n舞台監督|鐘崇仁
\n\n舞台技術指導|李宏展
\n\n動作設計|朱宥琳
\n\n主視覺設計|許銘文
\n\nCF拍攝團隊|莊知耕
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ffeb989169b2510b7ed6ec9902023c78",title:"《人間條件八 - 凡人歌》"}],related:[],title:"Human Condition VIII",cover:"f905a31b708d454b89b0803ef4d5bb32",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Mingcan has been retired for several years. Life has become monotonous, repetitive, and lackluster. He consistently feels disrespected, unneeded, and unheard, that is the case. After the police cracked down on his adult massage parlor, his standing and position at home plummeted to rock bottom. However, one fateful day, the sound of firecrackers from a nearby lottery shop startles him, only to discover that he has become the fortunate winner of a staggering 1.1 billion jackpot. Suddenly, it appears that his status and position within his family have truly changed.
\n\n\n\n
Creative and Production Team
\n\nWritten / Directed by|WU Nien-jen
\n\nProduced by|Greenray Inno-Art Inc.
\n\nExecutive Director|Denny WU
\n\nPerformers|Wang Chuan, CHEN HSI-SHENG, Sam Yang, CRYSTAL LIN, Frog
\n\nLighting Design|LEE Chun-Yu
\n\nStage Design|ZENG Su-ming
\n\nMusic Design|NIEH Ling
\n\nCostume Design|Chen Wen-liang
\n\n\n\n
\n',team:""},createdAt:1693980537,updatedAt:1698743008,updatedBy:"林蔚行",host:!1},{_id:"64fada2ad9b1410008f7c883",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1703158200,discrete:[{time:1703158200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1694886737037844481"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2d5f9f9b7de74769aef450fb3bcb40a6",title:"《「隨想」蘇柏維獨奏會-聽見異國夢境》"}],related:[],title:"《「隨想」蘇柏維獨奏會-聽見異國夢境》",cover:"a8256f7c1975e064ec820df507d17666",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
小提琴家蘇柏維有別於以往傳統獨奏會選曲的形式風格,嘗試了具有挑戰性的各種異國古典曲風來刷新大家的聽覺,觀眾會跟著旋律隨音流動,並行走於音樂的想象中,曲風有羅馬尼亞、希伯來、蘇俄音樂。將帶領觀眾們恣意遨遊於無界限的音樂世界。感受高雅的古典樂有著爵士的風味,一睹現場演奏如何帶給你熱絡脈動的悸動,請隨著音樂搖擺,隨心情重新奏出屬於自己─獨一無二的古典音樂會!在演奏上的異國古典曲風不僅是本場獨奏會的重點,也是作為帶領觀眾進入隨想於古典樂之間的多重意念。
\n\n\n\n
演出曲目
\n\n恩斯特·布洛赫:第2號小提琴奏鳴曲〈神祕詩篇〉
\n\n尼古拉·吉爾謝維奇·卡普斯汀:小提琴奏鳴曲,作品70
\n\n阿希爾-克洛德·德布西:G小調小提琴與鋼琴奏鳴曲,作品140
\n\n喬治·艾內斯科:第三號鋼琴與小提琴奏鳴曲,作品25
\n\n\n\n
演出暨製作團隊
\n\n小提琴|蘇柏維
\n\n鋼琴|陳禹如
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2d5f9f9b7de74769aef450fb3bcb40a6",title:"《「隨想」蘇柏維獨奏會-聽見異國夢境》"}],related:[],title:"「Caprice」Powei Su 2023 Recital",cover:"a8256f7c1975e064ec820df507d17666",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Violinist Su powei deviates from the traditional recital style by embracing a range of challenging exotic classical genres to invigorate the auditory experience of the audience. The audience will follow the melodies, flowing with the music, and embarking on a journey through musical imagination. The repertoire includes Romanian, Hebrew, and Soviet Russian music, leading the audience to wander boundlessly through the world of music. Experience the elegance of classical music with a touch of jazz, and witness how the live performance brings forth a lively and pulsating sensation. Allow the music to guide your movements and evoke a personalized rendition—a truly distinctive classical concert experience! The incorporation of diverse exotic classical styles in the performance not only forms the centerpiece of this recital but also serves as a multifaceted approach to guide the audience through whimsical musings and classical music.
\n\n\n\n
Program
\n\nErnest Bloch: Sonata for Violin & Piano, No.2, "Poeme Mystique"
\n\nNikolai Girshevich Kapustin: Violin Sonata, Op. 70
\n\nClaude Debussy: Sonata for Violin and Piano in G Minor, L. 140
\n\nGeorge Enescu: Violin Sonata No.3 in A Minor, Op.25
\n\n\n\n
Creative and Production Team
\n\nViolin|SU Po-wei
\n\nPiano|Chen Yu-ru
\n\n\n\n
\n\n
\n\n
\n\n
\n\n
\n',team:""},createdAt:1694161450,updatedAt:1698053296,updatedBy:"林蔚行",host:!1},{_id:"6507fe3fd9b1410008fabedd",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1701171e3,discrete:[{time:1701171e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1e3],link:"https://www.opentix.life/event/1699624396547506176"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"10b93104668e8157d1c75965ccc67d9b",title:"2023詠嘆調大提琴四重奏秋季巡演《Serenade小夜曲》"}],related:[],title:"2023詠嘆調大提琴四重奏秋季巡演《Serenade小夜曲》",cover:"57f018a07bc5599c881a7e694cbb53f8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「詠嘆調大提琴四重奏(Aria Cello Quartet)」
\n\n由四位留德的年輕大提琴家組成。多年前,四人前後與德勒斯登國家歌劇院大提琴首席Nobert Anger的門下學習過大提琴,回臺後因一場邀演相遇,聲音及想法一拍即合,當下決定成立四重奏,以經典樂曲出發,呈現大提琴重奏的絕美風貌。
\n\n「詠嘆調大提琴四重奏」2022年首次在高雄、臺南、臺中以及臺北巡演,除經典四重奏外,與客席大提琴獨奏家—劉姝嫥教授—攜手合作協奏曲,獲得熱烈迴響。四位大提琴家積極尋找不同風格音樂,期盼能在第二次巡迴演出以柴可夫斯基C大調小夜曲為主軸帶來不同的主題,分享給喜愛大提琴的愛樂者,並感受其對於四把大提琴合作的美的追求。
\n\n\n\n
演出曲目
\n\n葛利格:霍爾堡組曲,第二樂章〈薩拉邦德舞曲〉
\n\n奧芬巴赫:《賈桂琳的眼淚》
\n\n韓德爾:薩拉邦德舞曲
\n\n威廉.費森海根:聖母頌
\n\n舒曼:夢幻曲
\n\n穆索斯基:展覽會之畫(選曲)
\n\n柴可夫斯基:C大調小夜曲
\n\n\n\n
演出暨製作團隊
\n\n大提琴︱周尚樺、葉書瑋、邱奕勳、廖致雅
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"10b93104668e8157d1c75965ccc67d9b",title:"2023詠嘆調大提琴四重奏秋季巡演《Serenade小夜曲》"}],related:[],title:"2023 ARIA Cello Quartet Concert",cover:"57f018a07bc5599c881a7e694cbb53f8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
"ARIA Cello Quartet" had its inaugural tour in 2022, receiving enthusiastic responses. The four cellists actively sought diverse musical styles, hoping to bring forth distinct themes in their second tour performance, "Serenade," and share them with cello enthusiasts. Through this, they aimed to capture the beauty of collaborative pursuit among the four cellos' harmonious cooperation."
\n\n\n\n
Program
\n\nEdvard Grieg: Holberg Suite, Op. 40: II. Sarabande
\n\nJacques Offenbach: Les larmes de Jacqueline
\n\nGeorge Frideric Handel: Sarabande
\n\nWilhelm Fitzenhagen : Ave Maria, Op.41
\n\nRobert Schumann: Träumerei
\n\nModest Mussorgsky: Pictures at an Exhibition (excerpt)
\n\nPyotr Ilyich Tchaikovsky : Serenade for Strings in C Major, Op.48
\n\n\n\n
Creative and Production Team
\n\nCello︱CHOU Shang-Hua, CHIU Yi-Hsun, YEH Shu-Wei, LIAO Chih-Ya
\n\n\n\n
\n',team:""},createdAt:1695022655,updatedAt:1699860218,updatedBy:"林蔚行",host:!1},{_id:"650ad9149492b0000702d8a0",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1703244600,discrete:[{time:1703244600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600],link:"https://www.opentix.life/event/1702215454904565760"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4a2060f00e0d0b6e819d8d5877caf4cc",title:"《2023張力文室內樂音樂會-以琴會友》"}],related:[],title:"《2023張力文室內樂音樂會-以琴會友》",cover:"e2d6c9791ce75bfacf66924967b50e21",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
這場音樂會展現了浪漫時期的室內樂作品。匈牙利作曲家高大宜的《間奏曲》為弦樂三重奏的經典之作,充分展現了其對民間音樂的熱愛。英國作曲家克拉克的《Dumka》三重奏,則融合了東歐民謠風格,呈現濃厚的情感色彩。匈牙利作曲家杜南伊的《弦樂小夜曲》則帶領聽眾進入一個截然不同的音樂世界,這部作品充分體現了作曲家的精湛技巧。最後,布拉姆斯的《c小調鋼琴四重奏》,結合了旋律的動人之處和結構的嚴謹,為布拉姆斯最具代表的室內樂作品之一。
\n\n\n\n
演出曲目
\n\n高大宜:為弦樂三重奏的間奏曲
\n\n克拉克:為小提琴 中提琴與鋼琴的三重奏"悲歌"
\n\n杜南伊:為弦樂的小夜曲,作品10
\n\n布拉姆斯:第一號c小調鋼琴四重奏,作品25
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|梁竹君
\n\n小提琴|路耀祖
\n\n中提琴|張力文
\n\n大提琴|洪婷琦
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4a2060f00e0d0b6e819d8d5877caf4cc",title:"《2023張力文室內樂音樂會-以琴會友》"}],related:[],title:"2023 Lee Wen Chang Chamber Concert",cover:"e2d6c9791ce75bfacf66924967b50e21",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Embark on a musical journey through the 19th and early 20th centuries with this exquisite chamber music concert. Begin with Kodály's "Intermezzo," a testament to Hungary's rich folk melodies. Next, Clarke's "Dumka" blends Eastern European folk and impressionistic hues. Dohnányi's "Serenade" reveals a poetic grace, contrasting vivacity with reflection. Brahms' intense "Piano Quartet in c minor" concludes the odyssey, encapsulating the profound language of German Romanticism. A tapestry of musical gems awaits.
\n\n\n\n
Program
\n\nZ. Kodaly: Intermezzo for String Trio
\n\nR. Clarke: Trio "Dumka" for Violin Viola & Piano
\n\nE. Dohnanyi: Serenade for String, op.10
\n\nJ. Brahms: Piano Quartet no.1 in c minor, op.25
\n\n\n\n
Creative and Production Team
\n\nPiano|Cindy LIANG
\n\nViolin|LU Yao-tsu
\n\nViola|CHANG Lee-wen
\n\nCello|HUNG Ting-chi
\n\n\n\n
\n',team:""},createdAt:1695209748,updatedAt:1696225738,updatedBy:"林蔚行",host:!1},{_id:"65127f60d9b1410008fc62ee",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1703331e3,discrete:[{time:1703331e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1701796205448773632"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"da0c01921cf6994473a4b20d7e2ea947",title:"《兩人三角的嬉遊夜》"}],related:[],title:"《兩人&三角的嬉遊夜》",cover:"670d0decc8461a0b9995e0f89f273b54",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
音樂的可貴,在它超越語言的靈識,然思慮在心,是音樂將意念塑以型。兩人三腳,是兩人將各自一隻腳與對方的腳固定後並排前行的競技遊戲,今天,我們給你的意識與情感,是一人獨白,兩人對話,更是三人交流。兩人三腳,在「兩人」與「三角」鋼琴的相互襯托間,盼望你能感受那幽微處的情感,與唱和隨興的念頭。
\n\n\n\n
演出曲目
\n\n米堯:雙小提琴奏鳴曲,作品15
\n\n勒克萊爾:雙小提琴奏鳴曲,作品3,第5首
\n\n薩拉薩泰:塔朗泰拉舞曲
\n\n蕭斯塔高維契:雙小提琴與鋼琴小品
\n\n蕭邦:降A大調第一號即興曲,作品29
\n\n拉赫曼尼諾夫:前奏曲,作品23,第5首
\n\n柴可夫斯基:給小提琴和鋼琴的詼諧圓舞曲,作品34
\n\n莫斯科夫斯基:為雙小提琴及鋼琴的g小調組曲,作品71
\n\n\n\n
演出暨製作團隊
\n\n小提琴 | 蘇顯達
\n\n小提琴 | 張 宜
\n\n鋼琴 | 孫丕玟
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"da0c01921cf6994473a4b20d7e2ea947",title:"《兩人三角的嬉遊夜》"}],related:[],title:"An Evening of Divertimento between Two Violins and One Piano",cover:"670d0decc8461a0b9995e0f89f273b54",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The value of music lies in its spiritual consciousness beyond any language, as music shapes creative ideas and manifests thoughts in the heart. The consciousness and emotions we present to you today could be a monologue, a dialogue, or a conversation between two violins and one piano. Much like the three-legged game, our music speaks of a delicate balance, excellent chemistry, and solid teamwork. Of which would be complemented by subtle emotions that only music may convey.
\n\n\n\n
Program
\n\nMilhaud: Sonata for 2 violins & piano, Op. 15
\n\nLeclair: Sonata for 2 violins in E Minor, Op. 3 No. 5
\n\nSarasate: Introduction et Tarentella
\n\nShostakovich:Five Pieces for 2 violins and piano
\n\nChopin:Impromptu No. 1 in A-Flat Major, Op. 29
\n\nRachmaninoff: Prelude in G Minor, Op. 23, No. 5
\n\nTchaikovksy: Valse-scherzo, Op. 34
\n\nMoszkowski: suite for 2 Violins & Piano in G Minor, Op. 71
\n\n\n\n
Creative and Production Team
\n\nViolin|SU Shien-Ta、IVY Yee Chang
\n\nPiano|Rebecca Pi-Wen SUN
\n\n\n\n
\n',team:""},createdAt:1695711072,updatedAt:1697099529,updatedBy:"林蔚行",host:!1},{_id:"65128bfdd9b1410008fc657a",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1703849400,discrete:[{time:1703849400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3,1500,2e3],link:"https://www.opentix.life/event/1702611138545229825"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"030560f9d31f38a62e6e8392d2f386f9",title:"《韋瓦第的榮耀》無與倫比2:吳尚倫X天生歌手"}],related:[],title:"《韋瓦第的榮耀》無與倫比2:吳尚倫X天生歌手",cover:"51108ae81ca1114c85a8f6a47aa7d3e9",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
天生歌手與指揮吳尚倫的第二次合作,為了合唱曲目的拓展,大膽嘗試將時間軸往四百年前拉開,回到巴洛克(Baroque)音樂,除了旋律、節奏、和聲方面華麗風格的特色展現之外,也邀請國內知名器樂演奏家共同合作,以器樂與人聲精緻細膩的技法來相互競合堆疊,向這一個偉大的音樂時期致敬。
\n\n\n\n
演出曲目
\n\n蒙台威爾第:〈有福的是〉,作品編號268
\n\n卡爾達拉:〈眾兒童,當歌頌主名〉
\n\n韋瓦第:〈D大調榮耀頌〉,作品編號589
\n\n巴赫:〈道成肉身〉,作品編號232
\n\n柯賴里:〈g小調協奏曲第三樂章〉,作品編號6,第8首
\n\n巴柏:〈神的羔羊〉弦樂慢板,作品編號11
\n\n佛瑞:約翰拉辛的詩歌
\n\n\n\n
演出暨製作團隊
\n\n指 揮|吳尚倫
\n\n女高音|黃莉錦
\n\n女高音|周奕伶
\n\n假聲男高音|李文智
\n\n演 出|天生歌手合唱團、天生室內樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"030560f9d31f38a62e6e8392d2f386f9",title:"《韋瓦第的榮耀》無與倫比2:吳尚倫X天生歌手"}],related:[],title:"《Incomparable2》Natus Cantorum",cover:"51108ae81ca1114c85a8f6a47aa7d3e9",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Natus Cantorum and conductor Wu Shang-lun second collaboration, in order to expand the choral repertoire, boldly tried to stretch the time axis back to 400 years ago, returning to Baroque music, except for the gorgeous style of melody, rhythm and harmony In addition to the characteristic display, well-known domestic instrumentalists are also invited to cooperate with each other to pay tribute to this great musical period with the exquisite and delicate techniques of instrumental music and human voice.
\n\n\n\n
Program
\n\nMonteverdi:Beatus vir, SV 268
\n\nCaldara:Laudate pueri Domino
\n\nVivaldi:Gloria in D, RV 589
\n\nJ.S. Bach:"Et in carnatus est" , BWV 232
\n\nCorelli:3rd Movement from Concerto Grosso in g minor, Op. 6, No. 8
\n\nBarber:Agnus Dei, Adagio for Strings, Op. 11
\n\nFauré:Cantique de Jean Racine
\n\n\n\n
Creative and Production Team
\n\nConductor|Shang-lun WU
\n\nSoprano|Li-Chin HUANG
\n\nSoprano|I-Lin CHOU
\n\nCounter tenor|Peter LEE
\n\nPerformer|Natus Cantorum、Natus Ensemble
\n\n\n\n
\n',team:""},createdAt:1695714301,updatedAt:1697708691,updatedBy:"林蔚行",host:!1},{_id:"6513a1731305b60008c33c7c",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1703590200,discrete:[{time:1703590200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200,400,800,1e3],link:"https://www.opentix.life/event/1704672481832816641"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"27f2765a2a4519e53fffd878f4d6e1c5",title:"《舞動經典》逢甲管樂與巴松管劉君儀2023年度音樂會"}],related:[],title:"《舞動經典》逢甲管樂與巴松管劉君儀2023年度音樂會",cover:"9e6bf38f1a4de08c0b379d2217f83f30",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
逢甲大學管樂團2023年度音樂會『舞動經典』我們特別把屬於逢甲管樂獨特的聲音,帶到高雄衛武營國家音樂廳,此次將邀請高雄知名巴松管演奏家「劉君儀」老師與逢甲管樂合作演出協奏曲。逢甲管樂在2019年時首次登上國家音樂廳後,便積極在全臺舉辦巡迴音樂會,並於高雄衛武營、澎湖縣演藝廳等多地巡演後回到臺中,誠摯的邀請您來一睹這屬於青春的音樂饗宴。
\n\n\n\n
演出曲目
\n\n三澤慶:《七美之戀-望夫石》
\n\n朱利葉斯·福奇克:《巴松管與管樂團協奏曲》
\n\n約翰・德・梅傑:《風城序曲》
\n\n阿圖羅・馬奎茲:《第2號丹戎舞曲》
\n\n艾佛列特・呂德:《為管樂團的第二組曲》
\n\n卡爾‧賽勒:《賣鳥人》
\n\n德米特里:〈加洛普舞曲〉選自蕭斯塔科維契音樂劇《莫斯科》
\n\n\n\n
演出暨製作團隊
\n\n指揮|呂彥慶
\n\n低音管|劉君儀
\n\n音樂總監|林聖翰
\n\n演出|逢甲大學校友管樂團、逢甲大學管樂團
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"27f2765a2a4519e53fffd878f4d6e1c5",title:"《舞動經典》逢甲管樂與巴松管劉君儀2023年度音樂會"}],related:[],title:"Feng Chia University Symphonic Orchestra and Alumni 2023 Concert",cover:"9e6bf38f1a4de08c0b379d2217f83f30",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Feng Chia University Symphony Orchestra and Alumni 2030 Concert We are thrilled to bring the unique sound of the Feng Chia Wind Ensemble to our home venue, the National Taichung Theater. For this concert, we have the special collaboration with Bassoon player Chun-Yi Liu. Since our debut at the National Concert Hall in 2019, Feng Chia Wind Ensemble has actively held touring concerts all over Taiwan. After touring in various places such as Kaohsiung's Weiwuying and Penghu County Performing Arts Center, we are excited to return to Taichung. You are cordially invited to witness this youthful music extravaganza.
