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\n\n© YouTube(Les 7 doigts de la main)
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Over the past 21 years, Les 7 Doigts, a Montreal-based circus company, has been "tell[ing] human stories with superhuman skills," opting for theatricality over flamboyance and imbuing their superb circus craft with sentiment. The Guardian once made a cinematic analogy: if Cirque du Soleil is the action-packed blockbuster, Les 7 Doigts is the indie film. Using the railway as its theme, Passagers presents farewells, new beginnings and reminiscences, and the intertwining of the railroad and the human experience. In the opening scene, the performers are seated, breathing in sync. Suddenly, as if the tracks diverged, the rhythm began to stagger. Gradually, the overlapping breaths transform into the sound of a moving train. Thus, a wondrous journey begins. Seemingly ordinary scenes become a multiverse of infinite wonders with the magic touch of Les 7 Doigts.
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Passagers blends theater, dance, music, and projection into a unique circus aesthetic. It is not a mere demonstration of technical prowess but the exploration of the delicate balance of interpersonal relations. You will discover sceneries on the platforms, in the tunnel, inside the cabin, and between the tracks, and enjoy an abundance of circus acts, including hula hoops, aerial silk, juggling, contortion, hand-to-trap, the Chinese pole, and the Russian cradle. On board Passagers, the journey is the destination.
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Creative and Production Team
\n\nDirector, Writer and Choreographer|Shana CARROLL
\n\nPerformers|
\n\nEduardo DE AZEVEDO GRILLO, Marco INGARAMO, Amanda renee OROZCO, Nella maarit NIVA, Santiago RIVERA LAUGERUD, Kaisha Rosina Elena DESSALINES WRIGHT, Méliejade TREMBLAY-BOUCHARD, Eric Whitaker BATES, Louis JOYAL
\n\nScenography|Ana CAPPELLUTO
\n\nMusical Director|Colin GAGNÉ
\n\nVideo Designer|Johnny RANGER
\n\nLighting Designer|Éric CHAMPOUX
\n\nLighting Technician|Lorianne FOISY
\n\nCostume Designer|Camille THIBAULT-BÉDARD
\n\nTexts|Shana CARROLL, Conor WILD
\n\nTour Director|Guillaume BIRON
\n\nProject Manager|Sabrina GILBERT
\n\nTechnical Director|Simon CARRIÈRE LEGRIS, Michel BISSON, Louis HÉON
\n\nTechnical Coordinator|Audrey BELZILE
\n\nAudiovisual technician|Michael AMSTADT
\n\nCreation Rigger|Stéphane BEAUCHET, Nicolas LEMIEUX
\n\nRigger|Max JOUANNEAU
\n\nMusic, Lyrics, Sound Designer and Arrangements|Colin GAGNÉ
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Team Introduction
\n\nLes 7 Doigts
\n\nLes 7 Doigts is an arts collective unlike any other. In 2002, the 7 founders set out to redefine circus by stripping down the spectacle to its thrilling essence.
\n\nThe contemporary company tells stories using death-defying acrobatics with a life-affirming theatricality that is unique to Les 7 Doigts. Since its inception, the company has expanded from its own signature touring shows to creating theatrical experiences as diverse as the very artistic directors themselves: original productions varying from intimate one-man shows to large-scale arena performances, Broadway musicals, artistic collaborations with renowned international artists and companies, production design and direction, special events, Olympic ceremonies, televised performances, fashion, art and music events, immersive experiences and much more.
\n\nEvery one of these projects carries Les 7 Doigts' unequivocal mark. The company has consistently spread its horizons by mixing genres and exploring new ways to tell stories. Fascinated by the human condition, Les 7 Doigts create performances that celebrate our world, our time and our humanity. Their shows tour the globe and bring audiences to their feet wherever they go.
\n\nIn 2018, Les 7 Doigts opened their very own Centre of Creation and Production. Situated in the heart of Montreal's downtown theater district, the new centre houses all of the company's activities, departments and dreams under one roof.
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More
\n\n►2023 Weiwuying Circus Platform
\n\n\n'},{title:"Background",content:'
Departure vs. transit vs. arrival.
\n\nChance vs. choice vs. destiny.
\n\nStillness vs. acceleration.
\n\nReflection vs. transparency.
\n\nFamiliar vs. foreign.
\n\nPrivate vs. public.
\n\nConfinement vs. border-crossing.
\n\nBright headlights vs. tunnel-darkness.
\n\nPast vs. future…
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Our fascination with trains is both a nostalgic one—dreams of another era, another land—and a symbolic one: life happens along this track of sorts, twisting and turning through valleys and plains. We speed through lands all the while staring out the window, at the reflection of our very own eyes superimposed upon the shifting landscape. Tearful goodbyes, anticipatory reunions. Fateful encounters inside the cabin. A community of strangers with one thing in common: we all have somewhere to go. Our reasons for leaving may differ but we are joined in a moment of suspended limbo between two lives, as we say goodbye to one and prepare for another.
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