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#1. M-1 Grand Prix: An annual manzai competition with several thousand contestants held by the Japanese entertainment conglomerate Yoshimoto Kogyo. Besides being awarded ten million yen, the winners also gain massive exposure in the entertainment sector and invitations to perform on numerous programs. It is Japan's largest-scale comedy contest.
\n\n#2. Manzai: A traditional form of Japanese comedy usually consisting of two people, a tsukkomi (straight man) and a boke (funny man). The former poke's fun at the latter's stupidity, the comedy arising from their verbal interaction.
\n\n#3. Rakugo: A traditional form of Japanese comedy which began in the Edo period (1603 – 1867). The storyteller (rakugoka) respectfully sits in the seiza position (formal kneeling) and tells the story in a vivid way with a reserved repertoire of gestures and simple props.
\n\n#4. Kankurō Kudō: Japanese screenwriter, film director, actor, and guitarist. In 1999, he began writing scripts for a TV series. In 2010, he won a great honor in Japanese screenwriting, the Kuniko Mukōda Award, for the TV show Conceited Detective. His most well-known screenwriting work includes Ikebukuro West Gate Park, Tiger and Dragon, Ama Chan, and Saving My Stupid Youth.
\n\n#5. Shigei Kaneko: Japanese screenwriter. He began in the industry after winning the grand prize for the Fuji Screenwriting Competition in 2004. His most well-known work includes Operation Love, Summer Nude, and The Most Difficult Romance. In 2019, he won a great honor in Japanese screenwriting, the Kuniko Mukōda Award, for the TV show My Story Is Long.
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\n',date:"2022.01.25",description:"This year's manzai M-1 Grand Prix winner, the comedy duo Nishikigoi, is a riot. Following manzai tradition, they wear suits, but Takashi Watanabe, the tsukkomi (straight man), wears dark apparel: a black jacket and pants (navy blue at times) with a shirt and tie to go with the venue. Meanwhile, Masanori Hasegawa, the boke (funny man), always dresses almost completely in white.",image:"087d1c23be731332f614090d139a40f6",title:"A show that makes you cry is the same as one that makes you laugh because both invite you into unique outlooks on life.",tags:["5af04be2beda2e0005bbb3f1"],programs:[]},recommendReadings:[{_id:"65d6a13f9b632f00083feb04",date:"2024.02.22",introduction:"In late 2009, a number of British and American classical music magazines and critics chose mezzo-soprano Joyce DIDONATO as their person of the year. As a result, many Taiwanese music lovers wanted to know what all the fuss was about. I, however, was not surprised at all, because I had been lucky enough to witness the reason that July, when she played the female lead in the London Royal Opera House's production of ROSSINI's The Barber of Seville. After singing the famous aria “Una voce poco fa” on the night of the premiere, she slipped and fractured her ankle. Who would have thought she would actually \"break a leg\" during the show!",image:"3e3109e3bea2efc87a93b674f9bf62b9",title:"Extraordinary Magnetism of a Star Vocalist: Joyce DIDONATO and Her - Eden"},{_id:"6565a3196bffd90008eb0a6a",date:"2023.11.28",introduction:"I was actually not into interactive performances for a long time and frequently felt alienated by even those full of positive energy, but one such piece, Every Brilliant Thing, changed my view of why theater is still so important in contemporary society over the past few years. This plain, simple, yet strongly therapeutic one-man show seems to remind me (us) of why we need to sit with a bunch of strangers to watch performances and share our feelings.",image:"1e73fa66aa663fef2696fdede2809a94",title:"The Most Brilliant Thing: Being Captured by Theater"}],relatedPrograms:[]},fetched:!0},shippingAreas:{rows:[],loaded:!1},userAuth:{logined:!1,status:"NORMAL",inited:!1,data:null,showNsoOverlay:!1},announce:{show:!0},youthOverlay:{show:!1,showed:!1},featureCategories:{rows:[],loaded:!1,loading:!1},features:{rows:[],loaded:!1,loading:!1},newsCatalogs:{rows:[],loaded:!1,loading:!1},chronologies:{rows:[],loaded:!1,loading:!1}},routing:{locationBeforeTransitions:null}}