\n\n\n\n
Program
\n\nKei Misawa:A Romance in Cimei – Wangfu Rock
\n\nJulius Fučík:Concertino for Bassoon and Wind Band
\n\nJohan de Meij:Windy City Overture
\n\nArturo Marquez:Danzon No. 2
\n\nAlfred Reed:Second Suite for Band
\n\nCarl Zeller:Der Vogelhandler
\n\nDmitri Shostakovich:Galop from the musical comedy Moscow
\n\n\n\n
Creative and Production Team
\n\nCONDUCTOR|LU Yen-Ching
\n\nBASSOON|Chun-Yi LIU
\n\nMUSIC DIRECTOR|LIN Sheng-Han
\n\nPERFORMANCE|Feng Chia University Alumni Symphonic Band, Feng Chia University Alumni Symphonic Band
\n\n\n\n
\n',team:""},createdAt:1695785331,updatedAt:1697445618,updatedBy:"林蔚行",host:!1},{_id:"6513d5d41305b60008c34541",catalogs:["5aec4184b01ea6000520f633","5aec418cb01ea6000520f635"],dateTime:{first:1701498600,discrete:[{time:1701498600},{time:1701585e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,1e3,1400,1800,2200,2600,3e3,3500],link:"https://www.opentix.life/event/1701497219385958401"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"51d9cedf7a82129144418e428d82b0a6",title:"音樂劇《熱帶天使》"}],related:[],title:"音樂劇《熱帶天使》",cover:"11928b6e96970f4d23b038fe576b3354",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
演出內容包含戰爭、慰安婦議題,建議12歲以上觀眾觀賞,12歲以下請由家長引導與陪同中。
\n\t中、台語發音,中文字幕。
\n\t改編自文學大師陳千武經典小說集《獵女犯》
\n\n二次大戰南洋戰爭 實地回憶小說
\n\n\n\n
戰爭,讓他們在熱帶島嶼相遇;活著,將我們的故事繼續傳下去。
\n\n仰望天邊閃爍的南十字星,流著淚也要奮力唱出「活著的證明」。
\n\n\n\n
《熱帶天使》改編自文學大師陳千武經典小說集《獵女犯》,為歌劇院駐館藝術家林孟寰於駐館2年期間慢工細活打造之作品。故事描述臺籍青年林逸平二戰期間被日軍徵召,隻身前往南洋戰場,卻意外和慰安婦賴莎琳相遇;兩人身分立場尷尬,林逸平以故鄉的花生糖,與她交換故事,逐漸產生出曖昧情愫;在軍中,林逸平被日本軍官松永支配,受制於軍國威權統治,他仍奮力捍衛自我身分;當戰火漸趨白熱化的前夕,兩人相約在戰爭結束後也要努力活著,不料卻突然傳來天皇宣布戰敗的廣播,緊繃的情緒瞬間化為一片空虛……
\n\n\n\n
無法擺脫的死亡陰影、強權下的身分認同、對生存的卑微希望、戰火中的人性面貌,在熱帶島嶼譜出了對命運、救贖和承諾的悲鳴曲,當仰望天邊閃爍的南十字星,他們流著淚也要唱出「活著的證明」。
\n\n\n\n
演出暨製作團隊
\n\n\n\n
【主創名單】
\n\n藝術總監暨作曲|雷昇
\n\n導演暨編劇|林孟寰(大資)
\n\n副導演暨動作設計|李羿璇(青青)
\n\n作詞|林孟寰、MC JJ、雷昇
\n\n音樂總監暨樂團指揮|郭孟玫
\n\n編曲配器|邱沁瑜(Emily Chiu)
\n\n舞台設計|劉達倫
\n\n燈光設計|鄧振威
\n\n影像設計|徐逸君
\n\n服裝設計|林秉豪、吳映叡
\n\n音效設計|卓士堯
\n\n音場設計|蔡鴻霖
\n\n腔調設計|林瑞崐
\n\n表演指導|姚坤君
\n\n歌唱指導|魏世芬
\n\n臺語指導|黃郁盛、周浚鵬
\n\n影像製作|六角創藝
\n\n\n\n
【演員名單】
\n作家|楊烈
\n林逸平|于浩威
\n賴莎琳|何冠儀
\n松永|葉文豪
\n安子|林姿吟
\n雪子|辰亞御
\n吉本|林玟圻(Ctwo)
\n小偷|邱德朗
\n
\n安琪、千鶴、歌隊|藍紫綾
\n阿惠、歌隊|周宛怡
\n月里、歌隊|蘇育玄
\n歌隊|王浩全、邱忠裕、程珉、吳子齊、賴沅汰、雙伊蓮、鄭景文
\n安琪女兒|李姀翮
\n聲音演出|李曼、何冠儀、蘇育玄、梁凱棱
\n\n
【樂團名單】
\n鋼琴|朱晏辰
\n打擊|張幼欣
\n吉他|巫康裘
\n小提琴|李昀潔
\n大提琴|王鈺淩
\n低音提琴|鄭乃涵
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"51d9cedf7a82129144418e428d82b0a6",title:"音樂劇《熱帶天使》"}],related:[],title:"Tropical Angels: A Taiwanese Musical",cover:"11928b6e96970f4d23b038fe576b3354",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
Based on Taiwanese literature laureate CHEN Chien-wu's autobiographical novel, Hunting Captive Women, Tropical Angels is a carefully crafted musical adaptation by LIN Meng-huan during his two-year artist residency at the NTT. The story follows LIN Yi-ping, a young Taiwanese civilian conscripted by the Imperial Japanese Army and sent to the Southeast Asian battlefield. There, he unexpectedly meets LAI Sha-lin, a comfort woman. Despite their status differences, they bond over peanut bars from home and develop deep feelings for one another. Amidst the escalating war, they pledge to survive and struggle to reconcile identity, hope, and humanity. As they tearfully sing under the Southern Cross, their story becomes an elegy for fate, salvation, and commitment amidst the harsh realities of war.
\n\n\n\n
Creative and Production Team
\n\nArtistic Director & Composer|LEI Sheng
\n\nDirector, Lyricist & Bookwriter|LIN Meng-huan
\n\nAssistant Director & Movement Designer|LEE Yi-hsuan
\n\nMusic Director|KUO Meng-mei
\n\nOrchestrations|Emily CHIU
\n\nSet Design|LIU Da-lurn
\n\nLighting Design|TENG Cheng-wei
\n\nProjection Design|HSU Yi-chun
\n\nCostume Design|LIN Bing-hao、WU Ying-ray
\n\nSound Effect Design|JUO Shih-yao
\n\nSound Design|TSAI Hung-lin
\n\nAccent Design (Taiwanese Hokkien) |LIN Rui-kun
\n\nActing Coach|YAO Kun-jun
\n\nVocal Coach|WEI Shih-fen
\n\nAccent Coach (Taiwanese Hokkien)|HUANG Yu-cheng ,CHOU Chun-peng
\n\nProducer|WANG Wen-chieh
\n\nStage Manager|WU Wei-wei
\n\nPerformer|YONG Lea, Howl YU, HE,GUAN-YI, YEH Wen-hao, LIN Tzu-yin,CHEN,YA-YU,LIN,WEN-QI
\n\nConductor|KUO Meng-mei
\n\nPiano|CHU Yen-chen
\n\nPercussion|Sayun CHANG
\n\nGuitar|WU Kang-chiu
\n\nViolin|LI,YUN-JIE
\n\nCello|WANG Yu-ling
\n\nDouble Bass|ZHENG,NAI-HAN
\n\n\n\n
\n',team:""},createdAt:1695798740,updatedAt:1698112830,updatedBy:"林蔚行",host:!1},{_id:"651a74b534c661000837e44b",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1701948600,discrete:[{time:1701948600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1600,2e3],link:"https://www.opentix.life/event/1705492970429833217"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8ce7f1c8c6e4a1cdd28078cc87e3581e",title:"《泰歐‧蓋爾基 2023 鋼琴獨奏會 -- 浪漫主義的黎明和黃昏》"}],related:[],title:"《泰歐‧蓋爾基 2023 鋼琴獨奏會 -- 浪漫主義的黎明和黃昏》",cover:"48a15edd0f3febc675b5ff3c5ceff158",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
泰歐‧蓋爾基是一個真正的現代浪漫主義者,透過培養與自然的和諧聯繫、提高他對美學的感知並與存在主義問題作鬥爭,生活並渴望實現這個過去時代的理想。這位鋼琴家最新的獨奏曲目“浪漫主義的黎明與黃昏”以貝多芬式的巨響開場,隨後以其音樂形式塑造了整個浪漫主義運動。在完全沉浸於著名的月光奏鳴曲之後,泰歐‧蓋爾基將細細品味一個持續了一個多世紀的輝煌時代的餘燼。一種音樂體驗,有望跨越從憂鬱到狂喜的情緒。
\n\n\n\n
演出曲目
\n\n貝多芬:C小調第八號鋼琴奏鳴曲《悲愴》,作品13
\n\n貝多芬:升C小調第十四號鋼琴奏鳴曲《月光》,作品27之2
\n\n拉赫瑪尼諾夫:升C小調前奏曲,作品3之2
\n\n拉威爾 / 蓋基爾:很慢的柔板(改編自G大調鋼琴協奏曲第二樂章)
\n\n普朗克:降D大調第二號間奏曲,FP 71, no. 2
\n\n葛吉夫:亞洲歌曲和節奏,第一冊第十首 緩板,幾乎是朗誦的
\n\n拉赫瑪尼諾夫:降B小調第二號鋼琴奏鳴曲,作品36(1931版本)
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|泰歐‧蓋爾基
\n\n製作|鴻宇國際藝術有限公司
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8ce7f1c8c6e4a1cdd28078cc87e3581e",title:"《泰歐‧蓋爾基 2023 鋼琴獨奏會 -- 浪漫主義的黎明和黃昏》"}],related:[],title:"Teo Gheorghiu 2023 Piano Recital -- Dawn and dusk of Romanticism",cover:"48a15edd0f3febc675b5ff3c5ceff158",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
A real modern-day romantic, Teo Gheorghiu lives and aspires to the ideals of this bygone era by nurturing a harmonious connection to nature, sharpening his perception of aesthetics and wrestling with existential questions. The pianist's latest solo programme 'Dawn and dusk of romanticism' opens with a Beethovenian bang which went on to shape the entire romantic movement in its musical form. After a full immersion into the famous Moonlight Sonata, Teo Gheorghiu will savour the dying embers of a glorious epoch which lasted well over a century.A musical experience which promises to span emotions from melancholia to ecstasy.
\n\n\n\n
Program
\n\nL. van Beethoven: Piano Sonata No. 8 in C Minor "Pathetique", Op. 13
\n\nL. van Beethoven: Piano Sonata No. 14 in C-sharp Minor "Moonlight",Op. 27, no. 2
\n\nS. Rachmaninoff: Prelude in C-sharp Minor, Op. 3, no. 2
\n\nM. Ravel / T. Gheorghiu: Adagio assai (from 2nd movement of Piano Concerto in G Major)
\n\nF. Poulenc: Intermezzo No. 2 in D-flat Major, FP 71, no. 2
\n\nG. Gurdjieff - Asian Songs and Rhythms, Vol. 1: No. 10 Lento, quasi recitativo
\n\nS. Rachmaninoff: Piano Sonata No. 2 in B-flat Minor, Op.36 (1931 version)
\n\n\n\n
Creative and Production Team
\n\nPiano|Teo Gheorghiu
\n\nProduction|Professional Artists International
\n\n\n\n
\n',team:""},createdAt:1696232629,updatedAt:1699003720,updatedBy:"林蔚行",host:!1},{_id:"651a822234c661000837e708",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1703676600,discrete:[{time:1703676600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1800,2500,3e3],link:"https://www.opentix.life/event/1703953706802044929"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"77c023832328774c5a9cc3d0ecfb5ed7",title:"《華麗伸展台》2023茱莉亞校友們巡迴音樂會"}],related:[],title:"《華麗伸展台》2023茱莉亞校友們巡迴音樂會",cover:"9e91689e4454c3427f89540468cd84b5",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
音樂家 on 伸展台?今年歲末,散佈世界各地的茱莉亞校友好朋友們難得要聚首囉!由茱莉亞校友在臺灣所組成的「六六樂集」號召了數十位校友,將臺灣從北到南、由西至東最經典的音樂廳幻化為時尚且風情萬種的伸展台,把曲風迥異的動人音樂以最令人難忘的手法呈現給大家。音樂家們將在舞台上以琴會友,以熟悉且熱愛的室內樂組合為觀眾獻技。曲目涵蓋從古典、浪漫、現代樂派到爵士風 ; 更有校友作曲家為這場音樂會所譜寫的的五重奏(世界首演)!各個演奏家都是當今音樂界的一時之選。讓我們一起來體驗這場光彩奪目的《華麗伸展台》吧!
\n\n\n\n
演出曲目
\n\n韓德爾:「歡慶」,選自「皇家煙火」,作品351
\n\n莫扎特:「魔笛」,作品620(改編為管風琴與鋼琴)
\n\n布魯貝克:「爵士點」 為雙鋼琴而寫
\n\n唐瑋廷:「殘影」(日本箏、小提琴、中提琴)
\n\n孟德爾頌:D小調第一號鋼琴三重奏,作品49
\n\n德弗札克:A大調第二號鋼琴五重奏,作品81
\n\n舒伯特:A大調鋼琴五重奏「鱒魚」,作品114(改編為雙鋼琴八手)
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|叢培娣、蔡佩真、鄭怡君、唐瑋廷、廖皎含
\n\n管風琴|尚傑生
\n\n小提琴|趙恆振、李學鴻
\n\n中提琴|王麗雯、黃瑞儀
\n\n大提琴|簡荿玄 、呂超倫
\n\n日本箏|唐瑋廷
\n\n作曲|唐瑋廷
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"77c023832328774c5a9cc3d0ecfb5ed7",title:"《華麗伸展台》2023茱莉亞校友們巡迴音樂會"}],related:[],title:"2023 Alumni Concert Tour",cover:"9e91689e4454c3427f89540468cd84b5",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Have you seen musicians on the runway before? In this Christmas season, "66 Musica" will invite 26 Juilliard alumni for its debut concerts in Taiwan. We will present a musical feast in our end-of-year celebration < Runway Brilliant>.
\n\n\n\n
Program
\n\nG. Handel: "La Réjouissance," from "Music for the Royal Fireworks," HWV 351
\n\nW. Mozart: "The Magic Flute," K. 620 (Arr. for Organ and Piano)
\n\nD. Brubeck: "Points on Jazz" for Two Pianos
\n\nCharles W. Tang: "Afterimage" (for Koto, Violin, and Viola)
\n\nF. Mendelssohn: Piano Trio No. 1 in D Minor, Op. 49
\n\nA. Dvořák: Piano Quintet No. 2 in A Major, Op. 81
\n\nF. Schubert: Piano Quintet in A Major, Op. 114, "The Trout" (Arr. for Two Pianos Eight Hands)
\n\n\n\n
Creative and Production Team
\n\nPiano|Chiao Han LIAO, Amy TSAI, Ingrid TSUNG, Jeannie CHENG, Charles TANG
\n\nOrgan|Sean JACKSON
\n\nViolin|Vincent CHAO, William LEE
\n\nViola|Grace HUANG, Li Wen WANG
\n\nCello|Janet CHIEN, Chao Lun LU
\n\nKoto|Charles TANG
\n\nComposer|Charles TANG
\n\n\n\n
\n',team:""},createdAt:1696236066,updatedAt:1697099589,updatedBy:"林蔚行",host:!1},{_id:"651a87b3f9ba4200079b6434",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1701257400,discrete:[{time:1701257400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200],link:"https://www.opentix.life/event/1694985429987311617"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8921c548a83d62f5b865158064197b40",title:"《2023就是愛管-台灣之音》"}],related:[],title:"《2023就是愛管-台灣之音》",cover:"4dc36fed15322b980baa791493dc5c48",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
陽明國中管樂班成立至今23年,常獲全國學生音樂比賽特優佳績,受到評審與觀眾大力肯定,在管樂個人賽、銅管五重奏、木管五重奏的比賽中也獲得相當優異的成績。近年積極參與各項校外展演,深獲好評,多年來培育出許多學藝專精的優秀人才。
\n\n「2023就是愛管-台灣之音」是陽明國中管樂團年度成果發表會,亦是陽中管樂歷年傳統,每年透過成果展演激勵學生練習動力、相互觀摩音樂技能、培養團體默契,提昇整體音樂水平。今年我們再次登上衛武營的舞台舉辦年度展演,將為觀眾帶來一系列活潑歡快的樂曲,邀請您一同參與這場音樂的饗宴!
\n\n\n\n
演出曲目
\n\n台灣民謠隨想曲
\n\n小號協奏曲
\n\n薩克斯風協奏曲
\n\n台灣交響詩
\n\n狩獵之歌
\n\n台灣民謠組曲
\n\n寶島之憶
\n\n五月天組曲
\n\n\n\n
演出暨製作團隊
\n\n主辦|高雄市立陽明國中、陽明國中管樂團家長後援會
\n\n指揮|張詠佑
\n\n樂團|陽明國中管樂團
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8921c548a83d62f5b865158064197b40",title:"《2023就是愛管-台灣之音》"}],related:[],title:"Annual Concert Of Yangming Junior High School Concert Band",cover:"4dc36fed15322b980baa791493dc5c48",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Kaohsiung Municipal Yangming Junior High School Concert Band has been established for 23 years. Under the direction of conductor Mr. Yung-You Chang, the band has consistently won the High Distinction Award in the National Student's Music Competitions, and over the years, it has cultivated many talented students with expertise in music. In recent years, we have actively participated in various performances and international exchanges, receiving high praise. This year, we are once again performing at the Wei-Wu-Ying Concert Hall and sincerely invite you to join us for this musical feast!
\n\n\n\n
Program
\n\nCaprice of Taiwan Folk Songs
\n\nConcert Etude Op.49
\n\nFour pictures from New York,Mov.ll-Tango Club
\n\nA Symphonic Poem "TAIWAN"
\n\nHunting Scenes
\n\nTaiwan Folksong Suite
\n\nMemories of Formosa
\n\nMay Day Suite
\n\n\n\n
Creative and Production Team
\n\nOrganizer|Kaohsiung Municipal Yangming Junior High School、Parents Support Group of Yangming Junior High School Concert Band
\n\nConducting|Yung-You Chang
\n\nPerformers|Kaohsiung Municipal Yangming Junior High School Concert Band
\n\n\n\n
\n',team:""},createdAt:1696237491,updatedAt:1696326229,updatedBy:"林蔚行",host:!1},{_id:"651bcbabf1917000078b9326",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1702724400,discrete:[{time:1702724400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200],link:"https://www.opentix.life/event/1708725411283050497"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"30f12e0f7217f09e209be8642371033a",title:"《2023何美恩大提琴音樂會 與 廖晈含、林士凱、趙怡雯》"}],related:[],title:"《2023何美恩大提琴音樂會 與 廖晈含、林士凱、趙怡雯》",cover:"5b5b4a6e548430733375c258bc8168ef",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
活躍於美國與國際各大城市演出的大提琴家何美恩(美國Ulysses弦樂四重奏創團者之一、2019-2022茱莉亞音樂院駐校弦樂四重奏藝術家、現任邁阿密交響樂團大提琴首席、紐約曼哈頓音樂院音樂藝術博士),除了將透過獨奏展現她豐富的學術演出技巧,與旅行世界各地舞台的展演經驗之外,並將聯手著名鋼琴家廖皎含、小提琴家林士凱、中提琴家趙怡雯帶給觀眾屏息以待的鋼琴三重奏及四重奏名曲。
\n\n\n\n
演出曲目
\n\n加斯帕爾.卡薩多:大提琴無伴奏組曲
\n\n克拉拉.舒曼:三首浪漫曲,作品二十二
\n\n保羅.荀費爾德:《咖啡音樂》鋼琴三重奏
\n\n約翰.布拉姆斯:第一號鋼琴四重奏,作品二十五
\n\n\n\n
演出暨製作團隊
\n\n大提琴|何美恩
\n\n鋼琴|廖皎含
\n\n小提琴|林士凱
\n\n中提琴|趙怡雯
\n\n製作人|孫愛光
\n\n\n\n
贊助單位
\n\n國家文藝基金會
\n\n\n\n
\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"30f12e0f7217f09e209be8642371033a",title:"《2023何美恩大提琴音樂會 與 廖晈含、林士凱、趙怡雯》"}],related:[],title:"2023 Grace Ho Cello Recital",cover:"5b5b4a6e548430733375c258bc8168ef",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
As an active cello soloist and chamber musician around United States and international major cities (a founding member of the Ulysses Quartet, who was the 2019-2022 the Graduate Resident String Quartet at the Juilliard School). Grace Ho will illustrate her brilliant techniques through solo pieces (from Cassado and Clara Schumann) and also bring elegant piano trio and quartet (from Schoenfeld and Brahms) to audience with famous pianist Jiao-han Liao, violinist Shi-kai Lin and violist Yiwen Chao.
\n\n\n\n
Program
\n\nGaspar Cassado: Suite for Cello Solo
\n\nClara Schumann: Three Romances Op.22 (cello and piano)
\n\nPaul Schoenfeld: Cafe Music for Piano Trio
\n\nJohannes Brahms:Piano Quartet No.1 in G minor, Op. 25
\n\n\n\n
Creative and Production Team
\n\nCello|Grace Ho
\n\nPiano|Jiao-han Liao
\n\nViolin|Shi-kai Lin
\n\nViola|Yiwen Chao
\n\nProducer|Aikuang Sun
\n\n\n',team:""},createdAt:1696320427,updatedAt:1697099567,updatedBy:"林蔚行",host:!1},{_id:"6525f6dc8d313f000867889f",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1703244600,discrete:[{time:1703244600},{time:1703313e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1300,1700,2300,2700,3300,5e3],link:"https://tixfun.com/UTK0201_?PRODUCT_ID=Q014PBLM"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3947ae32daa07f571d143c5499b88ef5",title:"舞台劇《愛 隔離 》……為愛出發……"}],related:[],title:"舞台劇《愛 隔離 》……為愛出發……",cover:"a538e56f03fda127c06e5995abb4456a",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
《愛 隔離》......還是我們隔離了愛?
\n\n如果願意傾聽,如果願意相信,
\n\n你會發現,在愛裡沒有懼怕!
\n\n\n\n
疫情過後,當逐漸找回自己的生活節奏時,我們的家庭關係呢?
\n\n讓你超有感的舞台劇《愛 隔離》為愛出發,笑淚登場!
\n\n\n\n
周先生開了瓶紅酒細細品味,周太太豪邁痛飲乾掉整瓶?!
\n\n長期相隔兩地的夫妻因疫情相聚,當居家隔離時,
\n\n所有的矛盾衝突都在Z世代網紅女兒的直播鏡頭下,展現出令人捧腹的荒謬!
\n\n\n\n
一個提款機爸爸(除了賺錢什麼都不做)
\n\n一個臺灣標配媳婦(除了賺錢什麼都做)
\n\n一個美少女(整日活在元宇宙裡)
\n\n長期相隔異地的一家人,當居家隔離時
\n\n必須24小時共處一室。
\n\n從原本的不必見面,到現在的避不見面;
\n\n從沒事尬聊,到上演口沫橫飛。
\n\n所有的矛盾衝突都在Z世代網紅女兒的
\n\n直播鏡頭下,展現出令人捧腹的荒謬!
\n\n台下的我們既是看客,也是主角。
\n\n\n\n
也許,這齣荒謬喜劇
\n\n不小心說出了你或你朋友的故事!
\n\n或許,這個舞台讓你看懂了
\n\n你關心的人心中的小劇場!
\n\n更可能因為劇中的一句台詞,
\n\n你與你愛的人不再有距離!
\n\n\n\n
由[屋頂上複合劇場]金牌劇場製作人陳琪,聯手影視劇三棲戲王樊光耀編導演,影劇一姊張本渝等共同演出。《愛 隔離》讓愛戲的觀眾一邊大呼過癮欣賞台上演員們尬戲,又玩味起自己生活中與家人的關係…
\n\n\n\n
演出暨製作團隊
\n\n藝術總監/製作人|陳 琪
\n\n導演|樊光耀
\n\n主演|張本渝、樊光耀、李芙蓉、葉信威
\n\n舞台設計|張致皓、莊知恆
\n\n燈光設計|廖俐琪
\n\n音樂設計|張藝
\n\n服裝設計|林俞伶
\n\n舞台監督|楊惠君
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3947ae32daa07f571d143c5499b88ef5",title:"舞台劇《愛 隔離 》……為愛出發……"}],related:[],title:"TO LOVE in Quarantine",cover:"a538e56f03fda127c06e5995abb4456a",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
This play lets your loved ones know you better...
\n\nIt brings you to find the essence of love in humorous and hilarious ways.
\n\n\n\n
The best actor in the Golden Bell Award, Guang-yao FAN, and the talented actress Jessie Chang, sincerely invite you to join us together...
\n\n\n\n
After separating for a long time, Mr. & Mrs Chou were reunited. All of the ridiculous scenes were broadcasted through the live stream on social media by their daughter, and the spectacle turned into a hilarious comedy.
\n\n\n\n
Perhaps, this play will allow You no longer to be distanced from the ones you love.
\n\n"TO LOVE in Quarantine" starts from love.…
\n\n\n\n
Creative and Production Team
\n\nArt Director/Producer| Serina CHEN
\n\nDirector|FAN Guang-yao
\n\nCast|Jeesie CHANG、FAN Guang-yao、Eloise LEE、YEH Hsin-wei
\n\nSet Design|CHANG, Chih-hao ZHUANG Chih-heng
\n\nLighting Design|LIAO Joyce
\n\nSound Design|CHANG Yi
\n\nCostume Design|LIN Summer
\n\nStage Manager|YANG December
\n\n\n\n
\n',team:""},createdAt:1696986844,updatedAt:1701078669,updatedBy:"林蔚行",host:!1},{_id:"652769e9b9845e0008e3cbb4",catalogs:["5f6f57551efdfd0006068dd8"],dateTime:{first:1702035e3,discrete:[{time:1702035e3},{time:1702122300}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free Entry"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6db323ce3fccf456a532de7e2b0b9c1e",title:"【2023衛武營馬戲平台】FOCA福爾摩沙馬戲團《解憂快餐車》"}],related:[],title:"【2023衛武營馬戲平台】FOCA福爾摩沙馬戲團《解憂快餐車》",cover:"bfd51bdca6dc05373145c0f255054e34",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
忘憂之旅,啟程!
\n\n故事的背景設定為回憶兒時的鄉下生活,以尋找童年單純的快樂為出發的馬戲作品。
\n\n故事環繞著懷舊又慵懶的氛圍,擺上各種童玩,如陀螺、彈跳球等,令人不禁想起無憂無慮的童年時光,透過表演者精湛的技巧,時而緊張、時而歡愉,演繹小時候的眷村生活,鞦韆上擺盪、樹上攀爬、草地上奔跑,引人回憶起過去的歡樂時光。觀眾可以放鬆心靈,與FOCA一同回到兒時記趣。
\n\n\n\n
演出暨製作團隊
\n\n導演|陳冠廷
\n\n專案行政|周盈婷
\n\n舞監|郭芳瑜
\n\n表演者|羅元陽、趙偉辰、林聖瑋、江宇平、李坤融、陳群俯、阮鈺婷、楊斯涵
\n\n\n\n
了解更多
\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6db323ce3fccf456a532de7e2b0b9c1e",title:"【2023衛武營馬戲平台】FOCA福爾摩沙馬戲團《解憂快餐車》"}],related:[],title:"【2023 Weiwuying Circus Platform】Formosa Circus Art - Delectation Journey",cover:"bfd51bdca6dc05373145c0f255054e34",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
This circus performance is set against the backdrop of recalling childhood memories in rural life, with the theme of seeking the simple joys of childhood.
\n\nThe story revolves around a nostalgic and laid-back atmosphere, featuring various childhood toys such as spinning tops and bouncing balls. These elements evoke memories of carefree childhood moments. The performers, with their masterful skills, portray the emotions of tension and joy, depicting the military dependent village life that includes swinging on swings, climbing trees, and running on grass, bringing back memories of joyful times. This performance allows the audience to relax their minds and journey back to the cherished memories of childhood with FOCA.
\n\n\n\n
Creative and Production Team
\n\nDirector|CHEN Kuan-ting
\n\nProject Administration|CHOU Ying-ting
\n\nStage Manager|GUO Fang-yu
\n\nPerformers|LO Yuan-yang、CHAO Wei-chen、LIN Sheng-wei、CHIANG Yu-ping、LI Kun-jung、CHEN Chun-fu、JUAN Yu-ting、YANG Ssu-han
\n\n\n\n
More
\n\n►2023 Weiwuying Circus Platform
\n\n\n',team:""},createdAt:1697081833,updatedAt:1701056890,updatedBy:"林蔚行",host:!1},{_id:"65276df5117b8d0007419a4c",catalogs:["5f6f57551efdfd0006068dd8"],dateTime:{first:1702101600,discrete:[{time:1702101600},{time:1702110600},{time:1702188e3},{time:1702197e3}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free Entry"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"960f572e936a24d0f827be9bb9a07917",title:"【2023衛武營馬戲平台】Circus D. Lab 《鬥獸場》"}],related:[],title:"【2023衛武營馬戲平台】韓國Circus D. Lab《鬥獸場》",cover:"87d95aa089ef7cc6b954a02a119d4fe0",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
無對白演出
\n\t演出包含觀眾互動
\n\t「與觀眾互動的馬戲表演」
\n\n見證馬戲演員如何在搭建電線桿的過程中揭開一連串的驚喜。
\n\n\n\n
為了完成搭建電線桿這個簡單的目標,我們邀請觀眾一同體驗這一連串的步驟。過程中,我們融入了馬戲的必要元素、讓馬戲藝術更平易近人,並將街頭表演的體驗昇華。同時也打破了演員、觀眾與表演之間的界限,而這也為我們帶來平靜的迴響。
\n\n\n\n
演出暨製作團隊
\n\n製作人|徐男在
\n\n演出者|徐男在
\n\n技術統籌|李俊相
\n\n\n\n
團隊介紹
\n\n\n\n
D實驗室馬戲團
\n\n「D」象徵著每個人心中的烏托邦,更象徵著馬戲。
\n\nD實驗室馬戲團透過雜耍與創作的關鍵要素來尋找全新的故事。從肢體表現、雜耍道具到舞台佈景,各個都是D實驗室把玩的媒介。
\n\n\n\n
2023年韓國首爾歌舞馬戲節特邀演出
\n\n2023年英國愛丁堡藝穗節藝穗秀
\n\n2023年法國街上的查隆藝穗秀
\n\n2023年法國亞維農藝術節藝穗秀
\n\n\n\n
了解更多
\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"960f572e936a24d0f827be9bb9a07917",title:"【2023衛武營馬戲平台】Circus D. Lab 《鬥獸場》"}],related:[],title:"【2023 Weiwuying Circus Platform】Circus D. Lab - Polosseum",cover:"87d95aa089ef7cc6b954a02a119d4fe0",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
"Audience-participating circus performance"
\n\nIt is a work that unravels a series of events in building a pole with the movement of a clown.
\nWe experience a series of processes with the audience to achieve the simple goal of building poles. Through this, it aims to provide essential elements of the circus, easily approach it, and promote street performance art enjoyment. At the same time, it breaks down the boundary between actors, audiences, and performances, delivering a calm echo to us.
\n\n
Creative and Production Team
\n\nProducer|SEO Namjae
\n\nPerformer|SEO Namjae
\n\nStage Crew|LEE Junsang
\n\n\n\n
Team Introduction
\n\nCircus D.Lab.
\n\nD, the symbol of each person's utopia, is expressed as a circus.
\n\nCircus D. Lab specialises in finding new scenes through work focused on the keywords of object research and creation. Dealing with various objects, from the closest one's own body to juggling tools and stage sets.
\n\n\n\n
2023 Korea Seoul CIRCUS CABARET Invited Show
\n2023 England Edinburgh Fringe Festival Fringe Show
\n2023 France CHALON DANS LA RUE Fringe Show
\n2023 France Festival D’Avignon Fringe Show
\n\n
More
\n\n►2023 Weiwuying Circus Platform
\n\n\n',team:""},createdAt:1697082869,updatedAt:1701393683,updatedBy:"林蔚行",host:!1},{_id:"65278acb117b8d0007419f60",catalogs:["6007fc45ba34870007c22b8b"],dateTime:{first:1702105200,discrete:[{time:1702105200}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free Entry"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"db42471114d1ed78cc202680231dbea2",title:"【2023衛武營馬戲平台】《人人都是超級英雄:馬戲天才秀》"}],related:[],title:"【2023衛武營馬戲平台】《人人都是超級英雄:馬戲天才秀》",cover:"266ec103f322f642e137a4e0995b9895",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
每個人都有超越自己的可能性,然而這個世界仍有許多尚未被發現的馬戲超能力——那些隱藏在每個人身上的超凡特技!不論是民俗技藝、江湖雜技、街頭好手,還是尚未被定義的隱藏版特技,都可以在《人人都是超級英雄:馬戲天才秀》中看見。本節目透過公開徵選召募深藏不露、擁有十八般武藝的民間馬戲達人,不分性別、年齡、職業,在衛武營榕樹廣場展現自己的獨一無二,證明每個人都有自我超越的可能性,你我都是超級英雄!
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演出暨製作團隊
\n\n主持人|暴羅WALK 暴牙、小羅
\n\n民間馬戲達人|王文芳、許麗淑、李弘茂、林妤柔、柯茗竤、陳佑淨、郭孝德、劉珈蓉
\n\n鍵盤|陳純郁
\n\n爵士鼓|林楷
\n\n製作人|黃文毓
\n\n執行協力|謝岳恩、許雅筑
\n\n\n\n
了解更多
\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"db42471114d1ed78cc202680231dbea2",title:"【2023衛武營馬戲平台】《人人都是超級英雄:馬戲天才秀》"}],related:[],title:"【2023 Weiwuying Circus Platform】Circus Got Talent",cover:"266ec103f322f642e137a4e0995b9895",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
Everyone has the potential to surpass themselves, yet the world remains full of undiscovered circus superpowers – those extraordinary stunts concealed within each individual! Be it folk artistry, wandering acrobatics, street virtuosos, or undefined hidden talents, all can be witnessed in Circus Got Talent. This event recruits reclusive talents through public auditions masters of various martial and circus arts, regardless of gender, age, or occupation. They will unfold their unique prowess at the Weiwuying Banyan Plaza, attesting that everyone can transcend themselves – we are all superheroes!
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Creative and Production Team
\n\nHost|b.l.walkshop
\n\nCircus Got Talent|KUO Hsiao-te、LIN Yu-rou、WANG Wen-fang、HSU Li-shu、CHEN Yo-jing、LIU Jia-rong、KE Ming-hong、LI Hung-mao
\n\nKeyborad|CHEN Chun-yu
\n\nDrum|LIN Kai
\n\nProducer|HUANG Wen-yu
\n\nProduction Assistant|HSIEH Yueh-en、HSU Ya-chu
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More
\n\n►2023 Weiwuying Circus Platform
\n\n\n',team:""},createdAt:1697090251,updatedAt:1699240001,updatedBy:"林蔚行",host:!0},{_id:"65279075b9845e0008e3d2b6",catalogs:["5f6f57551efdfd0006068dd8","6007fc45ba34870007c22b8b"],dateTime:{first:1702191600,discrete:[{time:1702191600}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free Entry"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5f4e1723592b202bec35771d38ab5e83",title:"【2023衛武營馬戲平台】臺灣特技舞蹈協會 第一屆特技大鼎BIG TOP 頒獎典禮"}],related:[],title:"【2023衛武營馬戲平台】臺灣特技舞蹈協會 第一屆特技大鼎BIG TOP 頒獎典禮",cover:"4e4ad588a134e8b21742a041db49242f",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
特技近年間快速成長,蓬勃的發展使得臺灣特技湧現許多新血,在今年終於迎來專屬於特技人的獎項,幕後推手耿一偉,認為特技透過頒獎能提供產業界優秀人才一個專業、國際性、具象徵性的獎項鑑別,成全並承載特技人的夢想,使全臺特技人在此刻共享專屬於他們的榮耀。目前頒獎典禮確認於今年12月10日,攜手衛武營國家藝術文化中心馬戲平台活動中頒獎,未來將以雙年辦理。
\n\n特技大鼎BIG TOP設置宗旨為:「三足鼎立,跨越特技、舞蹈、藝術,一藝孤行;獨門藝術。智仁勇,前瞻願景;深情執著;超越昇華」。希冀藉此獎項鼓勵臺灣特技人才,並期望能推動業界之間的鏈結與交流、進而提昇特技藝術內涵、擴充特技產業周邊效益、最終能達成與國際交流、鏈接的發揚為目的。
\n\n特技帶給人們歡樂、夢想,透過更具敘事性的當代創作手法,能夠引發觀眾多方面的思考。因此在近幾年,特技產業不僅僅只出現在節日或慶典場合,更能夠在藝文活動,甚至是國家級場館演出中,看見這些人的身影。更希望未來得獎人,除了獲得榮耀與肯定外,藉由主辦單位的嫁接能夠與國際產生連結,將優秀的作品及得獎人推向國際。
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演出暨製作團隊
\n\n監製|林佳鋒
\n\n顧問|陳碧涵、耿一偉、陳錦誠、李曉蕾、程育君、張京嵐
\n\n總統籌|吳瑛芳
\n\n特技大鼎獎座設計師|蔡爾平
\n\n特技大鼎主題曲作曲|李宇鎔
\n\n技術統籌|周志瑋
\n\n影像剪輯/製作|林佩瑩
\n\n演出執行|FOCA福爾摩沙馬戲團、馬戲之門、郭建宏
\n\n主持人|任宇媗、何海翔
\n\n直播工程/現場記錄統籌|野草影像
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團隊介紹
\n\n臺灣特技舞蹈協會成立於臺灣臺北,111年由陳碧涵、林佳鋒、李曉蕾等34人發起後組織籌備委員會,其中由陳碧涵擔任主任委員督導籌備期間工作。同年7月公開招募會員並於8月28日辦理第一屆會員大會、9月4日召開第一屆第一次理監事聯席會議。在經由兩次會議投票結果後,最終由林佳鋒當選本會第一屆理事長主導本會未來發展。本會成立宗旨為推展特技舞蹈教育,培育表演藝術跨域人才,建構專業證照檢定,鏈結產業需求,促進產業生態發展,擴大特技舞蹈國際能量。
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了解更多
\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5f4e1723592b202bec35771d38ab5e83",title:"【2023衛武營馬戲平台】臺灣特技舞蹈協會 第一屆特技大鼎BIG TOP 頒獎典禮"}],related:[],title:"【2023 Weiwuying Circus Platform】 Taiwan Acro Dance Association The 1st Acrobatic Dance Big Top Awards Ceremony in Taiwan",cover:"4e4ad588a134e8b21742a041db49242f",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
Acrobatics have experienced rapid growth in recent years, prompting the introduction of awards tailored for acrobatic talents in Taiwan. KENG Yi-wei, a pivotal figure behind the scenes, believes that these awards grant industry professionals the recognition they deserve and help them achieve their dreams, enabling all acrobats in Taiwan to celebrate their moment of triumph. The awards ceremony is scheduled for December 10th in collaboration with the Weiwuying Circus Platform, with plans for biennial events in the future.
\n\nThe mission of the Acrobatic Dance Big Top is to "stand on 3 pillars and transcend acrobatics, dance, and art to elevate a distinct art form with wisdom, benevolence, courage, a forward-looking vision, deep passion, and dedication." The goal is to nurture acrobatic talents in Taiwan, bolster industrial connections and exchanges, enrich artistic content, expand peripheral benefits, and ultimately attain international recognition and collaboration.
\n\nAcrobatics bring joy and dreams to people. By employing more descriptive contemporary techniques, they can prompt the audience to think from various perspectives. Therefore, in recent years, acrobatics have not only made appearances at festivals and celebrations but also graced cultural events and even at national-level venues. It is hoped that award winners, in addition to receiving honor and recognition, can establish connections with the international community through the organizers to promote exceptional works and awardees on the global stage.
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Team Introduction
\n\nFounded in Taipei, Taiwan in 2022, the Taiwan Acro Dance Association started with 34 individuals, including CHEN Pi-han, LIN Chia-feng, and LI Hsiao-lei, who formed a preparatory committee chaired by CHEN Pi-han. The association opened its doors to new members in July and held an inaugural meeting on August 28th, followed by the first joint meeting of the board of directors and supervisors on September 4th. After two rounds of voting, Lin Chia-feng was elected as the first chairman to lead the association into the future. The association's mission is to promote acrobatic dance education, nurture interdisciplinary performing arts talents, establish professional certification, address demands, foster industry growth, and expand the global influence of acrobatic dance.
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More
\n\n►2023 Weiwuying Circus Platform
\n\n\n',team:""},createdAt:1697091701,updatedAt:1698822060,updatedBy:"林蔚行",host:!0},{_id:"65279847b9845e0008e3d423",catalogs:["5f6f57551efdfd0006068dd8"],dateTime:{first:1702119e3,discrete:[{time:1702119e3},{time:1702203600}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free Entry"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"82a7e8ece8acaac1056986d3446282c7",title:"【2023衛武營馬戲平台】馬戲變奏曲:陳聖崴《裝逼服務生》"}],related:[],title:"【2023衛武營馬戲平台】馬戲變奏曲:陳聖崴《裝逼服務生》",cover:"145ad616f9a02abf1ea3cc3a9eb25d04",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
前一天又在店裡玩得太開心,跟著客人喝啊喝的分不清地板和天花板,只記得一直開心的跳著舞,今天起床才發現自己居然睡在店裡。店裡還亂糟糟的,滿地的垃圾、喝完的空瓶、酒沒喝完的杯子、還有不知道哪去的掃把⋯正感到疲憊的時候,「喔!」怎麼店門外有一群人在看著我,「我開店這麼好看的嗎?」「還是他們覺得我很帥?」「他們是不是要進來喝酒?」先趕緊開店再說;隨著開店的進行,也邊跟著店門外的大家打招呼,他們好像也看得入神。突然想到應該還有存酒沒喝,嘿嘿嘿!那不然再來喝兩杯!
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演出暨製作團隊
\n\n編舞者|陳聖崴
\n\n演出人員|陳聖崴
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藝術家介紹
\n\n陳聖崴
\n\n高中時期開始接觸街舞popping,同時也開始街頭藝人的身分,後以acrobatic為主要訓練方向,並開始接觸劇場演員工作,也因長年街頭演出的經驗,擅長近距離演出與互動;現階段較以發展個人身體樣貌為走向,有點詭局又不失美感的方向前進著。
\n\n曾在新竹巨城街藝嘉年華榮獲冠軍、韓國光州藝術節擔任外國嘉賓、桃園街頭藝術嘉年華擔任評審、臺北街頭藝術節演出嘉賓、新竹設計展<公寓裡凡人不會做的那些事>演員⋯等多項活動。
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了解更多
\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"82a7e8ece8acaac1056986d3446282c7",title:"【2023衛武營馬戲平台】馬戲變奏曲:陳聖崴《裝逼服務生》"}],related:[],title:"【2023 Weiwuying Circus Platform】CHEN Sheng-wei - Naughty Waiter",cover:"145ad616f9a02abf1ea3cc3a9eb25d04",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
Once again, I had too much fun in the shop the day before, drinking with the customers, unable to tell the floor from the ceiling, and just remembering dancing joyfully. Upon waking up today, I realized that I had actually slept in the shop, and it was a mess: garbage everywhere, empty bottles, glasses with unfinished drinks, and a broom that had vanished. Just as I was feeling weary, I exclaimed, "Oh!" Why is there a crowd of people outside the shop watching me? "Is the way I open the shop that interesting?" "Or do they think I'm handsome?" "Are they coming in for a drink?" I better hurry and open up; as I proceeded, I also greeted everyone outside the shop. They seemed quite enthralled by what they were watching. Suddenly, I remembered there should still be some liquor left. Hehe! Why not have a couple more drinks?
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Creative and Production Team
\n\nChoreographer and Performer|CHEN Sheng-wei
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More
\n\n►2023 Weiwuying Circus Platform
\n\n\n',team:""},createdAt:1697093703,updatedAt:1701825414,updatedBy:"林蔚行",host:!1},{_id:"6527a269b9845e0008e3d602",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1702117800,discrete:[{time:1702117800},{time:1702202400}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free Entry"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d990f78f9528dbb97695cebcb12b0e6b",title:"【2023衛武營馬戲平台】郭建宏x大恭《旅途風景─當我們開始流動》"}],related:[],title:"【2023衛武營馬戲平台】馬戲變奏曲:郭建宏x大恭《旅途風景─當我們開始流動》",cover:"0ef26e9de26d041a598e25787254ad01",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
高雄在地馬戲工作者郭建宏與在地音樂家大恭攜手合作,在流動藝術與世界音樂的對話間,共譜一段生命交織的流動旅程。
\n\n如果即將迎來生命的最後一段旅程,你想往哪去、做些什麼?
\n編創者郭建宏以自身的身體文化背景—舞蹈、雜技等元素,探索身體與物件及聲音堆疊結合的可能性,試圖創造一段奇幻的身心時空讓觀者能共同潛入其中。
\n\n
演出暨製作團隊
\n\n創作暨演出者|郭建宏
\n\n音樂創作暨演出者|大恭
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藝術家介紹
\n\n郭建宏
\n\n2013接觸馬戲至今
\n\n一直探尋著各種感動人心的方式
\n\n一次偶然間,看見一位舞踏家將泥巴塗滿身體
\n\n當時頓悟原來最美的是真實
\n\n在森林總能找到真實的自己
\n\n和樹木說話
\n\n和自己說話
\n\n1993年生於臺灣,20 歲習火、習棍、習舞;非正統舞蹈馬戲教育體制下的郭建宏,以接觸火舞為起點進入表演工作;跟隨不同表演團體學習各類型技術與編創 方式;現於臺灣和世界各地進行馬戲工作
\n\n2023獨自前往歐洲旅行演出113日,行經5個國家10多個城市進行演出,並於同年參與德國烏瑟多姆舞蹈節、瑞士沃韋藝術節、愛丁堡邊緣藝穗節、蘇黎世國際表演藝術節。
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大恭
\n\n臺灣Didgeridoo迪吉里度專業演奏家,是臺灣迪吉里度Didgeridoo Taiwan(野迪迪部落)主辦人,亦是一位擅長多種民族與流行樂器的音樂家,其音樂多元豐富,原野自然且充滿沉穩與寧靜的力量,近年投入世界音樂和劇場、電影配樂之創作,個人創作專輯《A voice in the chaos》並入圍31屆臺灣金曲獎最佳演奏錄音專輯殊榮。
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了解更多
\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d990f78f9528dbb97695cebcb12b0e6b",title:"【2023衛武營馬戲平台】郭建宏x大恭《旅途風景─當我們開始流動》"}],related:[],title:"【2023 Weiwuying Circus Platform】 Circus Variations: KUO Chien-hung x Da Kung - Moving Zen",cover:"0ef26e9de26d041a598e25787254ad01",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
Kaohsiung circus worker KUO Chieng-hung and local musician Da Kung have joined hands once again to create a journey of life interwoven in a dialogue between fluid art and world music.
\n\nIf you were about to embark on the last journey of your life, where would you want to go, and what would you do?
\n\nChoreographer KUO Chieng-hung uses his body cultural background in dance, acrobatics, fire, and other elements to explore the possibilities of layering and combining the body with objects and sounds in an attempt to create a Spatio-temporal fantasy of body and mind to dive into with the audience.
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Creative and Production Team
\n\nConcept|KUO Chien-hung
\n\nMusic|Da Kung
\n\nPerformer(s)|KUO Chien-hung , Da Kung
\n\n\n\n
Artists Introduction
\n\nKUO Chien-hung
\n\nPractices circus since 2013
\nSeeking ways to touch people's heart
\nA chance encounter with a butoh dancer who covered his whole body with mud led to the realisation that beauty is being faithful.
One can always find oneself in the forest
\nSpeak to the trees
\nSpeak to oneself
Born in Taiwan in 1993, he learned fire, stick and dance at 20. KUO grew up in an unorthodox performance education system and started performing work from the point of contact with fire dance; he followed different performance groups to learn various techniques and choreography methods for performance projects—now doing circus performances in Taiwan and worldwide.
\n\nIn 2023, he travelled to Europe alone for 113 days, performing in over 10 cities in 5 countries. In the same year, he participated in the Internationales Kleinkunstfestival Insel Usedom in Germany, the Festival International des Artistes de Rue, Vevey, in Switzerland, the Edinburgh Fringe Festival, and the Zürcher Theater Spektakel.
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Da Kung
\n\nDa Kung is a professional Didgeridoo performer and organiser of Didgeridoo Taiwan. Experienced in multi-ethnic and pop instruments, he creates rich and diverse music, showing natural rawness and calm and peaceful energy. In recent years, he has devoted himself to creating world music, theatre music, and film scores. His solo album A Voice in the Chaos was nominated for the Best Performance Recording Album at the 31st Taiwan Golden Music Awards.
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More
\n\n►2023 Weiwuying Circus Platform
\n\n\n',team:""},createdAt:1697096297,updatedAt:1698804480,updatedBy:"林蔚行",host:!0},{_id:"6527abccb9845e0008e3d7cd",catalogs:["5f6f57551efdfd0006068dd8"],dateTime:{first:1702120200,discrete:[{time:1702120200},{time:1702204800}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free Entry"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6488da14a91963bbba9a6561279f6b9c",title:"【2023衛武營馬戲平台】馬戲變奏曲:創造焦點x林亮宇《10》"}],related:[],title:"【2023衛武營馬戲平台】馬戲變奏曲:創造焦點x林亮宇《10》",cover:"e5a2c7981d5629cee27659b050c97d5d",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
友誼的小船真的說翻就翻嗎?
\n\n藝術家物件 X 友情 X 親密關係
\n\n\n\n
以演出者與物件作為創作核心,討論 #好朋友 #高空物件 #樂器 該如何相處,為什麼只選擇綢吊、空中環、鋼琴?為什麼只有一個最好的朋友?從彼此陌生到熟識(練習過程),相處中遇到問題的解決之道?我們各自不同卻又可以在物件與人之中找到共同之處,各自用高空物件演繹對於親密關係的理解與討論友誼在生命當中的跌宕起伏。
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演出暨製作團隊
\n\n創作者與表演者|梅芷菱、藍翊云、林亮宇
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團隊介紹
\n\n創造焦點
\n\n成立於2015年,2018-2020、2023榮獲臺中市傑出演藝團隊,藉由十餘年的專業學習資歷,投入創新傳承,挾專業特技和劇場實力,已累積不少海內外演出經驗,致力於運用當代的思維、新穎的風格融合雜技、馬戲,詮釋當代馬戲藝術及特色,持續推廣與發展臺灣當代馬戲。
\n\n\n\n
林亮宇
\n\n爵士鋼琴家、作曲家、編曲家、音樂製作人、跨界音樂家,並致力於用音樂訴說每個時空背景下的故事。2021 與异境樂團(流光傳奇) 入圍第32屆金曲獎『最佳演奏類專輯獎』、曾獲台北爵士音樂節新秀首獎、2023甫獲屏東縣最佳新秀傑出藝文團隊以及駐館計畫藝術家。
\n\n畢業於國立臺北藝術大學音樂所,主修鋼琴演奏;曾師事黃瓊儀、蔡佳憓教授,魏樂富教授及王青雲教授,並多次接受國內外知名演奏家教導,除了在國內主修古典音樂外,也曾獲美國伊斯曼音樂院教授Harold Danko教導爵士鋼琴。林亮宇演出足跡遍佈英國、美國、秘魯、上海、廣州、杭州、日本、新加玻、全臺灣各大場地和展演空間,並和許多知名音樂人合作。如:王若琳、阿爆、薛詒丹、羅文裕、陳建瑋、湯宇歆等。並積極參與各樣音樂製作、演出、教學,致力於古典和爵士音樂的結合及嘗試各種多樣類型演出。
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了解更多
\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6488da14a91963bbba9a6561279f6b9c",title:"【2023衛武營馬戲平台】馬戲變奏曲:創造焦點x林亮宇《10》"}],related:[],title:"【2023 Weiwuying Circus Platform】 Circus Variations: Eye Catching Circus x LIN Liang-yu - 10",cover:"e5a2c7981d5629cee27659b050c97d5d",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
Does the boat of friendship truly capsize quickly?
\n\nArtist's Objects x Friendship x Intimate Relationships
\n
With the artist's objects as the creative nucleus, this work explores how to interact with #goodfriends #aerialobjects #instrument. Why select only aerial silk, aerial hoop and piano? Why limit to only one best friend? From being strangers to becoming acquainted (during the practice process), what are the means to resolve issues encountered along the way? Although we are different, we can still discover commonality among objects and individuals, each employing aerial objects to articulate our comprehension of intimate relationships and reflect on the oscillations of friendship throughout life.
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Creative and Production Team
\n\nCreator(s)and Performer(s)|MEI Chih-ling、LAN Yi-yun and LIN Liang-yu
\n\n\n\n
Team Introduction
\n\nEye Catching Circus
\n\nFounded in 2015 and awarded as Outstanding Performing Group of Taichung City from 2018 to 2020, Eye Catching Circus employs professional experiences to renovate the tradition. Its competent techniques and theatrical practices prompted the whole team to accomplish multiple performances at home and abroad. Eye Catching Circus dedicates its new ideas, styles, and acrobatics to re-interpret the essence and characteristics of the contemporary Circus. They aim to preserve tradition and introduce innovation by gathering talents from various performing arts fields to promote and develop contemporary Circus in Taiwan. In the future, Eye Catching Circus wants to engage with and learn from international artistic groups, thus bringing the experience and creative energy back to Taiwan and creating a new focus for contemporary Circus.
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LIN Liang-yu
\n\nBorn into an aerialist family, Hsiao-yu underwent rigorous training from his mother from a young age despite never understanding why he needed to follow this tradition. During one high-altitude performance, a grave accident befell his mother, leaving a deep emotional scar on him. The image of her fall haunted him, causing him to falter in the most breathtaking segments. When he followed his mother's counsel and earnestly prayed, the ancestral deity astonishingly materialized and transported Hsiao-yu to "paradise". Can he discover a way to revive his mother here? What trials and transformations await him and his mother at the hands of the ancestral deity?
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More
\n\n►2023 Weiwuying Circus Platform
\n\n\n',team:""},createdAt:1697098700,updatedAt:1701825464,updatedBy:"林蔚行",host:!1},{_id:"6527c00c117b8d000741a987",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1701585e3,discrete:[{time:1701585e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800],link:"https://www.opentix.life/event/1708513063461789697"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"13eae327061710387fe90a04042a52d3",title:"《幻想與奏鳴 邱佩珊 林得恩音樂會》"}],related:[],title:"《幻想與奏鳴 邱佩珊 林得恩音樂會》",cover:"b911e2eb1d63b8b5af15c55f517c10e1",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
本場音樂會主題為「幻想與奏鳴」,前者以自由的形式和豐富的情感表達為主,後者則較為嚴謹、結構化並注重主題的發展。在兩種截然不同的音樂曲風下,一方面淋漓盡致的表達了長笛技巧性與音樂表現力的無限可能,另一方面其主題發展、豐富的和聲與結構形式的呈現,更是呈現出長笛與鋼琴的對話與絕佳默契,兩個樂器迸發的火花展現出奏鳴曲獨特的魅力與藝術性。本場由兩位優秀演出者鋼琴家林得恩與長笛家邱佩珊共同演。
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演出曲目
\n\n豫:幻想曲
\n\n高白爾:第一號長笛奏鳴曲
\n\n弗林:幻想曲,為長笛與鋼琴
\n\n法朗克:A大調奏鳴曲
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演出暨製作團隊
\n\n長笛|邱佩珊
\n\n鋼琴|林得恩
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"13eae327061710387fe90a04042a52d3",title:"《幻想與奏鳴 邱佩珊 林得恩音樂會》"}],related:[],title:"2023 Pei-San Chiu Flute Recital",cover:"b911e2eb1d63b8b5af15c55f517c10e1",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The theme of this concert is "Fantasy and Sonata," where the former emphasizes free form and rich emotional expression, while the latter is more disciplined, structured, and focuses on thematic development. Under these two distinct musical styles, on one hand, it vividly showcases the infinite possibilities of flute technique and musical expression, and on the other hand, the presentation of theme development, rich harmonies, and structural forms highlights the dialogue and exceptional rapport between the flute and the piano. The sparks that ignite between the two instruments demonstrate the unique charm and artistry of the sonata genre.
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Program
\n\nGeorges Hue: Fantasie
\n\nPhilippe Gaubert: Flute Sonata, No. 1
\n\nCarl Frühling: Fantasie, Op. 55
\n\nCésar Franck: Sonata
\n\n\n\n
Creative and Production Team
\n\nFlute|Pei-San Chiu
\n\nPiano|Thomas Linde
\n\n\n\n
\n',team:""},createdAt:1697103884,updatedAt:1697439095,updatedBy:"林蔚行",host:!1},{_id:"6527c379117b8d000741aa3c",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1701689400,discrete:[{time:1701689400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500],link:"https://www.opentix.life/event/1708476280154312704"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8427093c9aadeaeb595d67b3721686f3",title:"《林瑋祺2023鋼琴獨奏會~~冰火交鋒俄羅斯》"}],related:[],title:"《林瑋祺2023鋼琴獨奏會~~冰火交鋒俄羅斯》",cover:"95faf7fd8c5a16f6df850c8d583514f3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「冰火交鋒俄羅斯」匯集十九、二十世紀五位最富盛名俄羅斯作曲家的代表性鋼琴作品,兼容理性與感性、冷靜與熱情,嚴謹與自由、古典與創新,呈現當時俄國鋼琴音樂百花齊綻,令人心折的豐富與精彩。二大俄國芭蕾舞劇的鋼琴改編曲,五大作曲家的經典作品盡收耳底,盡情展現俄羅斯冰冷外表下,奇幻精巧、浪漫繁複、熱情如火的想像世界,包羅萬象的音樂風貌,絕對精采可期。林瑋祺將以精湛的技巧再次詮釋多首精彩經典樂曲,展現鋼琴作品風貌多變的優雅與深度。
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演出曲目
\n\n蕭士塔高維奇:《前奏與賦格》作品87,第一首C大調、第二十一首降B大調
\n\n史克里亞賓:《第二號奏鳴曲》作品19 ;《第五號奏鳴曲》作品53
\n\n柴高夫斯基:原創主題與變奏曲,作品19之6
\n\n柴高夫斯基:《睡美人》二首選曲(普雷特涅夫改編)
\n\n史特拉汶斯基 :《彼得洛西卡》
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|林瑋祺
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8427093c9aadeaeb595d67b3721686f3",title:"《林瑋祺2023鋼琴獨奏會~~冰火交鋒俄羅斯》"}],related:[],title:"LIN Wei-Chi 2023 Piano Recital",cover:"95faf7fd8c5a16f6df850c8d583514f3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
This piano recital is collection of representative piano works by five of the most famous Russian composers in the 19th and 20th centuries, compatible with rationality and sensibility, calmness and enthusiasm, rigor and freedom, classicism and innovation, presenting the full bloom of Russian piano music at that time, which is heart-wrenching rich and wonderful. The piano adaptations of the two major Russian ballets and the classic works of the five major composers can be heard at the bottom of the ear, fully showing the fantasy, exquisite, romantic and complex, passionate imaginary world under the cold appearance of Russia, and the all-encompassing music style. Absolutely splendid .
\n\n\n\n
Program
\n\nD. Shostakovich: Prelude and Fugue, op.87,No.1 in C major, No.21 in B flat major
\n\nA. Scriabin: Sonata No.2, op.19;Sonata No.5 op.53
\n\nP. Tchaikovsky: Thème original et variations op.19 no.6
\n\nTchaikovsky / Pletnev: Danse de Pages, Grand Pas de deux "from Sleepin Beauty"
\n\nI. Stravinsky: Petrushka
\n\n\n\n
Creative and Production Team
\n\nPiano|LIN Wei-Chi
\n\n\n\n
\n',team:""},createdAt:1697104761,updatedAt:1697190679,updatedBy:"林蔚行",host:!1},{_id:"652e47cc117b8d00074457ec",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1703399400,discrete:[{time:1703399400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1e3],link:"https://www.opentix.life/event/1709467645814435841"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"073f52afc1b33d9d1bbde5564084e2ab",title:"《向大師致敬-胡志瑋長笛獨奏會》"}],related:[],title:"《向大師致敬-胡志瑋長笛獨奏會》",cover:"4ed3540c6141fe120d8cbb7372880529",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
長笛家胡志瑋自小即在嚴謹而扎實的長笛學習環境下,接觸了眾多經典的大師作品,近年除以演奏家身分活躍於國內外舞台,更是致力投入於培育後輩演奏家的教育界中。本場獨奏會由長笛家胡志瑋與鋼琴家游適伃攜手演奏,精心挑選了長笛作品中經典而富有多樣表現力的曲目,期許以一系列精采絕倫的經典曲目,引導莘莘學子們自眾多繁複而枯燥的技巧練習中尋找出珍貴之秘笈寶典,並進而將其應用,以利於在演奏時更加游刃有餘地演奏出自己心目中的嘹亮樂音。
\n\n\n\n
演出曲目
\n\n波尼斯-給長笛與鋼琴的奏鳴曲
\n\n康奈松-莎拉的微笑
\n\n高貝爾-給長笛與鋼琴的幻想曲
\n\n高貝爾-給長笛與鋼琴的牧歌
\n\n喻-給長笛與鋼琴的幻想曲
\n\n塔法奈爾-迷孃幻想曲
\n\n\n\n
演出暨製作團隊
\n\n長笛|胡志瑋
\n\n鋼琴|游適伃
\n\n導聆|陳彥如
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"073f52afc1b33d9d1bbde5564084e2ab",title:"《向大師致敬-胡志瑋長笛獨奏會》"}],related:[],title:"Tribute to the Masters - HU, Chih-Wei 2023 Flute Recital",cover:"4ed3540c6141fe120d8cbb7372880529",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Flutist HU, Chih-Wei has been exposed to many classic master works in a rigorous and solid flute learning environment since he was a child. In recent years, he has been active on the domestic and foreign stages as a performer, and has devoted himself to the education of cultivating younger performers. In this recital, flutist HU, Chih-Wei and pianist YU, Shih-Yu jointly performed, and carefully selected classic and expressive repertoires from flute works. It is hoped that with a series of excellent classic repertoires, students will be guided to find precious secrets from numerous complicated and boring skill exercises, and then apply them, so as to be more able to perform in their minds when playing music.
\n\n\n\n
Program
\n\nM. Bonis - Sonata for Flute and Piano
\n\nG. Connesson - Le Rire de Sarai
\n\nP. Gaubert - Fantaisie pour flûte et piano
\n\nP. Gaubert - Madrigal pour flûte et piano
\n\nG. Hüe - Fantaisie pour flûte et piano
\n\nP. Taffanel - Grande Fantasie sur Mignon
\n\n\n\n
Creative and Production Team
\n\nFlutist|HU, Chih-Wei
\n\nPianist|YU, Shih-Yu
\n\nConcert Host|CHEN, Yan-Ju
\n\n\n\n
\n',team:""},createdAt:1697531852,updatedAt:1698198782,updatedBy:"林蔚行",host:!1},{_id:"652e4ad9117b8d0007445898",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1702121400,discrete:[{time:1702121400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,1e3],link:"https://www.opentix.life/event/1711731230611210240"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7143d4613dd4d8a58e6534407ef2e3eb",title:"《樂薇薇與胡志龍~小提琴與鋼琴的璀璨激盪》"}],related:[],title:"《樂薇薇與胡志龍~小提琴與鋼琴的璀璨激盪》",cover:"e70699f867599c665f52748152d712ad",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
被傳奇小提琴大師曼紐因稱為「所見過最有天分的少年音樂家」,旅美華裔小提琴家樂薇薇首次來臺演出,攜手鋼琴家胡志龍舉辦小提琴與鋼琴二重奏音樂會,呈現20世紀初,浦羅高菲夫、浦朗克與蓋希文充滿獨特意象的小提琴樂曲,向作曲家及恩師曼紐因遙遠的致敬。牽古串今、穿東越西,兩位傑出的演奏家在舞台上激盪的音樂火花,散發無窮的音樂魅力,十分令人期待。
\n\n\n\n
演出曲目
\n\n浦朗克:小提琴奏鳴曲
\n\n浦羅高菲夫:第一號小提琴奏鳴曲
\n\n蓋希文:波吉與貝絲(為小提琴與鋼琴)
\n\n薩拉沙泰:卡門主題幻想曲,作品25
\n\n\n\n
演出暨製作團隊
\n\n小提琴|樂薇薇
\n\n鋼琴|胡志龍
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7143d4613dd4d8a58e6534407ef2e3eb",title:"《樂薇薇與胡志龍~小提琴與鋼琴的璀璨激盪》"}],related:[],title:"LE Weiwei & HU Chih-long - Violin & Piano Duet Recital",cover:"e70699f867599c665f52748152d712ad",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Quoted by legendary violinist Yehudi Menuhin "one of the most talented young musicians I have ever seen", Wei-wei LE is going to have her debut in Taiwan with Taiwanese pianist Chih-long HU. The repertoire is designed by Wei-wei to share her favorite violin music from Poulenc, Prokofiev and Gershwin.
\n\n\n\n
Program
\n\nFrancis Poulenc: Sonata for violin and piano
\n\nSergei Prokofiev: Violin Sonata No. 1 in F minor, Op 80
\n\nGeorge Gershwin: "Porgy and Bess" (for violin and piano)
\n\nPablo de Sarasate: Carmen Fantasy, Op. 25
\n\n\n\n
Creative and Production Team
\n\nViolin|LE Wei-wei
\n\nPiano|HU Chih-long
\n\n\n\n
\n',team:""},createdAt:1697532633,updatedAt:1699953250,updatedBy:"林蔚行",host:!1},{_id:"652e4e75117b8d0007445955",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1702796400,discrete:[{time:1702796400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800],link:"https://www.opentix.life/event/1709456933550739457"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"396409eac9067c69ee9659555f2e35b9",title:"《凝視斯拉夫~衣慎行、張道文、盧奕蓁三重奏音樂會》"}],related:[],title:"《凝視斯拉夫~衣慎行、張道文、盧奕蓁三重奏音樂會》",cover:"10ae90c467a6e3607afee5ad38734f34",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
衣慎行、張道文、盧奕蓁在巧妙的機緣下,牽起三重奏的契機,慢慢地培養出三人共同的音樂語彙及顏色,透過音樂家建構的聲響,呈現不同的文化面貌。三位演奏家在過去幾年已一連串地演繹了俄羅斯音樂史的世代交替,並漸漸將觸角往其他作曲家延伸,此次納入捷克重要的國民樂派作曲家史麥塔納,以及19-20世紀俄羅斯的葛令卡、蕭斯塔高維契的三重奏作品。透過音樂,演奏家帶著聽眾凝視遠方的國度,並建構起斯拉夫式的浪漫深長與優美。在溫暖美麗的南境分享東歐特色的三重奏音樂。
\n\n\n\n
演出曲目
\n\n葛令卡:D小調鋼琴三重奏 "悲愴"
\n\n蕭斯塔高維契:C小調第一號鋼琴三重奏,作品編號8
\n\n史麥塔納:G 小調鋼琴三重奏,作品編號15
\n\n\n\n
演出暨製作團隊
\n\n小提琴|衣慎行
\n\n大提琴|張道文
\n\n鋼琴|盧奕蓁
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"396409eac9067c69ee9659555f2e35b9",title:"《凝視斯拉夫~衣慎行、張道文、盧奕蓁三重奏音樂會》"}],related:[],title:"Gazing into Slavia",cover:"10ae90c467a6e3607afee5ad38734f34",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Under beautiful opportunities, Edwin, Annie and I-Jen started the trioand slowly develop the common musical language and colors among them. In the past years, the three performers have performed a series of generations of Russian music, and gradually extended their tentacles to other composers. They are going to play the trio works by Glinka, Shostakovich and Smetana. Through music, the performer leads the audience to gaze the Slavic romance with depth and beauty. And this is their first concert at Weiyuying Performing Center.
\n\n\n\n
Program
\n\nM. Glinka: Trio Pathétique in D minor
\n\nD. Shostakovich: Piano Trio No. 1 in C minor, Op. 8
\n\nB. Smetana: Piano Trio in G minor, Op. 15
\n\n\n\n
Creative and Production Team
\n\nViolin|Edwin I
\n\nCello|Annie Chang
\n\nPiano|LU I-jen
\n\n\n\n
\n',team:""},createdAt:1697533557,updatedAt:1698053492,updatedBy:"林蔚行",host:!1},{_id:"6531ea5bb9845e0008e98117",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1701084600,discrete:[{time:1701084600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1714211343461089281"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"92bf673296d579af8baa57d3c9099808",title:"《璀璨53》台南應用科技大學音樂系教師音樂會"}],related:[],title:"《璀璨53》台南應用科技大學音樂系教師音樂會",cover:"e07017eee71efded9f145def5c9ee077",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
台南應用科技大學音樂系欣逢53週年系慶,教師們以《璀璨53》音樂會獻上祝福。節目內容精彩豐富,由十九位專兼任教師攜手同台,以獨奏和室內樂的演出形式詮釋布梭尼、馬斯卡尼、布拉姆斯、羅塔和杜南伊等大師作品,以及優秀系友作曲家李婉菁為雙鋼琴、電子音樂與影像的新創曲《孜孜》。
\n\n台南應用科技大學音樂系為南台灣歷史最悠久的音樂學府,以嚴謹的課程規劃及優秀的師資陣容著稱。本系以精進音樂演奏能力與厚植專業知識為教學核心,發展跨域增能為枝幹,並積極建構國際文化交流平台,半世紀以來孕育出眾多活躍於各領域的音樂人才。
\n\n音樂系教授群菁英薈萃,每年皆推出不同主題的教師音樂會,今年《璀璨53》來到衛武營國家藝術文化中心表演廳,精彩的鋼琴獨奏、女高音獨唱、管與弦室內樂和熱情澎湃的打擊樂,完美地展現了音樂世界的繽紛色彩。
\n\n\n\n
演出曲目
\n\n巴赫-布梭尼:D小調夏康舞曲,為鋼琴獨奏
\n\n阿爾貝尼斯:馬悠卡船歌、紅塔小夜曲,為古典吉他
\n\n馬斯卡尼:小夜曲,為女高音與鋼琴
\n\n布拉葛:小夜曲,為女高音、小提琴與鋼琴
\n\n羅塔:三重奏,為單簧管、大提琴與鋼琴
\n\n布拉姆斯: 大學慶典序曲,作品八十,為雙鋼琴八手聯彈
\n\n李婉菁:孜孜,為雙鋼琴、電子音樂與影像
\n\n沙薩思:亞特蘭大,為顫音琴
\n\n杜南伊:C小調鋼琴五重奏,作品一,第一樂章快板
\n\n\n\n
演出暨製作團隊
\n\n管樂|楊蕙祺
\n\n單簧管|楊蕙祺
\n\n小提琴|林育誠、洪千富
\n\n中提琴|王瀅卿
\n\n大提琴|孫韻涵、曾史妃
\n\n吉 他|蘇孟風
\n\n女高音|吳旭玲
\n\n鋼 琴|吳佳倫、李錦雯、林欣潔、邵婷雯、徐又新、郭亮吟、楊 楠、熊育馨、葉思嘉、鄭夙娟
\n\n擊 樂|吳國瑄
\n\n\n\n
演出人|楊正宏校長
\n\n製作人|楊蕙祺院長
\n\n執行人|倪百聰主任/所長
\n\n\n\n
協辦單位|台南應用科技大學藝術學院
\n\n承辦單位|台南應用科技大學音樂系
\n\n贊助單位|財團法人漢家文教基金會
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"92bf673296d579af8baa57d3c9099808",title:"《璀璨53》台南應用科技大學音樂系教師音樂會"}],related:[],title:"TUTech Music Department Faculty Concert 2023",cover:"e07017eee71efded9f145def5c9ee077",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The Music Department of Tainan University of Technology has been a nurturing ground for musical talents. To celebrate the 53rd anniversary, our prestigious music professors collaborate in this incredible milestone concert.
\n\n\n\n
Program
\n\nJ. S. Bach-F. Busoni: Chaconne in D minor for Piano Solo
\n\nI. Albéniz: Mallorca, Torre Bermeja for Classical Guitar
\n\nP. Mascagni: Serenat for Soprano and Piano
\n\nG. Braga: La Serenata for Soprano, Violin and Piano
\n\nN. Rota: Trio for Clarinet, Cello and Piano
\n\nJ. Brahms: Academic Festival Overture for 2 Pianos 8 Hands, Op. 80
\n\nWuan-Chin Li: Zhi Zhi for Two Pianos, Computer Generated Sound and Visual
\n\nJ. Psathas: Atalanta for Solo Vibraphone
\n\nE. Dohnányi: Piano Quintet in C Minor Op. 1, Mov. I Allegro
\n\n\n\n
Creative and Production Team
\n\nPresenter|Tainan University of Technology
\n\nPerformer|Faculty of Music
\n\n\n\n
\n',team:""},createdAt:1697770075,updatedAt:1700804767,updatedBy:"林蔚行",host:!1},{_id:"65378d546baf59000811debc",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1701516600,discrete:[{time:1701516600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3],link:"https://www.opentix.life/event/1713868007549095937"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0c1009d02046ddd1c6fcf8288c5381ff",title:"交響樂的天空X"}],related:[],title:"《交響樂的天空X》",cover:"72326481e6a73c758c7b66d10fd79319",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2023年12月5日(二)19:30於衛武營音樂廳演出之《交響樂的天空X》,因故異動演出檔期,改至12月2日(六)19:30原場地演出,造成不便,敬請見諒。 \n\t\t\t | \n\t\t
\n\n
高雄市教師管弦樂團已創團23年,在系列音樂會【交響樂的天空 X】特別邀請高雄市交響樂團副首席兼代理首席葉翹任小提琴家,與陽明交通大學音樂研究所鋼琴家辛幸純教授,節目中將演出法國浪漫樂派作曲家的作品。
\n\n\n\n
演出曲目
\n\n丹尼爾·奧伯《青銅馬》序曲
\n\n阿圖羅·馬爾克斯《丹宗》舞曲第二號
\n\n蕭頌《詩曲》,為小提琴與管弦樂團
\n\n聖桑《G小調第二鋼琴協奏曲》作品22
\n\n\n\n
演出暨製作團隊
\n\n團長|黃智寅
\n\n指揮|劉文如
\n\n小提琴|葉翹任
\n\n鋼琴|辛幸純
\n\n客席首席|陳思圻
\n\n樂曲導聆|林中宣
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0c1009d02046ddd1c6fcf8288c5381ff",title:"交響樂的天空X"}],related:[],title:"The Symphonic Welkin Series X",cover:"72326481e6a73c758c7b66d10fd79319",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
As the Kaohsiung Teachers Symphony Orchestra celebrating its 23rd season, we are excited to have invited the Piano Professor of the National Yang Ming Chiao Tung University-- Dr. Hsing-Chwen Hsin, and the acting Concertmaster of the Kaohsiung Symphony Orchestra -- Dr. Chiau-Ren Yeh, to join us in the tenth concert of the "Symphonic Welkin" series! It will feature works by the French Romantic composers, and will be a musical feast not to be missed!
\n\n\n\n
Program
\n\nDaniel Auber: Overture Le Cheval de Bronze
\n\nArturo Márquez: Danzon 2
\n\nChausson: Poème for violin and orchestr,Op.25
\n\nSaint-Saëns: Piano Concerto No.2 in G minor, Op. 22
\n\n\n\n
Creative and Production Team
\n\nHead|Chih-Yin HUANG
\n\nConductor|Wen-Ju LIU
\n\nViolin Concerto|Chiau-Ren YEH
\n\nPiano Concerto|Hsing-Chwen HSIN
\n\nGuest Concertmaster|Ssu-Chi CHEN
\n\nConcert Host|Chung-Hsuan LIN
\n\n\n\n
\n',team:""},createdAt:1698139476,updatedAt:1698668394,updatedBy:"林蔚行",host:!1},{_id:"6541f5c1f0365a0009b0dbde",catalogs:["6007fc45ba34870007c22b8b"],dateTime:{first:1702432800,discrete:[],type:"continuous",continuous:{time:[1698804e3],endTime:[1698829200],start:1702396800,end:1702569600}},activity:{type:"free",free:{description:"線上報名",englishDescription:"Registration"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7df6e2e80dccf5024b14fc4648f1e537",title:"【2023衛武營馬戲平台】克萊蒙.達贊肢體訓練工作坊"}],related:[],title:"【2023衛武營馬戲平台】克萊蒙.達贊肢體訓練工作坊",cover:"ea53fc88aac8874a2c9c81fab6734b91",site:{isOther:!0,site:"",other:"衛武營"},cautions:'
課程將從慢動作技巧開始,探索長時間處於獨特身心靈狀態的深層體會,藉此對存在感、重量轉移及肢體動作建立精確的意識;同時也會進行地板動作和簡易特技等訓練。參與者無需具備特定的身體條件或擁有特技演員的身分。接著,我們會嘗試以不同的速度及節奏編排簡短的團體和個人表演。本次工作坊可能會成為你我一同創作全新作品的起點。
\n\n\n\n
課程目標
\n\n我是克萊蒙.達贊,法國當代馬戲團「魔人神手製造所」的藝術總監。先前我曾兩度來臺演出,這次則希望透過工作坊/試鏡的方式與臺灣的藝術家交流。
\n\n本次工作坊專為想學習特殊動作的人量身打造。我們將學習各種技巧,結合當代舞蹈、地板動作、慢動作、特技與嘻哈效果。我預計在2024年春季開始創作下一部作品,以往我習慣與當代馬戲藝術家合作,這次則希望能夠同時邀請舞者參與表演。
\n\n我將在這次工作坊中教授這些特殊技巧,參與者也有機會展現自身的特殊技能。期待與各位相見並共同創造美好的藝術體驗。各位可以在clementdazin.fr網站上瀏覽我的作品。
\n\n\n\n
課程表
\n\n\n\t\t\t 日期 \n\t\t\t | \n\t\t\t\n\t\t\t 12/13(三) \n\t\t\t | \n\t\t\t\n\t\t\t 12/14(四) \n\t\t\t | \n\t\t\t\n\t\t\t 12/15(五) \n\t\t\t | \n\t\t
\n\t\t\t 10:00-13:00 \n\t\t\t | \n\t\t\t\n\t\t\t 慢動作技巧 \n\t\t\t | \n\t\t\t\n\t\t\t 慢動作技巧 \n\n\t\t\t肢體局部獨立動作 \n\t\t\t | \n\t\t\t\n\t\t\t 特技舞蹈 \n\t\t\t | \n\t\t
\n\t\t\t 13:00-14:00 \n\t\t\t | \n\t\t\t\n\t\t\t 休息 \n\t\t\t | \n\t\t||
\n\t\t\t 14:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 地板動作 \n\t\t\t | \n\t\t\t\n\t\t\t 即興表演與分組創作 \n\t\t\t | \n\t\t\t\n\t\t\t 即興表演與個人創作 \n\t\t\t | \n\t\t
\n\n
課程對象
\n\n年滿18歲(含以上),具備現場表演藝術領域之經驗(如:馬戲演員、喜劇演員、舞者、魔術師、操偶師、音樂家等)、舞台設計師、導演、戲劇構作者等。
\n\n\n\n
報名方式與費用
\n\n\n\n\n\n
\n\n
講師介紹
\n\n克萊蒙.達贊 Clément DAZIN
\n\n©Dan Ramaën
\n\n克萊蒙.達贊從小就對肢體活動與身體的控制感到著迷,6歲時開始接觸體操,16歲時則投向馬戲的懷抱,尤其著迷於雜耍藝術。他在作為點吧團隊成員的期間發現了創作的樂趣。在專職從事馬戲藝術前,克萊蒙曾在電信公司工作了兩年,接著又進入歐洲直升機公司擔任管理總監儲備幹部。他擁有管理學碩士學位,碩士畢業論文則特別探討了「企業關係中心理因素影響」的議題。
\n\n2008年,他加入里昂馬戲團學校,隨後於2009年進入法國國家馬戲藝術中心。期間,他結交了菲利浦‧香堤、阿拉貢・布朗哲、法圖・特拉奧雷、約翰・索尼埃、朱利安・克萊門特及布魯諾・迪津等藝術家,這些人也對他的創作風格產生影響。他開始探索當代舞蹈、嘻哈街舞技巧與雜耍之間的連結,也因此發現把這些領域融合在一起是多麼有趣的事情。
\n\n2012年,他參與了法國國家馬戲藝術中心第23屆作品《完結篇》的巡演。2014年,他也應法國劇作及作曲家協會以及亞維農藝術節之邀創作《R2JE》雙人舞作品。他的另一部作品《將盡》在2013年問世後,便在世界各地演出超過60場,足跡遍布歐洲、中國、南美洲、亞洲,2018年也繼續在巴拿馬與葡萄牙巡演;2018年7月,該作品在法國亞維農消防局演出。克萊蒙與其他六位雜耍演員共同成立了自己的團隊「魔人神手製造所」,2017年10月,其作品《人類狂想曲》在法國艾勒柏夫馬戲劇院進行首演。《人類狂想曲》巡演超過三十餘場,從法國蒙佛市立劇院到義大利都靈舞蹈節都可見其身影,而這部作品更在歐洲二十幾個城市累積了超過8,000名觀眾。2018年,此作品繼續從德國柏林巡演到法國亞眠。
\n\n克萊蒙在創作之初便受到法國諾曼第國家馬戲藝術中心和庫爾訥夫雜耍之家的支持。2019年,他與14:20馬戲團及小島交響樂團合作,在歌劇《魔彈射手》中飾演魔鬼薩米爾一角。2021年,克萊蒙與藝術家阿詩塔・繆阿萊姆在馬賽舞蹈中心共同創作了《宇宙》;同年10月,他則在法國艾勒柏夫馬戲劇院推出自己的作品《伊諾普斯》,由六位馬戲藝術家參與演出,其內容在於質問何謂軟弱、力量與反抗。克萊蒙的另一部作品《軌道》巡演於2022年至2023年間,將融合了舞蹈與雜耍的表演帶進中學教室中。
\n\n2022年11與12月,他與湯瑪斯・斯科託在法國巴黎北星劇院推出《裝飾的另一面》;接著在2023年3月,於法國迪耶普國家劇院與盧卡斯・柏甘迪合作出演《A.N.G.S.T》。
\n\n\n\n
主辦單位:衛武營國家藝術文化中心
\n\n特別感謝:法國藝文推廣總署、法國在台協會
\n\n\n\n
了解更多
\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7df6e2e80dccf5024b14fc4648f1e537",title:"【2023 Weiwuying Circus Platform】Clément DAZIN's Body Training Workshop"}],related:[],title:"【2023 Weiwuying Circus Platform】Clément DAZIN's Body Training Workshop",cover:"ea53fc88aac8874a2c9c81fab6734b91",site:{isOther:!0,site:"",other:"Weiwuying"},cautions:"",benefits:"",description:"We will begin the work on slow motion technique. We will explore deep feelings staying a long time in this special state of mind, body and soul.",introduction:'
We will begin the work on slow motion technique. We will explore deep feelings staying a long time in this special state of mind, body and soul. By this work we will work on extremely precise consciousness of presence, weight transfer and organic movement. We will also train on floor work movement and simple accordance movement. It is not necessary to have a specific body or to be an acrobat to participate. Then we will play with different speedness of movement, different rhythm and try to compose all together a short sequence by group and by solo. This workshop could be the beginning of a new creation with you.
\n\n\n\n
Synopsis
\n\nI am Clément DAZIN, artistic director of La Main de l'Homme, a contemporary circus company based in France. I came two times before to perform in Taiwan and I would like to meet Taiwanese artists through a workshop/audition.
\n\nThe goal is to teach to the people interested a special way to move. During the workshop, we will go through different techniques mixing contemporary dance, floor work, slow motion, acrobatics and some hip hop effects. I am used to working with contemporary circus artists but for the next creation I would be glad to also invite dancers. The beginning of the creation could begin in spring 2024.
\n\nDuring the workshop, I will teach these specific techniques and there will be a moment for you to show your specific skills. I am looking forward to meeting you and to sharing a nice artistic experience. You can see my work on clementdazin.fr.
\n\n\n\n
Schedule
\n\n\n\t\t\t Date \n\t\t\t | \n\t\t\t\n\t\t\t 12/13(Wed) \n\t\t\t | \n\t\t\t\n\t\t\t 12/14(Thu) \n\t\t\t | \n\t\t\t\n\t\t\t 12/15(Fri) \n\t\t\t | \n\t\t
\n\t\t\t 10:00-13:00 \n\t\t\t | \n\t\t\t\n\t\t\t Slow-motion technic \n\t\t\t | \n\t\t\t\n\t\t\t Slow motion technic | \n\t\t\t\n\t\t\t Acro dance \n\t\t\t | \n\t\t
\n\t\t\t 13:00-14:00 \n\t\t\t | \n\t\t\t\n\t\t\t Break \n\t\t\t | \n\t\t||
\n\t\t\t 14:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t Floor work \n\t\t\t | \n\t\t\t\n\t\t\t Impro and composition by group \n\t\t\t | \n\t\t\t\n\t\t\t Impro and composition by solo \n\t\t\t | \n\t\t
\n\n
Course target
\n\n18 years old or above, with experience in live performing arts (such as circus performers, dancers.)
\n\n\n\n
Registration
\n\n\n\n\n\n
\n\n
Speakers
\n\nClément DAZIN
\n\n©Dan Ramaën
\n\nFascinated at an early age by movement and body control, he first started gymnastics at age 6. He turned toward circus and especially juggling at 16 years old, as a member of the Point Bar company, where he discovered the joy of creation. Before professionalizing in Circus Arts, Clément took the time to work for 2 years on a telephone platform, and then became an apprentice management controller at Eurocopter. He holds a Master's degree in Management and is particularly interested in the psycho-affective dimension in business relationships in his final dissertation.
\n\nIn 2008, he joined the Lyon Circus School and the National Centre of Circus (CNAC) in 2009. There, he had the opportunity to meet artists such as Philippe Genty, Aragorn Boulanger, Fatou Traoré, Johanne Saunier, Julien Clément or Bruno Dizien, who influenced his work. He explored the links between contemporary dance, Hip Hop techniques and juggling. By doing so, he realized how interesting it was to mix these fields.
\n\nIn 2012, he toured as part of the This is the End production of the CNAC's 23rd promotion. In 2014, he was invited by the SACD and the Avignon Festival to create a duet with a dance, R2JE. Bruit de couloir is a solo created in 2013. After more than sixty performances worldwide (Europe, China, South America, Asia) it continues its tour in 2018 in Panama and Portugal. The show was presented at the Fire Station in July 2018 in Avignon. Surrounded by six jugglers, Clément DAZIN created his company La Main de l'Homme and presents Humanoptère in October 2017 at Cirque-Théâtre d’Elbeuf. With a tour of more than thirty performances from the Montfort (with the city theater) to the Torino Danza Festival in Italy, the project has gathered more than 8,000 spectators in more than 20 cities in Europe. The project continues its journey from Berlin to Amiens in 2018.
\n\nClément has been supported since his first projects by La Brèche, PNAC Normandy and House Juggling, SC La Courneuve. In 2019, he collaborated with the companies 14:20 and Insula Orchestra to interpret Samiel in the opera Der Freichutz. In 2021, he creates Cosmos, at the Klap, with Ashtar Muallem, and in October, presented its creation Inops at Cirque Théâtre d'Elbeuf. This show for six circus artists interrogates weakness, strength and resistance. With Trajectoires, touring in 2022-2023, Clément DAZIN moves into middle school classrooms for a performance mixing dance and juggling.
\n\nIn November and December 2022, he creates L'Envers de nos décors with Thomas Scotto at the Théâtre de L'Etoile du Nord in Paris; then A.N.G.S.T in March 2023 at DSN – Dieppe Scène Nationale with Lucas Bergandi.
\n\n\n\n
Presenter: National Kaohsiung Center for the Arts (Weiwuying)
\n\nWith the support of Institut Francais de Paris, Bureau Francais de Taipei
\n\n\n\n
More
\n\n►2023 Weiwuying Circus Platform
\n\n\n',team:""},createdAt:1698821569,updatedAt:1701066967,updatedBy:"林蔚行",host:!0},{_id:"6542071d9a468f0007476768",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1701862200,discrete:[{time:1701862200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,400],link:"https://www.opentix.life/event/1716311177025613825"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a2840e5afe57c8a9c326dc9e0b71c59e",title:"《弦歌之聲—國立臺南藝術大學音樂學系弦樂團音樂會》"}],related:[],title:"《弦歌之聲—國立臺南藝術大學音樂學系弦樂團音樂會》",cover:"ebab667faa8fd39fb68888b795911459",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
國立臺南藝術大學七年一貫制音樂學系為臺灣第一所七年一貫制學系,其目標為培植具國際宏觀視野的新生代音樂家,因此高品質的演出一直是其努力不懈的目標。弦樂團音樂會為音樂學系定期之演出,提供學生演出平台,也激發出更多音樂上的火花。此次弦樂團音樂會曲目橫跨多個風格,演繹難度高,精彩度更不在話下。
\n\n\n\n
演出曲目
\n\n羅塔:弦樂協奏曲
\n\n莫札特:F大調第三號嬉遊曲,作品KV138
\n\n亨德密特:給中提琴與弦樂團的葬禮音樂
\n\n威爾第:E小調弦樂交響曲(改編自E小調弦樂四重奏)
\n\n\n\n
演出暨製作團隊
\n\n指導老師|李音、卓家萱
\n\n國立臺南藝術大學音樂學系弦樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a2840e5afe57c8a9c326dc9e0b71c59e",title:"《弦歌之聲—國立臺南藝術大學音樂學系弦樂團音樂會》"}],related:[],title:"String Orchestra Concert",cover:"ebab667faa8fd39fb68888b795911459",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Tainan National University of the Arts Music Department is the first seven-years undergraduate program in Taiwan. It aims to cultivate first-class musicians with global perspective, and devotes to providing the best performances to audience.String orchestra concert is a concert series for students to communicate and get inspired by each other. The concert consists different styles, which required the highest-level of skills and interpretations, will be a great memory to attendee.
\n\n\n\n
Program
\n\nNino Rota: concerto for strings
\n\nW.A. Mozart: Divertimento in F Major, K. 138
\n\nPaul Hindemith: Trauermusik
\n\nGiuseppe Verdi: String Quartet in e minor (string orchestra version)
\n\n\n\n
Creative and Production Team
\n\nConductor|LI Yin,JUO Jia-Hsuan
\n\nPerforming|TNNUA String Orchestra
\n\n\n\n
\n',team:""},createdAt:1698826013,updatedAt:1698914117,updatedBy:"林蔚行",host:!1},{_id:"65420b289a468f0007476824",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1703503800,discrete:[{time:1703503800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[100,300,500],link:"https://www.opentix.life/event/1706871940566175745"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"eeb7c45496ef721868ef98c29d8d5f82",title:"《張庭碩與賴如琳二重奏音樂會》"}],related:[],title:"《張庭碩與賴如琳二重奏音樂會》",cover:"fc934d40a5f3f6d64fc65c3824bdc743",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
由小提琴家張庭碩與鋼琴家賴如琳共同演出,亦師亦友的兩人自多年來培養著絕佳的默契與深厚的情誼。透過這次音樂會,選擇了同是師生關係的兩位法國作曲家,佛瑞與拉威爾,除了想帶領觀眾認識兩人作品間的奇妙關聯,也想透過音符呈現師徒間在音樂上所激盪出的燦爛火花。
\n\n\n\n
演出曲目
\n\n拉威爾:小提琴奏鳴曲《遺作》,作品 12
\n\n佛瑞:搖籃曲,作品 16
\n\n拉威爾:小提琴奏鳴曲,作品 77
\n\n佛瑞:A大調第一號小提琴奏鳴曲,作品 13
\n\n拉威爾:依佛瑞之名的搖籃曲,作品 74
\n\n拉威爾:《吉普賽人》,作品 76
\n\n\n\n
演出暨製作團隊
\n\n小提琴|張庭碩
\n\n鋼琴|賴如琳
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"eeb7c45496ef721868ef98c29d8d5f82",title:"《張庭碩與賴如琳二重奏音樂會》"}],related:[],title:"Ting-Shuo Chang & Ru-Lin Lai Duo Concert",cover:"fc934d40a5f3f6d64fc65c3824bdc743",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Violinist Ting-Shuo Chang and pianist Ru-Lin Lai, who are also mentors and friends, have cultivated tacit understanding and profound friendship over the years. For this concert, they have chosen works by French composers, Gabriel Urbain Fauré and Maurice Ravel, who are also mentors and students, hoping to present the beutiful music.
\n\n\n\n
Program
\n\nM. Ravel: Sonate posthume pour Violon et Piano, M. 12
\n\nG. Fauré: Berceuse, Op. 16
\n\nM. Ravel: Sonate pour Violon et Piano, M. 77
\n\nG. Fauré: Sonate pour Piano et Violon n. 1, Op. 13
\n\nM. Ravel: Berceuse sur le nom de Gabriel Fauré, M. 74
\n\nM. Ravel: "Tzigane", M. 76
\n\n\n\n
Creative and Production Team
\n\nViolin|Ting-Shuo CHANG
\n\nPiano|Ru-Lin LAI
\n\n\n\n
\n',team:""},createdAt:1698827048,updatedAt:1699325257,updatedBy:"林蔚行",host:!1},{_id:"6543478e9a468f00074863ca",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1703502e3,discrete:[{time:1703502e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3],link:"https://www.opentix.life/event/1717481685832069120"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6b353a244cb8be07b414483e48b7c3d5",title:"《富貴花開喜相逢》"}],related:[],title:"《富貴花開喜相逢》",cover:"6bdfdd9c236bf84d3e0fa70ede868b51",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
歷經半個世紀的傳承、堅持與淬鍊,光復國小國樂團迎來了50歲的生日。為了紀念這個特別的里程碑,我們特別召集了傑出的校友演奏家林子由、林雅雪、戴佩瑤及數十年來熱愛音樂的校友們,在歷任指揮陳如祁、陳俊憲、任燕平的帶領及指揮下,即將呈現一場跨時代且別具意義的音樂會。
\n\n光復國小國樂團孕育出無數的文化藝術種子,逐漸在世界各地發芽,我們引以為傲卻也格外珍惜這由前輩們細心呵護至今的藝術資產。身處在21世紀初的我們,經歷了全球的疫情及社會變化的衝擊,然而唯一不變的是我們喜愛的音樂仍將我們緊緊牽在一起。本場音樂會的成員年齡層橫跨一甲子,藉由傳承半世紀的光復國小國樂團凝聚在一起,讓小小音樂家們透過音樂會接觸傳統、現代、不同國家或族群等多元化音樂內容,增加其音樂內涵與藝術人文之素養。
\n\n本場音樂會中,特別選用蘇文慶作曲家的合奏曲《富貴花開》,象徵光復國小國樂團50年來在音樂教育上的豐碩成果,藉由凝聚現有團員及歷屆師長暨校友們,大家齊聚一堂、歡喜相逢,讓我們更珍惜彼此、珍惜富貴花開時。
\n\n\n\n
演出曲目
\n\n蘇文慶:〈家〉
\n\n蘇文慶:〈臺灣追想曲〉
\n\n彭修文:〈瑤族舞曲〉
\n\n張朝:〈七彩之和〉
\n\n李民雄:〈龍騰虎躍〉
\n\n蘇文慶/鄭翠蘋:〈天地星空〉
\n\n郭宗翰:〈藝閣綵街〉
\n\n蘇文慶:〈富貴花開〉
\n\n\n\n
演出暨製作團隊
\n\n指揮|陳如祁、陳俊憲、任燕平、洪慧善、黃欣儀
\n\n打擊|林雅雪
\n\n柳琴|戴佩瑤
\n\n嗩吶|林子由
\n\n樂團|臺北市光復國小國樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6b353a244cb8be07b414483e48b7c3d5",title:"《富貴花開喜相逢》"}],related:[],title:"Happy Gathering in Prosperous Bloom Season",cover:"6bdfdd9c236bf84d3e0fa70ede868b51",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
After half a century of inheritance, perseverance, and refinement, the Orchestra of Kuangfu Elementary School is now celebrating its 50th birthday. The outstanding alumni musiciansofMr. Lin, Tzu Yuo、Ms. Lin,Ya-Hsueh、Ms. Tai, Pei- Yao and many other alumnus beloving music for decades have been recalled to memorize this unique milestone. A transcend-era and significant concert led and conducted by our successive conductors of Mr. Chen, Ju-Chi、Mr. Chen, Chun-Hsien and Mr. Jen, Yen-Ping is going to be presented in front all of us.
\n\n\n\n
Program
\n\nSU Wen-cheng: Home
\n\nSU Wen-cheng: Capriccio Taiwan
\n\nDance of Two Tribes (Arr. PENG Xiu-wen)
\n\nCHANg Chao: Harmony of Seven Colors
\n\nLI Ming-xiong: Dragon Soan, Tiger Leap
\n\nSU Wen-cheng / CHENG Tsui-pin: Heaven, Earth, Starry Sky
\n\nGUO Zong-han: Flower Float Parading on Street
\n\nSU Wen-cheng: Prosperous in Bloom Season
\n\n\n\n
Creative and Production Team
\n\nConductor|CHEN Ju-chi, CHEN Chun-hsien, JNN Yen-ping, HONG Huei-shan, HWANG Hsin-i
\n\nPercussion|LIN Ya-hsueh
\n\nLiuqin|TAI Pei-yao
\n\nSUONA|LIN Tzu-you
\n\nChinese Orchestra|Chinese Orchestra of Taipei Municipal GuangFu Elementary School
\n\n\n\n
\n',team:""},createdAt:1698908046,updatedAt:1699227686,updatedBy:"林蔚行",host:!1},{_id:"65434cd39a468f00074864eb",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1703934e3,discrete:[{time:1703934e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1200,1500],link:"https://www.opentix.life/event/1709840005235142657"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d546fa9f585fe26452a9d00218a6d6fa",title:"《『彌賽亞Messiah』音樂會》"}],related:[],title:"《『彌賽亞Messiah』音樂會》",cover:"013d815459c70a29b48fe56c2e7166de",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
高雄室內合唱團此次演出全本彌賽亞,邀請國內知名的四位獨唱家--林慈音、翁若珮、林健吉、羅俊穎—也特別邀請【巴洛克獨奏家樂團】(Baroque Camerata)共同合作。此團隊擅長巴洛克的風格,對此時期表現手法熟悉又傑出,相信所有演出者必能在衛武營音樂廳綻放出絢麗光彩,在歲末帶來深刻歡愉的歌聲。
\n\n\n\n
演出曲目
\n\n韓德爾的《彌賽亞》全本
\n\n\n\n
演出暨製作團隊
\n\n指揮|翁佳芬
\n\n合唱指導|張成璞
\n\n巴洛克獨奏家樂團
\n\n女高音|林慈音
\n\n女低音|翁若珮
\n\n男高音|林健吉
\n\n男低音|羅俊穎
\n\n高雄室內合唱團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d546fa9f585fe26452a9d00218a6d6fa",title:"《『彌賽亞Messiah』音樂會》"}],related:[],title:"Messiah",cover:"013d815459c70a29b48fe56c2e7166de",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Handel's "Messiah" is the most well-known and beloved oratorio among the classic choral works all over the world. "Messiah" means "Savior", and the Savior refers to Christ. The lyrics are excerpted from the "King James Bible", which uses both the New Testament and the Old Testament. It does not introduce Jesus like a chronicle. It's a series of contemplations and feelings about the birth, crucifixion, and resurrection of Jesus.
\n\n\n\n
Program
\n\nHANDEL: Messiah
\n\n\n\n
Creative and Production Team
\n\nConductor|WENG Chia-fen
\n\nChorus Master|CHANG Cheng-pu
\n\nBaroque Camerata
\n\nSoprano|Grace LIN
\n\nAlto|WENG Jo-pei
\n\nTenor|Claude LIN
\n\nBass|Julian LO
\n\nKaohsiung Chamber Choir
\n\n\n\n
\n',team:""},createdAt:1698909395,updatedAt:1699004638,updatedBy:"林蔚行",host:!1},{_id:"654359faf0365a0009b114e5",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1701948600,discrete:[{time:1701948600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1200,1600,1800,2e3,2500,3200],link:"https://www.opentix.life/event/1718148413687152641"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ea6f702239bf452dfa6bf4a74d8adb1a",title:"《2023希斯金鋼琴獨奏會》"}],related:[],title:"《2023希斯金鋼琴獨奏會》",cover:"eaeaa3943dbdb019f2be974298c3e0bd",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
「比起清晰的樂句,更值得注意的是他巧妙富有想像力的詮釋—他對曲目的熟悉已經超越了生活。」——留聲機
\n\n「德米特里是一位認真而敬業的鋼琴家,結合高度的專業精神、自然的音樂微妙性和藝術性。」——艾夫根尼·紀辛
\n\n\n\n
技巧精湛獨具魅力! 全球爭相邀約!2018日內瓦鋼琴大賽金獎、2019柴可夫斯基大賽銀獎得主─希斯金,於各頂尖國際鋼琴賽事上大放異彩,屢屢摘金奪銀。縱使處在大賽的緊張與競爭氛圍之下,他仍然專注與聽眾分享音樂,如同經歷一場場音樂會般。三歲舉辦音樂會,自幼即為著名鋼琴天才,希斯金在獲得日內瓦國際音樂比賽首獎以及柴可夫斯基鋼琴大賽銀獎後聲名大噪,並持續活躍於國際樂壇及音樂節。希斯金對不同派系、樂派的掌握能力令人驚豔,也是他細膩技巧外的一大亮點,2023再度來臺獻技令人期待。
\n\n希斯金對於聆聽觀眾十分堅信:「我們可以藉此找到新的東西,並發現未曾發掘的自己,人和人之間相互聆聽是非常重要的事情,對音樂家而言,聆聽人尤其重要,我是這麼認為的。」對希斯金而言,鋼琴是人生中不可或缺的存在。不但表達他的情感、哲思,也帶他到許多地方演出。面對不間斷的「旅行、彩排、演出」行程,希斯金表示自己十分享受,並且非常習慣獨奏家的忙碌生活「我有機會在世界這麼多地方認識這麼多朋友,當然不會覺得寂寞!」
\n\n\n\n
目前旅居瑞士的希斯金也在世界各地巡迴演出,並大受歡迎。他與聖彼得堡愛樂交響樂團、馬林斯基劇院交響樂團、華沙國家愛樂樂團、比利時國家交響樂團(由馬林‧奧爾索普指揮)、威瑪國立樂團、瑞士羅曼德管弦樂團以及東京交響樂團等合作。也在杜布羅夫尼克夏季音樂節、卑爾根音樂節、蕭邦歐洲音樂節、布雷西亞‧貝加莫音樂節等音樂節上演出。
\n\n\n\n
演出曲目
\n\n李斯特:帕格尼尼大練習曲 鐘
\n\n李斯特:第二號匈牙利狂想曲,作品244之2
\n\n梅特納:故事曲,作品51
\n\n穆索斯基:展覽會之畫
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|希斯金
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ea6f702239bf452dfa6bf4a74d8adb1a",title:"《2023希斯金鋼琴獨奏會》"}],related:[],title:"2023 Dmitry Shishkin Piano Recital",cover:"eaeaa3943dbdb019f2be974298c3e0bd",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
"Dmitry is a serious and dedicated pianist: high professionalism combined with natural musical subtlety and artistry." ——Evgeny Kissin
\n\n"Dmitry delivered an electrifying interpretation"—— Le temps
\n\n\n\n
Dmitry Shishkin was awarded a silver medal in June 2019 at the prestigious 16th International Tchaikovsky Competition and won the first place prize in November 2018 at the 73rd Geneva International Music Competition where he performed with Orchestre de la Suisse Romande.
\n\nDmitry demonstrated an exceptional talent for the piano at a very young age. He performed his first recital at the age of three and orchestra concert at the age of six. He then entered the prestigious Gnessin Moscow School of Music for gifted children (class of Mikhail Khokhlov) at the age of nine and then attended the Moscow Tchaikovsky Conservatory (class of Eliso Virsaladze). He has also studied in Sicily at the "Vincenzo Bellini" State Conservatory in Catania with Epifanio Comis, and in Hannover at Musikhochschule with Arie Vardi.
\n\nFrom a young age, Dmitry has won many competitions, and received numerous awards and scholarships from Russia and abroad. He is a prize winner of such renowned competitions as Busoni in Bolzano (third place prize in 2013); Rio de Janeiro (second place prize in 2014); Chopin in Warsaw (sixth place prize in 2015); Queen Elisabeth in Brussels (finalist in 2016); and the first place prize winner of the Top of the World Competition in Tromsø (2017).
\n\nDmitry currently resides in Switzerland, but performs around the world. Most notably, he has collaborated with the Mariinsky Theatre (conductor: Valery Gergiev); State Academic Symphony Orchestra of Russia "Svetlanov Orchestra"; Russian National Orchestra (conductor: Mikhail Pletnev); Tchaikovsky Symphony Orchestra (conductor: Vladimir Fedoseev); Warsaw Philharmonic Orchestra; National Orchestra of Belgium (conductor: Marin Alsop); Staatskapelle Weimar; Orchestre de la Suisse Romande; and Tokyo Symphony Orchestra. Dmitry's concert schedule additionally includes festival performances; notably Dubrovnik Summer Festival, Bergen Music Festival, Chopin and his European Festival, and Brescia Bergamo Music Festival.
\n\n\n\n
Program
\n\nF. Liszt (1811-1886): La campanella from Grandes études de Paganini, S. 141
\n\nF. Liszt (1811-1886): Hungarian Rhapsody No. 2, S244 no.2
\n\nN. Medtner (1880-1951): Fairytales, op. 51
\n\nM. Mussorgsky (1839-1881): Pictures at an Exhibition
\n\n\n\n
Creative and Production Team
\n\nPiano|Dmitry Shishkin
\n\n\n',team:""},createdAt:1698912762,updatedAt:1699325266,updatedBy:"林蔚行",host:!1},{_id:"654881d09a468f00074a1615",catalogs:["646c770565a7e80007c13f18"],dateTime:{first:1702105200,discrete:[{time:1702105200},{time:1702191600},{time:170271e4},{time:1702796400},{time:1703314800},{time:1703401200}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free Entry"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ec0eb8e2a9758472ef0d0964d369ad47",title:"衛武營黃昏市集—聖誕馬戲嘉年華"}],related:[],title:"衛武營黃昏市集—聖誕馬戲嘉年華",cover:"280f87c41f758bd7ff97d58acb9ff6c0",site:{isOther:!0,site:"",other:"北廣場、南廣場"},cautions:"
聖誕精靈們悄悄降臨衛武營黃昏市集-聖誕馬戲嘉年華,
\n\n在這場慶祝活動中,精靈們準備了佳餚大道、創意工坊等,
\n\n要把祝福帶給來到衛武營的眾人們,圍繞著聖誕樹及限定演出,
\n\n穿上聖誕服裝一同享受這充滿自由與創意、多元文化的嘉年華!
\n\n\n\n
活動時間、地點
\n\n北廣場(衛武營捷運站6號出口前)
\n\n南廣場(衛武營戶外劇場前)
\n\n\n\n
衛武營聖誕樹
\n\n衛武營聖誕樹點燈儀式將於12/10(日) 17:30於北廣場榕泉旁舉辦,在熱鬧溫馨的氣氛中點亮聖誕樹!12/5(二)至1/7(日) 17:30-24:00期間每日亮燈,陪伴大家共度聖誕佳節!
\n\n\n\n
聖誕精靈祝福之禮
\n\n將種子明信片連同祝福種下,讓心意在聖誕時分萌芽!
\n\n至衛武營黃昏市集服務台領取「市集消費集點卡」並於衛武營黃昏市集內消費任五家攤商品牌,不限金額,每次消費可獲得店家貼紙一點,集滿五點便可至衛武營黃昏市集服務台領取祝福小禮喔!(禮物每週數量有限,兌完為止)
\n\n\n\n
聖誕精靈之工坊
\n\n精靈皇冠打造工坊
\n\n小精靈們!來這打造一頂獨一無二的魔幻之冠吧!戴上它,成為遨遊的王與后。
\n\n活動期間符合參加機制即可參加,每人報名費用150元,持衛武營12月主辦節目票根可享報名費用折抵50元(限單筆使用,每週限量5位兌換),活動詳情請洽現場服務人員。(每日份數有限,額滿為止)
\n\n\n\n
水波紋燈體驗工坊
\n\n親手繪製屬於精靈們的獨特之燈,帶著星光回家,點亮生活的美好。
\n\n活動期間符合參加機制即可參加,每人報名費用290元,持衛武營12月主辦節目票根可享報名費用折抵50元(限單筆使用,每週限量5位兌換),活動詳情請洽現場服務人員。(每日份數有限,額滿為止)
\n\n\n\n
精靈部落之夜
\n\n活動期間限定演出,邀請眾人跟著表演者一起來搖擺,用最自在的姿態,在這美妙的精靈部落,一同享受黃昏到夜晚的歡樂溫馨時光。(表演團體介紹請見下列資訊,演出時段將視現場狀況進行調整,詳情請洽黃昏市集服務台)
\n\n\n\n
Mimofatguy
\n一位遊走於都會叢林,非主流,不受規範且無賴任性的另類小丑,試圖帶領著人們進入有淚有笑,時而溫馨,時而荒唐,且充滿英文老歌,老派服裝,老派約會的情懷,與那個大時代的斑斕。
\n\n
Happy Curly
\n擅長用有趣的想法、互動、故事、手作道具來完成作品,讓表演不只是個表演,而是一個使命,而這個使命是告訴大家擁有「勇氣」「勇敢」的去成就自己所愛的事物。
\n\n
現代馬戲—夏克
\n擁有雜耍、馬戲、特技三類型之演出專業,夏克擅長以肢體舞蹈、雜耍藝術融入表演之中,其對演出道具的掌握相當具技巧。曾以「花式溜溜球」代表臺灣入圍亞洲達人秀參賽。
\n\n
演武者 -小剛
\n在城市森林中流浪的一介武者,身處在群雄彙聚的街頭戰場中,憑藉獨樹一幟的風格開拓出屬於自己的路。專攻且著迷於視覺幻術取向,同時帶有強烈風格感,在每一場演出中都讓觀眾享受從未有過的感官饗宴。
\n\n
黃笙耘
\n別名猴子,相當熱愛武俠文化,在學習技藝的過程中,對能在舞台上贏得的掌聲陷入癡迷的追求!此生放棄過很多事,但表演例外,若有一絲力氣,依舊要用自身的技藝,為自己譜出不一樣的人生。
\n\n
蘿絲小姐 Rosybaeee
\n以一頭亮麗髮色配上慵懶聲線征服聽眾,透過特殊的詮釋方法,賦予了每首歌曲嶄新的生命。此次與弟弟一同組成雙人戰隊,與家人一齊追尋夢想,相信絕對值得您駐足傾聽。
\n\n
綠龍與他的大提琴
\n以令人驚豔的琴藝,經常受邀於各地方政府及大活動演出,用大提琴聲遊走街頭,用琴聲傳遞生命的故事,悠悠地溜進你我的耳中與心中。聖誕佳節,歡迎您前來一齊享受音樂帶來的喜悅!
\n
\n\n
限定體驗
\n\n精靈休憩驛站
\n\n逛累走累了需要喘口氣?在驛站呼朋喚友,繼續圍圈團圓。(示意圖僅供參考,依現場實際陳列為主)
\n\n\n\n
PGO 機車大賞—Fun膽騎安全玩
\n\n持樹冠大廳與PGO機車大賞展示品於任一社群平台拍照打卡之畫面,活動期間至黃昏市集內《PGO摩特動力機車》攤位,即可獲得限量品牌多功能織帶掛鉤。(數量有限,贈完為止)
\n\n\n\n
精靈佳餚大道&藝術奇境
\n探索精靈美食大道、漫遊魔幻藝術奇境,共享齊聚喜悅!留下美好記憶。(攤位品牌敬請期待,出席品牌以現場參與名單為準,詳情請洽黃昏市集服務台)
▼美食大道(輕食餐點、熱食餐車)
\n\n\n\t\t\t 布魯托熱狗堡 \n\t\t\t | \n\t\t\t\n\t\t\t 悅庭楠舍 \n\t\t\t | \n\t\t\t\n\t\t\t 福泰洋行 \n\t\t\t | \n\t\t
\n\t\t\t 小南叔叔行動餐車 \n\t\t\t | \n\t\t\t\n\t\t\t 追霓司康 \n\t\t\t | \n\t\t\t\n\t\t\t Yueli手作甜點 \n\t\t\t | \n\t\t
\n\t\t\t 漢堡粉絲&Burger Fans Food Truck \n\t\t\t | \n\t\t\t\n\t\t\t 懿品乳酪-八蒜包 \n\t\t\t | \n\t\t\t\n\t\t\t 一杯手撕雞吧 \n\t\t\t | \n\t\t
\n\t\t\t Hazi&Co黑質咖啡 \n\t\t\t | \n\t\t\t\n\t\t\t 小初食 \n\t\t\t | \n\t\t\t\n\t\t\t 土耳其Doner Kebab轉轉烤肉 | 土男孩 \n\t\t\t | \n\t\t
\n\t\t\t 嫩比金豬 \n\t\t\t | \n\t\t\t\n\t\t\t 甜在心糖葫蘆 \n\t\t\t | \n\t\t\t\n\t\t\t SOSO鮮奶麻糬吧 \n\t\t\t | \n\t\t
\n\t\t\t 樂府Love炭烤玉米 \n\t\t\t | \n\t\t\t\n\t\t\t 福丸章魚燒 \n\t\t\t | \n\t\t\t\n\t\t\t 古味手工美食坊 \n\t\t\t | \n\t\t
\n\t\t\t 想不到mobile kitchen \n\t\t\t | \n\t\t\t\n\t\t\t 豐澤復刻飲品 \n\t\t\t | \n\t\t\t\n\t\t\t 家庭號傳統甜品 \n\t\t\t | \n\t\t
\n\t\t\t INJOY Picnic Bar 加樂野食 \n\t\t\t | \n\t\t\t\n\t\t\t Oh泰好吃 調皮搗蛋 \n\t\t\t | \n\t\t\t\n\t\t\t 走吧 \n\t\t\t | \n\t\t
\n\t\t\t 炸鷄合作社 \n\t\t\t | \n\t\t\t\n\t\t\t TAEBAK 韓食 \n\t\t\t | \n\t\t\t\n\t\t\t 甜心先生愛玉專賣店9號 \n\t\t\t | \n\t\t
\n\t\t\t 丞心丞義 \n\t\t\t | \n\t\t\t\n\t\t\t Yougi有紀莊園 \n\t\t\t | \n\t\t\t\n\t\t\t 擼串串 / 燒烤專門 \n\t\t\t | \n\t\t
\n\t\t\t 28餐車.感情所在 \n\t\t\t | \n\t\t\t\n\t\t\t 韓咚嘻-韓式小吃 \n\t\t\t | \n\t\t\t\n\t\t\t 吉吉桑吉拿棒 \n\t\t\t | \n\t\t
\n\t\t\t 追浪咖啡 \n\t\t\t | \n\t\t\t\n\t\t\t 春花食堂 \n\t\t\t | \n\t\t\t\n\t\t\t 杦月初。植感食光JIU YUE CHU -高雄店 \n\t\t\t | \n\t\t
\n\t\t\t 林針嬤鹹水G \n\t\t\t | \n\t\t\t\n\t\t\t 旦旦鳥蛋 \n\t\t\t | \n\t\t\t\n\t\t\t 旗津順-烤小卷 \n\t\t\t | \n\t\t
\n\t\t\t 星耀辰咖啡車計劃DALAH COFFEE VAN PROJECT \n\t\t\t | \n\t\t\t\n\t\t\t 享泰多 \n\t\t\t | \n\t\t\t\n\t\t\t 阿嬤白糖粿 \n\t\t\t | \n\t\t
\n\t\t\t 敝姓蔡。可麗餅 \n\t\t\t | \n\t\t\t\n\t\t\t 炸雞薯宴室-日式烤炸 \n\t\t\t | \n\t\t\t\n\t\t\t 鄉下人 \n\t\t\t | \n\t\t
\n\t\t\t 蹺咖啡 \n\t\t\t | \n\t\t\t\n\t\t\t Oh泰好吃 享食捲餅 \n\t\t\t | \n\t\t\t\n\t\t\t 蘇西susie 千層酥 甜點 \n\t\t\t | \n\t\t
\n\t\t\t Kaju義式手作冰淇淋 \n\t\t\t | \n\t\t\t\n\t\t\t Ru迷·飲品&手工餅乾 \n\t\t\t | \n\t\t\t\n\t\t\t 派星堂PALAXY \n\t\t\t | \n\t\t
\n\t\t\t 享Eat雞蛋糕 \n\t\t\t | \n\t\t\t\n\t\t\t 紳士玉米Cornhub \n\t\t\t | \n\t\t\t\n\t\t\t 大馬日常 \n\t\t\t | \n\t\t
\n\t\t\t 尻雞實驗室 \n\t\t\t | \n\t\t\t\n\t\t\t 小扁擔米糕 \n\t\t\t | \n\t\t\t\n\t\t\t Y&I x ㄧ碗小粥 \n\t\t\t | \n\t\t
\n\t\t\t Maru日式糰子 \n\t\t\t | \n\t\t\t\n\t\t\t 狂草咖哩 \n\t\t\t | \n\t\t\t\n\t\t\t 麻辣哥無油低卡 \n\t\t\t | \n\t\t
\n\t\t\t 澎膨 \n\t\t\t | \n\t\t\t\n\t\t\t 甜心先生 愛玉專賣1號店 \n\t\t\t | \n\t\t\t\n\t\t\t 那個그건雞蛋糕貳號店 \n\t\t\t | \n\t\t
\n\t\t\t Highway Star • 嗨胃熱狗堡 \n\t\t\t | \n\t\t\t\n\t\t\t 巷內香腸 \n\t\t\t | \n\t\t\t\n\t\t\t 家常西鯡魚三明治 \n\t\t\t | \n\t\t
\n\t\t\t 淇淇吃KIKI EAT \n\t\t\t | \n\t\t\t\n\t\t\t 橘拿棒 \n\t\t\t | \n\t\t\t\n\t\t\t ㄉㄤ熊孩遇上奶 \n\t\t\t | \n\t\t
\n\t\t\t 吉米鹿鹿 • 經典英式奶茶 \n\t\t\t | \n\t\t\t\n\t\t\t 派星堂 \n\t\t\t | \n\t\t\t\n\t\t\t 喝酒吧 精釀啤酒 \n\t\t\t | \n\t\t
\n\t\t\t 那個그건雞蛋糕 \n\t\t\t | \n\t\t\t\n\t\t\t 泰渴 \n\t\t\t | \n\t\t\t\n\t\t\t ILIOS 異國料理.甜點 \n\t\t\t | \n\t\t
\n\t\t\t 一點點mini可頌 \n\t\t\t | \n\t\t\t\n\t\t\t 混蛋Buddy \n\t\t\t | \n\t\t\t\n\t\t\t Oh!馬鈴吉 \n\t\t\t | \n\t\t
\n\t\t\t 黃金萬兩。草莓大福 \n\t\t\t | \n\t\t\t\n\t\t\t 金·芭樂 \n\t\t\t | \n\t\t\t\n\t\t\t 呷胖雞蛋燒 \n\t\t\t | \n\t\t
\n\t\t\t Ma Bao雞蛋糕 \n\t\t\t | \n\t\t\t\n\t\t\t 椰記 \n\t\t\t | \n\t\t\t\n\t\t\t 帰-日式燒烤 \n\t\t\t | \n\t\t
\n\t\t\t 傲蕉 \n\t\t\t | \n\t\t\t\n\t\t\t 有刈 yu-kuah \n\t\t\t | \n\t\t\t\n\t\t\t 怪獸鈴噹銅鑼燒MonsterDorayaki \n\t\t\t | \n\t\t
\n\t\t\t 古早味狀元糕 \n\t\t\t | \n\t\t\t\n\t\t\t 李董偶貴 \n\t\t\t | \n\t\t\t\n\t\t\t 我的甜點食驗室 \n\t\t\t | \n\t\t
\n\t\t\t 一點點mini可頌 \n\t\t\t | \n\t\t\t\n\t\t\t 樂不亭拔絲地瓜 \n\t\t\t | \n\t\t\t\n\t\t\t OASIS馬琳糖專賣店 \n\t\t\t | \n\t\t
\n\t\t\t YOLO CROFFLE 有樂可頌鬆餅 \n\t\t\t | \n\t\t\t\n\t\t\t 港媳好味道 \n\t\t\t | \n\t\t\t\n\t\t\t 金桃手作 鬆軟系司康 \n\t\t\t | \n\t\t
\n\t\t\t Ba.tian.bakery \n\t\t\t | \n\t\t\t\n\t\t\t 彩色的田-原鄉食坊 \n\t\t\t | \n\t\t\t\n\t\t\t 兜兜圈 \n\t\t\t | \n\t\t
\n\t\t\t cp_dessert \n\t\t\t | \n\t\t\t\n\t\t\t Littleman_Cheerful 小人菓 \n\t\t\t | \n\t\t\t\n\t\t\t 森mom手作. 提拉米su \n\t\t\t | \n\t\t
\n\t\t\t 朴東亮狂撒系秘制辣粉 \n\t\t\t | \n\t\t\t\n\t\t\t 陪伴甜點 \n\t\t\t | \n\t\t\t\n\t\t\t 好柒手作甜品 \n\t\t\t | \n\t\t
註:排序不分出席日期及場次,每日出席品牌以現場參與名單為準,詳情請洽黃昏市集服務台。
\n\n\n\n
▼藝術奇境(風格選物、特色品牌)
\n\n\n\t\t\t 1234毅貳姍飾 \n\t\t\t | \n\t\t\t\n\t\t\t 狸奴兒 \n\t\t\t | \n\t\t\t\n\t\t\t lanfyofficial \n\t\t\t | \n\t\t
\n\t\t\t 20Twenty \n\t\t\t | \n\t\t\t\n\t\t\t 記憶點 MS.22 -藝術金工 \n\t\t\t | \n\t\t\t\n\t\t\t Lorweii \n\t\t\t | \n\t\t
\n\t\t\t 一顆凡星afanxing髮飾 \n\t\t\t | \n\t\t\t\n\t\t\t 梅魁商行 \n\t\t\t | \n\t\t\t\n\t\t\t Love Fi Me 愛霏迷手作美物 \n\t\t\t | \n\t\t
\n\t\t\t 三柴一生寵物食驗室 \n\t\t\t | \n\t\t\t\n\t\t\t 甦 • 植栽 \n\t\t\t | \n\t\t\t\n\t\t\t Luv*Luv \n\t\t\t | \n\t\t
\n\t\t\t 小燭愛 \n\t\t\t | \n\t\t\t\n\t\t\t 爺恩yang \n\t\t\t | \n\t\t\t\n\t\t\t made by Hi.An \n\t\t\t | \n\t\t
\n\t\t\t 不規則 \n\t\t\t | \n\t\t\t\n\t\t\t 葛洛莉亞皮革製品 \n\t\t\t | \n\t\t\t\n\t\t\t Maeilcory \n\t\t\t | \n\t\t
\n\t\t\t 月光花苑 \n\t\t\t | \n\t\t\t\n\t\t\t 夢羊天然水晶 \n\t\t\t | \n\t\t\t\n\t\t\t MaFi美惠 \n\t\t\t | \n\t\t
\n\t\t\t 毛喜多寵物生活 \n\t\t\t | \n\t\t\t\n\t\t\t 爾後好飾 \n\t\t\t | \n\t\t\t\n\t\t\t Mine一Select \n\t\t\t | \n\t\t
\n\t\t\t 水母繞繞Jellyfish & Land \n\t\t\t | \n\t\t\t\n\t\t\t 種是希望 \n\t\t\t | \n\t\t\t\n\t\t\t mokomoco モコモコ \n\t\t\t | \n\t\t
\n\t\t\t 叫我阿朵! \n\t\t\t | \n\t\t\t\n\t\t\t 嚕寶LuBao \n\t\t\t | \n\t\t\t\n\t\t\t molleofficial \n\t\t\t | \n\t\t
\n\t\t\t 生生古著 \n\t\t\t | \n\t\t\t\n\t\t\t A_Chiao.studio \n\t\t\t | \n\t\t\t\n\t\t\t Nisir_Studio \n\t\t\t | \n\t\t
\n\t\t\t 田舍子 \n\t\t\t | \n\t\t\t\n\t\t\t Alace水蕾絲 \n\t\t\t | \n\t\t\t\n\t\t\t OOHMA 歐歐瑪 \n\t\t\t | \n\t\t
\n\t\t\t 回歸野事BacktoWild \n\t\t\t | \n\t\t\t\n\t\t\t Art Wall Milla 米菈手工藝術 \n\t\t\t | \n\t\t\t\n\t\t\t Queen's Garden皇后花園 \n\t\t\t | \n\t\t
\n\t\t\t 羊兔飾件[陶作飾物] \n\t\t\t | \n\t\t\t\n\t\t\t CERES Parfums \n\t\t\t | \n\t\t\t\n\t\t\t SKYLAR_H.Y手工穿戴美甲 \n\t\t\t | \n\t\t
\n\t\t\t 走好運 Being in luck \n\t\t\t | \n\t\t\t\n\t\t\t Creasure Candle \n\t\t\t | \n\t\t\t\n\t\t\t SunWhere ACC \n\t\t\t | \n\t\t
\n\t\t\t 花咲不凋花藝 \n\t\t\t | \n\t\t\t\n\t\t\t D&B 手作 \n\t\t\t | \n\t\t\t\n\t\t\t The Bijou 197 \n\t\t\t | \n\t\t
\n\t\t\t 花織了手作 \n\t\t\t | \n\t\t\t\n\t\t\t Doubletree \n\t\t\t | \n\t\t\t\n\t\t\t The Green Alley 不凋花·乾燥花 \n\t\t\t | \n\t\t
\n\t\t\t 峋XUN \n\t\t\t | \n\t\t\t\n\t\t\t Empty \n\t\t\t | \n\t\t\t\n\t\t\t The Rico \n\t\t\t | \n\t\t
\n\t\t\t 香菇菇手作 \n\t\t\t | \n\t\t\t\n\t\t\t Gogo39bus \n\t\t\t | \n\t\t\t\n\t\t\t Tianli 天麗 印度印染服飾 \n\t\t\t | \n\t\t
\n\t\t\t 旅。交易所 Travel & Trade \n\t\t\t | \n\t\t\t\n\t\t\t J.I.U_select \n\t\t\t | \n\t\t\t\n\t\t\t TREASUREWAY 寶藏香氛 \n\t\t\t | \n\t\t
\n\t\t\t 時光手作 \n\t\t\t | \n\t\t\t\n\t\t\t Jangmi accessory \n\t\t\t | \n\t\t\t\n\t\t\t W.WEAR \n\t\t\t | \n\t\t
\n\t\t\t 桑尼微笑狗舖 \n\t\t\t | \n\t\t\t\n\t\t\t L.acc \n\t\t\t | \n\t\t\t\n\t\t\t WoodSeed X 飛米積木樂高專賣店 \n\t\t\t | \n\t\t
\n\t\t\t 海子手作 \n\t\t\t | \n\t\t\t\n\t\t\t La Fascina 樂汎希 手作輕珠寶 \n\t\t\t | \n\t\t\t\n\t\t\t PUPPY寵物烘培 \n\t\t\t | \n\t\t
\n\t\t\t PGO 摩特動力機車 \n\t\t\t | \n\t\t\t\n\t\t\t 華友聯集團 \n\t\t\t | \n\t\t\t\n\t\t\t GREENPEACE 綠色和平基金會 \n\t\t\t | \n\t\t
\n\t\t\t 衛武營紀念商品販售處 \n\t\t\t | \n\t\t\t\n\t\t\t | \n\t\t |
註:排序不分出席日期及場次,每日出席品牌以現場參與名單為準,詳情請洽黃昏市集服務台。
\n\n
\n 票根優惠
活動期間憑衛武營國家藝術文化中心2023年任一演出之售票節目紙本/電子購票證明方可享有指定攤位優惠乙次,詳細優惠辦法依各攤商說明為主。
\n\n\n\t\t\t 品牌 \n\t\t\t | \n\t\t\t\n\t\t\t 憑票根享優惠 \n\t\t\t | \n\t\t
\n\t\t\t 1234毅貳姍飾 \n\t\t\t | \n\t\t\t\n\t\t\t 折抵10元 \n\t\t\t | \n\t\t
\n\t\t\t 20Twenty \n\t\t\t | \n\t\t\t\n\t\t\t 折抵消費品項10元 \n\t\t\t | \n\t\t
\n\t\t\t 一顆凡星afanxing髮飾 \n\t\t\t | \n\t\t\t\n\t\t\t 消費滿300元可折抵消費品項30元 \n\t\t\t | \n\t\t
\n\t\t\t 三柴一生寵物食驗室 \n\t\t\t | \n\t\t\t\n\t\t\t 單筆消費滿300元贈聖誕限定小餅乾 \n\t\t\t | \n\t\t
\n\t\t\t 小燭愛 \n\t\t\t | \n\t\t\t\n\t\t\t 單筆消費滿300元,九折優惠 \n\t\t\t | \n\t\t
\n\t\t\t 不規則 \n\t\t\t | \n\t\t\t\n\t\t\t 滿500元憑票根折抵現金40元 \n\t\t\t | \n\t\t
\n\t\t\t 月光花苑 \n\t\t\t | \n\t\t\t\n\t\t\t 折抵消費品項10元 \n\t\t\t | \n\t\t
\n\t\t\t 毛喜多寵物生活 \n\t\t\t | \n\t\t\t\n\t\t\t 消費可以再享9折優惠 \n\t\t\t | \n\t\t
\n\t\t\t 水母繞繞Jellyfish & Land \n\t\t\t | \n\t\t\t\n\t\t\t 折抵消費品項30元 \n\t\t\t | \n\t\t
\n\t\t\t 叫我阿朵! \n\t\t\t | \n\t\t\t\n\t\t\t 折抵消費品項40元 \n\t\t\t | \n\t\t
\n\t\t\t 生生古著 \n\t\t\t | \n\t\t\t\n\t\t\t 額外享有95折優惠 \n\t\t\t | \n\t\t
\n\t\t\t 田舍子 \n\t\t\t | \n\t\t\t\n\t\t\t 消費滿200元,贈送擴香小物 \n\t\t\t | \n\t\t
\n\t\t\t 回歸野事BacktoWild \n\t\t\t | \n\t\t\t\n\t\t\t 消費滿1000元,贈送聖誕麋鹿絨布包 \n\t\t\t | \n\t\t
\n\t\t\t 羊兔飾件[陶作飾物] \n\t\t\t | \n\t\t\t\n\t\t\t 消費滿500元折50元 \n\t\t\t | \n\t\t
\n\t\t\t 走好運 Being in luck \n\t\t\t | \n\t\t\t\n\t\t\t 折抵消費品項10元 \n\t\t\t | \n\t\t
\n\t\t\t 花咲不凋花藝 \n\t\t\t | \n\t\t\t\n\t\t\t 折抵30元 \n\t\t\t | \n\t\t
\n\t\t\t 花織了手作 \n\t\t\t | \n\t\t\t\n\t\t\t 折抵消費50元 \n\t\t\t | \n\t\t
\n\t\t\t 香菇菇手作 \n\t\t\t | \n\t\t\t\n\t\t\t 追蹤粉專可折抵消費品項20元 \n\t\t\t | \n\t\t
\n\t\t\t 旅。交易所 Travel & Trade \n\t\t\t | \n\t\t\t\n\t\t\t 單筆折抵10元 \n\t\t\t | \n\t\t
\n\t\t\t 時光手作 \n\t\t\t | \n\t\t\t\n\t\t\t 滿百折抵10元 \n\t\t\t | \n\t\t
\n\t\t\t 桑尼微笑狗舖 \n\t\t\t | \n\t\t\t\n\t\t\t 折抵20元 \n\t\t\t | \n\t\t
\n\t\t\t 海子手作 \n\t\t\t | \n\t\t\t\n\t\t\t 95折優惠 \n\t\t\t | \n\t\t
\n\t\t\t 狸奴兒 \n\t\t\t | \n\t\t\t\n\t\t\t 折抵消費品項10元 \n\t\t\t | \n\t\t
\n\t\t\t 記憶點 MS.22 -藝術金工 \n\t\t\t | \n\t\t\t\n\t\t\t 品牌粉專追蹤及評論即可折價50元 \n\t\t\t | \n\t\t
\n\t\t\t 甦 • 植栽 \n\t\t\t | \n\t\t\t\n\t\t\t 折抵消費5元 \n\t\t\t | \n\t\t
\n\t\t\t 爺恩yang \n\t\t\t | \n\t\t\t\n\t\t\t 消費贈送限定貼紙 \n\t\t\t | \n\t\t
\n\t\t\t 葛洛莉亞皮革製品 \n\t\t\t | \n\t\t\t\n\t\t\t 消費即贈送精美手工皮革吊飾 \n\t\t\t | \n\t\t
\n\t\t\t 夢羊天然水晶 \n\t\t\t | \n\t\t\t\n\t\t\t 憑票券折抵30元 \n\t\t\t | \n\t\t
\n\t\t\t 爾後好飾 \n\t\t\t | \n\t\t\t\n\t\t\t 全館95折(特惠商品除外) \n\t\t\t | \n\t\t
\n\t\t\t 嚕寶LuBao \n\t\t\t | \n\t\t\t\n\t\t\t 消費可贈隨口脆若干包 \n\t\t\t | \n\t\t
\n\t\t\t A_Chiao.studio \n\t\t\t | \n\t\t\t\n\t\t\t 單筆消費不限金額送軟陶髮圈 \n\t\t\t | \n\t\t
\n\t\t\t Alace水蕾絲 \n\t\t\t | \n\t\t\t\n\t\t\t 憑票券95折 \n\t\t\t | \n\t\t
\n\t\t\t Art Wall Milla 米菈手工藝術 \n\t\t\t | \n\t\t\t\n\t\t\t 折抵消費品項10元 \n\t\t\t | \n\t\t
\n\t\t\t CERES Parfums \n\t\t\t | \n\t\t\t\n\t\t\t 消費即贈聖誕限定擴香石 \n\t\t\t | \n\t\t
\n\t\t\t Creasure Candle \n\t\t\t | \n\t\t\t\n\t\t\t 消費滿500元可折抵消費品項30元 \n\t\t\t | \n\t\t
\n\t\t\t D&B 手作 \n\t\t\t | \n\t\t\t\n\t\t\t 折抵消費20元 \n\t\t\t | \n\t\t
\n\t\t\t Doubletree \n\t\t\t | \n\t\t\t\n\t\t\t 折抵消費品項20元 \n\t\t\t | \n\t\t
\n\t\t\t Empty \n\t\t\t | \n\t\t\t\n\t\t\t 消費全品項95折 \n\t\t\t | \n\t\t
\n\t\t\t Gogo39bus \n\t\t\t | \n\t\t\t\n\t\t\t 商品95折 \n\t\t\t | \n\t\t
\n\t\t\t J.I.U_select \n\t\t\t | \n\t\t\t\n\t\t\t 折抵消費品項10元 \n\t\t\t | \n\t\t
\n\t\t\t Jangmi accessory \n\t\t\t | \n\t\t\t\n\t\t\t 商品兩件折扣50元 \n\t\t\t | \n\t\t
\n\t\t\t L.acc \n\t\t\t | \n\t\t\t\n\t\t\t 折抵消費30元 \n\t\t\t | \n\t\t
\n\t\t\t La Fascina 樂汎希 手作輕珠寶 \n\t\t\t | \n\t\t\t\n\t\t\t 折消費品項95折 \n\t\t\t | \n\t\t
\n\t\t\t lanfyofficial \n\t\t\t | \n\t\t\t\n\t\t\t 憑票劵8折 \n\t\t\t | \n\t\t
\n\t\t\t Lorweii \n\t\t\t | \n\t\t\t\n\t\t\t 憑票卷可打95折 \n\t\t\t | \n\t\t
\n\t\t\t Love Fi Me 愛霏迷手作美物 \n\t\t\t | \n\t\t\t\n\t\t\t 購買兩條髮帶送啾啾圈一個 \n\t\t\t | \n\t\t
\n\t\t\t Luv*Luv \n\t\t\t | \n\t\t\t\n\t\t\t 單筆消費滿100元贈送限量聖誕節小糖果 \n\t\t\t | \n\t\t
\n\t\t\t made by Hi.An \n\t\t\t | \n\t\t\t\n\t\t\t 消費抽大福袋 \n\t\t\t | \n\t\t
\n\t\t\t Maeilcory \n\t\t\t | \n\t\t\t\n\t\t\t 憑票卷折50元 \n\t\t\t | \n\t\t
\n\t\t\t MaFi美惠 \n\t\t\t | \n\t\t\t\n\t\t\t 消費滿250元贈送聖誕節限定明信片 \n\t\t\t | \n\t\t
\n\t\t\t Mine一Select \n\t\t\t | \n\t\t\t\n\t\t\t 憑票券可 |